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Atched it, it's a revenge thriller that needs to be watched with my brain, but it's the best reversal suspense movie I've seen this year. Don't let Chen Sicheng see this movie. The scale is really big, and the rare Indian film doesn't have song and dance scenes. There were some funny moments in the early stage, but it was too confusing. Just think of it as just a movie about finding a trash can, and then it started to reverse. The reversal design is so wonderful, the ending is particularly shocking and surprising, it's so refreshing and relaxing, and it also has social significance (it reminds me of the Indian hospital rape and murder case a while ago, which was too ironic). The police took money and really did things. The cross narrative technique still feels excellent, and the plot is interconnected. The topic selection is very interesting. It's very realistic, the actors' acting skills are explosive (they feel like they're shaking their heads while walking), the scene music is good, and the filming is also good,

I watched it, although it's not as good as the first one, it's still a good musical film. The plot is actually very simple, telling the story of a clown waiting for the Century Trial in prison and encountering a little ugly woman. However, I feel that this form of film is more important than the content, and the content is also quite interesting. The dual personality setting is quite interesting, and the visuals are very good, especially the scenes about dreams and jailbreaks. As a musical film, the music is also very good, and the dance is also good. The only drawback may be that there are few (or even almost none) action scenes and the character design collapses. Overall, everything else is good, not so unbearable. The actors' acting skills are still good (really crazy), and the animation at the beginning is quite interesting, like 1980s American comics, with political satire significance. Yes, I personally feel that the ending is pretty good, but it seems that the first Joker movie doesn't have much meaning anymore.

I watched it, it exceeded my expectations by too much. The quality of the commercial film is still decent, except for the mediocre literary and dramatic scenes, which forcefully incite emotions. The overall quality is still good, the whole process is tense and exciting, the pace is still very tight, the plot is very bumpy, and the fighting scenes are considered to be relatively bloody in the cinema this year. It is cruel and restrained, and I enjoyed watching it very much. However, some scenes have been color coded, the hijacking methods are relatively reasonable, and there are many unbelievable aspects, but after all, it is a commercial film. The actors' acting skills in the whole film are explosive, and the setting of two manic patients in one plane is also interesting. The villain's performance is really crazy, and the male lead's family line is actually okay. The emotional scenes in this film are difficult to evaluate, some are added well, and some are really good. It's too forced, the movie scene is okay, only filmed on a plane, but it didn't make me aesthetically tired, and even felt novel. It's difficult to evaluate for half an hour, The special effects are good and enjoyable to watch, but it's ridiculous. I didn't expect to land with two trucks in the end, but it's still a satisfying movie. A little bit of rationality is enough.

I watched it, although everyone criticized Chen Kaige for his consumption theme, he is still a big director and the filming is still good. In addition, the National Day needs this kind of patriotic theme film, which is a very good main theme war film. The plot is reasonable, there are sparks and tears, and the texture is much better than the first one. The actors' acting skills are good, and the character settings are more full. Moreover, the emotional scenes are not artificial, and there is no deliberate sentimentality (flowers and candy paper make me cry). The war scenes are well filmed, the visual effects are great, very shocking and spectacular, and many tactics are also filmed, which are easy to understand. Although it is a bit unreasonable for military fans, it is still a commercial main theme film. These are not particularly important, and the disadvantage is that there are literary and theatrical elements. Somewhat bad, it's still worth seeing.

Yes, it's a very novel movie. It's rare to see the subject of kidnapping in China, and it's not like other movies of the same subject. It's even a thriller. I like the first half of the picture very much, and the overall plot is relatively relaxed compared with the second half. There are also some funny points, like the western film (also reminds of the no man's land in Ninghao). The second half of the movie is like a Southeast Asian revenge thriller, with a general scale, but it's very cool. In addition, I think the plot of the movie is the best in this year's revenge thriller. The setting of the three main characters is very interesting. From the English name of the movie, you can also know the character setting of the characters in the film. Even the supporting role's character setting is very clear (except for the villain son, this It's really against the weather.) The fighting scenes are good, but they are basically sword fighting scenes. The acting skills of all the actors are good, The villains have also been countered with violence (but being struck by lightning is too abstract), the music is just right, and the five hundred is also self transcendence, which is not only slightly better than this year's anti crime campaign.

I have watched it, only the Transformers movie version. It should be considered a prequel and understandable. Although it is an animation, the content is still very shocking. The first half feels like a fantasy adventure film, and the second half enters the main topic. The art style is very unique and refreshing, and the action scenes and visual effects are very smooth compared to all the animations this year. The music is also very good, and the plot is not too clich é d as a cool movie. However, the content is still conventional, and the character descriptions are good, all with distinct characteristics. The only drawback is that the description of the collapse of the Megatron faith is still a bit fragmented, which can be added to the process.

I've watched it, and currently the biggest film of the year is one of the few realistic themed films in China, and it's also about migrant workers. The satire is fully expressed (there is a detail in the movie where the color of the clothes of the two main characters represents their status in Malaysia), the actors' acting skills are really good (the long shot by Wu Kangren is completely mesmerizing), the music in the movie is very oppressive, the art style and texture are very good, with a Hong Kong film feel. The two main characters are set very innovatively, although they are brothers, their personalities are different (the kind of brothers in wild children), and the emotional portrayal is very good. The opening scene of the immigration chase scene was well filmed, and the worker jumping off a building was the finishing touch. The first half is the daily part, and the second half is the half. Part of the younger brother accidentally killed someone, and after the older brother took the blame, he became even more depressed (and it was a knife). The plot is very novel, And in the last few minutes, Wu Kangren's acting is worth watching.

After watching it, I thought it was a bad movie after being released so many times, but the final film was unexpectedly good, not much better than "My Sister". It is a very relaxing and healing art film. I really like the texture and color tone of the movie, and the story is quite simple. The two of them accidentally met and redeemed each other. However, after reading the introduction about the prototype of the case, I still feel that it is quite realistic (with some artistic processing and normal). The overall acting skills of the actors are good, and Wang Junkai's acting skills are also good, which is considered one of the better young actors (that is, he doesn't speak Sichuan Chongqing dialect, other locals speak Sichuan Chongqing dialect, and there is a bit of acting). The first half of the film is still quite relaxed and happy (fighting for a sofa with a homeless man throughout the film). The funniest part, the latter half is really sharp. Even someone like me with low tear points cried, In terms of character design, I feel that the overall personality and background of the characters are quite rich. The movie scenes also feel good, with a strong sense of market atmosphere. The music is also good, and most of them are very healing. Several chase scenes are filmed well, and the atmosphere is also strong. In short, if we don't beautify this subject matter and shoot it again, it will be worth watching.

I watched it for the first time. It's a Thai movie about family relationships. In fact, the plot of this movie is very routine and the theme is very ordinary, but the rhythm is very good. The emotions in this movie are very good, not just for sentimental purposes. At the beginning, it is a very healing and heartwarming movie. The music and photography are both very good, and the overall atmosphere is quite relaxed. The second half is particularly easy to cry (and the aftertaste is also very strong), especially in the last ten minutes (the male protagonist's transition from now to childhood is filmed very well!). Although the main characters are Thai Chinese, it feels like they are filming Chinese families, and it also explores East Asian family relationships and the topic of valuing sons over daughters (the sentence that the male protagonist's mother said to his grandmother had a profound impact on me). Finally, I hope that domestic family films can learn from this movie and not deliberately stir up emotions.

I watched it, Ruan Jingtian just played Zhou Chude's Three Harms and also played An Du's Three Harms .The scale of this film is still very large, it should be considered an upgraded version of Angry Tide. Even this fight scene is more silky than Angry Tide, and the texture is even improved. It also adds a lot of hot weapon gun battle scenes (the gunfight scenes are unexpectedly exciting). The first half is a standard police and gangster film routine. At the beginning, there is a scene of a criminal group making money, and the filming technique is quite innovative. The transitions are very dazzling. Apart from that, there are no surprises, but it is still very enjoyable to watch. After the mid to late stage gunfight, it pays tribute to the classic lines of Ah Wei in the anti drug campaign, and then begins. The continuous twists and turns make it very enjoyable to watch. The ending is still a mix of good and evil, but the main cast is still dead. The only downside is the Easter egg in the end, which I personally think is unnecessary.

I watched it, it's a miracle that this movie was released in China without any cuts. I have to thank the censorship. The scale of this movie is really large, the first half is a bit boring, but the second half is really scary, and the action design is also very exciting. Alien is really disgusting and terrifying (I haven't watched the first few Alien movies, I inexplicably feel that Alien is a bit like Venom...). The plot is almost non-existent, it's just a brainless and exciting movie (this movie has good special effects, it should be good to watch in the cinema, but unfortunately it's 2D). However, as a horror movie, it's still good, the atmosphere is strong, the characters are quite clich é d (classic horror movies don't make immortal), and they all have a saintly heart, but biomimicry. The setting of the younger brother is quite interesting (the smartest one among them...), but with such a scale, the plot is no longer important.

I watched it, and there is an Easter egg at the end, which is a very special light science fiction romance film. The whole movie is like "Out of Control Player", where an unknown NPC suddenly rises and changes her fate. The female lead's setting is relatively novel and the style is bold (are love films so crazy now?). The visual style is a bit like that of a Hong Kong art film (the scene in the shared room full of bubbles is very beautiful). The movie integrates many elements and timelines, but it is not abrupt in the movie. The story is also relatively simple, where the male and female leads redeem each other under love, but the setting of incorporating aliens into the movie is quite novel. The scene where the male lead is caught by Galaxy Film Factory not following the script in the middle is particularly special. Interesting (also paying tribute to Charlie Chaplin and Stephen Chow), but it feels like there are too many elements integrated throughout the film, which is a bit fragmented.

After watching it, it seems that Busy Auntie really likes riding bicycles. This should be the most unique style movie in recent years, it's too crazy! Although the plot is rather conventional (saving the world), the director's imagination is particularly rich, and the shooting technique is very interesting, which makes people not feel boring. It feels that the picture of the film was relatively narrow in 1999, but it will become wider in 2019, and many of the pictures in the film are very beautiful (at the beginning, Rocket used wires to jump down from the company building with the female owner after rectifying the workplace) (of course, there are also some crazy)! The transition scenes are the best I've ever seen this year, and the comic style special effects are particularly good. There is a sense of excitement when used in fighting scenes (normal special effects are also good), and the fighting scenes are well done (even a bit like a B-level movie). The overall humor of the film is at the beginning and end (the ending is really nonsensical), even funnier than some comedy films. The only downside is that the plot is too light, but with so many elements in 98 minutes, it's still very bold.

After watching it, I can give it a score of 8.5. The Chinese political thriller version of Oppenheimer is actually a spy war film. It has been a good main theme in recent years (should be considered) and Chen Sicheng's best movie. A score of is still low (at least 8 points for any popular director)The visual quality, audio and visual effects, and special effects are all very good, even better than many Hollywood blockbusters (I really regret not watching IMAX). It tells the story of the competition between geniuses and geniuses. The visual effect of the movie's dreams is very good, very shocking (personally, I like the maze and pink beach the most). I feel that there is a dream before every important turning point in the film, and the actors' acting skills are good (especially John Cusack and Liu Haoran). The transitions are the best movies I have seen this year, and the ending is different from the novel, giving Rong Jinzhen a good ending. However, there are some shortcomings: the love scenes are relatively stiff, and the movie also adds a scene of Chen Sicheng's interview at the end (Chen Sicheng is a narcissistic maniac)

I watched it, the coolest movie I've seen so far this year (with Easter eggs at the end, everyone in the cinema laughed, if parents bring them to watch, Jianhua shouldn't watch it), and the fighting scenes are particularly exciting! You must watch the first ten minutes of the fight! But my favorite play was in the MPV, which was a movie about the parallel universe. As the dead waiter said, this idea had been spoiled by Marvel, but it was very funny. It was more funny than most of the comedies I saw this year. The main point of laughter was that the dead waiter roast (X-Men), Disney and 20th Century Fox, and the scale was also very large (after all, R-rated movies). The female dead attendants did not show up (I think the publicity once thought it was unlucky). But the last play about the dead waiter parallel universe was also very wonderful. If the shortcomings were found, the ending was too old-fashioned. Can you guess, it's a big deal A happy ending. I can give it a score of nine (it feels like Marvel has had one good movie in a year since last year (two last year), the rest is just a pile)

Yes, there are only a few good films about Happy Fried Dough Twists. I thought Happy Fried Dough Twists was going to spoil things, but it turned out to be the best comedy in the first half of the year (last year at the annual meeting). It was not deliberately sensational. The first half of the comedy version of Truman's World was a pure comedy. The plot was very funny, but all the funny points were based on the pain of the second son. There was a homophonic stem that was particularly funny, and probably explained the background. The second half felt a bit fragmented, like a thriller, a horror film about East Asian families, the grandma's body trick. The ending was moral kidnapping, and the eggs were very ironic. I even want to have another one to replace my second son's real suffocation. There are funny points and connotations. Recently, a few pure comedies can give nine points, and one point is for such sensitive subjects.

I saw it, I can give it a score of 9. The ending pays tribute to Chen Sicheng, with a big reversal, but there is a logical reversal. The first ten minutes of the drama were really exciting, and I thought it was the kind of plot that was driven by the police investigation, but it was driven by the character played by Zhang Junning. The middle is particularly tight, with many fighting scenes and a racing scene (the scene where Jin Shijie is too much like Zhou Chude's "Three Evils" and Wang Chuanjun's scene reminds me of Lin Luhe). The actors' acting skills are explosive, and Wang Chuanjun and Zhang Junning acted so well. Cai Ming provided many laughs for the film... The scene is still in Southeast Asia, but... At least I went to Malaysia for live action filming. The music was particularly explosive, and the color scheme had a Korean film feel. The ending had the Easter egg removed, which was great. It could have been changed to Xiaotong singing in the car after releasing the pigeon. In the end, the police officer was sentenced, There must be some reason why the principal who embezzled and bribed did not enter.