Force (Superfly album)

Force is the fourth studio album by Japanese pop-rock unit Superfly. It was released on September 19, 2012. Force commemorates the group's fifth anniversary and was released in several formats, including a special fifth anniversary edition which includes a bonus CD (included with the first-press releases), a vinyl version of the album, and a commemorative poster. Japanese convenience store Lawson will also exclusively sell a special edition of the album which includes a bonus DVD. On the iTunes Store, the album will be packaged with one bonus track, with a second reserved for those who pre-ordered the album.

The album's title comes from both the English word "force" as well as the similarity between the Japanese pronunciations of "force" and "fourth".

To support Force, Superfly is going on two separate tours, the "Live Force" national concert hall tour from October 2012 through January 2013 and the tentatively titled "Superfly Arena Tour 2013" in March and April 2013.

Superfly (Superfly album)

Superfly is the debut studio album by Japanese band Superfly released on May 14, 2008. Approximately 391,182 copies have been sold in Japan and is certified Double Platinum by the RIAJ for the shipment of 500,000 copies. On the iTunes Store, a special remix of "Manifesto" by Ram Rider was included.

Superfly debuted at number 1 on the Oricon's weekly album charts; the last time a female artist had their first album debut at number 1 was Tina's Colorado in 1999.

Tracklist

Charts (Japan)

References

Superfly (soundtrack)

Superfly is the third studio album by American soul and funk musician Curtis Mayfield, released in July 1972 on Curtom Records. It was released as the soundtrack for the Blaxploitation film of the same name. Widely considered a classic of 1970s soul and funk music, Super Fly was a nearly immediate hit. Its sales were bolstered by two million-selling singles, "Freddie's Dead" (#2 R&B, #4 Pop) and the title track (#5 R&B, #8 Pop). Super Fly is one of the few soundtracks to out-gross the film it accompanied.

Superfly, along with Marvin Gaye's What's Going On, was one of the pioneering soul concept albums, with its then-unique socially aware lyrics about poverty and drug abuse making the album stand out. The film and the soundtrack may be perceived as dissonant, since the Super Fly film holds rather ambiguous views on drug dealers, whereas Curtis Mayfield's position is far more critical. Like What's Going On, the album was a surprise hit that record executives felt had little chance at significant sales. Due to its success, Mayfield was tapped for several film soundtracks over the course of the decade.

"@" (album)

"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.

Reception

Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".

Track listing

All compositions by John Zorn and Thurston Moore

?! (album)

?! is the third studio album by Italian rapper Caparezza, and his first release not to use the former stage name MikiMix.

Reception

Reviewing the album for Allmusic, Jason Birchmeier wrote, "The Italian rapper drops his rhymes with just as much fluency and dexterity as his American peers throughout the album. [...] Caparezza's mastery of the Italian dialect [makes] this album so stunning."

Track listing

References

Album (Land of the Lost)

"Album" is the seventh episode of the first season of the 1974 American television series Land of the Lost. Written by Dick Morgan and directed by Bob Lally, it first aired in the United States on October 19, 1974 on NBC. The episode guest stars Erica Hagen.

Plot

Will awakens in the early morning to a high-pitched whirring sound which fills the jungle, but eventually it goes away. Rick has Holly build a trap to catch whatever has been breaking into their stores, and Will goes to weed the garden. While outside, he again hears the sound and follows it to the Lost City. Within, he enters a chamber with a very crude-looking attempt to simulate a matrix table but filled with colored stones instead of crystals. On the ground is a pulsating blue crystal that attracts his attention. Picking it up, he sees his mother (Erica Hagen) materialize in a cloud of mist. Afterwards, he returns to High Bluff but doesn't speak of his encounter.

The next day Holly's trap has not worked, and Will again hears the sound. Holly hears it briefly as well, but dismisses it. Will returns to the Lost City and again witnesses his mother while holding a blue stone. His mother calls for him, but he is interrupted by Holly, who sees nothing until she touches the blue crystal as well. Holding it together, they are both beckoned by their mother to "come home," but then she quickly adds, "Too late. Come tomorrow. Don't tell." Will explains to Holly that he wants to tell Rick about his discovery but for some reason he is unable to. Holly replies that she will tell their father if he does not and Will sincerely hopes that she can. Will theorizes that they were looking through a time doorway that is open to a period when she was still alive. When Holly asks why her image is not very clear, her brother suggests that it might be because they do not remember her very well.

Force play

In baseball, a force is a situation when a baserunner is compelled (or forced) to vacate his time-of-pitch base—and thus try to advance to the next base—because the batter became a runner. A runner at first base is always forced to attempt to advance to second base when the batter becomes a runner. Runners at second or third base are forced only when all bases preceding their time-of-pitch base are occupied by other baserunners and the batter becomes a runner.

A forced runner's force base is the next base beyond his time-of-pitch base. Any attempt by fielders to put a forced runner out is called a force play. Think of forced runners as bumper cars. If with a runner on first, the batter hits a ground ball, the batter must run to first, and since two runners are not allowed to stay on one base at one time, the runner who was on first to begin with is now bumper-carred by the advancing batter over to second. If there already was a runner on second as well, that runner is now bumper-carred over to third, and so on. If a runner is bumper-carred over to the next base by the advancing batter or by another runner who was bumper-carred by the advancing batter, then that runner is considered to have been forced to advance to the next base. If, however, with a runner on third, for example, the batter hits a ground ball, the batter must run to first, but the runner on third, not having been bumper-carred by the batter, is not forced to advance and can stay where he is if he elects to.