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Performing the visual: the practice of Buddhist wall painting in China and Central Asia, 618-960
2004, Stanford University Press
in English
0804745331 9780804745338
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Book Details
Table of Contents
The sketch : historical, thematic, and stylistic issues
The economics of Buddhist art : compensation and organization
The cognitive practices of the wall painter
The influences of the Dunhuang sketches : Fenben and monochrome drawing
Banners and ritual-practice diagrams : two additional types of sketches
Performance : orality and visuality
Sketching, performance, and spontaneity in Tang China.
Edition Notes
Includes bibliographical references (p. 299-326) and index.
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