Guide is a 1965 romantic drama film starring Dev Anand and Waheeda Rehman. It was directed by Vijay Anand, who contributed to the screenplay. The film is based on the novel The Guide, by R. K. Narayan.
The film was a box office hit upon release. The movie proved memorable for its award-winning performances by the lead actors and memorable music by S. D. Burman. Time magazine listed it at Number Four on its list of Best Bollywood Classics.
A 120-minute U.S. version was written by Pearl S. Buck, and directed and produced by Tad Danielewski. The film was screened at the 2007 Cannes Film Festival, 42 years after its release.
The movie starts with Raju (Dev Anand) being released from jail. Raju was a freelance guide, who earned his living by taking tourists to historic sites. One day, a wealthy and aging archaeologist, Marco (Kishore Sahu) comes to the city with his young wife Rosie (Waheeda Rehman), the daughter of a courtesan. Marco wants to do some research on the caves outside the city and hires Raju as his guide.
A Guide is a person with specialized knowledge that helps laypersons travel thru an area
Guide or The Guide may also refer to:
GUIDE (Guidance of Users of Integrated Data-Processing Equipment) was a users' group for users of IBM computer systems.
GUIDE was formed in 1956; it was incorporated in 1970 as a non-profit organization under the name of GUIDE International Corporation. At its peak GUIDE had a membership of around 2,000 companies and institutions.
In 1994 in Europe GUIDE merged with the European arm of SHARE, another major IBM users' group forming GSE (Guide Share Europe).
In the US GUIDE ceased operation in September 1999. Although the groups did not merge, many of GUIDE's activities and projects were taken over by SHARE, and GUIDE suggested to its members that they join SHARE. In August 2000, SHARE took over the guide.org domain name.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.