Focal point

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This photo shows emphasis. The pencil in the picture with the most focus on it is the focal point of the picture. It is the part that your wye is immediately drawn too. Depth Of Field Photography, Focal Point Photography, Focus Pictures, Photography Elements, Aperture Photography, Foto Macro, Elements And Principles, Principles Of Art, Focus Photography

too obvious I expect, but I haven't checked the group yet... So, I checked, no lines of pencils yet. good. Shot with 135mm f2 and a 36mm extension tube, lit with one light pencil left, 1m @ 1/64th and one right 2m @ 1/64th. cropped square, vignette added, sharpened a bit and I still missed the focus point :( and also, paying some attention to the "skills" thread in the group discussion with lead lines

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Design Movements - Line Art - 40 Amazing Examples Image Illusion, Illusion Kunst, Arte Obscura, Illusion Art, Op Art, Art Graphique, Optical Illusions, Linocut, Doodle Art

See more examples at Twenty75.com. Line art is is form of imagery that uses distinct, concentric or parallel lines to create a 3D image. The artwork is usually but not exclusively on a white background with a dark black detail for increased contrast. The technique does not use shading but relies on distance between lines and contouring to create the illusion of depth and light. Some of the featured artists include Paolo Čerić, Carl Krull and Vasilj Godzh.

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FOCAL POINTS LINK “Elements with a point of interest, emphasis or difference will capture and hold the viewer’s attention.” This principle suggests that our attention will be drawn toward contrast, toward the element that is unlike the others in some way. Your eye should be drawn to the square. It’s a different shape and color from the other elements. I’ve also given it a drop shadow to further emphasize it. Contrast Design Principle, Emphasis Design, Contrast In Design, Gestalt Principles, Photobook Layout, Cognitive Psychology, Product Development Process, Contrast Design, Visual Hierarchy

Gestalt principles are important to understand. They sit at the foundation of everything we do visually as designers. They describe how everyone visually perceives objects. This article is part of a new series about design principles that can serve both as a refresher for seasoned designers and reference for newcomers to the industry. Hopefully, the content covered here isn't too obvious and self-explanatory, but it's always great to have a nice quick refresher every now and again, isn't it?

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