Fast, stylish, funny, and thought-provoking "Stardom" is the fourth Denys Arcand film I have watched so far, after - in their chronological order - "Gina", "Jesus Of Montreal", and "Love & Human Remains". Apart from "Gina", which was made much earlier and Arcand was still finding his way, in the other three films I have noticed some shared trademarks: Arcand seems to see filmmaking as a kind of intellectual game with the audience, and he also doesn't like to be constricted in the number of topics that his films touch upon - in fact, in "Stardom" he tackles a different topic in almost every other scene! With that said, the main target of the film is the fashion industry, and in that field Arcand achieves what Robert Altman only dreamed of in his "Pret-A-Porter" (1994). Coming before the social media frenzy and things like "revenge porn" really took over, "Stardom" can be considered quite prophetic as well. Arcand plunges the viewer, as well as the heroine, into a frenetic whirwhind of media coverage; the film is often dryly funny, but also has some amazing serious scenes, like when Jessica Pare confronts her long-missing father. Speaking of Pare, she is a radiant discovery; this must also be one of Dan Aykroyd's best performances. *** out of 4.