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"Avengers: Age of Ultron" climaxes with the Marvelous heroes fighting the titular tin man and his army of duplicates in fictional European nation Sokovia. Ultron has built a giant engine beneath a Sokovian city to lift it off the ground, intending to slam it back onto the Earth and cause a mass extinction event. "When the dust settles, the only thing living in this world will be metal."
This scheme is not inspired by a Marvel comic, but rather another film about a robot army and floating city: Hayao Miyazaki's "Castle in the Sky," the first film made by Studio Ghibli. (Though "Nausicaä Of The Valley Of The Wind" brought Ghibli's soon-to-be founders together.) "Castle In The Sky," set in a Wales-like fantasy world, follows orphans Pazu and Sheeta as they search for Laputa, a long-lost advanced civilization.
Laputa is like Atlantis if it soared above the clouds instead of collapsing beneath the waves.
This scheme is not inspired by a Marvel comic, but rather another film about a robot army and floating city: Hayao Miyazaki's "Castle in the Sky," the first film made by Studio Ghibli. (Though "Nausicaä Of The Valley Of The Wind" brought Ghibli's soon-to-be founders together.) "Castle In The Sky," set in a Wales-like fantasy world, follows orphans Pazu and Sheeta as they search for Laputa, a long-lost advanced civilization.
Laputa is like Atlantis if it soared above the clouds instead of collapsing beneath the waves.
- 8/10/2024
- by Devin Meenan
- Slash Film
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Netflix’ Paris Theater, NYC’s longest-running arthouse and Manhattan’s sole single-screen cinema, is marking one year since reopening with the return of screening series Big & Loud.
Special presentations include a new 70mm print of Alfred Hitchock’s Vertigo screening for the first time in New York, new 70mm prints of North By Northwest and The Searchers, as well as 70mm screenings of 2001: A Space Odyssey, Boogie Nights, Hamlet (1996), Inception, Lawrence of Arabia, Malcolm X, Nope, Phantom Thread, Spartacus and The Untouchables.
Netflix reopened the historic theater last year following upgrades to present 70mm projection and make it the largest Atmos cinema in Manhattan. It called Big & Loud “a screening series of eye-popping 70mm prints, thunderous Dolby Atmos and cinema worth celebrating.”
Highlights include Close Encounters of the Third Kind, Days of Heaven, Dazed And Confused, East of Eden (in Atmos), Gravity (in Atmos), The Green Fog (double bill with Vertigo), Koyaanisqatsi,...
Special presentations include a new 70mm print of Alfred Hitchock’s Vertigo screening for the first time in New York, new 70mm prints of North By Northwest and The Searchers, as well as 70mm screenings of 2001: A Space Odyssey, Boogie Nights, Hamlet (1996), Inception, Lawrence of Arabia, Malcolm X, Nope, Phantom Thread, Spartacus and The Untouchables.
Netflix reopened the historic theater last year following upgrades to present 70mm projection and make it the largest Atmos cinema in Manhattan. It called Big & Loud “a screening series of eye-popping 70mm prints, thunderous Dolby Atmos and cinema worth celebrating.”
Highlights include Close Encounters of the Third Kind, Days of Heaven, Dazed And Confused, East of Eden (in Atmos), Gravity (in Atmos), The Green Fog (double bill with Vertigo), Koyaanisqatsi,...
- 8/8/2024
- by Jill Goldsmith
- Deadline Film + TV
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Following last year’s very successful “Big & Loud! 70mm, Atmos, and Audio-Obsessive Cinema” screening series, Netflix is launching its latest edition of what is becoming a signature late summer and early fall event at its Paris Theater in New York City. This year’s series will again boast, per the streamer, “eye-popping 70mm prints, thunderous Dolby Atmos, and cinema worth celebrating.”
The series kicks off on Friday, August 23 and will run through Thursday, October 31. Special presentations will include a new 70mm print of Alfred Hitchcock’s “Vertigo” (screening for the first time in New York), plus new 70mm prints of “North by Northwest” and “The Searchers,” as well as 70mm screenings of “2001: A Space Odyssey,” “Boogie Nights,” “Hamlet” (1996), “The Hateful Eight,” “Inception,” “Lawrence of Arabia,” “Malcolm X,” “Nope,” “Phantom Thread,” “Spartacus,” and “The Untouchables.”
Other highlights (and there are many) include “Close Encounters of the Third Kind,” “Days of Heaven,...
The series kicks off on Friday, August 23 and will run through Thursday, October 31. Special presentations will include a new 70mm print of Alfred Hitchcock’s “Vertigo” (screening for the first time in New York), plus new 70mm prints of “North by Northwest” and “The Searchers,” as well as 70mm screenings of “2001: A Space Odyssey,” “Boogie Nights,” “Hamlet” (1996), “The Hateful Eight,” “Inception,” “Lawrence of Arabia,” “Malcolm X,” “Nope,” “Phantom Thread,” “Spartacus,” and “The Untouchables.”
Other highlights (and there are many) include “Close Encounters of the Third Kind,” “Days of Heaven,...
- 8/8/2024
- by Kate Erbland
- Indiewire
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On August 22, 1929, only two months before the Wall Street crash that would sink the United States into the Great Depression, a movie house opened in Chicago, Illinois. Compared to theaters of the time that could hold 3,000 patrons, the Music Box Theatre only had room for 700 and was considered by many to be the little sibling to the movie palaces of the era. However, what it lacked in size, it made up for by delivering the highest quality of projection and sound. Rather than serving as a multi-purpose venue for variety performances, as well as movies, the Music Box focused exclusively on the rising popularity of motion pictures, preceding many others.
Writing for the Chicago Tribune in 1983, architectural critic Paul Gapp wrote of the Music Box, “The architectural style is an eclectic melange of Italian, Spanish and Pardon-My-Fantasy put together with passion,” but the actual style has been defined as “atmospheric.
Writing for the Chicago Tribune in 1983, architectural critic Paul Gapp wrote of the Music Box, “The architectural style is an eclectic melange of Italian, Spanish and Pardon-My-Fantasy put together with passion,” but the actual style has been defined as “atmospheric.
- 8/5/2024
- by Harrison Richlin
- Indiewire
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2024 has been an extraordinary year for film preservation, with theatrical premieres of new restorations of “The Searchers” and “North by Northwest” unspooling at festivals and repertory houses while pristine new editions of essential films like Michael Powell’s “Peeping Tom” and Martha Coolidge’s “Not a Pretty Picture” become available for home viewing via 4K and Blu-ray releases. The 1952 adventure film “Bwana Devil” is not held in as high regard as those classics by most cinephiles, but its restoration and Blu-ray release from Kino Lorber are just as significant. The first color 3D feature film, “Bwana Devil” was a game changer in Hollywood history, and Kino’s Blu-ray provides the first chance in decades to see it as it was originally presented — an experience that reveals “Bwana Devil” is a far more exciting film than its tepid reputation would indicate.
“Bwana Devil” was the brainchild of writer, producer, and director Arch Oboler,...
“Bwana Devil” was the brainchild of writer, producer, and director Arch Oboler,...
- 7/30/2024
- by Jim Hemphill
- Indiewire
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NYC Weekend Watch is our weekly round-up of repertory offerings.
Bam
Claire Denis’ monumental No Fear, No Die begins screening in a new restoration.
Museum of the Moving Image
A new 70mm print of The Searchers plays this weekend.
Japan Society
A restoration of Shinji Sōmai’s Moving and Toshiharu Ikeda’s Mermaid Legend play on Friday and Saturday, respectively.
Film Forum
New restorations of Ann Hui’s July Rhapsody (watch our exclusive trailer debut), Les Blank’s Burden of Dreams, and Fitzcarraldo begin screening; Seven Samurai and Powell and Pressburger’s The Small Back Room continue.
Anthology Film Archives
Enrique Gómez Vadillo’s rarely screened Death on the Beach shows in a new restoration this Friday; Stan Brakhage plays in “Essential Cinema.”
Museum of Modern Art
A career-spanning Powell and Pressburger retrospective continues, including A Matter of Life and Death and The Tales of Hoffmann.
Nitehawk Cinema
Lucio Fulci...
Bam
Claire Denis’ monumental No Fear, No Die begins screening in a new restoration.
Museum of the Moving Image
A new 70mm print of The Searchers plays this weekend.
Japan Society
A restoration of Shinji Sōmai’s Moving and Toshiharu Ikeda’s Mermaid Legend play on Friday and Saturday, respectively.
Film Forum
New restorations of Ann Hui’s July Rhapsody (watch our exclusive trailer debut), Les Blank’s Burden of Dreams, and Fitzcarraldo begin screening; Seven Samurai and Powell and Pressburger’s The Small Back Room continue.
Anthology Film Archives
Enrique Gómez Vadillo’s rarely screened Death on the Beach shows in a new restoration this Friday; Stan Brakhage plays in “Essential Cinema.”
Museum of Modern Art
A career-spanning Powell and Pressburger retrospective continues, including A Matter of Life and Death and The Tales of Hoffmann.
Nitehawk Cinema
Lucio Fulci...
- 7/18/2024
- by Nick Newman
- The Film Stage
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Natalie Wood was the former child actress who racked up three Oscar nominations before she was 25, Wood’s life ended in a tragedy that often overshadows her movie career. Yet many of her titles remain classics, so let’s take a look back at 15 of her greatest films, ranked worst to best.
Born in 1938 in San Francisco, Wood snagged her first starring role when she was just nine years old in the holiday classic “Miracle on 34th Street” (1947), playing a precocious girl who tugs on Santa Claus’ beard. She earned her first Oscar nomination when she was 17 for the juvenile delinquent drama “Rebel Without a Cause” (Best Supporting Actress in 1955), which made an icon out of James Dean, who died before its release. Wood added two more Best Actress bids to her resume with the romantic melodramas “Splendor in the Grass” (1961) and “Love with the Proper Stranger” (1963).
Though she never won an Academy Award,...
Born in 1938 in San Francisco, Wood snagged her first starring role when she was just nine years old in the holiday classic “Miracle on 34th Street” (1947), playing a precocious girl who tugs on Santa Claus’ beard. She earned her first Oscar nomination when she was 17 for the juvenile delinquent drama “Rebel Without a Cause” (Best Supporting Actress in 1955), which made an icon out of James Dean, who died before its release. Wood added two more Best Actress bids to her resume with the romantic melodramas “Splendor in the Grass” (1961) and “Love with the Proper Stranger” (1963).
Though she never won an Academy Award,...
- 7/11/2024
- by Zach Laws and Chris Beachum
- Gold Derby
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France’s Deauville American Film Festival has announced a retrospective gathering 50 U.S. features that have challenged perceptions of the world to mark its 50th anniversary.
The selection ranges from D. W. Griffith’s 1916 silent epic Intolerance to Quentin Tarantino’s Once Upon A Time In Hollywood, and also includes Ida Lupino’s groundbreaking 1950 rape drama Outrage as well as Spike Lee’s Do The Right Thing. (see full list below)
“Cinema has always made us dream, travel, desire, fantasize, laugh, cry. But how many films have been able to shake up our certainties, question our beliefs, question our prejudices and put our own views into perspective?,” said the festival.
“The Deauville American Film Festival wanted to highlight a selection of 50 films that have changed the way we look at the world,” it continued.
Launched in 1975, the festival unfolding in the swanky Normandy beach resort of Deauville, annually fetes Hollywood...
The selection ranges from D. W. Griffith’s 1916 silent epic Intolerance to Quentin Tarantino’s Once Upon A Time In Hollywood, and also includes Ida Lupino’s groundbreaking 1950 rape drama Outrage as well as Spike Lee’s Do The Right Thing. (see full list below)
“Cinema has always made us dream, travel, desire, fantasize, laugh, cry. But how many films have been able to shake up our certainties, question our beliefs, question our prejudices and put our own views into perspective?,” said the festival.
“The Deauville American Film Festival wanted to highlight a selection of 50 films that have changed the way we look at the world,” it continued.
Launched in 1975, the festival unfolding in the swanky Normandy beach resort of Deauville, annually fetes Hollywood...
- 7/9/2024
- by Melanie Goodfellow
- Deadline Film + TV
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Editor’s note: This review was originally published May 19, when the movie world premiered at the Cannes Film Festival. It hits theaters beginning today in previews before going wide Friday.
There can be no doubt if there is one person bound and determined to keep Hollywood’s long history of Westerns alive, it has been Kevin Costner. Ok, well Clint Eastwood too.
And that has been true right from the beginning of Costner’s career, when he played the freewheeling scene stealer Jake in Lawrence Kasdan’s Silverado in 1985. He also made an impression as the title star of 1994’s Wyatt Earp. But his real mark on the genre has been not just as an actor but also as director and producer behind the scenes, first with his Best Picture Oscar-winning 1990 pic Dances with Wolves and 2003’s terrific Open Range with co-star Robert Duvall. For the past few seasons he...
There can be no doubt if there is one person bound and determined to keep Hollywood’s long history of Westerns alive, it has been Kevin Costner. Ok, well Clint Eastwood too.
And that has been true right from the beginning of Costner’s career, when he played the freewheeling scene stealer Jake in Lawrence Kasdan’s Silverado in 1985. He also made an impression as the title star of 1994’s Wyatt Earp. But his real mark on the genre has been not just as an actor but also as director and producer behind the scenes, first with his Best Picture Oscar-winning 1990 pic Dances with Wolves and 2003’s terrific Open Range with co-star Robert Duvall. For the past few seasons he...
- 6/27/2024
- by Pete Hammond
- Deadline Film + TV
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George Lucas is one of the most visionary filmmakers of all time and his Star Wars franchise makes him a strong contender for the same. However, unlike the universal acclaim of the original trilogy, the prequels, directed by Lucas did not receive the same amount of love from fans upon release. Moreover, the second installment, Attack of the Clones is arguably considered one of the worst in the series.
Attack of the Clones is widely considered one of the worst Star Wars films (Credit: Lucasfilm).
Despite the negative reception of Attack of the Clones, a fan pointed out how the film features one of the best scenes in the franchise. Furthermore, the fan also argued how the emotionally riveting scene was arguably one of the best in Lucas’ directorial career. Here is why Star Wars fans love this particular scene from Attack of the Clones even though they dislike the film.
Attack of the Clones is widely considered one of the worst Star Wars films (Credit: Lucasfilm).
Despite the negative reception of Attack of the Clones, a fan pointed out how the film features one of the best scenes in the franchise. Furthermore, the fan also argued how the emotionally riveting scene was arguably one of the best in Lucas’ directorial career. Here is why Star Wars fans love this particular scene from Attack of the Clones even though they dislike the film.
- 6/26/2024
- by Pratik Handore
- FandomWire
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John Ford’s classic Western “The Searchers” is back on the big screen — and this time, in 70mm.
IndieWire can exclusively unveil the full lineup for Museum of the Moving Image and Mubi’s ninth annual “See It Big: 70mm” film festival, with “The Searchers” headlining. The annual summer 70mm series is New York City’s only festival of 70mm films. The festival takes place from July 18 through August 18.
Ford’s “The Searchers” in 70mm will make its East Coast premiere after the print debuted at the American Cinematheque earlier this year. From July 18-21, the 1956 masterpiece will be presented seven times in a new restoration and newly struck 70mm print. The film was scanned from the original 35mm VistaVision camera negative for this print and has been approved by The Film Foundation, which was founded by Martin Scorsese. (He’s credited “The Searchers” for being a direct influence on his Oscar-winning film “Taxi Driver.
IndieWire can exclusively unveil the full lineup for Museum of the Moving Image and Mubi’s ninth annual “See It Big: 70mm” film festival, with “The Searchers” headlining. The annual summer 70mm series is New York City’s only festival of 70mm films. The festival takes place from July 18 through August 18.
Ford’s “The Searchers” in 70mm will make its East Coast premiere after the print debuted at the American Cinematheque earlier this year. From July 18-21, the 1956 masterpiece will be presented seven times in a new restoration and newly struck 70mm print. The film was scanned from the original 35mm VistaVision camera negative for this print and has been approved by The Film Foundation, which was founded by Martin Scorsese. (He’s credited “The Searchers” for being a direct influence on his Oscar-winning film “Taxi Driver.
- 6/21/2024
- by Samantha Bergeson
- Indiewire
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Wim Wenders will be a special guest of Italy’s Cinema Ritrovato Festival dedicated to cinematic treasures of the past where a freshly restored copy of his “A Trick of the Light” (“Die Gebrüder Skladanowsky”), which pays tribute to forgotten pioneers of the moving image, will have its world premiere.
Shot by Wenders with a group of students from the Munich Film Academy in 1995 to celebrate the 100th anniversary of the birth of cinema, the film is about the origins of cinema and its German inventors: the Skladanowsky brothers who On Nov. 1, 1895, presented a show of eight film loops at Berlin’s Wintergarten, six weeks before the more famous Lumiere freres’ exhibition in Paris.
“A Trick of the Light” uses stylistic devices from silent cinema, including a hand-cranked camera from the 1920s that produces 16 frames per second. The film’s score by French composer Laurent Petitgand also pays homage to the silent film era.
Shot by Wenders with a group of students from the Munich Film Academy in 1995 to celebrate the 100th anniversary of the birth of cinema, the film is about the origins of cinema and its German inventors: the Skladanowsky brothers who On Nov. 1, 1895, presented a show of eight film loops at Berlin’s Wintergarten, six weeks before the more famous Lumiere freres’ exhibition in Paris.
“A Trick of the Light” uses stylistic devices from silent cinema, including a hand-cranked camera from the 1920s that produces 16 frames per second. The film’s score by French composer Laurent Petitgand also pays homage to the silent film era.
- 6/21/2024
- by Nick Vivarelli
- Variety Film + TV
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On June 12, the Tribeca Film Festival will present the East Coast premiere of a new restoration of Alfred Hitchcock’s “North by Northwest,” screening in glorious 70mm thanks to Warner Bros. and Martin Scorsese‘s Film Foundation. It’s just the latest in an ongoing series of collaborations between the studio and the foundation, whose 70mm upgrade of John Ford’s “The Searchers” also premiered this year. Both films now look better than they have since their initial theatrical releases thanks to the studio going back to the original VistaVision negatives and taking full advantage of that format’s increased resolution to create the most detailed, vivid masters of Hitchcock and Ford’s classics possible.
When VistaVision was introduced in 1954 alongside other new formats like CinemaScope and Cinerama (all of which were intended to bring back the movie audience that had migrated to television), what made it special was that...
When VistaVision was introduced in 1954 alongside other new formats like CinemaScope and Cinerama (all of which were intended to bring back the movie audience that had migrated to television), what made it special was that...
- 6/11/2024
- by Jim Hemphill
- Indiewire
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Western dramas have been all the rage lately, but there was a time when the genre was falling behind. That is, until Clint Eastwood’s Unforgiven was released. The film takes place in Big Whiskey, Wyoming, and follows the story of William Munny, a former outlaw. The film was quite well received by both fans and critics and is still considered one of the best movies of Clint Eastwood’s career.
Clint Eastwood as William Munny in Unforgiven (1992) | Warner Bros.
However, if Clint Eastwood had taken a harsh piece of advice from one of his close associates, he wouldn’t have been a part of the film. The associate strictly told the filmmaker/actor to throw out the script without paying any attention to it and while he complied for a bit, his eyes later fell on the script and he immediately fell in love with the story. Amd the rest,...
Clint Eastwood as William Munny in Unforgiven (1992) | Warner Bros.
However, if Clint Eastwood had taken a harsh piece of advice from one of his close associates, he wouldn’t have been a part of the film. The associate strictly told the filmmaker/actor to throw out the script without paying any attention to it and while he complied for a bit, his eyes later fell on the script and he immediately fell in love with the story. Amd the rest,...
- 6/10/2024
- by Mishkaat Khan
- FandomWire
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Turner Classic Movies’ (TCM) award-winning podcast The Plot Thickens will premiere season five, Decoding John Ford, on June 6, co-produced by Novel. Host Ben Mankiewicz strips back the mythology to reveal Ford's brilliance – alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist. This season features scores of never-before-heard archival interviews, including John Wayne, Katharine Hepburn, Henry Fonda, James Stewart, Woody Strode, and John Ford himself.
“John Ford is a mercurial figure. Not surprisingly given his stature, the stereotypes about Ford are incomplete,” said TCM Host Ben Mankiewicz. “This is a man defined by contradictions: he revered the military and envied those who served yet bristled at authority; Ford became known as one of Hollywood’s leading conservatives, yet one of his finest films is 1940’s The Grapes of Wrath, one of the most progressive films of classic...
“John Ford is a mercurial figure. Not surprisingly given his stature, the stereotypes about Ford are incomplete,” said TCM Host Ben Mankiewicz. “This is a man defined by contradictions: he revered the military and envied those who served yet bristled at authority; Ford became known as one of Hollywood’s leading conservatives, yet one of his finest films is 1940’s The Grapes of Wrath, one of the most progressive films of classic...
- 6/5/2024
- Podnews.net
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The American Western may have long passed its heyday, but the genre has endured throughout the years. While the visuals and ideas it addresses may change, the basic foundation continues to draw fans. After all, where else can you pit man versus man versus the environment on such a large scale? The Dead Don’t Hurt seeks to continue this legacy. The sophomore feature from Viggo Mortensen finally debuts in America after hitting the fall festival circuit. Featuring an excellent performance from Vicky Krieps as its face, The Dead Don’t Hurt mostly plays like a traditional genre exercise. However, using an immigrant couple at its center speaks to the changing landscape in American life.
The Dead Don’t Hurt Plot
Vivienne Le Coudy (Krieps) passes away with her husband, Holger (Mortensen), at her side. At the same time, Mayor Rudolph Schiller (Danny Huston) requests Holger help bring a local crime to justice.
The Dead Don’t Hurt Plot
Vivienne Le Coudy (Krieps) passes away with her husband, Holger (Mortensen), at her side. At the same time, Mayor Rudolph Schiller (Danny Huston) requests Holger help bring a local crime to justice.
- 5/30/2024
- by Alan French
- FandomWire
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Oscar winner John Wayne, better known as “The Duke” to his fans, starred in over 165 movies throughout his career, oftentimes playing the swaggering, macho hero of westerns and war epics. But how many of his titles remain classics? Let’s take a look back at 25 of his greatest films, ranked worst to best.
Born in 1907 as Marion Robert Morrison, Wayne worked his way up from bit player to leading man, appearing in a number of poverty row, Z-grade westerns throughout the 1930s. He shot to stardom with his role in John Ford‘s “Stagecoach” (1939), which brought new shades of nuance and artistry to the Cowboys and Indians genre. It also kicked off a lucrative, decades-long partnership between the director and star, who would make over two dozen films together, including “The Quiet Man” (1952), “The Searchers” (1956) and “The Man Who Shot Liberty Valance” (1962).
Despite being one of the top box office...
Born in 1907 as Marion Robert Morrison, Wayne worked his way up from bit player to leading man, appearing in a number of poverty row, Z-grade westerns throughout the 1930s. He shot to stardom with his role in John Ford‘s “Stagecoach” (1939), which brought new shades of nuance and artistry to the Cowboys and Indians genre. It also kicked off a lucrative, decades-long partnership between the director and star, who would make over two dozen films together, including “The Quiet Man” (1952), “The Searchers” (1956) and “The Man Who Shot Liberty Valance” (1962).
Despite being one of the top box office...
- 5/18/2024
- by Zach Laws and Chris Beachum
- Gold Derby
![Image](https://m.media-amazon.com/images/M/MV5BOTNlYzY1ZDctZTRiYi00NzA5LWJkZmMtNWRmYTZhMjNjMmEyXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR0,0,500,281_.jpg)
The studio once known as 20th Century Fox is a younger entity than the other major Hollywood Studios. It was founded in 1935 out of the ashes of Fox Film, compared to Warner Bros (1923), Universal Pictures (1912), Paramount Pictures (1912), Columbia Pictures (1923), and Disney (1923) — the latter being the new parent company of 20th Century Studios.
Still, Fox waited only seven years to take home the top prize at the Oscars. At the 14th Academy Awards, held in 1942, Fox's film "How Green Was My Valley" won Best Picture, presented to Fox studio chief Darryl F. Zanuck. That wasn't the only prize "Valley" won that night: it also got Best Director (John Ford), Best Supporting Actor (Donald Crisp), Best Cinematography, Black-and-White (Arthur Miller), and finally Best Art Direction -- Interior Decoration, Black-and-White.
One of the films that "Valley" beat that night was "Citizen Kane" (which got only Best Original Screenplay for director Orson Welles and his co-writer Herman J.
Still, Fox waited only seven years to take home the top prize at the Oscars. At the 14th Academy Awards, held in 1942, Fox's film "How Green Was My Valley" won Best Picture, presented to Fox studio chief Darryl F. Zanuck. That wasn't the only prize "Valley" won that night: it also got Best Director (John Ford), Best Supporting Actor (Donald Crisp), Best Cinematography, Black-and-White (Arthur Miller), and finally Best Art Direction -- Interior Decoration, Black-and-White.
One of the films that "Valley" beat that night was "Citizen Kane" (which got only Best Original Screenplay for director Orson Welles and his co-writer Herman J.
- 5/7/2024
- by Devin Meenan
- Slash Film
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Production on Vin Diesel starrer Riddick: Furya has been scheduled to commence in Germany, Spain and the UK on August 26.
Rocket Science previously introduced the project to the market and has concluded key pre-sales. A UK deal will be announced shortly.
Sales have closed in: France (Metropolitan), Germany (Leonine), Spain and Latin America (Sun), Benelux (The Searchers), Poland (Kinoswiat), Canada (Elevation), Scandinavia (Scanbox), Portugal (Lusomundo), Switzerland (Ascot Elite), South Africa (Empire), Greece (Femeway), Middle East (Front Row), Hungary, Romania, Bulgaria, Czech/Slovak, Republic Former Yugoslavia (ProRom), Cis (Volga), and Thailand (Sahamongkhol).
CAA Media Finance represents North American rights.
The...
Rocket Science previously introduced the project to the market and has concluded key pre-sales. A UK deal will be announced shortly.
Sales have closed in: France (Metropolitan), Germany (Leonine), Spain and Latin America (Sun), Benelux (The Searchers), Poland (Kinoswiat), Canada (Elevation), Scandinavia (Scanbox), Portugal (Lusomundo), Switzerland (Ascot Elite), South Africa (Empire), Greece (Femeway), Middle East (Front Row), Hungary, Romania, Bulgaria, Czech/Slovak, Republic Former Yugoslavia (ProRom), Cis (Volga), and Thailand (Sahamongkhol).
CAA Media Finance represents North American rights.
The...
- 5/6/2024
- ScreenDaily
![Ryan Gosling at an event for Lost River (2014)](https://m.media-amazon.com/images/M/MV5BMTQzMjkwNTQ2OF5BMl5BanBnXkFtZTgwNTQ4MTQ4MTE@._V1_QL75_UY207_CR12,0,140,207_.jpg)
![Ryan Gosling at an event for Lost River (2014)](https://m.media-amazon.com/images/M/MV5BMTQzMjkwNTQ2OF5BMl5BanBnXkFtZTgwNTQ4MTQ4MTE@._V1_QL75_UY207_CR12,0,140,207_.jpg)
It might feel like we just rang in the new year last week, but believe it or not, summer is already here -- at the movies, anyway.
With the release of the Ryan Gosling-Emily Blunt action-romcom The Fall Guy, Hollywood's most lucrative season has officially arrived.
But the calendar is light on sure bets this year, and that's mostly because of recent box office trends that have left studio execs in a very uncertain position.
As you probably recall, Barbie and Oppenheimer were the summer box office success stories of 2023.
In retrospect, it seems like a foregone conclusion that two films that so dominated the zeitgeist would also win big commercially.
After all, prior to last year, you had to go all the way back to 2010 for a year in which the highest-grossing movie was neither a sequel nor a superhero flick.
That was the year that James Cameron...
With the release of the Ryan Gosling-Emily Blunt action-romcom The Fall Guy, Hollywood's most lucrative season has officially arrived.
But the calendar is light on sure bets this year, and that's mostly because of recent box office trends that have left studio execs in a very uncertain position.
As you probably recall, Barbie and Oppenheimer were the summer box office success stories of 2023.
In retrospect, it seems like a foregone conclusion that two films that so dominated the zeitgeist would also win big commercially.
After all, prior to last year, you had to go all the way back to 2010 for a year in which the highest-grossing movie was neither a sequel nor a superhero flick.
That was the year that James Cameron...
- 5/4/2024
- by Tyler Johnson
- TVfanatic
![Image](https://m.media-amazon.com/images/M/MV5BZTQwMGZjYTQtZTI2NS00N2ViLWE2NjMtMjhjMDk5ZDYzZjZlXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR0,0,500,281_.jpg)
A highlight of 2024’s TCM Classic Film Festival was the world premiere of a pristine restoration of John Ford‘s “The Searchers,” one of the greatest Westerns ever made and certainly — given its impact on directors like Martin Scorsese, George Lucas, and Paul Schrader — one of the most influential. “The Searchers” was photographed in VistaVision, arguably the best of the widescreen formats that emerged in the 1950s to combat television’s encroachment on the film business, and to see it projected on the big screen is a transcendent experience — especially if one is lucky enough to view the 70mm print that premiered at TCM’s fest and is currently making its way around the revival circuit (it screens in Los Angeles at the American Cinematheque on May 3 and 4).
The 70mm print is the end result of a meticulous restoration project overseen by Warner Brothers Discovery and Scorsese’s Film Foundation,...
The 70mm print is the end result of a meticulous restoration project overseen by Warner Brothers Discovery and Scorsese’s Film Foundation,...
- 5/3/2024
- by Jim Hemphill
- Indiewire
Famous for his brutal roles in The Quiet Man (1952), Rio Bravo (1959) and True Grit (1969), John Wayne got much recognition as the king of Westerns alongside Clint Eastwood. His movies became not only the best examples of the genre, but also one of the biggest sources of inspiration of the 20th century’s filmmakers.
In particular, Steven Spielberg, the giant of the industry, once confessed he revisits one of Wayne’s movies every time before he makes a new film of his own, as it’s much of a great value for the director. Indeed, the 1956 Western feature is quite unmissable.
The plot of the movie seems typical of the genre - it follows a Civil War veteran looking for his abducted relative. However, it’s not as simple as it may seem, as Ethan Edwards, the main character played by Wayne, has his niece Debbie stolen by the Comanches, whom he can’t bear,...
In particular, Steven Spielberg, the giant of the industry, once confessed he revisits one of Wayne’s movies every time before he makes a new film of his own, as it’s much of a great value for the director. Indeed, the 1956 Western feature is quite unmissable.
The plot of the movie seems typical of the genre - it follows a Civil War veteran looking for his abducted relative. However, it’s not as simple as it may seem, as Ethan Edwards, the main character played by Wayne, has his niece Debbie stolen by the Comanches, whom he can’t bear,...
- 4/27/2024
- by [email protected] (Ava Raxa)
- STartefacts.com
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From the sweeping vistas of The Searchers to the towering Transformers of Age of Extinction, the mesas and monuments of Utah’s southern half have been a regular presence in film since the earliest days of the medium. In fact, throughout 2024 the “Beehive State” has been celebrating its considerable cinematic heritage with the retrospective exhibition “100 Years of Utah Film and Television” on display now at the Capitol Building in Salt Lake City.
But balancing responsible land use with tourism and commercial exploitation is forever a hot topic in Utah—a regular theme in Western states—and there are few exceptions made for the arts. Which is why collaboration with the steady guiding hand of local film commissions is so critical; someone to steer visiting filmmakers in the correct direction (both legally and creatively) and keep the reciprocal ecosystem of commerce between film crews and local businesses on the good foot.
But balancing responsible land use with tourism and commercial exploitation is forever a hot topic in Utah—a regular theme in Western states—and there are few exceptions made for the arts. Which is why collaboration with the steady guiding hand of local film commissions is so critical; someone to steer visiting filmmakers in the correct direction (both legally and creatively) and keep the reciprocal ecosystem of commerce between film crews and local businesses on the good foot.
- 4/26/2024
- by Matt Warren
- Film Independent News & More
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John Ford, the iconic director known for such films as Stagecoach, The Grapes of Wrath, My Darling Clementine, The Searchers and much more, will be the subject of the next edition of the TCM podcast The Plot Thickens, it was announced Wednesday.
“Decoding John Ford,” hosted by Ben Mankiewicz, premieres June 6. The fifth season of the podcast, consisting of seven episodes, will feature never-before-heard archival interviews with the likes of John Wayne, Katharine Hepburn, Henry Fonda, James Stewart, Woody Strode and Ford himself.
TCM says Mankiewicz will “strip back the mythology to reveal Ford’s brilliance — alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist.”
“John Ford is a mercurial figure. Not surprisingly given his stature, the stereotypes about Ford are incomplete,” the host said in a statement. “This is a man defined by contradictions: he revered...
“Decoding John Ford,” hosted by Ben Mankiewicz, premieres June 6. The fifth season of the podcast, consisting of seven episodes, will feature never-before-heard archival interviews with the likes of John Wayne, Katharine Hepburn, Henry Fonda, James Stewart, Woody Strode and Ford himself.
TCM says Mankiewicz will “strip back the mythology to reveal Ford’s brilliance — alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist.”
“John Ford is a mercurial figure. Not surprisingly given his stature, the stereotypes about Ford are incomplete,” the host said in a statement. “This is a man defined by contradictions: he revered...
- 4/18/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
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The award-winning Turner Classic Movies podcast “The Plot Thickens” is ready to take on the Manifest Destiny of filmmaker John Ford.
The new fifth season, titled “Decoding John Ford,” centers on the legendary auteur best known for Westerns like “The Searchers.” Host Ben Mankiewicz dives into the mythology behind Ford’s filmography.
The seven-part podcast also examines Ford’s shelved WWII film that was commissioned by the U.S. military in 1944. Host Ben Mankiewicz travels to Europe to trace the mystery of whether the D-Day movie exists. The season debuts on June 6, the 80th anniversary of D-Day.
The season features never-before-heard archival interviews with stars like John Wayne, Katharine Hepburn, Henry Fonda, James Stewart, Woody Strode, and director Ford himself.
“John Ford is a mercurial figure. Not surprisingly given his stature, the stereotypes about Ford are incomplete,” TCM Host Ben Mankiewicz said in a release. “This is a man defined...
The new fifth season, titled “Decoding John Ford,” centers on the legendary auteur best known for Westerns like “The Searchers.” Host Ben Mankiewicz dives into the mythology behind Ford’s filmography.
The seven-part podcast also examines Ford’s shelved WWII film that was commissioned by the U.S. military in 1944. Host Ben Mankiewicz travels to Europe to trace the mystery of whether the D-Day movie exists. The season debuts on June 6, the 80th anniversary of D-Day.
The season features never-before-heard archival interviews with stars like John Wayne, Katharine Hepburn, Henry Fonda, James Stewart, Woody Strode, and director Ford himself.
“John Ford is a mercurial figure. Not surprisingly given his stature, the stereotypes about Ford are incomplete,” TCM Host Ben Mankiewicz said in a release. “This is a man defined...
- 4/18/2024
- by Samantha Bergeson
- Indiewire
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Chaos reigned at the Brussels premiere of “Love Lies Bleeding” on Saturday, after a barrage of homophobic and misogynistic comments during the screening led to a mass walkout followed by retaliatory protests and a police response. More than 60 queer women stormed out of the regional premiere once the screening turned toxic, while screening organizers claim at least three instances of physical violence.
“Things spun wildly out of hand,” attendee Elina Fischer tells Variety. Calling their experience “traumatic and horrible,” Fischer adds: “We were afraid for our lives, because the kinds of people who say such things during a film screening are the kinds of people who assault us. So we got scared and had to get out.”
After premiering to critical acclaim out of Sundance and Berlin, Rose Glass’ A24-produced thriller has yet to see wide release in Francophone Europe – making the recent screening at the Brussels International Fantastic...
“Things spun wildly out of hand,” attendee Elina Fischer tells Variety. Calling their experience “traumatic and horrible,” Fischer adds: “We were afraid for our lives, because the kinds of people who say such things during a film screening are the kinds of people who assault us. So we got scared and had to get out.”
After premiering to critical acclaim out of Sundance and Berlin, Rose Glass’ A24-produced thriller has yet to see wide release in Francophone Europe – making the recent screening at the Brussels International Fantastic...
- 4/15/2024
- by Ben Croll
- Variety Film + TV
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Possibly the greatest collection of films for a modern classic showcase is about to take place at the TCM Classic Film Festival. The Wrap has revealed that the channel Turner Classic Movies, which is dedicated to unaltered, unedited film broadcasts of renowned movies in the history of cinema, has revealed the list of titles and guest appearances that will be featured at this year’s festival. The festival this year will be commemorating the 30th anniversary of the network. The TCM Classic Festival will be taking place in Los Angeles on April 18-21.
The event will screen the world premiere of a brand-new restoration of the 1995 film Se7en, the dark crime thriller starring Brad Pitt and Morgan Freeman. Director David Fincher will be there personally to unveil the film in IMAX. Another big screening will be the director’s cut of Close Encounters of the Third Kind, which will play...
The event will screen the world premiere of a brand-new restoration of the 1995 film Se7en, the dark crime thriller starring Brad Pitt and Morgan Freeman. Director David Fincher will be there personally to unveil the film in IMAX. Another big screening will be the director’s cut of Close Encounters of the Third Kind, which will play...
- 3/22/2024
- by EJ Tangonan
- JoBlo.com
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For those of us who remember going to the movies in 1977, we were treated to Star Wars, Smokey And The Bandit, The Spy Who Loved Me, Airport 77, The Car, Orca and Capricorn One. There was a rich wealth of movies to choose from and a time when audiences in their local cinemas would cheer and clap for the heroes. Then on December 14, 1977, coming off the success of Jaws, that director Steven Spielberg’s sci-fi masterpiece graced the screens. Close Encounters Of The Third Kind was the filmmaker’s next movie and, along with star Richard Dreyfuss and the magnificent score from composer John Williams, took audiences on a journey of mankind’s first meeting with aliens and let us know we are not alone in the universe.
Close Encounters of the Third Kind was nominated for eight Academy Awards, winning for Best Cinematography by Director of Photography Vilmos Zsigmond (The Sugarland Express...
Close Encounters of the Third Kind was nominated for eight Academy Awards, winning for Best Cinematography by Director of Photography Vilmos Zsigmond (The Sugarland Express...
- 3/21/2024
- by Melissa Thompson
- WeAreMovieGeeks.com
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Top to bottom: Lawrence Of Arabia (Columbia Pictures), Avatar (20th Century Fox), Blade Runner 2049 (Warner Bros.)Graphic: The A.V. Club
There are artists who work on such a large scale that seeing their art in person for the first time can completely change your impression of a piece, no...
There are artists who work on such a large scale that seeing their art in person for the first time can completely change your impression of a piece, no...
- 3/21/2024
- by Cindy White
- avclub.com
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The 2024 TCM Film Festival is ringing in its 15th anniversary with a slew of star-studded panels and premieres.
The festival, which takes place in Los Angeles from April 18 to 21, will kick off with a special 35mm screening of “Pulp Fiction” with actor John Travolta in attendance. This year’s festival theme is “Most Wanted: Crime and Justice in Film,” and fittingly, the festival boasts a cast reunion of prison escape drama “The Shawshank Redemption” with stars Morgan Freeman and Tim Robbins.
Both “The Shawshank Redemption” and “Pulp Fiction” are celebrating 30 years since their respective 1994 releases.
The festival will close with Mel Brooks’ “Spaceballs,” with Brooks presenting the feature.
Additional programming includes the world premiere of the IMAX restoration of David Fincher’s “Se7en,” a restoration of “The Searchers” courtesy of Warner Bros. and The Film Foundation with Oscar-nominated writer/director Alexander Payne introducing the film, and “Jeopardy!” host Ken Jennings presenting the U.
The festival, which takes place in Los Angeles from April 18 to 21, will kick off with a special 35mm screening of “Pulp Fiction” with actor John Travolta in attendance. This year’s festival theme is “Most Wanted: Crime and Justice in Film,” and fittingly, the festival boasts a cast reunion of prison escape drama “The Shawshank Redemption” with stars Morgan Freeman and Tim Robbins.
Both “The Shawshank Redemption” and “Pulp Fiction” are celebrating 30 years since their respective 1994 releases.
The festival will close with Mel Brooks’ “Spaceballs,” with Brooks presenting the feature.
Additional programming includes the world premiere of the IMAX restoration of David Fincher’s “Se7en,” a restoration of “The Searchers” courtesy of Warner Bros. and The Film Foundation with Oscar-nominated writer/director Alexander Payne introducing the film, and “Jeopardy!” host Ken Jennings presenting the U.
- 3/21/2024
- by Samantha Bergeson
- Indiewire
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Those attending the 15th annual TCM Classic Film Festival in Hollywood next month will have an opportunity to engage with Mel Brooks and Vitaphone, both born in 1926. One’s extinct, the other’s still going strong.
While Brooks, 97, will be on hand for a closing-night screening of his 1987 comedy Spaceballs, six Vitaphone vaudeville shorts from the 1920s will be projected in 35mm, with sound played back from their original 16-inch discs on a turntable designed and engineered by Warner Bros.’ postproduction engineering department.
Also announced Thursday:
• Steven Spielberg will participate in a Q&a with Howard Suber — the UCLA faculty member at the center of the recent six-part TCM documentary The Power of Film — ahead of a director’s cut of Close Encounters of the Third Kind (1977);
• Nancy Meyers and Alexander Payne, respectively, will introduce world premiere restorations of Alfred Hitchcock’s North by Northwest (1959) and John Ford’s The Searchers...
While Brooks, 97, will be on hand for a closing-night screening of his 1987 comedy Spaceballs, six Vitaphone vaudeville shorts from the 1920s will be projected in 35mm, with sound played back from their original 16-inch discs on a turntable designed and engineered by Warner Bros.’ postproduction engineering department.
Also announced Thursday:
• Steven Spielberg will participate in a Q&a with Howard Suber — the UCLA faculty member at the center of the recent six-part TCM documentary The Power of Film — ahead of a director’s cut of Close Encounters of the Third Kind (1977);
• Nancy Meyers and Alexander Payne, respectively, will introduce world premiere restorations of Alfred Hitchcock’s North by Northwest (1959) and John Ford’s The Searchers...
- 3/21/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
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The one thing that Academy Award haters and lovers can agree on is the long and fascinating history of Oscar snubs. It’s the “Predator handshake” topic that brings us all together. It happens every year: the wrong movie wins a certain award or fails to secure the nomination it deserves. Some would say it’s a big part of the awards show experience.
Every now and then, though, the Academy Awards go above and beyond by implementing a “blanket snub.” It’s one thing for a great movie or actor to not get the win or nomination they’ve earned in the eyes of theater audiences. It’s quite another to realize that there have been numerous all-time great films throughout history that didn’t even get a single Oscar nomination, much less an Oscar win.
But let’s go one step further than that. We’re not going...
Every now and then, though, the Academy Awards go above and beyond by implementing a “blanket snub.” It’s one thing for a great movie or actor to not get the win or nomination they’ve earned in the eyes of theater audiences. It’s quite another to realize that there have been numerous all-time great films throughout history that didn’t even get a single Oscar nomination, much less an Oscar win.
But let’s go one step further than that. We’re not going...
- 3/9/2024
- by Matthew Byrd
- Den of Geek
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![Image](https://m.media-amazon.com/images/M/MV5BMDBiNzZjM2UtZmRlYS00NWQyLWJiZjktOGM3MTg1YTg4OWRiXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY140_CR35,0,140,140_.jpg)
James Hawes’ true-life drama One Life starring Anthony Hopkins has broken out at the international box office through FilmNation’s network of buyers, earning $26m and counting weeks before it opens in the US through Bleecker Street on March 15.
‘One Life’: Toronto Review
The biographical drama about Nicholas Winton, the UK stockbroker who saved the lives of 669 children in the former Czechoslovakia from the Nazis, is produced by UK-Australian outfit See-Saw Films. It made its world premiere at the Toronto International Film Festival (TIFF) in September 2023 and has gone on to open in key markets including the UK and Ireland,...
‘One Life’: Toronto Review
The biographical drama about Nicholas Winton, the UK stockbroker who saved the lives of 669 children in the former Czechoslovakia from the Nazis, is produced by UK-Australian outfit See-Saw Films. It made its world premiere at the Toronto International Film Festival (TIFF) in September 2023 and has gone on to open in key markets including the UK and Ireland,...
- 3/1/2024
- ScreenDaily
![Image](https://m.media-amazon.com/images/M/MV5BMTIxOGZiMTctOGFlNi00NTI5LTkyZDItNzlkNmYzM2JjNTg3XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
In honour of Empire's new Star Wars prequels issue, celebrating the 25th anniversary of the trilogy's launch, we're asking – which of the prequel movies is the best? Read the case for Episode II – Attack Of The Clones below, and find the issue on newsstands now.
When the camera pans up from the opening crawl in Attack Of The Clones — the only film in the Skywalker saga to buck the tradition of the pan down — George Lucas promises us a different kind of Star Wars movie, and he delivers from the very first frame. Every time Lucas set out to make a Star Wars film, he worked to make it different from the others in the most unexpected ways — and Attack Of The Clones is somehow more unique and brilliant amongst the entire Skywalker saga.
As the first film shot entirely digitally, George Lucas didn’t just set out to change...
When the camera pans up from the opening crawl in Attack Of The Clones — the only film in the Skywalker saga to buck the tradition of the pan down — George Lucas promises us a different kind of Star Wars movie, and he delivers from the very first frame. Every time Lucas set out to make a Star Wars film, he worked to make it different from the others in the most unexpected ways — and Attack Of The Clones is somehow more unique and brilliant amongst the entire Skywalker saga.
As the first film shot entirely digitally, George Lucas didn’t just set out to change...
- 2/21/2024
- by Bryan Young
- Empire - Movies
![Lisandro Alonso](https://m.media-amazon.com/images/M/MV5BMGE2Njg3Y2UtMDcyMC00MTA3LTgyMGUtNDI0OGRlZmM5YjdkXkEyXkFqcGdeQXVyMTc4MzI2NQ@@._V1_QL75_UY207_CR2,0,140,207_.jpg)
![Lisandro Alonso](https://m.media-amazon.com/images/M/MV5BMGE2Njg3Y2UtMDcyMC00MTA3LTgyMGUtNDI0OGRlZmM5YjdkXkEyXkFqcGdeQXVyMTc4MzI2NQ@@._V1_QL75_UY207_CR2,0,140,207_.jpg)
Throughout the history of cinema, the stories of indigenous peoples in the Americas have been framed almost entirely through the gaze of immigrant European peoples. Lisandro Alonso’s challenging three part film is informed by their own stories, not just in the narratives it unfolds, but also in the structures of its storytelling.
Scripted with the aid of authors Martin Camaño and Fabian Casas, this is a film as rich in thematic and literary motifs as it is in imagery. The first segment, which stars Viggo Mortensen as a damaged man looking for trouble in a dissolute frontier town, plays out like a black and white reworking of The Searchers, taking John Ford’s vision of the Wild West to such an extreme that its nature as propaganda can no longer be denied, and at the same time speaking to the very real tragedy wrought upon Native peoples by colonial brutalisation and.
Scripted with the aid of authors Martin Camaño and Fabian Casas, this is a film as rich in thematic and literary motifs as it is in imagery. The first segment, which stars Viggo Mortensen as a damaged man looking for trouble in a dissolute frontier town, plays out like a black and white reworking of The Searchers, taking John Ford’s vision of the Wild West to such an extreme that its nature as propaganda can no longer be denied, and at the same time speaking to the very real tragedy wrought upon Native peoples by colonial brutalisation and.
- 2/16/2024
- by Jennie Kermode
- eyeforfilm.co.uk
![Image](https://m.media-amazon.com/images/M/MV5BZWJiMDU4ZjItNDc5My00M2FkLWFmMjctN2M3YzM2ZTBmMDE2XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Visiting Istanbul, you can’t help but notice all of the cats: The Turkish metropolis is swarming with strays, some gorgeous and friendly, others haggard and more stand-offish. Entire films have been made about the phenomenon (of which “Kedi” was an especially popular example). But what of the countless other souls — the human ones — who also live on the margins of this modern city? They too are invisible until noticed. But if you look closely, it becomes impossible to unsee the homeless children and street sellers, sex workers and immigrants, many of them struggling to survive.
With “Crossing,” writer-director Levan Akin wants to open our eyes to the easily overlooked. After earning international acclaim with Cannes-selected queer drama “And Then We Danced,” Akin makes a calculated choice to raise awareness of the trans community in Istanbul, but he does so through representation rather than manipulation. “Crossing” tells the engaging if...
With “Crossing,” writer-director Levan Akin wants to open our eyes to the easily overlooked. After earning international acclaim with Cannes-selected queer drama “And Then We Danced,” Akin makes a calculated choice to raise awareness of the trans community in Istanbul, but he does so through representation rather than manipulation. “Crossing” tells the engaging if...
- 2/15/2024
- by Peter Debruge
- Variety Film + TV
![Out of Darkness (2022)](https://m.media-amazon.com/images/M/MV5BNjE1YWVhMmYtYzljYS00ZmRmLTkxZWYtYTAwNTJmYzFkOWZmXkEyXkFqcGdeQXVyMTI0OTk4MjA4._V1_QL75_UX140_CR0,0,140,207_.jpg)
![Out of Darkness (2022)](https://m.media-amazon.com/images/M/MV5BNjE1YWVhMmYtYzljYS00ZmRmLTkxZWYtYTAwNTJmYzFkOWZmXkEyXkFqcGdeQXVyMTI0OTk4MjA4._V1_QL75_UX140_CR0,0,140,207_.jpg)
The elemental tale of man versus nature is one that we’ve been telling since the days of cave paintings. The tale of man versus a big, scary creature has been one of that tradition’s most reliably entertaining iterations since the dawn of Hollywood, and Andrew Cumming’s Stone Age thriller Out of Darkness makes for a worthy addition.
The film is set 45,000 years ago. After making a daring journey across the sea, a small band of Stone Agers have arrived in an unfamiliar place that they hope to call home. Sadly, this place isn’t the land of milk, honey, and warm, cozy caves that they’d been dreaming of. Rather, it’s a gray and barren place where rough, rocky hills seem to roll out endlessly in all directions. It makes for a dispiriting landscape during the day, and it’s even worse when darkness falls and...
The film is set 45,000 years ago. After making a daring journey across the sea, a small band of Stone Agers have arrived in an unfamiliar place that they hope to call home. Sadly, this place isn’t the land of milk, honey, and warm, cozy caves that they’d been dreaming of. Rather, it’s a gray and barren place where rough, rocky hills seem to roll out endlessly in all directions. It makes for a dispiriting landscape during the day, and it’s even worse when darkness falls and...
- 2/4/2024
- by Ross McIndoe
- Slant Magazine
![Image](https://m.media-amazon.com/images/M/MV5BNDgyMGU3ZDItNTg4ZC00NzFhLTkyMTQtZTM0Y2Y2OTU0MDQ3XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR130,0,500,281_.jpg)
The rather prolific Adilkhan Yerzhanov (15 features in 12 years) has already established his own style, by including elements of US b-movies, Western, action and violence, and a rather bleak sense of humor that make his movies quite entertaining. “Steppenwolf” continues in the same path, in a pure genre film that is inspired by the 1956 John Ford movie, “The Searchers”.
Steppenwolf is screening at International Film Festival Rotterdam
Tamara, a young woman who seems to suffer from mental issues, is walking around a small town where the police is clashing with some sort of armed groups, in search of her missing son who has been kidnapped by child organ traffickers. Bullets do not seem to touch her, but the fact that she can barely speak does not help her cause, as the people around her mostly ignore her. Eventually, she stumbles upon ‘The Steppenwolf' a man the corrupt police hire to torture convicts into confession,...
Steppenwolf is screening at International Film Festival Rotterdam
Tamara, a young woman who seems to suffer from mental issues, is walking around a small town where the police is clashing with some sort of armed groups, in search of her missing son who has been kidnapped by child organ traffickers. Bullets do not seem to touch her, but the fact that she can barely speak does not help her cause, as the people around her mostly ignore her. Eventually, she stumbles upon ‘The Steppenwolf' a man the corrupt police hire to torture convicts into confession,...
- 2/1/2024
- by Panos Kotzathanasis
- AsianMoviePulse
![Image](https://m.media-amazon.com/images/M/MV5BMDlkYTI3ODAtMDM5OS00ZDRiLWFmYzgtNjNhNTdmYWFiYjI3XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR0,0,500,281_.jpg)
There is a certain inevitability about a film inspired by Hermann Hesse’s novel “Steppenwolf,” first published in German in 1927, and two famous Westerns of the 1950s — John Ford’s “The Searchers,” and Howard Hawks’ “Red River.” The film, also called “Steppenwolf,” has its world premiere at International Film Festival Rotterdam in the Big Screen Competition section. Its teaser debuts on Variety exclusively (below).
In acclaimed Kazakh director Adilkhan Yerzhanov’s latest film, two characters who are essentially loners existing outside of the usual moral boundaries of the world come together united in a common task: to save a small boy who has gone missing.
Yerzhanov takes universal themes from Hesse’s novel and the later Hollywood Westerns, to plumb the depths of where man’s spirituality disappears into the depths of his animal origins. To explore what he calls a story of “two different heroes, two opposing characters, who...
In acclaimed Kazakh director Adilkhan Yerzhanov’s latest film, two characters who are essentially loners existing outside of the usual moral boundaries of the world come together united in a common task: to save a small boy who has gone missing.
Yerzhanov takes universal themes from Hesse’s novel and the later Hollywood Westerns, to plumb the depths of where man’s spirituality disappears into the depths of his animal origins. To explore what he calls a story of “two different heroes, two opposing characters, who...
- 1/26/2024
- by Nick Holdsworth
- Variety Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BZTI0NWNhZTQtNjBjMy00YzBkLTk3MDctYTVkMDdkYWQ5MWVhXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
While recently scrolling Twitter, an interesting anecdote came to my attention. In the fabled George Lucas outline for a Star Wars sequel trilogy, a treatment which the filmmaker shared with the Walt Disney Company when he sold Lucasfilm for $4 billion, Lucas apparently had a strange vision for Luke Skywalker: He wanted the older version of Skywalker to be like a character in a movie Lucas almost made before Star Wars. He wanted him to be, in essence, Marlon Brando’s Col. Kurtz from Apocalypse Now, right down to the bald head and rambling gibberish.
This detail is not new. In fact, Pablo Hidalgo first confirmed the information in Star Wars: Fascinating Facts (2020). In that book (via Total Film/GamesRadar+), Hidalgo wrote, “Although Luke Skywalker only barely appears in The Force Awakens, the concept artists had a lot to imagine based on the fragments of the story they were hearing as it developed.
This detail is not new. In fact, Pablo Hidalgo first confirmed the information in Star Wars: Fascinating Facts (2020). In that book (via Total Film/GamesRadar+), Hidalgo wrote, “Although Luke Skywalker only barely appears in The Force Awakens, the concept artists had a lot to imagine based on the fragments of the story they were hearing as it developed.
- 1/24/2024
- by David Crow
- Den of Geek
![Image](https://m.media-amazon.com/images/M/MV5BYmUyYWU0OGMtZDA4Yi00MTlkLWE5OTYtMzM1MzFiN2NiYmVkXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Exclusive: Yellowstone co-creator Taylor Sheridan and his Bosque Ranch have optioned the S.C. Gwynne book Empire of the Summer Moon: Quanah Parker and the Rise and Fall of the Comanches, the Most Powerful Indian Tribe in American History.
Bidding was competitive, and Bosque was aggressive to win the book. Sheridan and Jenny Wood will produce for Bosque Ranch.
A long-standing passion project of Sheridan’s since back when the project was set up at Warner Bros, the book is an exhaustive historical account of the four-decade struggle between the Comanche tribe and white settlers to control the American West. Quanah was considered its greatest chief.
Comanches were legendary fighters, with young boys able to ride horses bareback by the time they were 6 years old. They were so masterful with the bow and lance that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana.
Bidding was competitive, and Bosque was aggressive to win the book. Sheridan and Jenny Wood will produce for Bosque Ranch.
A long-standing passion project of Sheridan’s since back when the project was set up at Warner Bros, the book is an exhaustive historical account of the four-decade struggle between the Comanche tribe and white settlers to control the American West. Quanah was considered its greatest chief.
Comanches were legendary fighters, with young boys able to ride horses bareback by the time they were 6 years old. They were so masterful with the bow and lance that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana.
- 1/19/2024
- by Mike Fleming Jr
- Deadline Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BMTQzZmUwMGUtNzc4ZC00YzdjLTliODAtMThmY2Q0NGQ3ZjVhXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR18,0,500,281_.jpg)
Turner Classic Movies (TCM) has a full slate of programming set for this year, as the classic movie home celebrates its 30th anniversary.
The 15th annual TCM Classic Film Festival in April will honor film historian Jeanine Basinger with the Robert Osborne Award, and pay tribute to actor Billy Dee Williams and makeup artist Lois Burwell.
Additionally, The Plot Thickens, TCM’s official podcast about movies and the people who make them will debut later in the year following the release of Talking Pictures: A Movie Memories Podcast, TCM’s latest podcast in tandem with Max.
Extending beyond the screen, Warner Bros. Studio Tour Hollywood will introduce a WB/TCM Classic Movie Tour in April.
“With the 30th year of TCM upon us, we both look back at all that’s been built over the last several decades and look ahead at what is undoubtedly one of the most exciting times in TCM’s history,...
The 15th annual TCM Classic Film Festival in April will honor film historian Jeanine Basinger with the Robert Osborne Award, and pay tribute to actor Billy Dee Williams and makeup artist Lois Burwell.
Additionally, The Plot Thickens, TCM’s official podcast about movies and the people who make them will debut later in the year following the release of Talking Pictures: A Movie Memories Podcast, TCM’s latest podcast in tandem with Max.
Extending beyond the screen, Warner Bros. Studio Tour Hollywood will introduce a WB/TCM Classic Movie Tour in April.
“With the 30th year of TCM upon us, we both look back at all that’s been built over the last several decades and look ahead at what is undoubtedly one of the most exciting times in TCM’s history,...
- 1/12/2024
- by Bruce Haring
- Deadline Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BZjJlZjYzYjMtNzc0MC00NzdiLWE5YjgtMDYxYTlhMjMwY2JkXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BZjJlZjYzYjMtNzc0MC00NzdiLWE5YjgtMDYxYTlhMjMwY2JkXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
Turner Classic Movies has a lot going on as it celebrates its 30th anniversary this year.
On Friday, execs from the beloved cable channel unveiled a new podcast, 2024 programming initiatives, a new branded studio tour of the Warner Bros. lot in Burbank and details about the 15th annual TCM Classic Film Festival in April.
On Jan. 16, TCM and sister streamer Max will debut Talking Pictures: A Movie Memories Podcast. TCM host Ben Mankiewicz will join filmmakers and actors as they discuss “their earliest film memories, favorite movies, creative influences and guilty pleasures,” with guests including Mel Brooks, Nancy Meyers and Patty Jenkins.
The TCM podcast The Plot Thickens is returning this year for a fifth season, with the subject yet to be disclosed.
In April, TCM will introduce a new franchise, Two for One, with prominent filmmakers co-hosting a double feature of their choice on Saturday nights. Guests will include Jenkins,...
On Friday, execs from the beloved cable channel unveiled a new podcast, 2024 programming initiatives, a new branded studio tour of the Warner Bros. lot in Burbank and details about the 15th annual TCM Classic Film Festival in April.
On Jan. 16, TCM and sister streamer Max will debut Talking Pictures: A Movie Memories Podcast. TCM host Ben Mankiewicz will join filmmakers and actors as they discuss “their earliest film memories, favorite movies, creative influences and guilty pleasures,” with guests including Mel Brooks, Nancy Meyers and Patty Jenkins.
The TCM podcast The Plot Thickens is returning this year for a fifth season, with the subject yet to be disclosed.
In April, TCM will introduce a new franchise, Two for One, with prominent filmmakers co-hosting a double feature of their choice on Saturday nights. Guests will include Jenkins,...
- 1/12/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
![Image](https://m.media-amazon.com/images/M/MV5BM2JlOGU4ODMtNjk1OS00ZmU4LWI1YWYtM2ZjZjk2ZTc3ZDU2XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR88,0,500,281_.jpg)
Each winter, we invite Notebook contributors to take part in our unique twist on the year-end poll. Rather than tally their favorite new releases from the year, they’re asked to creatively pair a new release with an older film they watched for the first time that year: a “fantasy double feature.” We’re delighted by the range of responses this year; this year’s doubles offer up inspired combinations of moving-image art that might otherwise slip through the cracks.We invite you to plunge into this collective viewing scrapbook, which captures our writers at their most imaginative, adventurous, and thoughtful—maybe it'll motivate you to test some of these out (or come up with your own) over the holidays.We hope you enjoy the read, and find our sixteenth year appropriately sweet!{{notebook_form}}Paul AttardNEW: Skinamarink + Old: Room Film 1973Homebound horror films shrouded in darkness, ones that transform...
- 12/23/2023
- MUBI
![Image](https://m.media-amazon.com/images/M/MV5BNDkyYTliYTQtNzg3Ny00ODk2LTg2Y2QtNmJmYTMzYTE5OTJkXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Ever since Martin Scorsese‘s “Killers of the Flower Moon” premiered at Cannes, critics have celebrated it as Scorsese’s first real Western after decades in which the genre’s influence could be felt at the edges of movies like “Casino” and “Gangs of New York.” The director himself sees it a little differently. As the guest on IndieWire’s Filmmaker Toolkit podcast’s 250th episode, he said, “How can I make a Western? I come from the Lower East Side. The guys who made Westerns, when they came out [to Los Angeles], they were riding horses. The old cliché of the director wearing jodhpurs? Well, that’s what they did — you got around on a horse, you had to wear boots, you had to have a riding crop.”
Scorsese feels that the Western as he knew it in childhood ended with Sam Peckinpah’s “The Wild Bunch” in 1969, and that it’s...
Scorsese feels that the Western as he knew it in childhood ended with Sam Peckinpah’s “The Wild Bunch” in 1969, and that it’s...
- 12/20/2023
- by Jim Hemphill
- Indiewire
![Alice Walker](https://m.media-amazon.com/images/M/MV5BMTk4NTAxMzY5N15BMl5BanBnXkFtZTYwMzc4MzMz._V1_QL75_UX140_CR0,2,140,207_.jpg)
![Alice Walker](https://m.media-amazon.com/images/M/MV5BMTk4NTAxMzY5N15BMl5BanBnXkFtZTYwMzc4MzMz._V1_QL75_UX140_CR0,2,140,207_.jpg)
Blitz Bazawule’s big-screen adaptation of Alice Walker’s 1982 Pulitzer Prize-winning novel The Color Purple and its 2005 musical theater production is basically echo-chamber karaoke. The film knows the words and tunes but, with rare exception, lacks the passion and the perspective to make them truly resonate.
Walker’s book charted the emotional, sexual, and implicitly political coming of age of an African-American girl named Celie, whose life in rural, early-20th-century Georgia is several tiers below hell. She’s borne two children by a man, Alphonso, who beats and rapes her, and whom she knows as her father. And then a barbaric farmer known as Mister comes calling. He has eyes for Celie’s sister, Nettie, but Alphonso pawns off Celie instead, women being, in the eyes of these men, chattel-like property with inarguable coital benefits.
The book is written in epistolary style, with Celie addressing an unseen God throughout.
Walker’s book charted the emotional, sexual, and implicitly political coming of age of an African-American girl named Celie, whose life in rural, early-20th-century Georgia is several tiers below hell. She’s borne two children by a man, Alphonso, who beats and rapes her, and whom she knows as her father. And then a barbaric farmer known as Mister comes calling. He has eyes for Celie’s sister, Nettie, but Alphonso pawns off Celie instead, women being, in the eyes of these men, chattel-like property with inarguable coital benefits.
The book is written in epistolary style, with Celie addressing an unseen God throughout.
- 12/19/2023
- by Keith Uhlich
- Slant Magazine
![Image](https://m.media-amazon.com/images/M/MV5BMmQ4ZWNlMmUtYzE0NC00NGRjLWE3ZjAtN2VlYmY3OGYyZTc4XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR0,0,500,281_.jpg)
Alfred Hitchcock's 1960 film "Psycho" famously employed a gimmick in its advertising to set it apart from the thrillers of the day. Movie posters and other print ads featured pictures of Hitchcock himself, pointing to his wristwatch, declaring that audiences watch "Psycho" from the very beginning, or face ejection from the theater. This came at a time when many theaters were still operating by a non-scheduled system, showing a well-moneyed "A" feature, followed by cartoons, shorts, newsreels, commercials, and a cheaper "B" feature. This is where we get the term "B movie" from. The cycle would then repeat. You could spend four or five hours in the theater if you wanted to. The entire loop would then repeat, and you could catch up with the movie on its second go-'round. This is where we get the phrase, "This is where we came in."
Hitchcock, of course, was repeating the sensationalist gimmicks of William Castle,...
Hitchcock, of course, was repeating the sensationalist gimmicks of William Castle,...
- 12/19/2023
- by Witney Seibold
- Slash Film
![Martin Scorsese at an event for The 67th Annual Golden Globe Awards (2010)](https://m.media-amazon.com/images/M/MV5BMTcyNDA4Nzk3N15BMl5BanBnXkFtZTcwNDYzMjMxMw@@._V1_QL75_UX140_CR0,6,140,207_.jpg)
![Martin Scorsese at an event for The 67th Annual Golden Globe Awards (2010)](https://m.media-amazon.com/images/M/MV5BMTcyNDA4Nzk3N15BMl5BanBnXkFtZTcwNDYzMjMxMw@@._V1_QL75_UX140_CR0,6,140,207_.jpg)
When Martin Scorsese finally won the directing Oscar for 2006’s The Departed, he inspired a handful of film buffs to point out the supposed travesty implied by the Academy of Motion Picture Arts and Sciences long ignoring the landmark titles on the filmmaker’s resume in favor of a remake. Few pointed out, or seemed to recall, that America’s most beloved living auteur, was not only no stranger to remakes, but took up the business of remaking, rebooting, and paying homage as a more than honorable foundation for a now-legendary body of work.
New York, New York was essentially a ticker-tape parade for old Hollywood’s Technicolor musical legacy, while Taxi Driver was a tribute either to Robert Bresson’s Pickpocket or John Ford’s The Searchers, depending on which auteur lens (Paul Schrader or Martin Scorsese) you look at it through. And 1973’s Mean Streets, the director’s third feature,...
New York, New York was essentially a ticker-tape parade for old Hollywood’s Technicolor musical legacy, while Taxi Driver was a tribute either to Robert Bresson’s Pickpocket or John Ford’s The Searchers, depending on which auteur lens (Paul Schrader or Martin Scorsese) you look at it through. And 1973’s Mean Streets, the director’s third feature,...
- 11/15/2023
- by Jaime N. Christley
- Slant Magazine
![John Wayne in El Dorado (1966)](https://m.media-amazon.com/images/M/MV5BNWMzZWNlNzYtYWFjNC00Mjg3LTlhYzgtNjNiNzI5ZDNkMzhmXkEyXkFqcGdeQXVyMDc2NTEzMw@@._V1_QL75_UY207_CR12,0,140,207_.jpg)
![John Wayne in El Dorado (1966)](https://m.media-amazon.com/images/M/MV5BNWMzZWNlNzYtYWFjNC00Mjg3LTlhYzgtNjNiNzI5ZDNkMzhmXkEyXkFqcGdeQXVyMDc2NTEzMw@@._V1_QL75_UY207_CR12,0,140,207_.jpg)
John Wayne’s 1956 Western “The Searchers” will debut a new restoration as part of the 2024 TCM Classic Film Festival in April. This marks the second Wayne film to receive a premiere of a restored print at the yearly event which takes place on Hollywood Boulevard; last year’s opening night feature was a 4K restoration of Wayne’s 1959 film “Rio Bravo.”
This year’s festival theme is “Most Wanted: Crime and Justice in Film.” Alongside “The Searchers” TCM announced that Frank Capra’s 1934 film “It Happened One Night,” Elia Kazan’s “On the Waterfront” and the 1974 musical documentary “That’s Entertainment!” will also screen as part of the four-day festival.
It’s unknown if “The Searchers” will be the film’s opening night movie, though considering “Rio Bravo” was also a restoration last year it would make sense that Warner Bros. would continue to debut new 4K prints of their films...
This year’s festival theme is “Most Wanted: Crime and Justice in Film.” Alongside “The Searchers” TCM announced that Frank Capra’s 1934 film “It Happened One Night,” Elia Kazan’s “On the Waterfront” and the 1974 musical documentary “That’s Entertainment!” will also screen as part of the four-day festival.
It’s unknown if “The Searchers” will be the film’s opening night movie, though considering “Rio Bravo” was also a restoration last year it would make sense that Warner Bros. would continue to debut new 4K prints of their films...
- 11/14/2023
- by Kristen Lopez
- The Wrap
![Bridget Hoffman in The Evil Dead (1981)](https://m.media-amazon.com/images/M/MV5BNjRmY2NmN2UtMmRlMS00Mjg2LTgwNjUtZjYyZjc0NDJjODFkXkEyXkFqcGdeQXVyNjc5NjEzNA@@._V1_QL75_UX140_CR0,2,140,207_.jpg)
![Bridget Hoffman in The Evil Dead (1981)](https://m.media-amazon.com/images/M/MV5BNjRmY2NmN2UtMmRlMS00Mjg2LTgwNjUtZjYyZjc0NDJjODFkXkEyXkFqcGdeQXVyNjc5NjEzNA@@._V1_QL75_UX140_CR0,2,140,207_.jpg)
It’s that time year again—when one might, upon their daily neighborhood perambulation, casually stumble upon a man dressed in a blood-splattered full-body jumpsuit and think to themself, this is perfectly fine and normal. But that’s the Halloween season for you, when the ghosts and goblins and AMC-obsessed Nicole Kidmans are out in full force for their yearly Halloween rituals.
Aside from meticulously inserting razor blades into the apples we all intend to hand out to local children, everyone’s favorite part of the Halloween season is—of course—the excuse to binge-watch our favorite horror movies, from the silly-scary (Hocus Pocus), to the fun-scary (Trick R Treat), to the scary-scary (The Evil Dead) or the really scary-scary (any news channel). In fact, horror movies have long been an integral part of the indie film ecosystem—turning minuscule budgets into huge box office numbers and launching the...
Aside from meticulously inserting razor blades into the apples we all intend to hand out to local children, everyone’s favorite part of the Halloween season is—of course—the excuse to binge-watch our favorite horror movies, from the silly-scary (Hocus Pocus), to the fun-scary (Trick R Treat), to the scary-scary (The Evil Dead) or the really scary-scary (any news channel). In fact, horror movies have long been an integral part of the indie film ecosystem—turning minuscule budgets into huge box office numbers and launching the...
- 10/27/2023
- by Matt Warren
- Film Independent News & More
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