Officially streaming for the first time in the United States on Shudder is the infamous BBC faux documentary, Ghostwatch. For those not familiar with Ghostwatch, it was presented to viewers as part of a BBC anthology series called Screen One as a legitimate live investigation of the paranormal.
Press Release: Today, Shudder, the premium thriller, horror, and supernatural streaming service backed by AMC Networks, releases the BBC’s infamous faux-paranormal documentary Ghostwatch for the first time ever in the United States.
Produced as a part of the BBC anthology series Screen One, it was presented as a live television investigation of paranormal activity, not as a scripted TV movie. It was banned after the premiere because of disturbed viewers making an estimated 30,000 panicked calls to the BBC switchboard in a single hour. Ghostwatch was never re-aired on UK television, it never aired in the United States, and has never been...
Press Release: Today, Shudder, the premium thriller, horror, and supernatural streaming service backed by AMC Networks, releases the BBC’s infamous faux-paranormal documentary Ghostwatch for the first time ever in the United States.
Produced as a part of the BBC anthology series Screen One, it was presented as a live television investigation of paranormal activity, not as a scripted TV movie. It was banned after the premiere because of disturbed viewers making an estimated 30,000 panicked calls to the BBC switchboard in a single hour. Ghostwatch was never re-aired on UK television, it never aired in the United States, and has never been...
- 4/18/2017
- by Tamika Jones
- DailyDead
UK Screen One International Film Festival, an annual celebration of cinema from around the world set in the heart of the UK Midlands, just announced their 2017 festival winners. The exciting 2017 lineup included new shorts and feature films including Tatara Samurai by Shoko Watanabe, The Carrier by Anthony Woodley, Red by Branko Tomovic, We by David Yorke, Gilded by Cheryl Neve and many more. Here is the list of the 2017 winners: Best International Feature Tatara Samurai by Shoko Watanabe Best International Super Short Meditation by Seema Arora Documentary Feature Better Than His Record - The Story of 'Rockin' Robin Deakin by Richard Down Best Super Short 4x4 by Riyadh Haque Best Short Camping by Tom Ransom Best International Short...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 2/17/2017
- Screen Anarchy
Craig Lines Oct 31, 2016
24 years after infamous UK horror TV event Ghostwatch aired on the BBC, we chat to its director Lesley Manning...
Although Ghostwatch aired in 1992 and was never shown again on TV, its legacy endures. From the excellent Behind The Curtains documentary to its frequent appearances on “Scariest Moments” lists, people love to talk about what still remains the most controversial drama in broadcast history (and retains the record number of viewer complaints).
See related Marvel's Luke Cage episode 13 viewing notes: You Know My Steez The Punisher: 5 new cast members and 2017 release confirmed
To celebrate the BBC releasing it, at last, through their online store, Den Of Geek talked with director Lesley Manning about making the programme and its enduring influence…
How does it feel that every few years, so many people want to talk to you about Ghostwatch?
Well, because Stephen [Volk, writer] and I felt like lepers for a few years afterwards,...
24 years after infamous UK horror TV event Ghostwatch aired on the BBC, we chat to its director Lesley Manning...
Although Ghostwatch aired in 1992 and was never shown again on TV, its legacy endures. From the excellent Behind The Curtains documentary to its frequent appearances on “Scariest Moments” lists, people love to talk about what still remains the most controversial drama in broadcast history (and retains the record number of viewer complaints).
See related Marvel's Luke Cage episode 13 viewing notes: You Know My Steez The Punisher: 5 new cast members and 2017 release confirmed
To celebrate the BBC releasing it, at last, through their online store, Den Of Geek talked with director Lesley Manning about making the programme and its enduring influence…
How does it feel that every few years, so many people want to talk to you about Ghostwatch?
Well, because Stephen [Volk, writer] and I felt like lepers for a few years afterwards,...
- 10/30/2016
- Den of Geek
We’re just over a month away from the theatrical bow of Warcraft and Duncan Jones‘ adaptation of the hugely popular video game series still looks like one of the summer’s biggest risks. Despite the success of the Lord of the Rings trilogy and the Harry Potter series, fantasy is generally a tough sell with audiences…and Warcraft […]
The post ‘Warcraft’ Will Screen One Day Early On Select IMAX 3D Screens, Will Open Early In China appeared first on /Film.
The post ‘Warcraft’ Will Screen One Day Early On Select IMAX 3D Screens, Will Open Early In China appeared first on /Film.
- 5/5/2016
- by Jacob Hall
- Slash Film
FIFA 16 is to feature women's football for the first time. Depressingly, a backlash quickly followed the announcement...
It’s somewhat ironic that the announcement by EA Sports that the next FIFA game would feature women’s football came as the organisation that gives the series its name were busy fighting their biggest ever corruption scandal. One can only wonder what Sepp 'Female players should wear tighter shorts to improve the viewing figures' Blatter might have had to say about it, if he wasn’t otherwise engaged with standing unopposed in yet another election while his enemies were getting arrested.
Fortunately for Blatter and his unenlightened views, the internet exists, so there were plenty of commenters and Tweeters chomping at the bit to step in and register their outrage at the very idea of expanding their favourite game’s scope to include an increasingly significant area of world football. These reactions...
It’s somewhat ironic that the announcement by EA Sports that the next FIFA game would feature women’s football came as the organisation that gives the series its name were busy fighting their biggest ever corruption scandal. One can only wonder what Sepp 'Female players should wear tighter shorts to improve the viewing figures' Blatter might have had to say about it, if he wasn’t otherwise engaged with standing unopposed in yet another election while his enemies were getting arrested.
Fortunately for Blatter and his unenlightened views, the internet exists, so there were plenty of commenters and Tweeters chomping at the bit to step in and register their outrage at the very idea of expanding their favourite game’s scope to include an increasingly significant area of world football. These reactions...
- 6/1/2015
- by simonbrew
- Den of Geek
Fear not: Gene Hackman is just fine. The legendary actor was prematurely mourned by a number of Twitter users following a confusing Grantland headline that read: "The Greatest Living American Actor at 85: Gene Hackman Is Gone But Still in Charge." Read More Mitt Romney Endorses Gene Hackman to Play Him On Screen One tribute message came from actor Dylan McDermott, who tweeted, "Rest in Peace." The Stalker star later deleted the tweet and wrote about what he perceived to be a "hoax": "People have too much damn time on their hands." Hackman's rep confirmed to ABC News
read more...
read more...
- 1/29/2015
- by Ryan Gajewski
- The Hollywood Reporter - Movie News
When you think of horror, you think of horror movies, but some of the deepest and most lasting shivers have come from television. Here is a list of ten small-screen classics guaranteed to keep you up at night.1. Ghostwatch (BBC, 1992) Originally broadcast in the U.K. as part of the BBC series Screen One, and based on the legend of the Enfield Poltergeist, this is a faux-live TV broadcast that takes viewers inside a house in Northolt, Greater London, that's believed to be haunted by a spirit known as Pipes (because the parents told their kids that those eerie noises were caused by the plumbing). The audacious final stretch attains an almost Lovecraftian awesomeness. 2. The Kingdom (Dr, 1994) [Available via Netflix] Set in a haunted hospital on the border between Sweden and Denmark, this miniseries from Lars von Trier (Nymphomaniac, Antichrist) is one part M*A*S*H-style black comedy, one part...
- 10/23/2014
- by Matt Zoller Seitz
- Vulture
The line-up for this year's Film4 FrightFest in London has just been announced – and boy, is it a doozy! Sporting a record-breaking 38 UK/European premieres and 11 world premieres, this August is going to be an exciting time in the genre calendar.
Check it all out right here, including lots of new images!
This year Film4 FrightFest will be moving from its previous home at Leicester Square's Empire Cinema to the nearby Vue Cinema (also on Leicester Square), prompting an ingenious reshuffle of the screening arrangements.
All main screen films will be presented at different times across three different screens, with two extra screens reserved for single-slot screenings of the various films hitting this year's Discovery Screens.
Here's the full list of goodies:
Main Screens (5, 6, 7)
Thursday Aug 21
Opening Night Film - The Guest (UK Premiere)
Director: Adam Wingard. Cast: Dan Stevens, Maika Monroe, Brendan Meyer, Sheila Kelley, Leland Orser. USA 2014. 99 mins.
Check it all out right here, including lots of new images!
This year Film4 FrightFest will be moving from its previous home at Leicester Square's Empire Cinema to the nearby Vue Cinema (also on Leicester Square), prompting an ingenious reshuffle of the screening arrangements.
All main screen films will be presented at different times across three different screens, with two extra screens reserved for single-slot screenings of the various films hitting this year's Discovery Screens.
Here's the full list of goodies:
Main Screens (5, 6, 7)
Thursday Aug 21
Opening Night Film - The Guest (UK Premiere)
Director: Adam Wingard. Cast: Dan Stevens, Maika Monroe, Brendan Meyer, Sheila Kelley, Leland Orser. USA 2014. 99 mins.
- 6/27/2014
- by Gareth Jones
- DreadCentral.com
Film4 FrightFest 2014, returning for its 15th year, unveils its biggest line-up ever. From Thurs 21 August to Monday 25 August, the UK’s leading event for genre fans will be at the Vue West End, Leicester Square, to present sixty-four films plus twenty shorts across five screens. There are sixteen countries representing five continents with a record-breaking thirty-eight UK or European premieres and eleven world premieres.
Are you ready for a monstrous and memorable mayhem of killer claws, cannibalism, cult classics, murderous musicals, chiller thrillers, graphic novel action and sick celluloid masterpieces? Then prepare yourself for the biggest, strongest and most eclectic must-see programme in Film4 FrightFest’s history.
From the opening night turbo-driven thrill-ride The Guest to the UK premiere of the closing night mesmeric sci-fi fantasy The Signal, FrightFest has netted the latest works from genre big-hitters such as Eli Roth (The Green Inferno), Alan Moore and Mitch Jenkins (Show...
Are you ready for a monstrous and memorable mayhem of killer claws, cannibalism, cult classics, murderous musicals, chiller thrillers, graphic novel action and sick celluloid masterpieces? Then prepare yourself for the biggest, strongest and most eclectic must-see programme in Film4 FrightFest’s history.
From the opening night turbo-driven thrill-ride The Guest to the UK premiere of the closing night mesmeric sci-fi fantasy The Signal, FrightFest has netted the latest works from genre big-hitters such as Eli Roth (The Green Inferno), Alan Moore and Mitch Jenkins (Show...
- 6/27/2014
- by Phil Wheat
- Nerdly
We have a small golden circle of writers who do everything, in effect closing the door on Britain's rich diversity of talent
A meeting I attended this week, chaired by the culture minister Ed Vaizey in the House of Commons, was in many ways a ground-breaking event. For the first time, representatives from film, television and the performing arts came together to acknowledge that representation among black, Asian and ethnic minorities across the television and film industry – most significantly behind the camera – has fallen from 7.4% in 2009 to 5.4% in 2012, and is continuing to decrease, and that it is not an acceptable state of affairs in a vibrant democracy which boasts a rich diversity of cultures. Most important, we recognise it is our job collectively to reverse this trend by ensuring that the inequalities faced by ethnic minority talent become a thing of the past.
Many options and possibilities for changing the...
A meeting I attended this week, chaired by the culture minister Ed Vaizey in the House of Commons, was in many ways a ground-breaking event. For the first time, representatives from film, television and the performing arts came together to acknowledge that representation among black, Asian and ethnic minorities across the television and film industry – most significantly behind the camera – has fallen from 7.4% in 2009 to 5.4% in 2012, and is continuing to decrease, and that it is not an acceptable state of affairs in a vibrant democracy which boasts a rich diversity of cultures. Most important, we recognise it is our job collectively to reverse this trend by ensuring that the inequalities faced by ethnic minority talent become a thing of the past.
Many options and possibilities for changing the...
- 1/24/2014
- by Lenny Henry
- The Guardian - Film News
There are some child actors who grow up and become regular people. There are some that grow up to be really messed up individuals. Some were child stars in their own right, and when they were adults they continued to function as big name A-listers.
But what about the ones who were just jobbing child actors? They weren’t necessarily huge stars as children, but some of them went from moderate success to major adult stardom.
Because they weren’t hyper famous as kids, it’s easy to forget that they didn’t get into the entertainment business as adults. But a surprising number of actors today actually started working before they were old enough to vote.
Here are some actors who are popular today, but you might not realize that they’ve been working in Hollywood since they had their baby teeth.
10. Keira Knightley
Although audiences weren’t familiar...
But what about the ones who were just jobbing child actors? They weren’t necessarily huge stars as children, but some of them went from moderate success to major adult stardom.
Because they weren’t hyper famous as kids, it’s easy to forget that they didn’t get into the entertainment business as adults. But a surprising number of actors today actually started working before they were old enough to vote.
Here are some actors who are popular today, but you might not realize that they’ve been working in Hollywood since they had their baby teeth.
10. Keira Knightley
Although audiences weren’t familiar...
- 7/2/2013
- by Audrey Fox
- Obsessed with Film
Disney recently held a press screening of "Iron Man 3." And while full reviews are not allowed to go up until May 3rd, the studio gave permission for critics to post their reactions on Twitter. We now have many of those reactions, which are almost all positive. In fact, they are more than positive. The critics seem to still be in shock about how good the film is. Thanks to these posts, we also learned that the post-credits scene doesn't set up any other film. Reviews: * Matt Risley: I loved it. Surprising, action-packed and with bags of energy. Great fun. * Alex Mullane: Iron Man 3 is Awesome. Completely erases the memory of it's dull, muddled predecessor. Marvel Phase 2 is off to a hell of a start. * Charlie The Unicorn: Iron Man 3 is 10000000000 times better than you could ever imagine. This film makes The Avengers (my favorite) look like a joke.
- 4/18/2013
- WorstPreviews.com
Disney's Wreck-It Ralph maintains its momentum at the UK box office as half-term gave a lift to children's films
The winner
It lost the best animated feature Oscar to Disney stablemate Brave, but Wreck-It Ralph scored a victory at the UK weekend box-office. Takings for the film were almost the same as the previous weekend (£3.42m v £3.44m), as families slotted in a cinema visit before the end of school half-term. Over the 10 days of the school holiday (15-24 February), the video-game-themed adventure grossed an impressive £11.54m, for a total so far of £18.62m. Audiences will decrease now children are back at school, but Wreck-It Ralph should bump along for a few more weeks and is well placed to overtake the totals for 2012's Madagascar 3 (£22.74m) and Brave (£22.17m).
Wreck-It Ralph returns to the top spot after a weekend when preview takings had boosted the opening of A Good Day to Die Hard,...
The winner
It lost the best animated feature Oscar to Disney stablemate Brave, but Wreck-It Ralph scored a victory at the UK weekend box-office. Takings for the film were almost the same as the previous weekend (£3.42m v £3.44m), as families slotted in a cinema visit before the end of school half-term. Over the 10 days of the school holiday (15-24 February), the video-game-themed adventure grossed an impressive £11.54m, for a total so far of £18.62m. Audiences will decrease now children are back at school, but Wreck-It Ralph should bump along for a few more weeks and is well placed to overtake the totals for 2012's Madagascar 3 (£22.74m) and Brave (£22.17m).
Wreck-It Ralph returns to the top spot after a weekend when preview takings had boosted the opening of A Good Day to Die Hard,...
- 2/27/2013
- by Charles Gant
- The Guardian - Film News
This year marked the 50th anniversary of David Lean’s Lawrence of Arabia. To mark the occasion, a digitally restored edition was released, and I had the a chance to see it on the Empire Leicester Square’s biggest screen: an auditorium vast enough to complement the scale of the film’s setting, but normally reserved for mediocre Hollywood movies. Before the film began, shifting shades of yellow, pink and blue light played across the cavernous space of Screen One and a constellation of tiny white lights above the screen drew the gathering audience’s gazes heavenward, as clips from the upcoming film’s soundtrack boomed, marched and murmured in the background.
Given its iconic association with deserts, it is a surprise to see Lawrence of Arabia‘s opening set in England. This is just a brief prologue, though, and it’s not long before the film’s famous theme belts out at you,...
Given its iconic association with deserts, it is a surprise to see Lawrence of Arabia‘s opening set in England. This is just a brief prologue, though, and it’s not long before the film’s famous theme belts out at you,...
- 12/31/2012
- by Alison Frank
- The Moving Arts Journal
Each week we ask a reader to tell us about where they go to watch films. Today, a cinema in the heart of London's Mayfair
Location
In the heart of Mayfair, very close to Green Park and Hyde Park Corner tube stations. There are plenty of good restaurants nearby, making the Curzon Mayfair a good destination for film plus dinner. Cuisines on offer include French, Lebanese, Indian, Spanish and Turkish.
Building
The cinema opened in 1934. It has two screens and a total capacity of 420. Screen One is graced by two royal boxes. The Grade II-listed, seven–storey building is modern but not especially inviting from the outside. It's much more welcoming once you get inside the door, though: you find a bar on your left with comfortable leather sofas, coffee tables and candles. Soft lighting, carpeting and neutral colours make for a cosy and attractive atmosphere. There's free wi-fi in the bar,...
Location
In the heart of Mayfair, very close to Green Park and Hyde Park Corner tube stations. There are plenty of good restaurants nearby, making the Curzon Mayfair a good destination for film plus dinner. Cuisines on offer include French, Lebanese, Indian, Spanish and Turkish.
Building
The cinema opened in 1934. It has two screens and a total capacity of 420. Screen One is graced by two royal boxes. The Grade II-listed, seven–storey building is modern but not especially inviting from the outside. It's much more welcoming once you get inside the door, though: you find a bar on your left with comfortable leather sofas, coffee tables and candles. Soft lighting, carpeting and neutral colours make for a cosy and attractive atmosphere. There's free wi-fi in the bar,...
- 9/25/2012
- by Guardian readers
- The Guardian - Film News
Long time readers of the site will have seen this before as I’m reposting my love letter to Stephen Volk’s Ghostwatch on the occasion of Hallowe’en. A year shy of its twentieth anniversary it remains a landmark of paranormal drama and has just been reissued on DVD at a ridiculously low price.
Things have changed since the initial (and only) BBC broadcast. Reality TV has infected almost every aspect of television and Most Haunted and the recent Paranormal Activity films simply would not exist without it. Familiarity with the presenters may have made he suspension of disbelief a little difficult initially but nineteen years on there is no such problem.
Ghostwatch joins The War Game, Orson Welles’ Hallowe’en broadcast of War of the Worlds, and the Us TV programmes Special Bulletin and Without Warning as moments in broadcast history which signalled a shift in what was possible,...
Things have changed since the initial (and only) BBC broadcast. Reality TV has infected almost every aspect of television and Most Haunted and the recent Paranormal Activity films simply would not exist without it. Familiarity with the presenters may have made he suspension of disbelief a little difficult initially but nineteen years on there is no such problem.
Ghostwatch joins The War Game, Orson Welles’ Hallowe’en broadcast of War of the Worlds, and the Us TV programmes Special Bulletin and Without Warning as moments in broadcast history which signalled a shift in what was possible,...
- 10/31/2011
- by Jon Lyus
- HeyUGuys.co.uk
The third slice in our series of cinema reviews takes us to a leafy London suburb to munch on mainstream films and a kebab
• Tell us where to go next
• Check out our google map and flickr group
On location: Slap bang in the middle of leafy Beckenham, by the war memorial and next to Kebab Ye. Right opposite a pub that reviewers have called "grubby" and "racist". You can't miss it.
Crowd scene: Happily diverse. Teenagers, young families, couples and – when The King's Speech is on – every single pensioner within a 50-mile radius.
Back story: Originally a single-screen cinema, restaurant and ballroom, the Grade II-listed building was converted into three screens in the 1970s and then became a six-screen building when Odeon took over in 2001. The first movie shown there was The Rogue Song, notable for marking Laurel and Hardy's first appearance in colour.
Show business: Typical Odeon fare.
• Tell us where to go next
• Check out our google map and flickr group
On location: Slap bang in the middle of leafy Beckenham, by the war memorial and next to Kebab Ye. Right opposite a pub that reviewers have called "grubby" and "racist". You can't miss it.
Crowd scene: Happily diverse. Teenagers, young families, couples and – when The King's Speech is on – every single pensioner within a 50-mile radius.
Back story: Originally a single-screen cinema, restaurant and ballroom, the Grade II-listed building was converted into three screens in the 1970s and then became a six-screen building when Odeon took over in 2001. The first movie shown there was The Rogue Song, notable for marking Laurel and Hardy's first appearance in colour.
Show business: Typical Odeon fare.
- 7/5/2011
- by Stuart Heritage
- The Guardian - Film News
La Noire and Portal 2 are video games that challenge the mind instead of the thumbs
Do you remember the days when you used to be able to head out to the cinema safe in the knowledge that even if the film you wanted to see had sold out, there'd be something else worth watching? I'm talking about 10,000 years ago, obviously, because here's what's on at your local multiplex.
Screen one: a 3D CGI cartoon about a wisecracking badger with attitude you'd quite happily reverse a six-tonne tractor over. Screen two: a 3D superhero theme park ride that thinks it's King Lear. Screen three: a rom-com so formulaic you suspect it was created from a template on Moonpig.com. Screen four: The Very Hungry Caterpillar 3D. Screen five: all of the above, randomly intercut with one another because no one's paying attention anyway. Screen six: a lightshow for cattle.
Do you remember the days when you used to be able to head out to the cinema safe in the knowledge that even if the film you wanted to see had sold out, there'd be something else worth watching? I'm talking about 10,000 years ago, obviously, because here's what's on at your local multiplex.
Screen one: a 3D CGI cartoon about a wisecracking badger with attitude you'd quite happily reverse a six-tonne tractor over. Screen two: a 3D superhero theme park ride that thinks it's King Lear. Screen three: a rom-com so formulaic you suspect it was created from a template on Moonpig.com. Screen four: The Very Hungry Caterpillar 3D. Screen five: all of the above, randomly intercut with one another because no one's paying attention anyway. Screen six: a lightshow for cattle.
- 5/23/2011
- by Charlie Brooker
- The Guardian - Film News
Kevin Markwick spent his childhood in the small-town Sussex cinema his father bought in 1964. Now he owns and runs it
I follow Kevin Markwick along a corridor lined with boxes of popcorn to his office while he does an impression of Alec Guinness as Obi-Wan Kenobi in Star Wars. "These aren't the droids you're looking for," he recites, sounding uncannily like the late actor. Markwick is a great mimic, quoting lines from classic movies with near-perfect accuracy.
His office is much like any other, except for the constant roar of movies playing in ear-splitting Dolby Digital next door. Today, it's an early afternoon showing of The Sorcerer's Apprentice, making my chest boom as we chat happily about film.
Markwick owns the independent Picture House cinema in Uckfield, a sleepy town in East Sussex about 10 minutes from Lewes with a population of around 14,000. An hour and a quarter from London by train,...
I follow Kevin Markwick along a corridor lined with boxes of popcorn to his office while he does an impression of Alec Guinness as Obi-Wan Kenobi in Star Wars. "These aren't the droids you're looking for," he recites, sounding uncannily like the late actor. Markwick is a great mimic, quoting lines from classic movies with near-perfect accuracy.
His office is much like any other, except for the constant roar of movies playing in ear-splitting Dolby Digital next door. Today, it's an early afternoon showing of The Sorcerer's Apprentice, making my chest boom as we chat happily about film.
Markwick owns the independent Picture House cinema in Uckfield, a sleepy town in East Sussex about 10 minutes from Lewes with a population of around 14,000. An hour and a quarter from London by train,...
- 9/17/2010
- by Mark King
- The Guardian - Film News
In the run-up to the release of The Sorcerer’s Apprentice, we met with actor Alfred Molina to discuss acting, Jerry Bruckheimer and Boogie Nights…
It's been a busy summer for Alfred Molina. After a scene-stealing comedic turn in Prince of Persia: The Sands Of Time, he's back on blockbuster duty opposite Nicolas Cage in The Sorcerer's Apprentice. Den Of Geek spent ten, stretched to a cheeky twelve, minutes in his company to talk playing bad, less is more, Boogie Nights, and Engelbert Humperdink.
This is your second Jerry Bruckheimer film in very quick succession ...
Yes, almost one after the other.
So, you filmed this straight after Prince Of Persia?
Almost. We were towards the end of Prince Of Persia and just moved from Morocco back to London to the sound stage at Pinewood. And Jerry and the Disney producers were already making plans for The Sorcerer's Apprentice and one of them said to me,...
It's been a busy summer for Alfred Molina. After a scene-stealing comedic turn in Prince of Persia: The Sands Of Time, he's back on blockbuster duty opposite Nicolas Cage in The Sorcerer's Apprentice. Den Of Geek spent ten, stretched to a cheeky twelve, minutes in his company to talk playing bad, less is more, Boogie Nights, and Engelbert Humperdink.
This is your second Jerry Bruckheimer film in very quick succession ...
Yes, almost one after the other.
So, you filmed this straight after Prince Of Persia?
Almost. We were towards the end of Prince Of Persia and just moved from Morocco back to London to the sound stage at Pinewood. And Jerry and the Disney producers were already making plans for The Sorcerer's Apprentice and one of them said to me,...
- 8/8/2010
- Den of Geek
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