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Incredibly prolific director Herman Yau presents his fourth film of the 2023, “Moscow Mission”, after “The White Storm 3: Heaven or Hell”, “Death Notice” and “Raid on the Lethal Zone”. Yau has turned into a bona fide master of action and this last effort is a bombastic take on the true story of a series of violent robberies in 1993 on the Beijing-Moscow train and the Chinese mission to eradicate them and capture the robbers. It's not the first film dealing with these particular incidents; Michael Mak had directed “The Train Robbers” in 1995, and there is also a more recent 31-episode online drama, directed by Zhang Rui. Chen Daming has curated the screenplay, incorporating as much action set pieces as possible, although, maybe at the expense of the script's fluidity.
Moscow Mission is screening at UdineFar East Film Festival 2024
It's 1993 and the economy situation in China and Russia is in a state of great confusion.
Moscow Mission is screening at UdineFar East Film Festival 2024
It's 1993 and the economy situation in China and Russia is in a state of great confusion.
- 4/26/2024
- by Adriana Rosati
- AsianMoviePulse
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Lawrence Kan’s newsroom drama In Broad Daylight leads the pack going into the 42nd Hong Kong Film Awards with 16 nominations.
The feature, which follows an undercover journalist who exposes the abuse of residents in a nursing home, secured nods in all but three of the 19 categories. It marks the second feature by Kan and proved the fourth highest grossing local film in 2023.
Scroll down for full list of nominations
Also gaining multiple nominations was Nick Cheuk’s emotive drama Time Still Turns The Pages and Felix Chong’s financial crime extravaganza The Goldfinger, which secured 12 nods apiece, while Jack Ng...
The feature, which follows an undercover journalist who exposes the abuse of residents in a nursing home, secured nods in all but three of the 19 categories. It marks the second feature by Kan and proved the fourth highest grossing local film in 2023.
Scroll down for full list of nominations
Also gaining multiple nominations was Nick Cheuk’s emotive drama Time Still Turns The Pages and Felix Chong’s financial crime extravaganza The Goldfinger, which secured 12 nods apiece, while Jack Ng...
- 2/6/2024
- ScreenDaily
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Hong Kong saw “A Guilty Conscience” become the highest-grossing film of all time at its local box office. But the wider cinema market in Hong Kong remained stuck far below pre-pandemic levels.
Data from Hong Kong Box Office Limited, a joint venture between Motion Picture Industry Association (Mpia) and the Hong Kong Theatres Association, showed annual cinema revenue of Hk$1.43 billion ($184 million) in 2023.
That was a 25% improvement on 2022, when the industry was battered by on-off closures due to government Covid-control measures, and managed only Hk$1.14 billion ($146 million). But the 2023 score also remained 25% shy of 2019, the last pre-pandemic year, when box office reached Hk$1.92 billion ($246 million).
Hyper-local courtroom drama, “A Guilty Conscience” earned Hk$115 million ($14.7 million), but it was the only local title to make it into the territory’s top ten chart in 2023. Next in line were “Oppenheimer” (Hk$72.8 million), “Mission: Impossible -Dead Reckoning Part 1” (Hk$60.5 million), “The Super Mario...
Data from Hong Kong Box Office Limited, a joint venture between Motion Picture Industry Association (Mpia) and the Hong Kong Theatres Association, showed annual cinema revenue of Hk$1.43 billion ($184 million) in 2023.
That was a 25% improvement on 2022, when the industry was battered by on-off closures due to government Covid-control measures, and managed only Hk$1.14 billion ($146 million). But the 2023 score also remained 25% shy of 2019, the last pre-pandemic year, when box office reached Hk$1.92 billion ($246 million).
Hyper-local courtroom drama, “A Guilty Conscience” earned Hk$115 million ($14.7 million), but it was the only local title to make it into the territory’s top ten chart in 2023. Next in line were “Oppenheimer” (Hk$72.8 million), “Mission: Impossible -Dead Reckoning Part 1” (Hk$60.5 million), “The Super Mario...
- 1/3/2024
- by Patrick Frater
- Variety Film + TV
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Spa Selections
“Carmen,” “Foe,” “Limbo,” Australia’s Oscar contender “Shayda,” “Streets of Colour” and “The Royal Hotel” have received the six nominations for best feature film at this year’s Screen Producers Australia Awards. The Spa Awards will be held on Thursday, March 21, 2024, the final evening of the Screen Forever conference.
In the documentary feature section, the nominations are “Flyaways,” “Harley & Katya,” “Living With Devils,” “Onefour: Against All Odds,” “The Cape,” “The Giants,” “The Jewish Nazi?” and “The Platypus Garden.” Nominations for best telemovie or miniseries production are “While the Men Are Away,” “The Claremont Murders,” “Wellmania,” “The Messenger,” “Bad Behaviour” and “The Clearing.”
“2023 was a year filled with a number of challenges for our industry, but the Australian screen sector continued to delight audiences globally with stories that share our unique culture and creativity,” said Spa CEO Matthew Deaner.
Storm Brewing
Hong Kong-made crime action film “The White Storm 3: Heaven or Hell...
“Carmen,” “Foe,” “Limbo,” Australia’s Oscar contender “Shayda,” “Streets of Colour” and “The Royal Hotel” have received the six nominations for best feature film at this year’s Screen Producers Australia Awards. The Spa Awards will be held on Thursday, March 21, 2024, the final evening of the Screen Forever conference.
In the documentary feature section, the nominations are “Flyaways,” “Harley & Katya,” “Living With Devils,” “Onefour: Against All Odds,” “The Cape,” “The Giants,” “The Jewish Nazi?” and “The Platypus Garden.” Nominations for best telemovie or miniseries production are “While the Men Are Away,” “The Claremont Murders,” “Wellmania,” “The Messenger,” “Bad Behaviour” and “The Clearing.”
“2023 was a year filled with a number of challenges for our industry, but the Australian screen sector continued to delight audiences globally with stories that share our unique culture and creativity,” said Spa CEO Matthew Deaner.
Storm Brewing
Hong Kong-made crime action film “The White Storm 3: Heaven or Hell...
- 11/29/2023
- by Patrick Frater
- Variety Film + TV
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A Hong Kong superstar, Louis Koo has appeared in everything from thrillers and sci-fi blockbusters to romances and comedies. This year he received the Extraordinary Star Asia Award at the New York Asian Film Festival.
The festival showcased three of his recent projects: In Broad Daylight, a drama about abuse in an assisted living facility; The White Storm 3, part of a trilogy of action films about drug cartels; and Vital Sign, a drama about emergency service workers. Koo’s One Cool World produced the first film; he stars in the other two.
As the veteran in a three-man ambulance crew, Koo plays a moodier character in Vital Sign than his fans usually see. A father and widower, Ma Chi-yip is nearing the end of his career, struggling with bureaucracy and his own physical ailments.
“I saw a different side of him, maybe because of the story,” director Cheuk Wan-chi said about Koo’s performance.
The festival showcased three of his recent projects: In Broad Daylight, a drama about abuse in an assisted living facility; The White Storm 3, part of a trilogy of action films about drug cartels; and Vital Sign, a drama about emergency service workers. Koo’s One Cool World produced the first film; he stars in the other two.
As the veteran in a three-man ambulance crew, Koo plays a moodier character in Vital Sign than his fans usually see. A father and widower, Ma Chi-yip is nearing the end of his career, struggling with bureaucracy and his own physical ailments.
“I saw a different side of him, maybe because of the story,” director Cheuk Wan-chi said about Koo’s performance.
- 7/26/2023
- by Daniel Eagan
- The Film Stage
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The acclaimed actor accepted an honorary award at the New York Asian Film Festival.
Filmmakers will never be surpassed by artificial intelligence (AI), according to acclaimed Hong Kong actor and producer Louis Koo.
Speaking on stage at the New York Asian Film Festival (Nyaff), Koo referenced the SAG-AFTRA strikes in the US, which has seen tens of thousands of actors and screenwriters walk out over concerns about pay, working conditions and the industry’s use of AI.
“I know that in America there has been strikes, writers strikes as well as actors strikes,” he told a packed cinema on Wednesday...
Filmmakers will never be surpassed by artificial intelligence (AI), according to acclaimed Hong Kong actor and producer Louis Koo.
Speaking on stage at the New York Asian Film Festival (Nyaff), Koo referenced the SAG-AFTRA strikes in the US, which has seen tens of thousands of actors and screenwriters walk out over concerns about pay, working conditions and the industry’s use of AI.
“I know that in America there has been strikes, writers strikes as well as actors strikes,” he told a packed cinema on Wednesday...
- 7/20/2023
- by Michael Rosser
- ScreenDaily
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Reliably one of the most euphoric and rewarding events on the circuit, the New York Asian Film Festival emerged at a time when hardcore cinephiles were forced to import prohibitively expensive foreign-region DVDs if they wanted to watch the latest hits from the other side of the world, and the first editions of the fest — then hosted at the Anthology Film Archives — got a major boost by screening hard-to-find cult objects and/or future classics at a time when Chinese, Japanese, and South Korean cinema were all on the rise to one degree or another.
No disrespect to the prestigious New York Film Festival, but Nyaff beat them to the punch when it comes to major auteurs like Park Chan-wook, whose “Sympathy for Mr. Vengeance” screened at the 2002 event alongside millennial breakouts like Corey Yuen’s “So Close,” unheralded pop masterpieces like Fumihiko Sori’s “Ping Pong,” and what the fuck did I just witness?...
No disrespect to the prestigious New York Film Festival, but Nyaff beat them to the punch when it comes to major auteurs like Park Chan-wook, whose “Sympathy for Mr. Vengeance” screened at the 2002 event alongside millennial breakouts like Corey Yuen’s “So Close,” unheralded pop masterpieces like Fumihiko Sori’s “Ping Pong,” and what the fuck did I just witness?...
- 7/13/2023
- by David Ehrlich
- Indiewire
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Hong Kong action film “The White Storm: Heaven or Hell” will have its North American premiere at the New York Asian Film Festival, where it is a late addition to the line-up. The festival runs July 14–30, 2023 at Film at Lincoln Center (Flc).
Directed by Herman Yau, the film sees Louis Koo, Aaron Kwok and Sean Lau (aka Lau Ching-wan) appear together for the first time. It is set in the ‘Golden Triangle’ region famous for drugs production and trafficking. Kwok plays an undercover cop who infiltrates a drug cartel led by a notorious Thai drug lord (Lau). In classic heroic bloodshed fashion, the two develop a bond of brotherhood. The cop’s only hope of escaping the treacherous jungle region and his ambiguous morality is to somehow contact the superintendent of the Hong Kong Narcotics Bureau, who has solemnly sworn to demolish the cartel once and for all.
The predecessor...
Directed by Herman Yau, the film sees Louis Koo, Aaron Kwok and Sean Lau (aka Lau Ching-wan) appear together for the first time. It is set in the ‘Golden Triangle’ region famous for drugs production and trafficking. Kwok plays an undercover cop who infiltrates a drug cartel led by a notorious Thai drug lord (Lau). In classic heroic bloodshed fashion, the two develop a bond of brotherhood. The cop’s only hope of escaping the treacherous jungle region and his ambiguous morality is to somehow contact the superintendent of the Hong Kong Narcotics Bureau, who has solemnly sworn to demolish the cartel once and for all.
The predecessor...
- 6/21/2023
- by Patrick Frater
- Variety Film + TV
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