One of the cardinal Hollywood sins for an established talent is to accept unsolicited material. To do so not only encourages other aspiring screenwriters to inundate agencies and production companies with scripts, it also places the recipient in a potentially vulnerable position legally. Basically, if an idea is fertile enough to merit a greenlight, it's not beyond the realm of possibility that someone else has had a similar idea. And if that writer can prove he sent that script years prior to the artist who turned that similar idea into a successful movie, that artist might find themselves on the business end of a plagiarism lawsuit.
So it's surprising that in the early 1970s, Clint Eastwood, who'd made his name on Westerns and had many more in active development, acquired the rights to an unsolicited novel called "The Rebel Outlaw: Josey Wales" by Forrest Carter. According to an interview with Patrick McGilligan,...
So it's surprising that in the early 1970s, Clint Eastwood, who'd made his name on Westerns and had many more in active development, acquired the rights to an unsolicited novel called "The Rebel Outlaw: Josey Wales" by Forrest Carter. According to an interview with Patrick McGilligan,...
- 1/12/2023
- by Jeremy Smith
- Slash Film
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