James rosenquist

World's Fair Mural, 1963-64. (James Rosenquist)

The Friction Disappears represents the effortless flow of pictures and information in our culture, where unrelated or contradictory ideas overlap one another. Rosenquist painted the car in the same hot hue as the canned spaghetti simply because he liked the color. The tiny electrons orbiting the globe on the car door are like the paths of ideas and images crisscrossing in the modern world. Rosenquist compares the uncanny combinations that result to "two soap bubbles colliding and coming…

James Rosenquist. Marilyn Monroe, I. 1962. Oil and spray enamel on canvas. 7' 9" x 6' 1/4" (236.2 x 183.3 cm). The Sidney and Harriet Janis Collection. 646.1967. © 2025 James Rosenquist/Licensed by VAGA, New York, NY. Painting & Sculpture

Official website for the American artist whose 40+-year career was celebrated in a fall 2003 retrospective at New York's Guggenheim Museum.

MoMA | James Rosenquist: F-111

Lipstick in James Rosenquist's House of Fire, 1981 http://www.farbav.com

F-111 Off set lithograph, 1965 Signed and dated in pencil lower left (signed examples are very rare) Published by Leo Castelli Gallery Edition: Unknown Provenance: Ileana Sonnabend, Parisian Art Dealer and wife of Leo Castelli Nina Castelli Sundel, their daughter. Condition: Colors excellent Two soft handling creases in image (see photo) Framed with Conservation clear glass Image size: 29 x 23" Frame size: 30 1/2 x 24 7/8"

Director, 1964. (James Rosenquist)