![Dean Fujioka](https://m.media-amazon.com/images/M/MV5BNDY2OWE1MTUtM2IxOC00ZTgzLTgzNjAtNGRhNTdhOWQ4Yjk5XkEyXkFqcGdeQXVyMjg0MTI5NzQ@._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Dean Fujioka](https://m.media-amazon.com/images/M/MV5BNDY2OWE1MTUtM2IxOC00ZTgzLTgzNjAtNGRhNTdhOWQ4Yjk5XkEyXkFqcGdeQXVyMjg0MTI5NzQ@._V1_QL75_UX140_CR0,1,140,207_.jpg)
Dean Fujioka (“Fullmetal Alchemist”) and Callum Woodhouse (“All Creatures Great and Small”) have been set to lead the cast of creature feature Orang Ikan, Variety reports.
The film is set during World War II. The creature? A human-fish hybrid!
Variety details, “Set in the Pacific, 1942, a Japanese ship transports prisoners of war to occupied territories as slave labor. After being torpedoed by allied submarines, a Japanese soldier and a British Pow are stranded on a deserted island, but soon discover they are not alone.
“They are being hunted by a ferocious mythological creature, the Orang Ikan, a human-fish hybrid. Unable to communicate in each other’s language, the two mortal enemies must come together to survive the unknown.”
Mike Wiluan wrote the script and will be directing.
Producer Eric Khoo tells Variety, “I grew up on a steady diet of horror movies which ranged from the supernatural to monster flicks.
The film is set during World War II. The creature? A human-fish hybrid!
Variety details, “Set in the Pacific, 1942, a Japanese ship transports prisoners of war to occupied territories as slave labor. After being torpedoed by allied submarines, a Japanese soldier and a British Pow are stranded on a deserted island, but soon discover they are not alone.
“They are being hunted by a ferocious mythological creature, the Orang Ikan, a human-fish hybrid. Unable to communicate in each other’s language, the two mortal enemies must come together to survive the unknown.”
Mike Wiluan wrote the script and will be directing.
Producer Eric Khoo tells Variety, “I grew up on a steady diet of horror movies which ranged from the supernatural to monster flicks.
- 9/21/2023
- by John Squires
- bloody-disgusting.com
![Image](https://m.media-amazon.com/images/M/MV5BYjRhOGQ5NzktNDA4Mi00ZGNhLThmZjAtYjUzNmZhMWY1N2RhXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR0,0,500,281_.jpg)
Japan’s Dean Fujioka and the U.K.’s Callum Woodhouse are set to star in “Orang Ikan,” a WWII-set creature horror film. The picture is scripted by Singapore and Indonesia-based Mike Wiluan who will also direct the picture from next month.
International rights to “Orang Ikan” have been picked up by London-based Sc Films International, which will give the project its sales launch at the Busan festival and accompanying market next month.
Set in the Pacific, 1942, a Japanese ship transports prisoners of war to occupied territories as slave labor. After being torpedoed by allied submarines, a Japanese soldier and a British Pow are stranded on a deserted island, but soon discover they are not alone. They are being hunted by a ferocious mythological creature, the Orang Ikan, a human-fish hybrid. Unable to communicate in each other’s language, the two mortal enemies must come together to survive the unknown.
International rights to “Orang Ikan” have been picked up by London-based Sc Films International, which will give the project its sales launch at the Busan festival and accompanying market next month.
Set in the Pacific, 1942, a Japanese ship transports prisoners of war to occupied territories as slave labor. After being torpedoed by allied submarines, a Japanese soldier and a British Pow are stranded on a deserted island, but soon discover they are not alone. They are being hunted by a ferocious mythological creature, the Orang Ikan, a human-fish hybrid. Unable to communicate in each other’s language, the two mortal enemies must come together to survive the unknown.
- 9/19/2023
- by Patrick Frater
- Variety Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BN2MzMjljZDItNWI0OS00MjZiLTg4NGUtNjAzZjg5MTk2Nzg5XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BN2MzMjljZDItNWI0OS00MjZiLTg4NGUtNjAzZjg5MTk2Nzg5XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
Peter Yates’ excellent war-movie follow-up to Bullitt landed in the wrong year: the beautifully produced and directed action thriller was barely seen in America. Royal Navy mechanic Peter O’Toole swears vengeance on the U-Boat commander who sunk his ship and murdered its entire crew. Locals in a Caribbean backwater help him to strike back: he must first teach himself to fly an airplane. With support from Horst Janson, Sian Phillips and the great Philippe Noiret, it’s a wartime suspense nail-biter with a little manic obsession thrown in as well. Indicator’s extras feature the great editor-director John Glen, who relates the exciting story of the filming on location in Venezuela.
Murphy’s War
Region B Blu-ray
Powerhouse Indicator
1971 / Color / 2:35 widescreen / 107 min. / Limited Edition / Street Date May 30, 2022 / available from Powerhouse Films UK / £19.99
Starring: Peter O’Toole, Sian Phillips, Philippe Noiret, Horst Janson, John Hallam, Ingo Mogendorf.
Cinematography: Douglas Slocombe...
Murphy’s War
Region B Blu-ray
Powerhouse Indicator
1971 / Color / 2:35 widescreen / 107 min. / Limited Edition / Street Date May 30, 2022 / available from Powerhouse Films UK / £19.99
Starring: Peter O’Toole, Sian Phillips, Philippe Noiret, Horst Janson, John Hallam, Ingo Mogendorf.
Cinematography: Douglas Slocombe...
- 5/10/2022
- by Glenn Erickson
- Trailers from Hell
![Image](https://m.media-amazon.com/images/M/MV5BNmUwZjI2ZTctYjRiMS00Mjg1LTk1YjEtZDhmMjZjYTkwMjhjXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,15,500,281_.jpg)
When an actor appears in many films of a particular director it becomes a sort of short-hand subject to define either’s work. Sometimes it feels as if one influenced the other, or vice versa, but these collaborations end up becoming a large portion of the public’s knowledge about their prowess. One of the most emblematic of those collaborations is the Akira Kurosawa-Toshiro Mifune combo, maybe only rivaled by John Ford and John Wayne—probably not a coincidence.
But what lies beyond the confines of those classic Kurosawas? The Film Forum retrospective, now underway through March 10 and co-presented by Japan Foundation, brings 33 films showcasing the wide acting range of Toshiro Mifune. While it does contain the now-classic collaborations, it gives an opportunity to look beyond. Below, five of the least-known films from their series.
Snow Trail (Senkichi Taniguchi), 1947)
Toshiro Mifune’s first film has him top-billed alongside Takashi Nimura,...
But what lies beyond the confines of those classic Kurosawas? The Film Forum retrospective, now underway through March 10 and co-presented by Japan Foundation, brings 33 films showcasing the wide acting range of Toshiro Mifune. While it does contain the now-classic collaborations, it gives an opportunity to look beyond. Below, five of the least-known films from their series.
Snow Trail (Senkichi Taniguchi), 1947)
Toshiro Mifune’s first film has him top-billed alongside Takashi Nimura,...
- 2/14/2022
- by Jaime Grijalba
- The Film Stage
![Akira Kurosawa circa 1950s](https://m.media-amazon.com/images/M/MV5BMjE3ODQwNTY2Nl5BMl5BanBnXkFtZTcwMTI5ODM1Mw@@._V1_QL75_UY207_CR4,0,140,207_.jpg)
![Akira Kurosawa circa 1950s](https://m.media-amazon.com/images/M/MV5BMjE3ODQwNTY2Nl5BMl5BanBnXkFtZTcwMTI5ODM1Mw@@._V1_QL75_UY207_CR4,0,140,207_.jpg)
“I am a person rarely impressed by actors… but in the case of Mifune I was completely overwhelmed. The ordinary Japanese actor might need ten feet of film to get across an impression. Toshirō Mifune needed only three feet,” said Akira Kurosawa.
One of the greatest talents in cinema history, Toshirō Mifune left behind a staggering body of work amassing over 150 starring roles. Born on April 1, 1920, a retrospective was planned for 2020 timed to his centennial and now, after a delay due to the pandemic, it will kick off next week at NYC’s Film Forum. Featuring 35mm rarities and rediscoveries imported from the libraries of The Japan Foundation and The National Film Archive of Japan, the series will run for a whopping four weeks, from February 11 through March 10, and feature 33 films.
Ahead of the retrospective, we’re pleased to exclusively debut the trailer, edited by John Zhao, highlighting what is...
One of the greatest talents in cinema history, Toshirō Mifune left behind a staggering body of work amassing over 150 starring roles. Born on April 1, 1920, a retrospective was planned for 2020 timed to his centennial and now, after a delay due to the pandemic, it will kick off next week at NYC’s Film Forum. Featuring 35mm rarities and rediscoveries imported from the libraries of The Japan Foundation and The National Film Archive of Japan, the series will run for a whopping four weeks, from February 11 through March 10, and feature 33 films.
Ahead of the retrospective, we’re pleased to exclusively debut the trailer, edited by John Zhao, highlighting what is...
- 2/4/2022
- by Jordan Raup
- The Film Stage
![Stephen Lang and Madelyn Grace in Don't Breathe 2 (2021)](https://m.media-amazon.com/images/M/MV5BNjgzMjQ4NjMtNzQ5OS00MzE4LWIxMmMtNjI0YjM1ZWZiN2U2XkEyXkFqcGdeQXVyODE5NzE3OTE@._V1_QL75_UX140_CR0,0,140,207_.jpg)
![Stephen Lang and Madelyn Grace in Don't Breathe 2 (2021)](https://m.media-amazon.com/images/M/MV5BNjgzMjQ4NjMtNzQ5OS00MzE4LWIxMmMtNjI0YjM1ZWZiN2U2XkEyXkFqcGdeQXVyODE5NzE3OTE@._V1_QL75_UX140_CR0,0,140,207_.jpg)
From Don’t Breathe 2, actor Brendan Sexton III discusses some of his favorite films with hosts Josh Olson and Joe Dante as viewed through that wondrous video home system format known as… VHS.
Show Notes: Movies Referenced In This Episode
Dark (2015)
Gremlins (1984)
Infested (2002)
Don’t Breathe (2016)
Don’t Breathe 2 (2021)
Unforgiven (1992)
The Beguiled (1971)
The Beguiled (2017)
Welcome To The Dollhouse (1995)
Pecker (1998)
Hairspray (1988)
Pink Flamingos (1972)
Forrest Gump (1994)
Boys Don’t Cry (1999)
Session 9 (2001)
Black Hawk Down (2001)
Seven Psychopaths (2012)
Three Billboards Outside Ebbing, Missouri (2017)
The Last Boy Scout (1991)
Cheech & Chong’s Up In Smoke (1978)
Cheech & Chong’s Next Movie (1980)
Lawrence of Arabia (1962)
48 Hrs. (1982)
Dumbo (1941)
Eddie Murphy Raw (1987)
Mickey And The Beanstalk (1947)
Grindhouse (2007)
Planet Terror (2007)
Death Proof (2007)
The Howling (1981)
Enter The Dragon (1973)
Game Of Death (1978)
Take A Hard Ride (1975)
Three The Hard Way (1974)
Death Promise (1977)
Piranha (1978)
Hollywood Boulevard (1976)
Yojimbo (1961)
Seven Samurai (1954)
Goodfellas (1990)
Hell In The Pacific (1968)
Grand Prix (1966)
The Red Balloon (1956)
Stowaway In The Sky (1960)
La Haine...
Show Notes: Movies Referenced In This Episode
Dark (2015)
Gremlins (1984)
Infested (2002)
Don’t Breathe (2016)
Don’t Breathe 2 (2021)
Unforgiven (1992)
The Beguiled (1971)
The Beguiled (2017)
Welcome To The Dollhouse (1995)
Pecker (1998)
Hairspray (1988)
Pink Flamingos (1972)
Forrest Gump (1994)
Boys Don’t Cry (1999)
Session 9 (2001)
Black Hawk Down (2001)
Seven Psychopaths (2012)
Three Billboards Outside Ebbing, Missouri (2017)
The Last Boy Scout (1991)
Cheech & Chong’s Up In Smoke (1978)
Cheech & Chong’s Next Movie (1980)
Lawrence of Arabia (1962)
48 Hrs. (1982)
Dumbo (1941)
Eddie Murphy Raw (1987)
Mickey And The Beanstalk (1947)
Grindhouse (2007)
Planet Terror (2007)
Death Proof (2007)
The Howling (1981)
Enter The Dragon (1973)
Game Of Death (1978)
Take A Hard Ride (1975)
Three The Hard Way (1974)
Death Promise (1977)
Piranha (1978)
Hollywood Boulevard (1976)
Yojimbo (1961)
Seven Samurai (1954)
Goodfellas (1990)
Hell In The Pacific (1968)
Grand Prix (1966)
The Red Balloon (1956)
Stowaway In The Sky (1960)
La Haine...
- 9/7/2021
- by Kris Millsap
- Trailers from Hell
![Image](https://m.media-amazon.com/images/M/MV5BY2RiZGViNzYtMTBjZi00MDgyLTk1ODYtMTU0MDkyZTljODkxXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY207_CR15,0,140,207_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BY2RiZGViNzYtMTBjZi00MDgyLTk1ODYtMTU0MDkyZTljODkxXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY207_CR15,0,140,207_.jpg)
800x600 Normal 0 false false false En-us X-none X-none MicrosoftInternetExplorer4
By Doug Oswald
A Japanese Naval officer and an American Marine Corps aviator are marooned on a Pacific island during WWII in “Hell in the Pacific,” available on Blu-ray from Kino Lorber. The film is a virtual silent movie with the exception of the Pacific island sounds of surf, wind, birds and the occasional words spoken by the co-protagonists portrayed by Toshiro Mifune and Lee Marvin. However, neither understands the other’s language. The film opens with Mifune scanning the horizon for any signs of rescue when he spots a deflated life raft. The rubber raft belongs to Marvin who is hiding in the thick jungle growth nearby. Marvin is able to elude discovery by Mifune, but eventually thirst forces him to reveal himself on the beach.
Mifune captures Marvin after several attempts are made by Marvin to take water from...
By Doug Oswald
A Japanese Naval officer and an American Marine Corps aviator are marooned on a Pacific island during WWII in “Hell in the Pacific,” available on Blu-ray from Kino Lorber. The film is a virtual silent movie with the exception of the Pacific island sounds of surf, wind, birds and the occasional words spoken by the co-protagonists portrayed by Toshiro Mifune and Lee Marvin. However, neither understands the other’s language. The film opens with Mifune scanning the horizon for any signs of rescue when he spots a deflated life raft. The rubber raft belongs to Marvin who is hiding in the thick jungle growth nearby. Marvin is able to elude discovery by Mifune, but eventually thirst forces him to reveal himself on the beach.
Mifune captures Marvin after several attempts are made by Marvin to take water from...
- 2/24/2021
- by [email protected] (Cinema Retro)
- Cinemaretro.com
![Image](https://m.media-amazon.com/images/M/MV5BZDVmZDA1ZGEtOTY1Mi00MDAxLWIzZTctNWM5OTdkOTgzMGE0XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BZDVmZDA1ZGEtOTY1Mi00MDAxLWIzZTctNWM5OTdkOTgzMGE0XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
Welcome to The B-Side, from The Film Stage. Here we talk about movie stars and filmmakers and not the movies that made them famous or kept them famous, but the ones they made in between.
This is the final selection from our listener-selected series we started earlier this year. Not to play favorites, but this is one of our favorite episodes about a favorite subject: Mr. Toshiro Mifune!
Conor and I are honored to be joined by Moeko Fujii, a NYC-based writer who provided this amazing essay for The Criterion Channel’s “Mifune At 100” Series. Together, we discuss five lesser-known Mifune pictures: Wedding Ring (1950), Hell In The Pacific (1968), Red Sun (1971), The Challenge (1982), and Shadow Of The Wolf (1992).
We dig into Mifune’s start, what makes Mifune one of (if not the) greatest to ever do it, his complicated relationship with legendary filmmaker Akira Kurosawa, and that part of that one...
This is the final selection from our listener-selected series we started earlier this year. Not to play favorites, but this is one of our favorite episodes about a favorite subject: Mr. Toshiro Mifune!
Conor and I are honored to be joined by Moeko Fujii, a NYC-based writer who provided this amazing essay for The Criterion Channel’s “Mifune At 100” Series. Together, we discuss five lesser-known Mifune pictures: Wedding Ring (1950), Hell In The Pacific (1968), Red Sun (1971), The Challenge (1982), and Shadow Of The Wolf (1992).
We dig into Mifune’s start, what makes Mifune one of (if not the) greatest to ever do it, his complicated relationship with legendary filmmaker Akira Kurosawa, and that part of that one...
- 8/28/2020
- by Dan Mecca
- The Film Stage
![Orlando Suero](https://m.media-amazon.com/images/M/MV5BNTdlZWIxNzUtNTc0Mi00ZDQ0LThhMWEtZDIyNjExOTU2NzliXkEyXkFqcGdeQXVyMjE5MzM3MjA@._V1_QL75_UY207_CR11,0,140,207_.jpg)
![Orlando Suero](https://m.media-amazon.com/images/M/MV5BNTdlZWIxNzUtNTc0Mi00ZDQ0LThhMWEtZDIyNjExOTU2NzliXkEyXkFqcGdeQXVyMjE5MzM3MjA@._V1_QL75_UY207_CR11,0,140,207_.jpg)
Orlando Suero, who photographed Brigitte Bardot in bed on a beach, Dennis Hopper in a bathtub and Shirley MacLaine dancing the Frug with Rudolf Nureyev during his long career in Hollywood, has died. He was 94.
Suero died Monday night of natural causes in a nursing home in the Valley Village neighborhood of Los Angeles, his son Jim Suero told The Hollywood Reporter.
Suero also served as a still photographer on the sets of such movies as Torn Curtain (1966), Hell in the Pacific (1968), Play It Again, Sam (1972), Lady Sings the Blues (1972), Save the ...
Suero died Monday night of natural causes in a nursing home in the Valley Village neighborhood of Los Angeles, his son Jim Suero told The Hollywood Reporter.
Suero also served as a still photographer on the sets of such movies as Torn Curtain (1966), Hell in the Pacific (1968), Play It Again, Sam (1972), Lady Sings the Blues (1972), Save the ...
- 8/20/2019
- The Hollywood Reporter - Movie News
![Orlando Suero](https://m.media-amazon.com/images/M/MV5BNTdlZWIxNzUtNTc0Mi00ZDQ0LThhMWEtZDIyNjExOTU2NzliXkEyXkFqcGdeQXVyMjE5MzM3MjA@._V1_QL75_UY207_CR11,0,140,207_.jpg)
![Orlando Suero](https://m.media-amazon.com/images/M/MV5BNTdlZWIxNzUtNTc0Mi00ZDQ0LThhMWEtZDIyNjExOTU2NzliXkEyXkFqcGdeQXVyMjE5MzM3MjA@._V1_QL75_UY207_CR11,0,140,207_.jpg)
Orlando Suero, who photographed Brigitte Bardot in bed on a beach, Dennis Hopper in a bathtub and Shirley MacLaine dancing the Frug with Rudolf Nureyev during his long career in Hollywood, has died. He was 94.
Suero died Monday night of natural causes in a nursing home in the Valley Village neighborhood of Los Angeles, his son Jim Suero told The Hollywood Reporter.
Suero also served as a still photographer on the sets of such movies as Torn Curtain (1966), Hell in the Pacific (1968), Play It Again, Sam (1972), Lady Sings the Blues (1972), Save the ...
Suero died Monday night of natural causes in a nursing home in the Valley Village neighborhood of Los Angeles, his son Jim Suero told The Hollywood Reporter.
Suero also served as a still photographer on the sets of such movies as Torn Curtain (1966), Hell in the Pacific (1968), Play It Again, Sam (1972), Lady Sings the Blues (1972), Save the ...
- 8/20/2019
- The Hollywood Reporter - Film + TV
I recently worked with one of my favorite movie poster artists, Akiko Stehrenberger, on a poster for Louis Garrel’s A Faithful Man which, with its lipstick imprints on Garrel’s face, paid accidental homage to the original poster for François Truffaut’s Stolen Kisses. It was Garrel himself who pointed this out—Akiko had never seen the Truffaut poster before and I’d forgotten it—which sent me down a rabbit hole searching for Stolen Kisses posters, of which, it turns out, there is a remarkable variety.Stolen Kisses premiered at the Avignon Film Festival on August 14, 1968 and opened in New York on March 3, 1969, almost ten years after Truffaut’s debut, The 400 Blows, had premiered at Cannes. Stolen Kisses continued the story of 400 Blows’ charming reprobate Antoine Doinel, now all grown up and working as a private detective.The original French poster, featuring an illustration of Jean-Pierre Léaud as Doinel,...
- 7/5/2019
- MUBI
Article by Jim Batts, Dana Jung, and Tom Stockman
Born 94 years ago today, Lee Marvin rose through the ranks of movie stardom as a character actor, delivering mostly villainous supporting turns in many films before finally graduating to leading roles. Regardless of which side of the law he was on however, he projected a tough-as-nails intensity and a two-fisted integrity which elevated even the slightest material. Born February 19, 1924, in New York City, Marvin quit high school to enter the Marine Corps and while serving in the South Pacific was badly wounded in battle when a machine gun nest shot off part of his buttocks and severed his sciatic nerve. He spent a year in recovery before returning to the U.S. where he began working as a plumber. The acting bug bit after filling in for an ailing summer-stock actor and he studied the art at the New York-based American Theater Wing.
Born 94 years ago today, Lee Marvin rose through the ranks of movie stardom as a character actor, delivering mostly villainous supporting turns in many films before finally graduating to leading roles. Regardless of which side of the law he was on however, he projected a tough-as-nails intensity and a two-fisted integrity which elevated even the slightest material. Born February 19, 1924, in New York City, Marvin quit high school to enter the Marine Corps and while serving in the South Pacific was badly wounded in battle when a machine gun nest shot off part of his buttocks and severed his sciatic nerve. He spent a year in recovery before returning to the U.S. where he began working as a plumber. The acting bug bit after filling in for an ailing summer-stock actor and he studied the art at the New York-based American Theater Wing.
- 2/20/2018
- by Tom Stockman
- WeAreMovieGeeks.com
Grueling and brilliantly-acted anti-war thriller is just as socially important now as it was in 1968
The post Hell in the Pacific Blu-ray Review appeared first on ComingSoon.net.
The post Hell in the Pacific Blu-ray Review appeared first on ComingSoon.net.
- 7/1/2017
- by Chris Alexander
- Comingsoon.net
Class-act director John Boorman continues to mix genre grit with European-flavored art cinema, and the result is another winner. Toshiro Mifune and Lee Marvin fight a miniature two-man war when they’re marooned together on the same tiny island. Boorman’s strong direction and Conrad Hall’s knockout cinematography insure a maximum visual impact; it’s great filmmaking all around.
Hell in the Pacific
Blu-ray
Kl Studio Classics
1968 / Color / 2:35 widescreen / 103 min. / Street Date June 27, 2017 / available through Kino Lorber / 29.95
Starring: Lee Marvin, Toshiro Mifune
Cinematography: Conrad Hall
Art Direction: Anthony Pratt, Masao Yamazaki
Film Editor: Thomas Stanford
Original Music: Lalo Schifrin
Written by Alexander Jacobs, Eric Bercovici story by Reuben Bercovitch
Produced by Reuben Bercovitch, Henry G. Saperstein, Selig J. Seligman
Directed by John Boorman
Former TV director and producer John Boorman barely survived a first feature with the Dave Clark Five, imitating Richard Lester’s success with the Beatles.
Hell in the Pacific
Blu-ray
Kl Studio Classics
1968 / Color / 2:35 widescreen / 103 min. / Street Date June 27, 2017 / available through Kino Lorber / 29.95
Starring: Lee Marvin, Toshiro Mifune
Cinematography: Conrad Hall
Art Direction: Anthony Pratt, Masao Yamazaki
Film Editor: Thomas Stanford
Original Music: Lalo Schifrin
Written by Alexander Jacobs, Eric Bercovici story by Reuben Bercovitch
Produced by Reuben Bercovitch, Henry G. Saperstein, Selig J. Seligman
Directed by John Boorman
Former TV director and producer John Boorman barely survived a first feature with the Dave Clark Five, imitating Richard Lester’s success with the Beatles.
- 6/27/2017
- by Glenn Erickson
- Trailers from Hell
John Boorman: ‘Wherever poor Ned Beatty went, people would say: Squeal like a pig! It went on for years’
Warner Bros had acquired the rights to James Dickey’s novel, and, after making Hell in the Pacific in very difficult circumstances, they felt I was the man to take it on. I’d never been to the south before, but the first thing I did was go to meet Dickey. We drafted the screenplay together. Always by correspondence, because whenever we met we never got much done. It was the drinking, really. On one occasion, he came to La to work, but locked himself in a hotel room with a ballerina called Amy Burke.
Continue reading...
Warner Bros had acquired the rights to James Dickey’s novel, and, after making Hell in the Pacific in very difficult circumstances, they felt I was the man to take it on. I’d never been to the south before, but the first thing I did was go to meet Dickey. We drafted the screenplay together. Always by correspondence, because whenever we met we never got much done. It was the drinking, really. On one occasion, he came to La to work, but locked himself in a hotel room with a ballerina called Amy Burke.
Continue reading...
- 5/29/2017
- by Phil Hoad
- The Guardian - Film News
With a new story faithful to the spirit of the 1933 original, Kong Skull Island is a roaring, chest-pounding triumph. After a WWII-set prologue on an uncharted island in the Pacific, Kong Skull Island jumps ahead to 1973. Scientist Bill Randa (John Goodman) of the same Project Monarch (one of several reference to the recent Warner Bros Godzilla reboot) persuades a senator (Richard Jenkins) to let him convene a military team to help survey a mystical, skull-shaped island. This crew includes freelance mercenary James Conrad (Tom Hiddleston), hotheaded Army colonel Preston Packard (Samuel L. Jackson) and photojournalist Mason Weaver (Brie Larson) who brags about having helped turn public opinion against the waning Vietnam War. The rest of the ethnically diverse lineup includes Toby Kimmel as a doomed grunt (we know he’s toast because he writes a letter home to his son), John Ortiz as a scared Monarch exec, and Tian Jing as…...
- 3/9/2017
- by Tom Stockman
- WeAreMovieGeeks.com
Article by Jim Batts, Dana Jung, and Tom Stockman
Lee Marvin rose through the ranks of movie stardom as a character actor, delivering mostly villainous supporting turns in many films before finally graduating to leading roles. Regardless of which side of the law he was on however, he projected a tough-as-nails intensity and a two-fisted integrity which elevated even the slightest material. Born February 19, 1924, in New York City, Marvin quit high school to enter the Marine Corps and while serving in the South Pacific was badly wounded in battle when a machine gun nest shot off part of his buttocks and severed his sciatic nerve. He spent a year in recovery before returning to the U.S. where he began working as a plumber. The acting bug bit after filling in for an ailing summer-stock actor and he studied the art at the New York-based American Theater Wing. Upon making his debut in summer stock,...
Lee Marvin rose through the ranks of movie stardom as a character actor, delivering mostly villainous supporting turns in many films before finally graduating to leading roles. Regardless of which side of the law he was on however, he projected a tough-as-nails intensity and a two-fisted integrity which elevated even the slightest material. Born February 19, 1924, in New York City, Marvin quit high school to enter the Marine Corps and while serving in the South Pacific was badly wounded in battle when a machine gun nest shot off part of his buttocks and severed his sciatic nerve. He spent a year in recovery before returning to the U.S. where he began working as a plumber. The acting bug bit after filling in for an ailing summer-stock actor and he studied the art at the New York-based American Theater Wing. Upon making his debut in summer stock,...
- 8/30/2016
- by Movie Geeks
- WeAreMovieGeeks.com
June 6, 1944. Today marks the 72nd anniversary of D-Day.
On June 7th, Paramount Home Media Distribution will release director Michael Bay’s remarkable 13 Hours: The Secret Soldiers Of Benghazi.
Hailed as “powerful” (Kyle Smith, New York Post), “engrossing” (Soren Andersen, Seattle Times) and “full of explosive action” (Dan Casey, Nerdist), the film arrives on Blu-ray Combo Pack, DVD and On Demand this Tuesday. (Review)
13 Hours: The Secret Soldiers Of Benghazi tells the incredible true story of six elite ex-military operators who fought to protect the CIA against overwhelming odds when terrorists attacked a U.S. diplomatic compound on September 11, 2012. The film stars John Krasinski (TV’s “The Office”), James Badge Dale (World War Z) and Pablo Schreiber (TV’s “Orange is the New Black”), and is based on the nonfiction novel 13 Hours: The Inside Account of What Really Happened in Benghazi by New York Times best-selling author Mitchell Zuckoff with...
On June 7th, Paramount Home Media Distribution will release director Michael Bay’s remarkable 13 Hours: The Secret Soldiers Of Benghazi.
Hailed as “powerful” (Kyle Smith, New York Post), “engrossing” (Soren Andersen, Seattle Times) and “full of explosive action” (Dan Casey, Nerdist), the film arrives on Blu-ray Combo Pack, DVD and On Demand this Tuesday. (Review)
13 Hours: The Secret Soldiers Of Benghazi tells the incredible true story of six elite ex-military operators who fought to protect the CIA against overwhelming odds when terrorists attacked a U.S. diplomatic compound on September 11, 2012. The film stars John Krasinski (TV’s “The Office”), James Badge Dale (World War Z) and Pablo Schreiber (TV’s “Orange is the New Black”), and is based on the nonfiction novel 13 Hours: The Inside Account of What Really Happened in Benghazi by New York Times best-selling author Mitchell Zuckoff with...
- 6/6/2016
- by Movie Geeks
- WeAreMovieGeeks.com
Jim Knipfel Apr 17, 2019
The legend of King Arthur has never been more stylized or strange than it was in John Boorman's Excalibur.
After so many centuries as an inescapable figure in literature, art, poetry, comics, movies, cartoons, and on TV, it still seemed in 1975 Monty Python had offered the final word on the legend of King Arthur and the Knights of the Round Table with Monty Python and the Holy Grail. I mean, after the holy hand grenade, what more was there to say?
Then six years later along came Excalibur.
As directors go, John Boorman has always been a weirdie, and a tough one to pin down. In the late ’60s he gave us two of the most fundamental pictures of Lee Marvin’s career with Point Blank and Hell in the Pacific. He then moved onto the unforgettable backwoods savagery of 1972’s Deliverance. Throughout the rest of...
The legend of King Arthur has never been more stylized or strange than it was in John Boorman's Excalibur.
After so many centuries as an inescapable figure in literature, art, poetry, comics, movies, cartoons, and on TV, it still seemed in 1975 Monty Python had offered the final word on the legend of King Arthur and the Knights of the Round Table with Monty Python and the Holy Grail. I mean, after the holy hand grenade, what more was there to say?
Then six years later along came Excalibur.
As directors go, John Boorman has always been a weirdie, and a tough one to pin down. In the late ’60s he gave us two of the most fundamental pictures of Lee Marvin’s career with Point Blank and Hell in the Pacific. He then moved onto the unforgettable backwoods savagery of 1972’s Deliverance. Throughout the rest of...
- 4/5/2016
- Den of Geek
Wolfgang Petersen’s 1985 science fiction film was initially given a cool reception by critics and crowds alike but found a perennial home on cable thereby cementing its place in the minds of a generation raised on HBO. Echoing Lee Marvin and Toshiro Mifune’s grudging relationship in 1968’s Hell in the Pacific, Dennis Quaid and Lou Gossett respectively play an earthling and an alien forced into a friendship on a very unfriendly planet.
- 3/14/2016
- by TFH Team
- Trailers from Hell
(Region B) Akira Kurosawa's unquestioned top rank classic remains a fascinating study of truth and justice. A forest encounter left a man murdered and his wife raped. Or did something entirely different happen? The witnesses Toshiro Mifune, Takashi Shimura and Machiko Kyo give radically differing testimony. This UK edition offers a full commentary by Japanese film expert Stuart Galbraith IV. Rashômon Region B UK Blu-ray BFI 1950 / B&W / 1.33:1 / 88 min. / Street Date September 21, 2015 / Available at Amazon UK / £15.99 Starring Toshiro Mifune, Machiko Kyo, Masayuki Mori, Takashi Shimura, Minoru Chiaki, Kichijiro Ueda, Fumiko Honma. Cinematography Kazuo Miyagawa Art Direction So Matsuyama Film Editor Akira Kurosawa Original Music Fumio Hayasaka Written by Shinobu Hashimoto, Akira Kurosawa from stories by Ryunosuke Akutagawa Produced by Minoru Jingo, Masaichi Nagata Directed by Akira Kurosawa
Reviewed by Glenn Erickson
This reviewer doesn't review most foreign discs, but with major studios licensing out their libraries, there are...
Reviewed by Glenn Erickson
This reviewer doesn't review most foreign discs, but with major studios licensing out their libraries, there are...
- 11/3/2015
- by Glenn Erickson
- Trailers from Hell
Writing an introduction for the films of John Boorman is to recite a canon of modern cinema classics. From Point Black to Hell in the Pacific through the monuments of Deliverance and Excalibur and the offbeat and beloved Zardoz and The Exorcist II: The Heretic, the filmmaker takes his audiences by the skull and pulls them directly into his extremely visualized film scenarios. Having just completed what he feels may be his last film, Queen and Country, a sequel to his five-time Oscar-nominated and Golden Globe-winning Hope and Glory, the eighty-two-year-old director is making the rounds for his latest picture with his producer Kieran Corrigan, their eighth project together. Mr. Boorman loves, lives, eats and breathes cinema, a passion that includes performances by his own children, and a feature documentary by his daughter Katrine on her father, Me and Me Dad. And now, let us meditate on this at second level.
- 2/18/2015
- Fandor: Keyframe
Writing an introduction for the films of John Boorman is to recite a canon of modern cinema classics. From Point Black to Hell in the Pacific through the monuments of Deliverance and Excalibur and the offbeat and beloved Zardoz and The Exorcist II: The Heretic, the filmmaker takes his audiences by the skull and pulls them directly into his extremely visualized film scenarios. Having just completed what he feels may be his last film, Queen and Country, a sequel to his five-time Oscar-nominated and Golden Globe-winning Hope and Glory, the eighty-two-year-old director is making the rounds for his latest picture with his producer Kieran Corrigan, their eighth project together. Mr. Boorman loves, lives, eats and breathes cinema, a passion that includes performances by his own children, and a feature documentary by his daughter Katrine on her father, Me and Me Dad. And now, let us meditate on this at second level.
- 2/18/2015
- Keyframe
![Marcello Mastroianni in Leo the Last (1970)](https://m.media-amazon.com/images/M/MV5BOTMzOWE2MGQtNTE2MC00ZjMwLTk0ZDItNmRkYmRmZDdhOTkyXkEyXkFqcGdeQXVyMTQxNzMzNDI@._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Marcello Mastroianni in Leo the Last (1970)](https://m.media-amazon.com/images/M/MV5BOTMzOWE2MGQtNTE2MC00ZjMwLTk0ZDItNmRkYmRmZDdhOTkyXkEyXkFqcGdeQXVyMTQxNzMzNDI@._V1_QL75_UX140_CR0,1,140,207_.jpg)
If the movies of Irish filmmaker John Boorman have a common theme, it's their shared interest in the restorative value of violence. That central theme, of finding rebirth from the ashes of destruction, isn't easy to swallow, but it's at the heart of many of Boorman's most notable films, including Point Blank, Deliverance, Hell in the Pacific, and even Exorcist II: The Heretic. Boorman was honored at MoMA recently with special screenings of two of his most radical films: Leo the Last, a comic allegory about class warfare starring Marcello Mastroianni; and Excalibur, Boorman's spectacular reimagining of the Arthurian legend. Vulture talked to Boorman about his science-fiction film Zardoz, young Christopher Walken, and Lord of the Rings.Of the two movies you're presenting at MoMA, Leo the Last is unfortunately the lesser-known. It's striking in that it's like several of your other films in its concern with destructive rejuvenation. It's also a comedy!
- 11/26/2014
- by Simon Abrams
- Vulture
John Boorman's career is littered with misfires, maybe the price we pay for the huge artistic risks he takes. In between the early triumphs of Point Blank (1967) and Hell in the Pacific (1968) and his masterwork Deliverance (1972) lies Leo the Last, which gets very little love and not even the kind of scornful attention accorded to catastrophes like Zardoz (1974) and Exorcist II: The Heretic (1977).
Maybe this is because bad drama has kitsch value, whereas bad comedy nobody can stand, and Leo the Last appears, at times, to be attempting humor, a surprising choice for Boorman whose very humorlessness can seem a strength in his successful films and a weakness in his failures. There's something heroic about the fact that it apparently never occurred to Boorman that a man having sex wearing full plate armor (Excalibur), Sean Connery in thigh boots, bandoliers and nappy (Zardoz) and Linda Blair doing a musical...
Maybe this is because bad drama has kitsch value, whereas bad comedy nobody can stand, and Leo the Last appears, at times, to be attempting humor, a surprising choice for Boorman whose very humorlessness can seem a strength in his successful films and a weakness in his failures. There's something heroic about the fact that it apparently never occurred to Boorman that a man having sex wearing full plate armor (Excalibur), Sean Connery in thigh boots, bandoliers and nappy (Zardoz) and Linda Blair doing a musical...
- 11/20/2014
- by David Cairns
- MUBI
![Khan Chittenden at an event for Introducing the Dwights (2007)](https://m.media-amazon.com/images/M/MV5BODQzNjQ3Mzc5M15BMl5BanBnXkFtZTYwMjI3NjA1._V1_QL75_UY140_CR32,0,140,140_.jpg)
![Khan Chittenden at an event for Introducing the Dwights (2007)](https://m.media-amazon.com/images/M/MV5BODQzNjQ3Mzc5M15BMl5BanBnXkFtZTYwMjI3NjA1._V1_QL75_UY140_CR32,0,140,140_.jpg)
Shot down over Singaporean rainforest during WWII, an Australian fighter pilot (Khan Chittenden) wakes up in a tree, swinging from his parachute in writer-director Aaron Wilson’s ambitiously immersive, thinly plotted debut -- a minimalist survival nightmare that more closely resembles All Is Lost’s near-wordless procedural than Gravity’s running-commentary panic attack. Add a little Hell in the Pacific, too: The lost Aussie eventually runs into a Chinese resistance fighter (Mo Tzu-Yi), and the frightened, unarmed duo reluctantly team up and communicate through pantomime. Without historical context or character backstories, the film atmospherically but aimlessly tracks the duo as they skulk around the muddy mangroves, evading a Japanese swe...
- 8/27/2014
- Village Voice
Woody Allen's Take the Money and Run was pivotal in launching his career as a credible actor and leading man. Although considered a comedy classic today, the 1969 film actually lost money at the time of its release.
By Brian Hannan
All you need is top stars and top directors and making movies is easy. Surely you couldn’t miss with a line-up that included Sean Connery, Steve McQueen, Michael Caine, Dustin Hoffman, Lee Marvin, Omar Sharif, and directors of the calibre of Robert Aldrich (hot after The Dirty Dozen), John Boorman (Point Blank) and Woody Allen. Or so ABC must have thought when it set up a movie division in the late 1960s. Delving into the archives recently, I discovered that Sam Peckinpah’s rodeo picture Junior Bonner (1972) starring Steve McQueen was a box office stinkeroo. The picture lost $2.8m (about $15m in today’s money). Not just on domestic release,...
By Brian Hannan
All you need is top stars and top directors and making movies is easy. Surely you couldn’t miss with a line-up that included Sean Connery, Steve McQueen, Michael Caine, Dustin Hoffman, Lee Marvin, Omar Sharif, and directors of the calibre of Robert Aldrich (hot after The Dirty Dozen), John Boorman (Point Blank) and Woody Allen. Or so ABC must have thought when it set up a movie division in the late 1960s. Delving into the archives recently, I discovered that Sam Peckinpah’s rodeo picture Junior Bonner (1972) starring Steve McQueen was a box office stinkeroo. The picture lost $2.8m (about $15m in today’s money). Not just on domestic release,...
- 7/21/2014
- by [email protected] (Cinema Retro)
- Cinemaretro.com
We asked a few LatinoBuzz amigos to get their Robinson Crusoe on and pick a film, an album, a book and a companion from the movies to join them in their shenanigans were they to be stuck on a deserted island (and before anyone nitpicks, filmmakers are resourceful, so of course they built solar powered entertainment centers made from bamboos, coconuts and grass to watch movies and listen to baby making slow jams). We figured we'd start with the narrative filmmakers since they probably sit around thinking about this kinda stuff anyway.
Film: Choosing desert island items may mean sacrificing taste and/or reason, thinking about those items that you wouldn’t forgive yourself for not bringing them as your company, it´s like choosing the woman of your life. Here it goes: Hiroshima Mon Amour; there might be others I fancy as much as or more than (La Dolce Vita, Vertigo, M , some Lubitsch or Preminger), but I can think of no other as unique. I wouldn’t be able to choose any other without feeling Hiroshima’s absence - the best love film, the best movie about war, the best motion picture regarding the memory and its consequences. I can spend my whole life learning about film and the world because of Hiroshima...'.
Album: “Los Preludios de Debussy” by Claudio Arrau. These were so important to my life (I'm referring to my childhood of course) and I think no one does it better than Arrau. Same thing: it is endless. I think I could never tire of this and I could still wake up each and every morning amazed by it.
Book: “Sentimental Education”, by Flaubert. Similar to “Hiroshima”, a book that changed my outlook on literature and the world and I am certain it will keep transforming it forever.
Companion: Susie Diamond (Michelle Pfeiffer in 'The fabulous Baker Boys'). Since I saw the film (which I liked very much!) in the provincial movie theater of my childhood, I felt as Jack Baker´s relative and I loved Susie. If we had a piano, it would all be all be perfect. - Santiago Palavecino (Algunas chicas/Some Girls)
Film: This is a tricky question. I've always said that on a deserted island you should bring some porn. You could use that more than regular movies. But since I've got to pick a film I guess it'd be Jaws. Why? Because it's one of my favorites (I could also go with The Good, the Bad and the Ugly). But being on a deserted island, Jaws will remind me all the time what'll happen to me for sure if I try to get away!
Album: “ Appetite for Destruction” (Guns N' Roses). Hey, I was 13 when this came out. I listen to it every day while I work, anyways. My favorite, by far.
A Book: I'm going to cheat on this one: 'The Complete Works' by Jorge Luis Borges. The best writer, and enough labyrinths to get lost on endless nights.
Companion: Sherlock Holmes. He's always been my favorite, and also, since my guess is he'll be pretty useless in a deserted island, every time we fail to get out because of him I can get to tell him "Is that the best you can do, Sherlock? - Alejandro Brugués (Juan of the Dead)
Film: Los Olvidados- this is punk rock and Pachuco. Mexico City style before the bombed out bunkers of Sid & Nancy. Bunuel is a hero and I wanna buy Jaibo a beer and milk for the old poetic man!
Album: The Blade Runner album. I can play it over and over, get cranked up or mellow with Blade Runner Blues and the constant rain.
Book: '20 years of Joda' - poems of Jose Montoya, my pop. Epic stuff! 'Ran with Miguel Pinero in the Lower Eastside!”
Companion: Michael Corleone cause he's Mack in my book! Jaibo gets an honorable mention. - Richard Montoya (Water & Power )
Film: I´d choose Misery because a year can go by and I can watch it again eagerly. It's simple and the director (Rob Reiner) and Stephen King are both masters of suspense.
Album: I know this may be considered cheating but it would have to be 'The Best of David Bowie'. That way I have 2 CD's with nearly 40 songs!
Companion: There's many great people who I would to live with but on a deserted Island? It would have to be Mary Poppins for obvious reasons.
Book: And finally the book would be 'Blood Meridian' by Cormac McCarthy because it's one I haven't read yet. Analeine Cal y Mayor - (The Boy Who Smells Like Fish)
Film: I would say White Chicks. I’m going to need some humor! White Chicks is the movie that I put on when I need a good laugh. It does it for me every time. I grew up with characters like that; and admittedly, I can regress back to a few of them myself when no one is looking.
Album: ' Songs From the Capeman' - Paul Simon. I can’t get enough of that album. It instantly takes me to that world and electrifies that side of me that’s determined to make a change for Latinos. I want to keep that feeling with me alive eternally…wherever I’m at.”
Book: There are many but 'Anatomy of the Spirit' by Caroline Myss has been my compass. It taught me how to take control of my destiny by listening to my intuition and body. I stand by her quote: “Your biography becomes your biology.
Companion: The first person that came to mind when I read the question was silly Clarence from “It’s a Wonderful Life”. I guess I’m going to need an angel with me, and he’s perfect. He has a pure childlike spirit that would help me find gratitude in the most unlikely moments… even on a deserted island! That right there is the meaning of life. - Carmen Marron (Endgame)
Film: There are so many brilliant, groundbreaking favorite films that have influenced me (The 400 Blows; Jules and Jim ; Law of Desire; et al) but I wouldn't bring any of them. If I'm stuck on a deserted island, I'm bringing Neil Simon's Murder by Death so I can laugh my ass off. Not a great film at all, it's true, but it's a classic comedy.
Album: Oh, this is easy: Madonna's "Ray of Light." I am no Madonna fanatic, but "deserted island, " means beach + summer weather + Fire Island-like atmosphere. So somewhere nearby there's got to be gay guys partying and I will use Madonna to lure them to me so I can be rescued.
One Book: Varga Llosa's "Feast of the Goat" ("La Fiesta del Chivo") -- it's action-packed historical fiction. It will keep me occupied. One of my favorite novels.
Companion: Huckleberry Finn. He will be a great companion: not only will he tell great stories, but undoubtedly, the ever-resourceful Huck Finn will figure out how to build a raft and get us out off that island! - Terracino (Elliot Loves )
Film: Whenever anyone asks me this I always think of what use these items would serve practically on a deserted island, so I answered this in that respect. Tokyo Story - Yasujiro Ozu. This would be a great film to take on a deserted island because it's really about the unavoidable suffering of the cycle of life, which I'm sure you'd relate to if you were stuck on an island. I really could watch this film a million times over and notice something new every time. Watching most Ozu films is not unlike participating in a Zen meditation practice. It's patience and slowness and trying to empty your mind of thought until your left with the basics of existence. Kind of like sitting on a deserted island alone. I can watch the scene where Kyoto says “Life is disappointing, isn't it?” and Noriko smiles and says “Yes it is.” I can watch that endlessly and cry every time. It's so true.
Album: ' Tusk' - Fleetwood Mac. I could also deal with 'Rumours' but I picked 'Tusk' because it's longer and denser; probably better for an island. 'Sara' is maybe my favorite song in the world and so it would be nice to have that with me. I think channeling the powerful witchy energy of Stevie Nicks would be a real asset on an island. This album has so much strange material on - you wouldn't get bored too easily with it. It's also got a range of emotions so if you get too depressed on the island you can just put on 'Never Forget' and feel better. And 'Sisters of the Moon' would be good around a fire at night. Even though you're stuck on an island, it's good to create an ambiance to remind you that life is worth living.
Book: ' In Search of Lost Time' - Marcel Proust. I've only read 'Swann's Way' which is first part of this. My analyst recommend it to me when I was totally heartbroken after someone broke up with me. It really did the trick. This would be a good long epic read that has enough complex ideas in it to keep you occupied for a life time. Probably a good book (or set of books) to get back to nature with.
Companion: I'll say Terry Malloy from “On the Waterfront”. He'd be strong and good to have around to cut down trees and hunt and stuff. He's also easy on the eyes and someone that could do with a little lonely contemplation away from the loading docks. That doesn't sound half bad...stuck on like a tropical island with a young, cute Marlon Brando, watching Ozu, reading Proust and listening to Fleetwood Mac all day. Sign me up! - Joshua Sanchez (Four)
Film: My film would have to be Luis Buñuel's Los Olvidados. I have been a movie watcher since I was a child. Raised on mainstream American films and Wuxia flicks, it wasn't until I was a late teen that I took my first film class and was introduced to the work of Buñuel. Los Olvidados literally changed my perception of the world, both socially and visually. It was also the gateway for me to progress from movie watcher to film student.
Album: Music is my religion and I belong to the church of Robert Nesta Marley. I would prefer the whole anthology, but if I had to choose one album it would be “Exodus”. When on an island listen to island music.
Book: Right around the time I discovered the work of Buñuel, I was gifted Jose Montoya's 'In Formation: 20 years of Joda'. The book is a treasure of epic poems, sketches, and corridos. All testaments to the beauty and strength of Chicana/o culture. 20 years later I pay homage to both of these Maestros in my debut feature film, “Cry Now”. The film's protagonist is nicknamed 'Ojitos' during the course of the narrative, a reference to one of the characters in Los Olvidados. The late great Lupe Ontiveros playing the role of a sage loosely recites Montoya's mantra 'La Locura Cura' (In madness you find truth) while she councils our protagonist.
Companion: To bring it all full circle my fictitious character would have to be a Wuxia hero. As a child I was awe inspired by these bigger than life martial artists. As an adult, Ang Lee's “Crouching Tiger, Hidden Dragon” did the same. I know all would be as it should if Yu Shu Lien was on that island with me. - Alberto Barboza (Cry Now )
Film: Nothing But a Man (1964) It's a film that does an incredible job balancing a character-driven story within a politically charged context. It's a film I'm finding myself inspired by as I continue to write Los Valientes.
Album: I'm not a fan of albums, but if I had to choose one I guess I would have to go with any of Prince's albums. His music always puts me in a trance.
Book: My dream journal so I can look back look for signs of what is to become of my future.
Companion: Who better than TV's MacGyver. I'd put his ass to work on getting me off the island! -Aurora Guerrero (Mosquita y Mari)
Film: Hell in the Pacific so that I can be reminded that even in paradise there is a duality.
Album: “La Scala: Concert” by Ludovico Einaudi – I've listened to it a thousand times and each time I feel or discover something new.
Book: “ Voces Reunidas” by Antonio Porchia. Each time I read one of his poems I learn something new and I'm deeply moved.
Companion: Barbarella, so I could never be lonely and I could enjoy this planet-island – Diego Quemada-Díez (La jaula de oro/The Golden Dream)
Written by Juan Caceres . LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow [At]LatinoBuzz on Twitter and Facebook...
Film: Choosing desert island items may mean sacrificing taste and/or reason, thinking about those items that you wouldn’t forgive yourself for not bringing them as your company, it´s like choosing the woman of your life. Here it goes: Hiroshima Mon Amour; there might be others I fancy as much as or more than (La Dolce Vita, Vertigo, M , some Lubitsch or Preminger), but I can think of no other as unique. I wouldn’t be able to choose any other without feeling Hiroshima’s absence - the best love film, the best movie about war, the best motion picture regarding the memory and its consequences. I can spend my whole life learning about film and the world because of Hiroshima...'.
Album: “Los Preludios de Debussy” by Claudio Arrau. These were so important to my life (I'm referring to my childhood of course) and I think no one does it better than Arrau. Same thing: it is endless. I think I could never tire of this and I could still wake up each and every morning amazed by it.
Book: “Sentimental Education”, by Flaubert. Similar to “Hiroshima”, a book that changed my outlook on literature and the world and I am certain it will keep transforming it forever.
Companion: Susie Diamond (Michelle Pfeiffer in 'The fabulous Baker Boys'). Since I saw the film (which I liked very much!) in the provincial movie theater of my childhood, I felt as Jack Baker´s relative and I loved Susie. If we had a piano, it would all be all be perfect. - Santiago Palavecino (Algunas chicas/Some Girls)
Film: This is a tricky question. I've always said that on a deserted island you should bring some porn. You could use that more than regular movies. But since I've got to pick a film I guess it'd be Jaws. Why? Because it's one of my favorites (I could also go with The Good, the Bad and the Ugly). But being on a deserted island, Jaws will remind me all the time what'll happen to me for sure if I try to get away!
Album: “ Appetite for Destruction” (Guns N' Roses). Hey, I was 13 when this came out. I listen to it every day while I work, anyways. My favorite, by far.
A Book: I'm going to cheat on this one: 'The Complete Works' by Jorge Luis Borges. The best writer, and enough labyrinths to get lost on endless nights.
Companion: Sherlock Holmes. He's always been my favorite, and also, since my guess is he'll be pretty useless in a deserted island, every time we fail to get out because of him I can get to tell him "Is that the best you can do, Sherlock? - Alejandro Brugués (Juan of the Dead)
Film: Los Olvidados- this is punk rock and Pachuco. Mexico City style before the bombed out bunkers of Sid & Nancy. Bunuel is a hero and I wanna buy Jaibo a beer and milk for the old poetic man!
Album: The Blade Runner album. I can play it over and over, get cranked up or mellow with Blade Runner Blues and the constant rain.
Book: '20 years of Joda' - poems of Jose Montoya, my pop. Epic stuff! 'Ran with Miguel Pinero in the Lower Eastside!”
Companion: Michael Corleone cause he's Mack in my book! Jaibo gets an honorable mention. - Richard Montoya (Water & Power )
Film: I´d choose Misery because a year can go by and I can watch it again eagerly. It's simple and the director (Rob Reiner) and Stephen King are both masters of suspense.
Album: I know this may be considered cheating but it would have to be 'The Best of David Bowie'. That way I have 2 CD's with nearly 40 songs!
Companion: There's many great people who I would to live with but on a deserted Island? It would have to be Mary Poppins for obvious reasons.
Book: And finally the book would be 'Blood Meridian' by Cormac McCarthy because it's one I haven't read yet. Analeine Cal y Mayor - (The Boy Who Smells Like Fish)
Film: I would say White Chicks. I’m going to need some humor! White Chicks is the movie that I put on when I need a good laugh. It does it for me every time. I grew up with characters like that; and admittedly, I can regress back to a few of them myself when no one is looking.
Album: ' Songs From the Capeman' - Paul Simon. I can’t get enough of that album. It instantly takes me to that world and electrifies that side of me that’s determined to make a change for Latinos. I want to keep that feeling with me alive eternally…wherever I’m at.”
Book: There are many but 'Anatomy of the Spirit' by Caroline Myss has been my compass. It taught me how to take control of my destiny by listening to my intuition and body. I stand by her quote: “Your biography becomes your biology.
Companion: The first person that came to mind when I read the question was silly Clarence from “It’s a Wonderful Life”. I guess I’m going to need an angel with me, and he’s perfect. He has a pure childlike spirit that would help me find gratitude in the most unlikely moments… even on a deserted island! That right there is the meaning of life. - Carmen Marron (Endgame)
Film: There are so many brilliant, groundbreaking favorite films that have influenced me (The 400 Blows; Jules and Jim ; Law of Desire; et al) but I wouldn't bring any of them. If I'm stuck on a deserted island, I'm bringing Neil Simon's Murder by Death so I can laugh my ass off. Not a great film at all, it's true, but it's a classic comedy.
Album: Oh, this is easy: Madonna's "Ray of Light." I am no Madonna fanatic, but "deserted island, " means beach + summer weather + Fire Island-like atmosphere. So somewhere nearby there's got to be gay guys partying and I will use Madonna to lure them to me so I can be rescued.
One Book: Varga Llosa's "Feast of the Goat" ("La Fiesta del Chivo") -- it's action-packed historical fiction. It will keep me occupied. One of my favorite novels.
Companion: Huckleberry Finn. He will be a great companion: not only will he tell great stories, but undoubtedly, the ever-resourceful Huck Finn will figure out how to build a raft and get us out off that island! - Terracino (Elliot Loves )
Film: Whenever anyone asks me this I always think of what use these items would serve practically on a deserted island, so I answered this in that respect. Tokyo Story - Yasujiro Ozu. This would be a great film to take on a deserted island because it's really about the unavoidable suffering of the cycle of life, which I'm sure you'd relate to if you were stuck on an island. I really could watch this film a million times over and notice something new every time. Watching most Ozu films is not unlike participating in a Zen meditation practice. It's patience and slowness and trying to empty your mind of thought until your left with the basics of existence. Kind of like sitting on a deserted island alone. I can watch the scene where Kyoto says “Life is disappointing, isn't it?” and Noriko smiles and says “Yes it is.” I can watch that endlessly and cry every time. It's so true.
Album: ' Tusk' - Fleetwood Mac. I could also deal with 'Rumours' but I picked 'Tusk' because it's longer and denser; probably better for an island. 'Sara' is maybe my favorite song in the world and so it would be nice to have that with me. I think channeling the powerful witchy energy of Stevie Nicks would be a real asset on an island. This album has so much strange material on - you wouldn't get bored too easily with it. It's also got a range of emotions so if you get too depressed on the island you can just put on 'Never Forget' and feel better. And 'Sisters of the Moon' would be good around a fire at night. Even though you're stuck on an island, it's good to create an ambiance to remind you that life is worth living.
Book: ' In Search of Lost Time' - Marcel Proust. I've only read 'Swann's Way' which is first part of this. My analyst recommend it to me when I was totally heartbroken after someone broke up with me. It really did the trick. This would be a good long epic read that has enough complex ideas in it to keep you occupied for a life time. Probably a good book (or set of books) to get back to nature with.
Companion: I'll say Terry Malloy from “On the Waterfront”. He'd be strong and good to have around to cut down trees and hunt and stuff. He's also easy on the eyes and someone that could do with a little lonely contemplation away from the loading docks. That doesn't sound half bad...stuck on like a tropical island with a young, cute Marlon Brando, watching Ozu, reading Proust and listening to Fleetwood Mac all day. Sign me up! - Joshua Sanchez (Four)
Film: My film would have to be Luis Buñuel's Los Olvidados. I have been a movie watcher since I was a child. Raised on mainstream American films and Wuxia flicks, it wasn't until I was a late teen that I took my first film class and was introduced to the work of Buñuel. Los Olvidados literally changed my perception of the world, both socially and visually. It was also the gateway for me to progress from movie watcher to film student.
Album: Music is my religion and I belong to the church of Robert Nesta Marley. I would prefer the whole anthology, but if I had to choose one album it would be “Exodus”. When on an island listen to island music.
Book: Right around the time I discovered the work of Buñuel, I was gifted Jose Montoya's 'In Formation: 20 years of Joda'. The book is a treasure of epic poems, sketches, and corridos. All testaments to the beauty and strength of Chicana/o culture. 20 years later I pay homage to both of these Maestros in my debut feature film, “Cry Now”. The film's protagonist is nicknamed 'Ojitos' during the course of the narrative, a reference to one of the characters in Los Olvidados. The late great Lupe Ontiveros playing the role of a sage loosely recites Montoya's mantra 'La Locura Cura' (In madness you find truth) while she councils our protagonist.
Companion: To bring it all full circle my fictitious character would have to be a Wuxia hero. As a child I was awe inspired by these bigger than life martial artists. As an adult, Ang Lee's “Crouching Tiger, Hidden Dragon” did the same. I know all would be as it should if Yu Shu Lien was on that island with me. - Alberto Barboza (Cry Now )
Film: Nothing But a Man (1964) It's a film that does an incredible job balancing a character-driven story within a politically charged context. It's a film I'm finding myself inspired by as I continue to write Los Valientes.
Album: I'm not a fan of albums, but if I had to choose one I guess I would have to go with any of Prince's albums. His music always puts me in a trance.
Book: My dream journal so I can look back look for signs of what is to become of my future.
Companion: Who better than TV's MacGyver. I'd put his ass to work on getting me off the island! -Aurora Guerrero (Mosquita y Mari)
Film: Hell in the Pacific so that I can be reminded that even in paradise there is a duality.
Album: “La Scala: Concert” by Ludovico Einaudi – I've listened to it a thousand times and each time I feel or discover something new.
Book: “ Voces Reunidas” by Antonio Porchia. Each time I read one of his poems I learn something new and I'm deeply moved.
Companion: Barbarella, so I could never be lonely and I could enjoy this planet-island – Diego Quemada-Díez (La jaula de oro/The Golden Dream)
Written by Juan Caceres . LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow [At]LatinoBuzz on Twitter and Facebook...
- 3/5/2014
- by Juan Caceres
- Sydney's Buzz
“Truthfully, DVD is not the new vinyl," a reader recently confronted me, arguing that the beloved analog qualities of records (the richer, warmer recording; that nostalgic hiss and crackle) are fetishized in ways that most movies on digital discs are not. Sure, the latter may be closer in spirit to CDs and don't get any better with age like ye olde phonographs, but tell that to Twilight Time, the below-the-radar, two-man boutique label that has been making cineaste tongues wag over their limited-edition, lovingly remastered Blu-rays of film classics like "The Big Heat," "Bonjour Tristesse" and "Enemy Mine." (Come on, what's not to enjoy about "Hell in the Pacific" recast on an alien planet?) Twilight Time doesn't host a website outside of social media and a well-maintained Wikipedia page, and their product is exclusively available through the TCM Shop and Screen Archives Entertainment, yet their impressive new high-def edition of...
- 8/28/2013
- by Aaron Hillis
- The Playlist
I can only concur with Shadowlocked colleague John Bensalhia as regards the Jon Pertwee 1973 Doctor Who outing Death To The Daleks; in his review he says..
"Death To The Daleks does run, for the most part, on tried and tested lines. But it's still very enjoyable, and what’s more, does offer some interesting novelties."
Chief among which novelties are Daleks that can't exterminate. Well, not initially, anyway. When The Doctor and Sarah Jane (ah Liz, how empty the commentary room is without you!) get pulled into the energy-draining field of a savage planet that displays the remnants of an apparently dead but illustrious ex-civilisation, they find themselves far from lonely. Dodging mysterious bands of archers, our heroes are separated almost immediately for a first episode that, as the commentary notes, is extraordinarily light on dialogue and dark of picture.
Before too long it's clear that a huge and strangely...
"Death To The Daleks does run, for the most part, on tried and tested lines. But it's still very enjoyable, and what’s more, does offer some interesting novelties."
Chief among which novelties are Daleks that can't exterminate. Well, not initially, anyway. When The Doctor and Sarah Jane (ah Liz, how empty the commentary room is without you!) get pulled into the energy-draining field of a savage planet that displays the remnants of an apparently dead but illustrious ex-civilisation, they find themselves far from lonely. Dodging mysterious bands of archers, our heroes are separated almost immediately for a first episode that, as the commentary notes, is extraordinarily light on dialogue and dark of picture.
Before too long it's clear that a huge and strangely...
- 5/28/2012
- Shadowlocked
![Close Encounters of the Third Kind (1977)](https://m.media-amazon.com/images/M/MV5BMjM1NjE5NjQxN15BMl5BanBnXkFtZTgwMjYzMzQxMDE@._V1_QL75_UX140_CR0,0,140,207_.jpg)
Hollywood Sound Legend Warner Dies
![Close Encounters of the Third Kind (1977)](https://m.media-amazon.com/images/M/MV5BMjM1NjE5NjQxN15BMl5BanBnXkFtZTgwMjYzMzQxMDE@._V1_QL75_UX140_CR0,0,140,207_.jpg)
Legendary sound designer Frank Edward Warner, who won an Oscar for Close Encounters Of The Third Kind, has died.
He was 85 when he passed away of natural causes in Sedona, Arizona on 31 August.
Warner edited TV and film before drawing his first credit as a supervising sound editor on Hell in the Pacific.
He went on to work on more than 60 movies, including Taxi Driver, Rocky II, Rocky III, Rocky IV, Raging Bull and Spartacus.
In 1978, he picked up an Academy Award for the sound effects on Steven Spielberg's Close Encounters of the Third Kind and he won a lifetime achievement award from the Motion Picture Sound Editors in 1988.
He is survived by his wife, Theodosia Greene, a son, daughter and three grandchildren.
He was 85 when he passed away of natural causes in Sedona, Arizona on 31 August.
Warner edited TV and film before drawing his first credit as a supervising sound editor on Hell in the Pacific.
He went on to work on more than 60 movies, including Taxi Driver, Rocky II, Rocky III, Rocky IV, Raging Bull and Spartacus.
In 1978, he picked up an Academy Award for the sound effects on Steven Spielberg's Close Encounters of the Third Kind and he won a lifetime achievement award from the Motion Picture Sound Editors in 1988.
He is survived by his wife, Theodosia Greene, a son, daughter and three grandchildren.
- 9/7/2011
- WENN
Article by Jim Batts, Dana Jung, and Tom Stockman
We’re celebrating one of Hollywood’s great tough guys and one of our favorite actors September 6th at The Way Out Club in St. Louis with Super-8 Lee Marvin Movie Madness.
Lee Marvin rose through the ranks of movie stardom as a character actor, delivering mostly villainous supporting turns in many films before finally graduating to leading roles. Regardless of which side of the law he was on however, he projected a tough-as-nails intensity and a two-fisted integrity which elevated even the slightest material. Born February 19, 1924, in New York City, Marvin quit high school to enter the Marine Corps and while serving in the South Pacific was badly wounded in battle when a machine gun nest shot off part of his buttocks and severed his sciatic nerve. He spent a year in recovery before returning to the U.S. where...
We’re celebrating one of Hollywood’s great tough guys and one of our favorite actors September 6th at The Way Out Club in St. Louis with Super-8 Lee Marvin Movie Madness.
Lee Marvin rose through the ranks of movie stardom as a character actor, delivering mostly villainous supporting turns in many films before finally graduating to leading roles. Regardless of which side of the law he was on however, he projected a tough-as-nails intensity and a two-fisted integrity which elevated even the slightest material. Born February 19, 1924, in New York City, Marvin quit high school to enter the Marine Corps and while serving in the South Pacific was badly wounded in battle when a machine gun nest shot off part of his buttocks and severed his sciatic nerve. He spent a year in recovery before returning to the U.S. where...
- 8/30/2011
- by Movie Geeks
- WeAreMovieGeeks.com
The recent flowering of one-actor set pieces join a tiny but diverse sub-genre exploring the sad gnaw of solitude
As the second film from the director of a low-budget sleeper hit now working with a large sum of money, Duncan Jones's Source Code has the perfect profile for a spirit-sapping let down, a CGI-laden kick in the shins. But in fact, the only small disappointment I felt about it was how its four leading actors represented a departure from the makeup of Jones's debut Moon – which apart from the occasional appearance from the likes of Matt Berry, was essentially a one-man show (that man the tireless Sam Rockwell).
Not that Jones has completely abandoned the single-character motif – amid Source Code's exploding trains and homages to The Manchurian Candidate, chunks of the story find a lone Jake Gyllenhaal hunched in a dingy airtight receptacle, that image at least providing...
As the second film from the director of a low-budget sleeper hit now working with a large sum of money, Duncan Jones's Source Code has the perfect profile for a spirit-sapping let down, a CGI-laden kick in the shins. But in fact, the only small disappointment I felt about it was how its four leading actors represented a departure from the makeup of Jones's debut Moon – which apart from the occasional appearance from the likes of Matt Berry, was essentially a one-man show (that man the tireless Sam Rockwell).
Not that Jones has completely abandoned the single-character motif – amid Source Code's exploding trains and homages to The Manchurian Candidate, chunks of the story find a lone Jake Gyllenhaal hunched in a dingy airtight receptacle, that image at least providing...
- 3/25/2011
- by Danny Leigh
- The Guardian - Film News
Ever feel as though your own Criterion DVD collection has been a little empty, missing a release of, say, The Three Stooges?
Well, your prayers may have just been answered.
According to reports, Image Entertainment, the home video distributor for The Criterion Collection, has just purchased Madacy Home Video, home to such legendary TV titles such as The Lucy Show, Bonanza and, you guessed it, The Three Stooges, as well as The John Wayne Collection, and Born To Run, an early Robert De Niro film from 1971, directed by Ivan Passer.
Now, as the home video distributor for the Criterion Collection, the obvious next question is, what would be a good fit in the collection? While Image and Criterion are two separate entities, it is interesting to think about how one affects the other. Just because Image now has access to these titles, doesn’t mean that Criterion can pick whatever they want from them.
Well, your prayers may have just been answered.
According to reports, Image Entertainment, the home video distributor for The Criterion Collection, has just purchased Madacy Home Video, home to such legendary TV titles such as The Lucy Show, Bonanza and, you guessed it, The Three Stooges, as well as The John Wayne Collection, and Born To Run, an early Robert De Niro film from 1971, directed by Ivan Passer.
Now, as the home video distributor for the Criterion Collection, the obvious next question is, what would be a good fit in the collection? While Image and Criterion are two separate entities, it is interesting to think about how one affects the other. Just because Image now has access to these titles, doesn’t mean that Criterion can pick whatever they want from them.
- 10/5/2010
- by Joshua Brunsting
- CriterionCast
With his lavish mini-series, Spielberg let slip the fog of war, favouring verisimilitude over characterisation
Never has a theatre of war been less appropriately named than the Pacific. It began, famously, in infamy, moved on to savage trench campaigns on obscure islands and culminated in the radioactive mushroom clouds over Hiroshima and Nagasaki. It was the arena in which dug-in attrition, guerrilla fighting, suicide bombing, hand-to-hand combat, naval battles, dogfights and atomic warfare all came together in a vast ocean of violence. And it was a sideshow.
The main story was in Europe and so it has remained ever since in the popular imagination or, to call it by its official name, Hollywood. There have been plenty of attempts to dramatise specific battles, such as Midway, Iwo Jima, Guam, Guadalcanal and, most notably, the attack on Pearl Harbor, but the Pacific war has never enjoyed the narrative coherence of the allied victory over Nazism.
Never has a theatre of war been less appropriately named than the Pacific. It began, famously, in infamy, moved on to savage trench campaigns on obscure islands and culminated in the radioactive mushroom clouds over Hiroshima and Nagasaki. It was the arena in which dug-in attrition, guerrilla fighting, suicide bombing, hand-to-hand combat, naval battles, dogfights and atomic warfare all came together in a vast ocean of violence. And it was a sideshow.
The main story was in Europe and so it has remained ever since in the popular imagination or, to call it by its official name, Hollywood. There have been plenty of attempts to dramatise specific battles, such as Midway, Iwo Jima, Guam, Guadalcanal and, most notably, the attack on Pearl Harbor, but the Pacific war has never enjoyed the narrative coherence of the allied victory over Nazism.
- 4/10/2010
- by Andrew Anthony
- The Guardian - Film News
A Steven Spielberg and Tom Hanks TV series about the second world war's brutal Pacific campaign begins tomorrow – a story surprisingly little told because, for years, the public has preferred to turn away from its dark undertone of racism and savagery
When Tom Hanks was making Saving Private Ryan, the writer Nora Ephron sent him a book that weighs in at almost 2,000 pages: the Library of America's Reporting World War II. It was a thoughtful gift, appropriate to his then role as an infantry captain on D-Day. But when Hanks began dipping into the collection, he remarked earlier this month, what gripped him the most was not the war in Europe but the other great Us campaign of the second world war – the battle for the Pacific.
There was an irony in his interest. Hanks is the son of a naval mechanic who served in the Pacific, but when he first picked up the book,...
When Tom Hanks was making Saving Private Ryan, the writer Nora Ephron sent him a book that weighs in at almost 2,000 pages: the Library of America's Reporting World War II. It was a thoughtful gift, appropriate to his then role as an infantry captain on D-Day. But when Hanks began dipping into the collection, he remarked earlier this month, what gripped him the most was not the war in Europe but the other great Us campaign of the second world war – the battle for the Pacific.
There was an irony in his interest. Hanks is the son of a naval mechanic who served in the Pacific, but when he first picked up the book,...
- 4/3/2010
- by Peter Beaumont
- The Guardian - Film News
As is the custom in Hong Kong, Chinese New Year brings presents, firecrackers, lucky money, and of course, the annual opening of a new Jackie Chan movie. The problem is, over the past few years, Chan has been trying to make films to appeal to both Asian and Western audiences, with little to no success. Laden with crappy CG animation and poor writing, Jackie has been trying to play the Hollywood game without realizing that his appeal is not to be gained by westernizing his films. Even a western attempt at portraying Chinese fables with last year's The Forbidden Kingdom was a catastrophic embarrassment for Asian audiences who were long-tired of western cliches about Chinese culture.
Then came this year's The Spy Next Door. Completed in 2008 and shelved until 2010, it was yet another dud in a long line of martial arts misfires, and many feared that Jackie's best films were already behind him.
Then came this year's The Spy Next Door. Completed in 2008 and shelved until 2010, it was yet another dud in a long line of martial arts misfires, and many feared that Jackie's best films were already behind him.
- 3/18/2010
- CinemaSpy
Film-makers, beware of islands, warns John Patterson. Many an ambitious movie has foundered on their shores. Could Scorsese's be next?
Next week at the movies it's islands, islands, islands, all the livelong day. Don't they know that islands make for terrible movies? That islands are where great scripts go to get shipwrecked? Have they never seen Peter Benchley's The Island? Or Michael Bay's? Has anyone else noticed how dejected they suddenly feel whenever Lost cuts back to the island once again? (Am I the only one sickened by all that livid green foliage?) And have the calamitous production history of The Island Of Dr Moreau and the dread lessons it should have taught us already faded from the folk memory of filmland? Chappaquiddick? Okinawa? Krakatoa? The Camp On Blood Island? Nothing good ever came from an island. Give me an isthmus or a peninsula any day.
Apparently it's...
Next week at the movies it's islands, islands, islands, all the livelong day. Don't they know that islands make for terrible movies? That islands are where great scripts go to get shipwrecked? Have they never seen Peter Benchley's The Island? Or Michael Bay's? Has anyone else noticed how dejected they suddenly feel whenever Lost cuts back to the island once again? (Am I the only one sickened by all that livid green foliage?) And have the calamitous production history of The Island Of Dr Moreau and the dread lessons it should have taught us already faded from the folk memory of filmland? Chappaquiddick? Okinawa? Krakatoa? The Camp On Blood Island? Nothing good ever came from an island. Give me an isthmus or a peninsula any day.
Apparently it's...
- 3/6/2010
- by John Patterson
- The Guardian - Film News
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