On a Louisiana-bound ship, a nobleman planning a campaign for liberty encounters an heiress.On a Louisiana-bound ship, a nobleman planning a campaign for liberty encounters an heiress.On a Louisiana-bound ship, a nobleman planning a campaign for liberty encounters an heiress.
Storyline
Did you know
- TriviaIn the film as originally shot, Buster Keaton appears in a comic relief supporting part as the prisoner "Lulu". This would have been his first official appearance in an MGM feature production since Louis B Mayer fired him in February 1933. Several stills survive of Keaton in this role, in a scene with Jeanette MacDonald. Although Keaton's scenes were cut before the film was released, he is still visible in the background during several production numbers - particularly "Stouthearted Men"
- GoofsAfter the Governor's Ball, Marianne converses with her head servant. She addresses him as Guinot. His name is Guizot.
- Quotes
Charles Duc de Villiers: Anger makes you very charming, mademoiselle.
Marianne de Beaumanoir: Patronizing makes you very boring, monsieur.
- ConnectionsEdited into Moments in Music (1950)
- SoundtracksDance Your Cares Away
(1940) (uncredited)
Based on "Funny Little Sailor Man" (1928) (uncredited)
Music by Sigmund Romberg
New Lyricist unknown
Performed by unidentified singers
Featured review
Stars looking a bit mature,but in excellent voice
Saw this on Friday,13 December 1940 in Birmingham,a wonderful escape from the intense bombing. Eddy comes again in very fine voice,but not quite up to the standard of "Naughty Marietta," the first of the duo's film operettas. He has obviously gained significant weight: for example, he navigates with difficulty the gunwale of a ship which his comrades and he are attacking with strangely no casualties. The hit song in this operetta,which would not,I think,benefit from color because most of its takes are either at night or interiors, is "Wanting You",which the duo pulls off quite nicely.However,his emotional reactions during this piece,although adequate at the embrace,appear rather automatic,and do not compare with Allan Jones' tenderness in "Tomorrow is another day" (Day at Races,1937) or even the Red Shadow's pouring out his heart in the dated 1929 "Desert Song".His acting skills leave something to be desired:he turns his back on Jeanette during her vocal response,and shows deficiencies in emotional reaction. There is a marked antiquatedness in the dialog as in Jeanettes"I'll try my powers" when asked to sing "Paris" at the film's beginning, or her "Spare your minions!" when offered help in the captured ship. At times they are distinctly looking their ages.He is no longer the angular, gangling young Captain Warrington (lean and muscular) of "Naughty Marietta",but considerably "filled out." All the same,this is delightful escapist musical romance,with pirates, secret police,the French Revolution,sailing gunboats,Caribbean Islands,moonlight and beaches etc. I would strongly recommend this as a video played through an equalizer and amplifier perhaps with a sub-woofer,since the MGM musical recording is extremely good for the time.Romberg's operetta is not as classic as Herbert's "Naughty Marietta" and something is lost from the stage version with all its colorful choruses,reprises,but this is made up for in action and motion not practicable on the stage.
helpful•87
- saustin
- Apr 11, 2002
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Details
- Runtime1 hour 45 minutes
- Color
- Aspect ratio
- 1.37 : 1
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![Nelson Eddy and Jeanette MacDonald in New Moon (1940)](https://m.media-amazon.com/images/M/MV5BMTYzNjcwNDQ5M15BMl5BanBnXkFtZTgwMjY5NTY3MzE@._V1_QL75_UX90_CR0,0,90,133_.jpg)