Amsterdam | |
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Author(s) | Ian McEwan |
Country | United Kingdom |
Language | English |
Genre(s) | Novel |
Publisher | Jonathan Cape |
Publication date | 1 December 1998 |
Media type | Print (Hardback & Paperback) |
ISBN | ISBN 0-385-49424-6 |
OCLC Number | 42992366 |
Preceded by | Enduring Love |
Followed by | Atonement |
Amsterdam is a 1998 novel by British writer Ian McEwan. It is a morality tale revolving around a newspaper editor and a composer. McEwan was awarded the 1998 Booker Prize for the novel.[1]
Contents |
Amsterdam is the story of a strange euthanasia pact between two friends, a composer and a newspaper editor, whose relationship spins into disaster.
The book begins with the funeral of Molly Lane. Guests at the funeral include Foreign Secretary Julian Garmony, newspaper editor Vernon Halliday, and eminent composer Clive Linley. These three share certain attributes: each has a very high opinion of himself, each was at some time Molly's lover, and each regards the dead woman's husband, George, with a mixture of amusement and contempt.
Clive and Vernon muse upon Molly's death. It seems she had some kind of rapid-onset brain disease (not specified) that left her helpless and mad. Neither man can understand her attraction to Julian Garmony, the right-wing Foreign Secretary who is about to challenge the Leadership.
Clive returns home to continue work on his symphony. He has been commissioned to write a piece for the forthcoming millennium and much of the work is complete, all save the crucial signature melody. He resolves to go walking in the Lake District, as this tends to inspire him.
Vernon is the editor of a newspaper whose readership is diminishing. He is trying to change the content of the paper to be more sensationalist. George, Molly's husband, gives him a golden opportunity, but he and Clive argue furiously about the moral responsibility of the act.
However, in the Lake District, Clive faces a difficult moral decision himself. He chooses to walk away from a potentially dangerous situation he could have helped with, because his elusive melody, the crucial notes, have arisen and he has to get them down. Instead of helping, he crouches unseen besides a rock and writes his music. This has repercussions that will change his life.
During the course of the book Clive and Vernon become mortal enemies bent on exacting revenge. The consequences of their decisions, and a pact made between them, lead them both to Amsterdam where the novel's dénouement plays out.'
The novel was well received by critics. In The New York Times, critic Michiko Kakutani called Amsterdam "a dark tour de force, a morality fable, disguised as a psychological thriller."[2] In The Guardian, Nicholas Lezard wrote, "Slice him where you like, Ian McEwan is a damned good writer" and discussed "the compulsive nature of McEwan's prose: you just don't want to stop reading it."[3] In The New York Times Book Review, critic William H. Pritchard called the book, "a well-oiled machine, and McEwan's pleasure in time-shifting, presenting events out of their temporal order (flashing back in Clive's mind, say, to a conversation he had the day before) is everywhere evident. Vladimir Nabokov, asked whether sometimes his characters didn't break free of his control, replied that they were galley slaves, kept severely under his thumb at all times. McEwan follows this prescription in spades."[4]
Amsterdam received the 1998 Booker Prize. Announcing the award, Douglas Hurd, the former British Foreign Secretary who served as the chairman of the five-judge panel, called McEwan's novel "a sardonic and wise examination of the morals and culture of our time."[5]
Awards | ||
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Preceded by The God of Small Things |
Man Booker Prize recipient 1998 |
Succeeded by Disgrace |
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"Amsterdam" is a song by Jacques Brel. It combines a powerful melancholic crescendo with a rich poetic account of the exploits of sailors on shore leave in Amsterdam.
Brel never recorded this for a studio album, and his only version was released on the live album Enregistrement Public à l'Olympia 1964. Despite this, it has been one of his most enduringly popular works. It was one of the songs Mort Shuman translated into English for the Jacques Brel is Alive and Well and Living in Paris musical.
Brel worked on the song at his house overlooking the Mediterranean at Roquebrune-Cap-Martin, the house he shared with Sylvie Rivet, a publicist for Philips; a place she had introduced him to in 1960. "It was the ideal place for him to create, and to indulge his passion for boats and planes. One morning at six o'clock he read the words of Amsterdam to Fernand, a restaurateur who was about to set off fishing for scorpion fish and conger eels for the bouillabaisse. Overcome, Fernand broke out in sobs and cut open some sea urchins to help control his emotion."
Amsterdam is the capital and largest city of the Kingdom of the Netherlands.
Amsterdam may also refer to: