The Count is back, without any apparent explanation of how he survived the events of the first film. But who cares, eh? All that matters is that, mere minutes into "The Return of Count Yorga," vampire women emerge from their graves to stalk a poor little boy. The action starts quick in this one, folks! It's a bit scary
it's a bit erotic
and it's even a bit good.
In fact, "Return of Count Yorga" is almost good enough to eclipse its predecessor, but the middle act unfortunately sags and the conclusion feels too much like a retread. Still, there is plenty of great material here, including a harrowing attack segment on a house full of people and a memorable final chase through the narrow corridors of Yorga's mansion. Quarry is again smooth and super-cool as the Count; I love the way he effortlessly mingles with, and insults, the stupid townspeople at their costume party.
The film takes a stab at philosophy by allowing Yorga to have a "romance" with Cynthia (played by the lovely Mariette Hartley what a nice voice she has), but this storyline basically reaches a dead end. They have one interesting conversation about their world views over punch at the party, and that's it. The notion of a vampire in love was explored more deeply (and more to my satisfaction) in "Subspecies II," one of my favorite horror movies of recent times.
Nevertheless, "Return of Count Yorga" should be applauded for being experimental, as this kind of movie goes. In many respects, it's a more thoughtful and engaging film than the first Yorga, but it's also more uneven. Anyway, fans of classic movies/actors should watch out for George Sanders in a cameo role as a loopy vampire expert who expounds upon the inherent difficulties of assuming yoga positions. Like the movie as a whole, Sanders' lone scene is very strange, but certainly worth seeing.
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