Tennis drama stars Zendaya, Josh O’Connor and Mike Faist.
In a strategic twist, Warner Bros will now release Luca Guadagnino’s Challengers in French cinemas. Prime Video had previously planned to skip a French theatrical release for the tennis drama starring Zendaya, Josh O’Connor and Mike Faist, and send it straight to its streaming platform locally. Following its release in theatres, the film will now have to wait 17 months before landing on Prime Video in France per the country’s media chronology.
While rumoured to be released on April 24 just ahead of its April 26 release date in the US via Amazon MGM Studios,...
In a strategic twist, Warner Bros will now release Luca Guadagnino’s Challengers in French cinemas. Prime Video had previously planned to skip a French theatrical release for the tennis drama starring Zendaya, Josh O’Connor and Mike Faist, and send it straight to its streaming platform locally. Following its release in theatres, the film will now have to wait 17 months before landing on Prime Video in France per the country’s media chronology.
While rumoured to be released on April 24 just ahead of its April 26 release date in the US via Amazon MGM Studios,...
- 1/10/2024
- by Rebecca Leffler
- ScreenDaily
BlondePhoto: Netflix
Young Adam (2003): A young drifter working on a river barge disrupts his employers’ lives while hiding the fact that he knows more about a dead woman found in the river than he admits. Starring: Ewan McGregor, Tilda Swinton, Peter Mullan, Emily Mortimer.
Bad Education (2004): An examination...
Young Adam (2003): A young drifter working on a river barge disrupts his employers’ lives while hiding the fact that he knows more about a dead woman found in the river than he admits. Starring: Ewan McGregor, Tilda Swinton, Peter Mullan, Emily Mortimer.
Bad Education (2004): An examination...
- 8/7/2023
- by The A.V. Club Bot
- avclub.com
Premiering at Berlinale earlier this year to a controversial response, Isabelle Stever’s Grand Jeté captures a taboo mother-son romance relationship, recalling other daring European dramas like Christophe Honoré’s Ma mère and Bertrand Blier’s Beau Pere. Now picked up by Altered Innocence for a theatrical release beginning in LA on September 20 at Laemmle Royal and coming to VOD on October 25, we’re pleased to exclusively debut the striking trailer.
The film follows Nadja (Sarah Nevada Grether), an aspiring ballerina with the scars to prove it. A masochistic pursuit at her dream career has left her body battered, a map of the tumultuous torture dancers withstand on a daily basis. Working now as a dancing instructor for children, rather than as the dancer she always wanted to be, she decides to visit the adult son she has been estranged from since he was a child. Mario (Emil von Schönfels), raised by his grandmother,...
The film follows Nadja (Sarah Nevada Grether), an aspiring ballerina with the scars to prove it. A masochistic pursuit at her dream career has left her body battered, a map of the tumultuous torture dancers withstand on a daily basis. Working now as a dancing instructor for children, rather than as the dancer she always wanted to be, she decides to visit the adult son she has been estranged from since he was a child. Mario (Emil von Schönfels), raised by his grandmother,...
- 8/26/2022
- by Jordan Raup
- The Film Stage
Know you’re in for a wild emotional ride when the word “mother” is in the title of a movie. Darren Aronofsky wrought biblical hell upon us with “mother!,” Bong Joon Ho showed us that you could be perhaps too good a mom in “Mother,” and Pedro Almodóvar painted a ravishing ode to screen goddesses with “All About My Mother.” Enter Rodrigo Sorogoyen’s “Madre” into the canon of warped movies about motherhood. What could’ve been an exploitative affair between a mother and the doppelgänger of her lost child is instead a certainly unsettling but strangely touching new movie.
Set against the clammy coastal enclave of a French beach town, “Madre” revolves around Elena (Nieto) as the mother of a missing child. Ten years prior to the central events of the movie — and presaged by a harrowing single-take sequence that contains one of the most excruciating phone calls in...
Set against the clammy coastal enclave of a French beach town, “Madre” revolves around Elena (Nieto) as the mother of a missing child. Ten years prior to the central events of the movie — and presaged by a harrowing single-take sequence that contains one of the most excruciating phone calls in...
- 10/30/2020
- by Ryan Lattanzio
- Indiewire
Clockwise from top left: Cornel Ozies, Hollie Fifer, Ian Darling and Santilla Chingaipe.
Eight established and emerging filmmakers will each create a 3 to 5-minute documentary with a focus on the performing arts during the challenging time of Covid-19.
Entitled voxdocs, it’s an initiative from the Shark Island Institute headed by filmmaker and philanthropist Ian Darling and Documentary Australia Foundation (Daf), in association with the Sydney Morning Herald and The Age.
They are Maya Newell; Hollie Fifer (The Opposition); Ian Darling; Santilla Chingaipe (Black as Me); Alex Wu (winner of the Dendy Award for Best Australian Live-Action Short Film at the 2020 Sydney Film Festival for Idol); Tamara Whyte (this year’s recipient of the inaugural Centralised Daf Fellowship); Maria Tran; and Cornel Ozies (Our Law).
Their subjects include a young Tongan-Australian woman whose body still remembers the dance routine of her first big show before it was cancelled due to...
Eight established and emerging filmmakers will each create a 3 to 5-minute documentary with a focus on the performing arts during the challenging time of Covid-19.
Entitled voxdocs, it’s an initiative from the Shark Island Institute headed by filmmaker and philanthropist Ian Darling and Documentary Australia Foundation (Daf), in association with the Sydney Morning Herald and The Age.
They are Maya Newell; Hollie Fifer (The Opposition); Ian Darling; Santilla Chingaipe (Black as Me); Alex Wu (winner of the Dendy Award for Best Australian Live-Action Short Film at the 2020 Sydney Film Festival for Idol); Tamara Whyte (this year’s recipient of the inaugural Centralised Daf Fellowship); Maria Tran; and Cornel Ozies (Our Law).
Their subjects include a young Tongan-Australian woman whose body still remembers the dance routine of her first big show before it was cancelled due to...
- 9/25/2020
- by The IF Team
- IF.com.au
The Notebook Primer introduces readers to some of the most important figures, films, genres, and movements in film history.Since the early 1970s, Isabelle Huppert has amassed a staggering body of work. Relentlessly prolific and uncompromisingly daring, she has embodied an eclectic range of characters, often delving into the enigmatic recesses of individuals who are by turns destructive, tormented, and obsessed, and yet can be audaciously empowered, sexually complex, and passionately reflective. Huppert “surprises and unsettles us,” notes David Parkinson, writing for the British Film Institute, doing so by “relaxing her tightly coiled control and channeling her strength and energy into doing something shockingly impulsive.” But that control and impulsiveness was not instantaneous, nor was it effortless. Huppert’s abilities have been steadily honed over the course of more than 140 appearances in film and television. And if there is a darkness lingering over some of her more disturbing characterizations, there...
- 9/10/2020
- MUBI
Though production is on hiatus due to the coronavirus pandemic, the Italian industry is mostly holding up, thanks in part to a $145 million government aid package for exhibitors, distributors and producers.
Netflix and Italy’s film commissions have launched a fund to provide short-term emergency support to crews that have been forced to stop working including, but not limited to, Netflix productions. The hope is that shooting can resume by August or September.
Meanwhile, Italy’s film promotion organization, Filmitalia, has launched its annual Italian Screenings market online, staking out a July 21-24 slot. Backed by government body Istituto Luce Cinecittà, the org “is the first of Europe’s roughly 30 film promotion agencies to make a move into the virtual market space,” says Filmitalia chief Carla Cattani, who doubled the Italian fare screened to 40 titles, most of which are world premieres.
Film production in Italy was buoyant prior to the pandemic,...
Netflix and Italy’s film commissions have launched a fund to provide short-term emergency support to crews that have been forced to stop working including, but not limited to, Netflix productions. The hope is that shooting can resume by August or September.
Meanwhile, Italy’s film promotion organization, Filmitalia, has launched its annual Italian Screenings market online, staking out a July 21-24 slot. Backed by government body Istituto Luce Cinecittà, the org “is the first of Europe’s roughly 30 film promotion agencies to make a move into the virtual market space,” says Filmitalia chief Carla Cattani, who doubled the Italian fare screened to 40 titles, most of which are world premieres.
Film production in Italy was buoyant prior to the pandemic,...
- 5/8/2020
- by Nick Vivarelli
- Variety Film + TV
Pedro Almodóvar’s challenging films shouldn’t be only for his dedicated fans: nobody mixes genuine human compassion with world-class filmmaking as well as he … while maintaining a marvelous sense of humor, of human proportion. This 1999 effort is perhaps Pedro’s strongest drama, and yet another heartfelt endorsement of womankind. For the life-beleaguered Manuela, tragedy and melodramatic setbacks only bring out a primal determination to heal all wounds.
All About My Mother
Blu-ray
The Criterion Collection 1012
1999 / Color / 2:35 widescreen / 101 min. / Todo sobre mi madre / available through The Criterion Collection / Street Date January 28, 2020 / 39.95
Starring: Cecilia Roth, Marisa Paredes, Candela Peña, Antonia San Juan, Penélope Cruz, Rosa María Sardá, Toni Cantó, Eloy Azorín, Carlos Lozano.
Cinematography: Affonso Beato
Film Editor: José Salcedo
Original Music: Alberto Iglesias
Produced by Augustín Almodóvar
Written and Directed by Pedro Almodóvar
My descriptions of this movie can’t convey what a warm, moving, and even funny experience it is.
All About My Mother
Blu-ray
The Criterion Collection 1012
1999 / Color / 2:35 widescreen / 101 min. / Todo sobre mi madre / available through The Criterion Collection / Street Date January 28, 2020 / 39.95
Starring: Cecilia Roth, Marisa Paredes, Candela Peña, Antonia San Juan, Penélope Cruz, Rosa María Sardá, Toni Cantó, Eloy Azorín, Carlos Lozano.
Cinematography: Affonso Beato
Film Editor: José Salcedo
Original Music: Alberto Iglesias
Produced by Augustín Almodóvar
Written and Directed by Pedro Almodóvar
My descriptions of this movie can’t convey what a warm, moving, and even funny experience it is.
- 2/1/2020
- by Glenn Erickson
- Trailers from Hell
Isabelle Huppert plays a serial killer psychopath in her new thriller Greta — and had a ball being bad.
The French Oscar nominee, 65, hasn’t shied away from dark material in her 48-year career: She famously won a Cannes Best Actress award for her work as a disturbed woman who embarks on a torrid affair with her student in The Piano Teacher (2001), and in 2004 embodied a mother who gets a little too close with her son in Ma Mère (2004).
In Greta, from Interview with a Vampire director Neil Jordan, Huppert throws herself into the role of the titular widow whose obsession...
The French Oscar nominee, 65, hasn’t shied away from dark material in her 48-year career: She famously won a Cannes Best Actress award for her work as a disturbed woman who embarks on a torrid affair with her student in The Piano Teacher (2001), and in 2004 embodied a mother who gets a little too close with her son in Ma Mère (2004).
In Greta, from Interview with a Vampire director Neil Jordan, Huppert throws herself into the role of the titular widow whose obsession...
- 3/6/2019
- by Nigel Smith
- PEOPLE.com
Huppert’s warm, wry performance as an academic facing a crisis at home powers Mia Hansen-Løve’s intimate, intellectual film
Is there a more commanding screen presence than Isabelle Huppert? From the spiralling American madness of Michael Cimino’s Heaven’s Gate to the diverse demands of Claire Denis’s African-set colonial parable White Material and Brillante Mendoza’s Philippines hostage drama Captive, Huppert has proved ready to rise to any challenge. Claude Chabrol famously cast her as a teenage murderer in 1978’s Violette Nozière and a covert poisoner in 2000’s Merci pour le chocolat, while Chris Honoré called upon her to tackle the taboo subject of incest in Ma mère. Most famously, in Michael Haneke’s unflinching The Piano Teacher, she took cinemagoers to the very edge of a masochistic abyss, with harrowing results.
Hansen-Løve serves up unapologetic discussions of Rousseau, radicalism and revolution
Continue reading...
Is there a more commanding screen presence than Isabelle Huppert? From the spiralling American madness of Michael Cimino’s Heaven’s Gate to the diverse demands of Claire Denis’s African-set colonial parable White Material and Brillante Mendoza’s Philippines hostage drama Captive, Huppert has proved ready to rise to any challenge. Claude Chabrol famously cast her as a teenage murderer in 1978’s Violette Nozière and a covert poisoner in 2000’s Merci pour le chocolat, while Chris Honoré called upon her to tackle the taboo subject of incest in Ma mère. Most famously, in Michael Haneke’s unflinching The Piano Teacher, she took cinemagoers to the very edge of a masochistic abyss, with harrowing results.
Hansen-Løve serves up unapologetic discussions of Rousseau, radicalism and revolution
Continue reading...
- 9/4/2016
- by Mark Kermode, Observer film critic
- The Guardian - Film News
The Cannes Film festival was an exceptional edition for French films this year. A focus on the rising generation of French actors and directors that have been highlighted in Cannes and will most certainly be the stars of tomorrow was compiled by Unifrance chief Isabelle Giordano.
They are a force to be reckoned with. Unifrance films is ready to bet that you will certainly hear about these ten talented people. They represent the French cinema of today and will soon be on the screens worldwide.
Emmanuelle Bercot
An actress and a director, Emmanuelle Bercot began by enrolling at the Cours Florent drama school and taking dancing lessons after her baccalaureate. She graduated from Femis in 1998, after winning the Prix du Jury at the Cannes Film Festival for her short film "Les Vacances," in 1997. After her first few roles in the films of Jean-François Richet and Michel Deville, her career as an actress took off when Claude Miller gave her one of the main roles in "La Classe de neige" (1998). The following year, she made the headlines with the medium-length film she directed called "La Puce," presented in the selection of Un Certain Regard at Cannes. This film tells of the love affair between a 35-year-old man and a 14-year-old girl, played by Isild Le Besco.
Her first feature-length film, "Clément" (2001), is about the life of a troubled woman who has one adventure after another with various men until she meets a 14-yearold boy. Her second film, "Backstage" (2004), continues to explore teenage angst through a relationship between a hit singer and a young obsessional fan. She earned her first critical and public acclaim with "On My Way" (2013), the third film written by the director for Catherine Deneuve, in which the star plays a woman who has decided to leave everything behind and hit the road in France.
She was indisputably the most talked about person during the Cannes Film Festival 2015, both as an actress and a director. Thierry Frémaux surprised everyone by announcing that "Standing Tall," Emmanuelle Bercot’s fourth feature-length film would open the 68th Cannes Film Festival. Emmanuelle Bercot says that she has rediscovered the social fiber of her beginnings with this tale of juvenile delinquency. After the enthusiastic and unanimous reception of her film, she won the Best Actress Award for her role as a woman under the influence of love in the film "Mon Roi" by Maïwenn, with whom she co-wrote the script for "Polisse," which won the Prix du Jury at the Cannes Film Festival in 2012
Thomas Bidegain
Thomas Bidegain may well be one of the best known French screenwriters in the profession today, but it took him ten years to achieve this status. His career path in film is anything but ordinary. He started out in the 1990s by distributing and producing independent American films: "Ice Storm" by Ang Lee and "Chasing Sleep" by Michael Walker. He came back to France and joined MK2 where he became director of distribution. In 1999, he returned to production for "Why Not." In 2007, he told the story of his attempt to stop smoking in "Arrêter de fumer tue," a personal diary that was turned into a documentary, then a book.
In the meantime, he began screenwriting and worked on several projects. In 2009, he wrote the screenplay for Jacques Audiard’s film, "A Prophet," alongside Nicolas Peufaillit and Abdel Raouf Dafri, which won the Grand Prix du Jury in 2009. He participated in Audiard’s next film, "Rust and Bone" and "Our Children" by Joachim Lafosse. He was also the co-writer for "Saint Laurent" by Bertrand Bonello. Winning a César for the best original script and a César for the best adaptation, he presented "Cowboys" at the Quinzaine des Réalisateurs in Cannes this year, his first film as a director. He is also co-writer of "Ni le ciel ni la terre" by Clément Cogitore, presented during the Semaine de la Critique, as well as co-writer of the script for Jacques Audiard’s latest film, "Dheepan," which won the Palme d’Or.
Louise Bourgoin
Louise Bourgoin attended the Ecole des Beaux Arts for five years, during which she began her career as a model. After she graduated from art school in 2004, she radically changed direction and became a presenter on cable TV. She was Miss Météo in Le Grand Journal on Canal + from 2006 to 2008. Her slot became essential viewing and attracted a wide audience, including the attention of the film industry.
She began her acting career in "The Girl from Monaco" by Anne Fontaine, and her performance earned her a César nomination for Most Promising Actress. This recognition led to a whole series of roles and launched her career in film. She headed the bill of several films in 2010 ("White as Snow" by Christophe Blanc, "Sweet Valentine" by Emma Luchini, and "Black Heaven" by Gilles Marchand). The same year, Luc Besson selected her for the leading role in "The Extraordinary Adventures of Adèle Blanc-Sec."
Since then, Louise Bourgoin has played in film after film, and has taken her first steps in the international scene with her part in the American film "The Love Punch" by Joel Hopkins. She attracted attention at the Cannes Film Festival this year with her unusual role in Laurent Larivière’s first film, "I Am a Soldier," presented at Un Certain Regard.
Anaïs Demoustier
Her passion for acting started at a very young age and rapidly pushed her to take drama classes. She auditioned, when still a teenager, and got her first role alongside Isabelle Huppert in "Time of the Wolf" by Michael Haneke. After this, her career was launched and she played in a series of films among which "L’Année suivante" by Isabelle Czajka, "Hellphone" by James Huth, "The Beautiful Person" by Christophe Honoré, "Sois sage" by Juliette Garcias, "Sweet Evil" by Olivier Coussemacq, "Dear Prudene" by Rebecca Zlotowski, "Snows of Kilimanjaro" by Robert Guédiguian, "Thérèse Desqueyroux" by Claude Miller, "Quai d’Orsay" by Bertrand Tavernier, "Paris Follies" by Marc Fitoussi, etc.
A filmography rich of 30 films for an actress who isn’t 30 years old yet. In 2014, the press talked about the blooming of Anaïs Demoustier because her face and poise became essential to cinema. Present in "Bird People" by Pascale Ferran, "Caprices" by Emmanuel Mouret, "À trois on y va" by Jérôme Bonnell and "The New Girlfriend" by François Ozon, she is Marguerite in the last Valérie Donzelli’s film, "Marguerite et Julien" screened in Official selection in Cannes.
Louis Garrel
The son of actress Brigitte Sy and the director Philippe Garrel, he began his career in film thanks to his father, who started filming him at the age of six in "Emergency Kisses," alongside his mother and his grandfather, Maurice Garrel. He went onto study drama at the Conservatoire National d’Art Dramatique. He made his real cinema debut in 2001 in the film "Ceci est mon corps" by Rodolphe Marconi. Two years later, he played opposite Michael Pitt and the future Bond girl, Eva Green, in "The Dreamers" by Bernardo Bertolucci.
He then starred in another of his father’s films, "Regular Lovers". His performance earned him the César for the Most Promising Actor in 2005. Since then, he has played alongside the greatest, such as Isabelle Huppert in "Ma mère" by Christophe Honoré. This marked the beginning of a long collaboration between the filmmaker and the actor. They worked together in the film "In Paris" with Romain Duris, then in 2007 in "Love Songs" with Ludivine Sagnier, in "The Beautiful Person" with Léa Seydoux, in "Making Plans" for Lena with Chiara Mostroianni and, finally, in " Beloved" with Catherine Deneuve. He also topped the bill with Valéria Bruni Tedeschi in "Actresses," whom he worked with again in 2013 in "A Castle in Italy."
In 2010, he directed a short film, "The Little Tailor," in which he directed Léa Seydoux. He performed once again in one of his father’s films, "A Burning Hot Summer," followed by "Jealousy." In 2014, he starred in Bertrand Bonello’s film "Saint Laurent," a role which led to another César nomination, but this time in the best supporting role category. His first feature-length film, "Two Friends," presented at a Certain Regard, was applauded by the critics. He also starred in "Mon Roi," Maïwenn’s fourth feature-length film, alongside Emmanuelle and Vincent Cassel, presented as part of the official selection.
Guillaume Gouix
After studying at the Conservatoire in Marseille and the Ecole Régionale d’Acteur de Cannes, Guillaume Gouix began his career in television. He played the male lead in "The Lion Cubs," by Claire Doyon, in 2003. Noted for his performance, especially the highly physical aspect of it and his intense gaze, he then played a series of supporting roles as a young hoodlum in "Les Mauvais joueurs" by Frédéric Balekdjian and in "Chacun sa nuit," by Jean-Marc Barr and Pascal Arnold. He featured in the 2007 war film "Intimate Enemies" by Florent Emilio Siri, thus confirming his taste for complex characters.
The following year, he was applauded for his performance in the film "Behind the Walls" by Christian Faure. In 2010, he starred in "22 Bullets" by Richard Berry and in 2011, he established his reputation with roles in "Nobody Else But You" by Gérald Hustache-Mathieu, "Et soudain, tout le monde me manque" by Jennifer Devoldere, and "Jimmy Rivière," Teddy Lussi-Modeste’s film debut.
He also appeared in "Midnight in Paris" by Woody Allen. He more recently starred in "Attila Marcel," by Sylvain Chomet, in which he played the lead role, in "French Women" by Audrey Dana, and "The Connection" by Cédric Jimenez with Jean Dujardin and Gilles Lelouche. He performed in three films presented at Cannes this year ("Les Anarchistes" by Elie Wajeman, which opened the Semaine de la Critique, "La Vie en grand" by Mathieu Vadepied, which closed the week, and in "Enragés" by Eric Hannezo, screened at the Cinéma de la Plage). He also directed his first short film "Alexis Ivanovitch, vous êtes mon héros" in 2011 and will soon start on a feature-length film, which is currently being written. He will be topping the bill in 2015 with "Braqueurs," a thriller by Julien Leclercq.
Ariane Labed
Born in Greece to French parents, Ariane Labed has always navigated between her two countries. She studied drama at the University of Provence and began her acting career treading the boards. After setting up a company combining dance and theater, Ariane Labed returned to live in Greece where she played at the National Theater of Athens. 2010 was the year of her first film, "Attenberg," directed by Athiná-Rachél Tsangári. "Alps" by Yorgos Lanthi-mos, the following year, confirmed the talent of this strangely charming actress. Two years later, she starred in "Before Midnight" by Richard Linklater where she played the role of Anna. The follow-up to "Before Sunrise" and "Before Sunset," this third part of the saga was a great success, making Labed known to a wider audience.
In 2014, she played a young sailor in "Fidelio, Alice’s Odyssey," who is torn between faithfulness and her desire to live her life. Winning the best actress award at the Locarno Film Festival and nominated for a César, the French actress gives a brilliant performance in Lucie Borleteau’s first feature-length film. She joined Yorgos Lanthimos in Cannes in 2015, where he won the Prix du Jury for his film "The Lobster."
Vincent Macaigne
Vincent Macaigne is the leading light in young French cinema. He joined the Conservatoire National Supérieur d’Art Dramatique in Paris in 1999, appearing on stage and assuming the role of director. His free adaptations of the great classics of literature and drama earned him public and critical acclaim. He directed "The Idiot" by Dostoïevski and presented "Au moins j’aurai laissé un beau cadavre in Avignon," inspired by Hamlet. He also rapidly made a name for himself in demanding art-house films. In 2001, he was seen for the first time in "Replay" by Catherine Corsini. In 2007, he starred in "On War" by Bertrand Bonello and in 2010, in "A Burning Hot Summer" by Philippe Garrel.
Since 2011, Vincent Macaigne’s presence in short, medium and full-length films has gradually increased. Faithful to his directors, he has starred in several of their films. As is the case with his friend Guillaume Brac, who directed him in "Le Naufragé," "Tonnerre" and "Un monde sans femmes." He was awarded the Grand Prix and the Prix Télérama at the Clermont-Ferrand International Short Film Festival, and the Prix Lutin for Best Actor in this film. Under the direction of Vincent Mariette, he played in "Les Lézards" then "Fool Circle." In 2013, we find the funny and touching thirty-something in "La fille du 14 juillet" by Antonin Peretjatko, "Age of Panic" by Justine Triet, and "2 Autumns, 3 Winters" by Sébastien Betbeder.
He was discovered by the general public at the 2013 Cannes Film Festival. Considered a figurehead of the revival of French cinema, Vincent has drawn the attention of the Cahiers du Cinéma, and even the British newspaper The Observer, which referred to him as the “new Gérard Depardieu”. In 2011, he directed "What We’ll Leave Behind," a very well-received medium-length film which won the Grand Prix at the Clermont-Ferrand Festival. He also starred in Mia Hansen-løve’s 2014 film "Eden." He plays one of the main roles in the actor Louis Garrel’s first feature-length film, "Two Friends," presented during the Semaine de la Critique. He also featured in his 2011 film, La Règle de trois.
Vimala Pons
From the Conservatoire National Supérieur d’Art Dramatique, where she attended drama classes even though she wanted to be a screenwriter, to circus tents, Vimala Pons is an acrobat in all senses of the word. The 29-year-old actress has established her physical and poetic presence in French art-house films. She began her career in film with Albert Dupontel in "Enfermés dehors" in 2006. She then starred in "Eden Log" by Franck Vestiel in 2007, then in "Granny’s Funeral" by Bruno Podalydès in 2012.
Since then, we have seen her cross France in a little blue dress in "La Fille du 14 juillet," (she plays the girl) by Antonin Peretjatko, and changing into a lioness in "Métamorphoses," by Christophe Honoré. The impetuous muse of French independent film, Vimala Pons played in "Vincent" by Thomas Salvador this year. The actress has made a name for herself in 2015, in particular with "Comme un avion" by Bruno Podalydès, "Je suis à vous tout de suite" by Baya Kasmi, "La vie très privée de Monsieur Sim" by Michel Leclerc, and "L’Ombre des femmes" by Philippe Garrel (presented at the Quinzaine des Réalisateurs this year in Cannes). She has also begun an international career, with a leading role in Paul Verhoeven’s latest film, "Elle."
Alice Winocour
The director Alice Winocour started out at Femis. After going into law, she returned to film and won three prizes for her short film "Kitchen: Prix TV5" for the best French-language short film, best international short film and the Silver Bear at the Festival of Nations (Ebensee). For "Magic Paris," she was awarded the jury prize at the St. Petersburg International Documentary, Short Film and Animated Film Festival.
She continued her career by writing the script for the film "Ordinary," by Vladimir Perisic. At the Cannes Film Festival 2012, Alice Winocour made a marked entry in the international arena with a film by a woman about women and the unchanging way of looking at them. In the film "Augustine," we are told the story of a professor and his patient, played by Vincent Lindon and Soko respectively. In 2015, she brought out her second feature-length film, "Maryland," which was screened in the Un Certain Regard section at the 68th Cannes Film Festival. She is also the co-writer of "Mustang," by Denis Gamze Ergüven, presented at the Quinzaine des Réalisateurs.
They are a force to be reckoned with. Unifrance films is ready to bet that you will certainly hear about these ten talented people. They represent the French cinema of today and will soon be on the screens worldwide.
Emmanuelle Bercot
An actress and a director, Emmanuelle Bercot began by enrolling at the Cours Florent drama school and taking dancing lessons after her baccalaureate. She graduated from Femis in 1998, after winning the Prix du Jury at the Cannes Film Festival for her short film "Les Vacances," in 1997. After her first few roles in the films of Jean-François Richet and Michel Deville, her career as an actress took off when Claude Miller gave her one of the main roles in "La Classe de neige" (1998). The following year, she made the headlines with the medium-length film she directed called "La Puce," presented in the selection of Un Certain Regard at Cannes. This film tells of the love affair between a 35-year-old man and a 14-year-old girl, played by Isild Le Besco.
Her first feature-length film, "Clément" (2001), is about the life of a troubled woman who has one adventure after another with various men until she meets a 14-yearold boy. Her second film, "Backstage" (2004), continues to explore teenage angst through a relationship between a hit singer and a young obsessional fan. She earned her first critical and public acclaim with "On My Way" (2013), the third film written by the director for Catherine Deneuve, in which the star plays a woman who has decided to leave everything behind and hit the road in France.
She was indisputably the most talked about person during the Cannes Film Festival 2015, both as an actress and a director. Thierry Frémaux surprised everyone by announcing that "Standing Tall," Emmanuelle Bercot’s fourth feature-length film would open the 68th Cannes Film Festival. Emmanuelle Bercot says that she has rediscovered the social fiber of her beginnings with this tale of juvenile delinquency. After the enthusiastic and unanimous reception of her film, she won the Best Actress Award for her role as a woman under the influence of love in the film "Mon Roi" by Maïwenn, with whom she co-wrote the script for "Polisse," which won the Prix du Jury at the Cannes Film Festival in 2012
Thomas Bidegain
Thomas Bidegain may well be one of the best known French screenwriters in the profession today, but it took him ten years to achieve this status. His career path in film is anything but ordinary. He started out in the 1990s by distributing and producing independent American films: "Ice Storm" by Ang Lee and "Chasing Sleep" by Michael Walker. He came back to France and joined MK2 where he became director of distribution. In 1999, he returned to production for "Why Not." In 2007, he told the story of his attempt to stop smoking in "Arrêter de fumer tue," a personal diary that was turned into a documentary, then a book.
In the meantime, he began screenwriting and worked on several projects. In 2009, he wrote the screenplay for Jacques Audiard’s film, "A Prophet," alongside Nicolas Peufaillit and Abdel Raouf Dafri, which won the Grand Prix du Jury in 2009. He participated in Audiard’s next film, "Rust and Bone" and "Our Children" by Joachim Lafosse. He was also the co-writer for "Saint Laurent" by Bertrand Bonello. Winning a César for the best original script and a César for the best adaptation, he presented "Cowboys" at the Quinzaine des Réalisateurs in Cannes this year, his first film as a director. He is also co-writer of "Ni le ciel ni la terre" by Clément Cogitore, presented during the Semaine de la Critique, as well as co-writer of the script for Jacques Audiard’s latest film, "Dheepan," which won the Palme d’Or.
Louise Bourgoin
Louise Bourgoin attended the Ecole des Beaux Arts for five years, during which she began her career as a model. After she graduated from art school in 2004, she radically changed direction and became a presenter on cable TV. She was Miss Météo in Le Grand Journal on Canal + from 2006 to 2008. Her slot became essential viewing and attracted a wide audience, including the attention of the film industry.
She began her acting career in "The Girl from Monaco" by Anne Fontaine, and her performance earned her a César nomination for Most Promising Actress. This recognition led to a whole series of roles and launched her career in film. She headed the bill of several films in 2010 ("White as Snow" by Christophe Blanc, "Sweet Valentine" by Emma Luchini, and "Black Heaven" by Gilles Marchand). The same year, Luc Besson selected her for the leading role in "The Extraordinary Adventures of Adèle Blanc-Sec."
Since then, Louise Bourgoin has played in film after film, and has taken her first steps in the international scene with her part in the American film "The Love Punch" by Joel Hopkins. She attracted attention at the Cannes Film Festival this year with her unusual role in Laurent Larivière’s first film, "I Am a Soldier," presented at Un Certain Regard.
Anaïs Demoustier
Her passion for acting started at a very young age and rapidly pushed her to take drama classes. She auditioned, when still a teenager, and got her first role alongside Isabelle Huppert in "Time of the Wolf" by Michael Haneke. After this, her career was launched and she played in a series of films among which "L’Année suivante" by Isabelle Czajka, "Hellphone" by James Huth, "The Beautiful Person" by Christophe Honoré, "Sois sage" by Juliette Garcias, "Sweet Evil" by Olivier Coussemacq, "Dear Prudene" by Rebecca Zlotowski, "Snows of Kilimanjaro" by Robert Guédiguian, "Thérèse Desqueyroux" by Claude Miller, "Quai d’Orsay" by Bertrand Tavernier, "Paris Follies" by Marc Fitoussi, etc.
A filmography rich of 30 films for an actress who isn’t 30 years old yet. In 2014, the press talked about the blooming of Anaïs Demoustier because her face and poise became essential to cinema. Present in "Bird People" by Pascale Ferran, "Caprices" by Emmanuel Mouret, "À trois on y va" by Jérôme Bonnell and "The New Girlfriend" by François Ozon, she is Marguerite in the last Valérie Donzelli’s film, "Marguerite et Julien" screened in Official selection in Cannes.
Louis Garrel
The son of actress Brigitte Sy and the director Philippe Garrel, he began his career in film thanks to his father, who started filming him at the age of six in "Emergency Kisses," alongside his mother and his grandfather, Maurice Garrel. He went onto study drama at the Conservatoire National d’Art Dramatique. He made his real cinema debut in 2001 in the film "Ceci est mon corps" by Rodolphe Marconi. Two years later, he played opposite Michael Pitt and the future Bond girl, Eva Green, in "The Dreamers" by Bernardo Bertolucci.
He then starred in another of his father’s films, "Regular Lovers". His performance earned him the César for the Most Promising Actor in 2005. Since then, he has played alongside the greatest, such as Isabelle Huppert in "Ma mère" by Christophe Honoré. This marked the beginning of a long collaboration between the filmmaker and the actor. They worked together in the film "In Paris" with Romain Duris, then in 2007 in "Love Songs" with Ludivine Sagnier, in "The Beautiful Person" with Léa Seydoux, in "Making Plans" for Lena with Chiara Mostroianni and, finally, in " Beloved" with Catherine Deneuve. He also topped the bill with Valéria Bruni Tedeschi in "Actresses," whom he worked with again in 2013 in "A Castle in Italy."
In 2010, he directed a short film, "The Little Tailor," in which he directed Léa Seydoux. He performed once again in one of his father’s films, "A Burning Hot Summer," followed by "Jealousy." In 2014, he starred in Bertrand Bonello’s film "Saint Laurent," a role which led to another César nomination, but this time in the best supporting role category. His first feature-length film, "Two Friends," presented at a Certain Regard, was applauded by the critics. He also starred in "Mon Roi," Maïwenn’s fourth feature-length film, alongside Emmanuelle and Vincent Cassel, presented as part of the official selection.
Guillaume Gouix
After studying at the Conservatoire in Marseille and the Ecole Régionale d’Acteur de Cannes, Guillaume Gouix began his career in television. He played the male lead in "The Lion Cubs," by Claire Doyon, in 2003. Noted for his performance, especially the highly physical aspect of it and his intense gaze, he then played a series of supporting roles as a young hoodlum in "Les Mauvais joueurs" by Frédéric Balekdjian and in "Chacun sa nuit," by Jean-Marc Barr and Pascal Arnold. He featured in the 2007 war film "Intimate Enemies" by Florent Emilio Siri, thus confirming his taste for complex characters.
The following year, he was applauded for his performance in the film "Behind the Walls" by Christian Faure. In 2010, he starred in "22 Bullets" by Richard Berry and in 2011, he established his reputation with roles in "Nobody Else But You" by Gérald Hustache-Mathieu, "Et soudain, tout le monde me manque" by Jennifer Devoldere, and "Jimmy Rivière," Teddy Lussi-Modeste’s film debut.
He also appeared in "Midnight in Paris" by Woody Allen. He more recently starred in "Attila Marcel," by Sylvain Chomet, in which he played the lead role, in "French Women" by Audrey Dana, and "The Connection" by Cédric Jimenez with Jean Dujardin and Gilles Lelouche. He performed in three films presented at Cannes this year ("Les Anarchistes" by Elie Wajeman, which opened the Semaine de la Critique, "La Vie en grand" by Mathieu Vadepied, which closed the week, and in "Enragés" by Eric Hannezo, screened at the Cinéma de la Plage). He also directed his first short film "Alexis Ivanovitch, vous êtes mon héros" in 2011 and will soon start on a feature-length film, which is currently being written. He will be topping the bill in 2015 with "Braqueurs," a thriller by Julien Leclercq.
Ariane Labed
Born in Greece to French parents, Ariane Labed has always navigated between her two countries. She studied drama at the University of Provence and began her acting career treading the boards. After setting up a company combining dance and theater, Ariane Labed returned to live in Greece where she played at the National Theater of Athens. 2010 was the year of her first film, "Attenberg," directed by Athiná-Rachél Tsangári. "Alps" by Yorgos Lanthi-mos, the following year, confirmed the talent of this strangely charming actress. Two years later, she starred in "Before Midnight" by Richard Linklater where she played the role of Anna. The follow-up to "Before Sunrise" and "Before Sunset," this third part of the saga was a great success, making Labed known to a wider audience.
In 2014, she played a young sailor in "Fidelio, Alice’s Odyssey," who is torn between faithfulness and her desire to live her life. Winning the best actress award at the Locarno Film Festival and nominated for a César, the French actress gives a brilliant performance in Lucie Borleteau’s first feature-length film. She joined Yorgos Lanthimos in Cannes in 2015, where he won the Prix du Jury for his film "The Lobster."
Vincent Macaigne
Vincent Macaigne is the leading light in young French cinema. He joined the Conservatoire National Supérieur d’Art Dramatique in Paris in 1999, appearing on stage and assuming the role of director. His free adaptations of the great classics of literature and drama earned him public and critical acclaim. He directed "The Idiot" by Dostoïevski and presented "Au moins j’aurai laissé un beau cadavre in Avignon," inspired by Hamlet. He also rapidly made a name for himself in demanding art-house films. In 2001, he was seen for the first time in "Replay" by Catherine Corsini. In 2007, he starred in "On War" by Bertrand Bonello and in 2010, in "A Burning Hot Summer" by Philippe Garrel.
Since 2011, Vincent Macaigne’s presence in short, medium and full-length films has gradually increased. Faithful to his directors, he has starred in several of their films. As is the case with his friend Guillaume Brac, who directed him in "Le Naufragé," "Tonnerre" and "Un monde sans femmes." He was awarded the Grand Prix and the Prix Télérama at the Clermont-Ferrand International Short Film Festival, and the Prix Lutin for Best Actor in this film. Under the direction of Vincent Mariette, he played in "Les Lézards" then "Fool Circle." In 2013, we find the funny and touching thirty-something in "La fille du 14 juillet" by Antonin Peretjatko, "Age of Panic" by Justine Triet, and "2 Autumns, 3 Winters" by Sébastien Betbeder.
He was discovered by the general public at the 2013 Cannes Film Festival. Considered a figurehead of the revival of French cinema, Vincent has drawn the attention of the Cahiers du Cinéma, and even the British newspaper The Observer, which referred to him as the “new Gérard Depardieu”. In 2011, he directed "What We’ll Leave Behind," a very well-received medium-length film which won the Grand Prix at the Clermont-Ferrand Festival. He also starred in Mia Hansen-løve’s 2014 film "Eden." He plays one of the main roles in the actor Louis Garrel’s first feature-length film, "Two Friends," presented during the Semaine de la Critique. He also featured in his 2011 film, La Règle de trois.
Vimala Pons
From the Conservatoire National Supérieur d’Art Dramatique, where she attended drama classes even though she wanted to be a screenwriter, to circus tents, Vimala Pons is an acrobat in all senses of the word. The 29-year-old actress has established her physical and poetic presence in French art-house films. She began her career in film with Albert Dupontel in "Enfermés dehors" in 2006. She then starred in "Eden Log" by Franck Vestiel in 2007, then in "Granny’s Funeral" by Bruno Podalydès in 2012.
Since then, we have seen her cross France in a little blue dress in "La Fille du 14 juillet," (she plays the girl) by Antonin Peretjatko, and changing into a lioness in "Métamorphoses," by Christophe Honoré. The impetuous muse of French independent film, Vimala Pons played in "Vincent" by Thomas Salvador this year. The actress has made a name for herself in 2015, in particular with "Comme un avion" by Bruno Podalydès, "Je suis à vous tout de suite" by Baya Kasmi, "La vie très privée de Monsieur Sim" by Michel Leclerc, and "L’Ombre des femmes" by Philippe Garrel (presented at the Quinzaine des Réalisateurs this year in Cannes). She has also begun an international career, with a leading role in Paul Verhoeven’s latest film, "Elle."
Alice Winocour
The director Alice Winocour started out at Femis. After going into law, she returned to film and won three prizes for her short film "Kitchen: Prix TV5" for the best French-language short film, best international short film and the Silver Bear at the Festival of Nations (Ebensee). For "Magic Paris," she was awarded the jury prize at the St. Petersburg International Documentary, Short Film and Animated Film Festival.
She continued her career by writing the script for the film "Ordinary," by Vladimir Perisic. At the Cannes Film Festival 2012, Alice Winocour made a marked entry in the international arena with a film by a woman about women and the unchanging way of looking at them. In the film "Augustine," we are told the story of a professor and his patient, played by Vincent Lindon and Soko respectively. In 2015, she brought out her second feature-length film, "Maryland," which was screened in the Un Certain Regard section at the 68th Cannes Film Festival. She is also the co-writer of "Mustang," by Denis Gamze Ergüven, presented at the Quinzaine des Réalisateurs.
- 7/5/2015
- by Sydney Levine
- Sydney's Buzz
Update, 2:25 Am Pt: Last year’s dueling Yves Saint Laurent biopics each picked up several nominations this morning for France’s César Awards. Bertrand Bonello’s Saint Laurent, the country’s entry for the Foreign Language Oscar, leads the pack with 10 mentions, followed by Thomas Cailley’s Directors’ Fortnight title Les Combattants with nine, and Oscar nominee Timbuktu with eight. Yves Saint Laurent, from helmer Jalil Lespert, took seven nods. Otherwise, there are a number of usual suspects in the batch including Best Actress Oscar nominee Marion Cotillard for Two Days, One Night, as well as Juliette Binoche for Olivier Assayas’ Sils Maria. In something of a departure — and a first — for the French Académie, they nominated American actress Kristen Stewart for her supporting turn in that Cannes competition entry. (Adrien Brody won the Best Actor prize in 2003 for The Pianist.) There are also six nominations for late 2014 release La Famille Bélier.
- 1/28/2015
- by Nancy Tartaglione
- Deadline
Directors are among the high-profile international guests at this year’s festival.
Directors Spike Jonze, Park Chan-wook, Ulrich Seidl, Chantal Akerman and actress Martina Gedeck are among the high-profile international guests due to attend the Jerusalem Film Festival.
The festival said in statement: “Despite the security situation, more than 100 distinguished international guests are on their way to Jerusalem…The Festival’s international guests have expressed their support of the non-cancellation of the Festival and are due to arrive in Jerusalem in the coming days.”
Jonze, who recently won an Academy Award for best original screenplay for his sci-fi romance Her, will give a masterclass following a screening of his Oscar-nominated fantasy comedy Being John Malkovich — which marks its 15th anniversary this year.
It is the first time Jonze, whose father was descended from a German Jewish family, has visited Israel.
Korea’s Park will also give a masterclass and participate in a panel on his country’s cinema...
Directors Spike Jonze, Park Chan-wook, Ulrich Seidl, Chantal Akerman and actress Martina Gedeck are among the high-profile international guests due to attend the Jerusalem Film Festival.
The festival said in statement: “Despite the security situation, more than 100 distinguished international guests are on their way to Jerusalem…The Festival’s international guests have expressed their support of the non-cancellation of the Festival and are due to arrive in Jerusalem in the coming days.”
Jonze, who recently won an Academy Award for best original screenplay for his sci-fi romance Her, will give a masterclass following a screening of his Oscar-nominated fantasy comedy Being John Malkovich — which marks its 15th anniversary this year.
It is the first time Jonze, whose father was descended from a German Jewish family, has visited Israel.
Korea’s Park will also give a masterclass and participate in a panel on his country’s cinema...
- 7/10/2014
- ScreenDaily
Laurence Anyways
Written by Xavier Dolan
Directed by Xavier Dolan
Canada / France, 2012
No one will dispute Xavier Dolan’s ambition. The now 23-year-old filmmaker already has three features under his belt, each more audacious than the last. Laurence Anyways, his follow-up to the warmly received Les Amours Imaginaires, seems on its face to represent Dolan’s vault into greater things: a gender-breaking anti-romance spanning a decade, boasting a daunting 161-minute runtime and an unusual aspect ratio (1.33:1), and shot in both France and Québec, Laurence promises either greatness or utter folly. The truth, as usual, rests somewhere in the middle: Dolan’s film contains revelatory performances, moments of startling beauty, and his most strikingly empathetic material, but his excesses nearly discard the goodwill built up over the film’s first 100 or so minutes.
Ostensibly, the film revolves around Laurence (Melvil Poupaud), a high-school teacher who harbors and then acts on...
Written by Xavier Dolan
Directed by Xavier Dolan
Canada / France, 2012
No one will dispute Xavier Dolan’s ambition. The now 23-year-old filmmaker already has three features under his belt, each more audacious than the last. Laurence Anyways, his follow-up to the warmly received Les Amours Imaginaires, seems on its face to represent Dolan’s vault into greater things: a gender-breaking anti-romance spanning a decade, boasting a daunting 161-minute runtime and an unusual aspect ratio (1.33:1), and shot in both France and Québec, Laurence promises either greatness or utter folly. The truth, as usual, rests somewhere in the middle: Dolan’s film contains revelatory performances, moments of startling beauty, and his most strikingly empathetic material, but his excesses nearly discard the goodwill built up over the film’s first 100 or so minutes.
Ostensibly, the film revolves around Laurence (Melvil Poupaud), a high-school teacher who harbors and then acts on...
- 5/23/2012
- by Simon Howell
- SoundOnSight
There are a whopping nine films nominated for Best Picture at this year’s Academy Awards. And between your work, family, and constant USA marathons of Law & Order: Svu (when will those ever stop being addictive?!), you simply may not have time to catch all nine in the theaters or at home. But never fear, dear PopWatchers — that’s why we’re here! Each day leading up to the Academy Awards on Feb. 26, we’ll provide you with a deep dive into one of the nine Best Picture nominees. Fear showing up to your Oscars party unprepared to discuss the year’s most notable films?...
- 2/21/2012
- by Mandi Bierly
- EW.com - PopWatch
Hubert Sauper's Darwin's Nightmare Head-on, Javier Bardem, Imelda Staunton: European Film Awards 2004 European Film Academy Documentary – Prix Arte Aileen: Life And Death Of A Serial Killer by Nick Broomfield & Joan Churchill / UK * Darwin's Nightmare by Hubert Sauper / Austria / France / Belgium Die SPIELWÜTIGEN (Addicted to Acting) by Andres Veiel / Germany La Pelota Vasca, La Piel Contra La Piedra (Basque Ball, Skin Against Stone) by Julio Medem / Spain Le Monde Selon Bush (The World According to Bush) by William Karel / France Mahssomim (Checkpoint) by Yoav Shamir / Israel The Last Victory by John Appel / The Netherlands Touch The Sound by Thomas Riedelsheimer / Germany / UK / Finland European Film Academy Short Film – Prix Uip * Prix Uip Ghent: J'attendrai le suivant… by Philippe Orreindy / France Prix Uip Valladolid: Les Baisers des Autres by Carine Tardieu / France Prix Uip Angers: Poveste La Scara "C" by Cristian Nemescu / Romania Prix Uip Berlin: Un Cartus De Kent Si Un Pachet De Cafea...
- 11/26/2011
- by Andre Soares
- Alt Film Guide
After having worked with her daughter, Chiara Mastroianni in his last film (Making Plans for Lena), Christophe Honoré will now work with Catherine Deneuve in his next project to begin lensing this fall. Entitled Les Bien-Aimés (The Beloved), Deneuve, who was supposed to have played in Ma mère (Huppert would take the role) will play the title character in this rom com - Mastroianni, Ludivine Sagnier and the frequent Honoré collaborator Louis Garrel, are also joining the project. Les Bien-Aimés is based on several love stories set at different times, in multiple locations, in the city of Prague in 1968, to contemporary London. Sagnier plays Deneuve of the Czechoslovakia 60's. Honoré will work again with composer Alex Beaupain.
- 7/29/2010
- IONCINEMA.com
Les Amours Imaginaires means Imaginary Loves, but this is a very French film which is also known as Heartbeats in the Us.
Les Amours Imaginaires
The movie is both written and directed by Xavier Dolan, who also stars as Francis, a young Canadian filmmaker out of Quebec, and we are here today to have a little chat about it, since it will be premiering at the Cannes Film Festival in a few weeks in the Un Certain Regard category.
What we know about this interesting project is that it’s the story of three close friends who are involved in a love-triangle. Movie follows the infatuation of two friends with the same mysterious young man. Inevitably, their friendship suffers.
Or, if you prefer little bit detailed plot: “…the story of Francis and Marie, two friends. They fall in love with the same person, Nicolas. However, Francis and Marie will fiercely...
Les Amours Imaginaires
The movie is both written and directed by Xavier Dolan, who also stars as Francis, a young Canadian filmmaker out of Quebec, and we are here today to have a little chat about it, since it will be premiering at the Cannes Film Festival in a few weeks in the Un Certain Regard category.
What we know about this interesting project is that it’s the story of three close friends who are involved in a love-triangle. Movie follows the infatuation of two friends with the same mysterious young man. Inevitably, their friendship suffers.
Or, if you prefer little bit detailed plot: “…the story of Francis and Marie, two friends. They fall in love with the same person, Nicolas. However, Francis and Marie will fiercely...
- 5/4/2010
- by Fiona
- Filmofilia
Dolan’s “Mother” wins in Reykjavik Canadian director Xavier Dolan’s directorial debut “I Killed My Mother” (J´ai Tué Ma Mère), which chronicles the stormy relationship between a teenage boy and his mother, won the Golden Puffin at the 2009 Reykjavik International Film Festival. The film also won the Prix Regards Jeunes at the 2009 Cannes Film Festival. The prize is a discovery award eligible to first and second time directors. Swedish …...
- 9/28/2009
- Indiewire
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