prasadbabumatta

An immersive war film experience without the unnecessary chauvinistic nationalistic pomp and show-I enjoyed the film thoroughly. And yes! I wasn't really aware of the details of the war of '71, precisely the Battle of Garibpur, and how India helped East Pakistan (Bangladesh) attain liberation from West Pakistan.

The story of three siblings is straightforward and neat. The rift between the brothers was interesting. I am glad the makers didn't burden our protagonist with a love interest. The war scenes-WOW-beautifully designed. The locations where the film is shot contributed immensely. I believe not much of VFX has gone into the film. The tank battles could have been dealt with better. Underproduction? Small budget ? Maybe the reason, but whenever PIPPA was in the water, I was watching without a blink. Ishan worked for me as an actor mostly. Imaamulhaq was brilliant.

The visuals are for the theatre, and cinematographer Priya Seth did an excellent job, especially during the war sequences; the camera immersed me. Director Raja Krishna Menon did commendably as well-the setup, the war sequences were well done. I had teary eyes more than once.

On the flip side, the pacing gets slow towards the end. The climax is underwhelming indeed. Edits at some places were abrupt; also, the makers could have shortened the film. The background score was changing tones, so it worked for me only in parts. AR Rahman sir didn't impress. I wish the film had seen the theaters. Pippa Pippa, "Ghee da dibba," is a victory indeed.

A young boy on the eve of his tenth birthday on this one night of adventure, a night of dreaming, seeking, making friends, meeting characters like never before. Then the morning comes, and comes with it, the end to our own dreaming, a little heartbreak maybe, and that realization that kicks in your gut, like Chippa speaks "Zindagi abhi shuru hua hai." The writer director @Safdar Rahman has woven this fine fabric of adventure and reality with ever-changing people and places, frozen in time moving and evolving, spilling small stories that make Kolkata's urban life so dynamic. You find this brilliant migrant mix of languages, hindi, bangla, urdu, bhojpuri that underbellies the city itself. Then there is Chippa's drawing book comes to life and we see Kolkata emerges in red post boxes, in late-night football matches, in tiny tea stalls and in roof garden yellow taxi. The film banquet stunning performances by the cast Joyraj Bhattacharya, Sumeet Thakur, Gautam Sarkar, Masood Akhtar, Kalpan Mitra Tanaji Dasgupta, Chandan Roy Sanyal, and endearing Sunny pawar. Sunny delivers spirited mature performance transmitting warmth and brightness. The subtle camera work by my dear friend cinematographer @Ramanuj Dutta is reminiscent, breathing life to the empty night streets of Kolkata. Chippa's music scores by Belgian composer Cyrille de Haes, with Dibyokamal Mitra's The Big Other, elevate the reel, and manage to capture both the stillness and the poetry of the night. Chippa dreams of being everything life possibly has to offer, a taxi driver, a trumpet player, a policeman, a newspaper delivery man, all at the same time. It's an endearing, imaginative, fairytalsih, optimistic, grounded, feel good, coming-of-age film that touches the right chord. #mustwatch #chippa #sunnypawar #netflixfilm #netflix

'Chune Chali Aasma' singing in my mind, with a subtle smile on my face; gratified and moved, I walk down the stairs of the multiplex.

A fantastic story, elegantly told, powerfully acted and excellently directed is something, I would refer to as VARANASI (a dialog in the film), which is lot of noise but in peace, if nothing else.

This Margarita is spilt all over me; and is definitely intoxicating. Sometimes less is more and Margarita with a straw is MORE.

Bravo! MargaritaWithAStraw In a society where disability has always been invisible and unable to provide for differently-abled people, MWAS is refreshing movie that throws light on the very fact that they are there to be found, normal like us.

Many pluses to the film; exceptional heart wrecking story, which is at the same time elevating, keeps you smiling all the time. There is some very modern and captivating music, beautiful lyrics, aptly lensed and direction is splendid.

There is a scene in the movie where the band performs "Dusokute" (which means in her eyes in Assamese - a rock piece by joi barua) which Laila writes & composes, wins an inter collage competition. While they announce the trophy with a special reference to the disability but for ability of Laila, the expression Kalki delivers and that rage in her action, made me shed my first tear.

Where our writers sometimes fail to execute one just challenge or difficulty to the protagonist effectively, Margarita's script writer and director have convincingly put in multiple challenges. A teenager, Laila (Kalki Koechin) on wheelchair with cerebral palsy, aspiring writer and musician, a normal middle class family, studies abroad, a blind pakistani gay girlfriend (foreign balamwa), mother's cancer, her raging hormones and zeel for life and the count goes on.....whuff !!! Kudos.

Talking about the technicality, its a definitive directors baby (Shonali Bose) with some exception scripting. Unconventionally narrated for the loose ends of the continuity of story has been marvelously draped by sheer excellence of direction, which STANDS out. Well balanced characters with their unique sketches, interestingly woven and patterned.

Alongside, Kalki, the film puts the spotlight on, Sayani Gupta, who plays Khanum, her blind lover from Pakistan with whom Laila embarks on an intriguing journey of sexual discovery. Scary for the character, as she speaks, but a delight for the evolving indie audience. Sayani is indeed SAYANI; her portrayal of a blind person without being weighed down by the condition, is breath taking. There are interesting intimate scenes in the movie, which have been edited without any background score (very unlikely approach), are bang on.

Laila's mother (Revathi), reflecting the undying attitude of a mother towards her child, is a cancer patient. She also shares a considerable story time and has performed her role, as an AADAT for Lalia, with utmost perfection. In one of the scenes Laika speaks -Everyone has mother, but she has an aadat ...and that made me drop a tear, yet again .

The protagonist 'Kalki' is absolutely brilliant as Laila; convincingly powerful and award worthy. She completely sucks you into her world, which is evolving, scattered and at the same time simple. Margarita's on-screen depiction of homosexuality, or of disabled people having sex for that matter, in Indian cinema is very brave. The movie throws lot of questions at you without answering them directly, in your faces. A big movie ,especially , for the ones with human rights and gay and lesbian genre.

I am, kind of ,short of praises for such a bold, proactive film about disability and of course coming out, which is an integral part of this story. A very personal thank you note indeed for the director to have done incredible justice to the story with her binding direction , which otherwise would have been lost in transition. Thank you for making the film available for us to see and reflect upon.

Its far better than most of the Bollywood dramas we dwell upon. Go sip on this 'Margarita- with a straw' Ladies and Gentlemen.

👏👏👏👏👏🌹