Texas actors, this is a cool one! Casting is underway for “Bagatelle,” an upcoming short film based on a poem by Alexander Pushkin. The project seeks a female actor for the leading role of Natalie, “a Russian cellist stranded in Texas,” as well as two male actors for the supporting roles of John and Max. Production is slated for this coming November and December in both Los Angeles, California, and Texas. Billed as “a short art-house narrative drama,” the piece will be shot on 35mm film, and will be produced by Daniel Levin and Emmy nominee Tchavdar Georgiev. For more information on “Bagatelle,” you can see the full listing here. And be sure to check out all of Backstage’s Texas auditions! Seeking some acting advice? Check out Backstage’s YouTube channel!
- 9/1/2016
- backstage.com
Documentarist – Istanbul Documentary Days, Turkey’s largest documentary film festival, was held for the fourth time from May 31 to June 5, 2011. The festival has been garnering more attention internationally and widening the scope of its programme every year. The result of prodigious efforts undertaken by the founders as well as a large team of young people who are mainly university students, Documentarist is organized under the auspices of the Eurasia Art Collective (Ask) and is activist in its inclinations. This year’s festival was comprised of various sections focusing on such themes as environmentalism, music, anthropology and the post-communist era.
The World We Consume section of the festival included films with striking insights into some of the most important environmental issues of our times. “There Once Was an Island” (2010), directed by
Briar March, tells in a poignant manner the story of people of Takuu, a tiny low-lying atoll in the South Western Pacific.
The World We Consume section of the festival included films with striking insights into some of the most important environmental issues of our times. “There Once Was an Island” (2010), directed by
Briar March, tells in a poignant manner the story of people of Takuu, a tiny low-lying atoll in the South Western Pacific.
- 6/30/2011
- by N. Buket Cengiz
- The Moving Arts Journal
Imagine traveling 1,700 miles by train. From Austin, Texas that is the approximate distance to New York City (for those who like train travel, I’ve actually done this trip—I recommend it). But let’s say it’s not the Amtrak you are boarding in 2011, rather it’s a train during the early stages of the Soviet Union taking you from the cultural center of Moscow to, what many then, and now, would consider an abominable town in the desert. Can you imagine being so obsessed with something that you’d make this journey twenty times? With 40,000 pieces of coveted items? Igor Savitsky’s journeys, struggles and intrigues are told in The Desert of Forbidden Art, written, directed and produced by Amanda Pope and Tchavdar Georgiev.
- 3/23/2011
- by Caitlyn Collins
- SmellsLikeScreenSpirit
Reviewed by Elliot V. Kotek
(from the 2010 Heartland Film Festival)
Directed/Written by: Amanda Pope and Tchavdar Georgiev
Starring: Marina Babanazarova and Stephen Kinzer; voiced by Sally Field, Ed Asner and Sir Ben Kingsley
“The Desert of Forbidden Art” proves that, in many societies, the creation of art is a scream for freedom. For Igor Savitsky, art equaled life, and his own was dedicated to saving the work of artists whose lives could have been meaningless without his efforts. In fact, many of the pieces rescued have since become the only remnants of their creators’ existences.
The artists represented by the collection stayed true to their visions despite the terrible costs associated with being an artist in their oppressed political regime. Amanda Pope and Tchavdar Georgiev contextualize the work well, depicting the Soviet concentration camps in evidence to Stalin’s murderous ways.
Artists in this era were carted off to mental hospitals.
(from the 2010 Heartland Film Festival)
Directed/Written by: Amanda Pope and Tchavdar Georgiev
Starring: Marina Babanazarova and Stephen Kinzer; voiced by Sally Field, Ed Asner and Sir Ben Kingsley
“The Desert of Forbidden Art” proves that, in many societies, the creation of art is a scream for freedom. For Igor Savitsky, art equaled life, and his own was dedicated to saving the work of artists whose lives could have been meaningless without his efforts. In fact, many of the pieces rescued have since become the only remnants of their creators’ existences.
The artists represented by the collection stayed true to their visions despite the terrible costs associated with being an artist in their oppressed political regime. Amanda Pope and Tchavdar Georgiev contextualize the work well, depicting the Soviet concentration camps in evidence to Stalin’s murderous ways.
Artists in this era were carted off to mental hospitals.
- 3/11/2011
- by admin
- Moving Pictures Network
Reviewed by Elliot V. Kotek
(from the 2010 Heartland Film Festival)
Directed/Written by: Amanda Pope and Tchavdar Georgiev
Starring: Marina Babanazarova and Stephen Kinzer; voiced by Sally Field, Ed Asner and Sir Ben Kingsley
“The Desert of Forbidden Art” proves that, in many societies, the creation of art is a scream for freedom. For Igor Savitsky, art equaled life, and his own was dedicated to saving the work of artists whose lives could have been meaningless without his efforts. In fact, many of the pieces rescued have since become the only remnants of their creators’ existences.
The artists represented by the collection stayed true to their visions despite the terrible costs associated with being an artist in their oppressed political regime. Amanda Pope and Tchavdar Georgiev contextualize the work well, depicting the Soviet concentration camps in evidence to Stalin’s murderous ways.
Artists in this era were carted off to mental hospitals.
(from the 2010 Heartland Film Festival)
Directed/Written by: Amanda Pope and Tchavdar Georgiev
Starring: Marina Babanazarova and Stephen Kinzer; voiced by Sally Field, Ed Asner and Sir Ben Kingsley
“The Desert of Forbidden Art” proves that, in many societies, the creation of art is a scream for freedom. For Igor Savitsky, art equaled life, and his own was dedicated to saving the work of artists whose lives could have been meaningless without his efforts. In fact, many of the pieces rescued have since become the only remnants of their creators’ existences.
The artists represented by the collection stayed true to their visions despite the terrible costs associated with being an artist in their oppressed political regime. Amanda Pope and Tchavdar Georgiev contextualize the work well, depicting the Soviet concentration camps in evidence to Stalin’s murderous ways.
Artists in this era were carted off to mental hospitals.
- 3/11/2011
- by admin
- Moving Pictures Magazine
“The Desert of Forbidden Art” proves that, in many societies, the creation of art is a scream for freedom. For Igor Savitsky, art equaled life, and his own was dedicated to saving the work of artists whose lives could have been meaningless without his efforts. In fact, many of the pieces rescued have since become the only remnants of their creators’ existences.
The artists represented by the collection stayed true to their visions despite the terrible costs associated with being an artist in their oppressed political regime. Amanda Pope and Tchavdar Georgiev contextualize the work well, depicting the Soviet concentration camps in evidence to Stalin’s murderous ways. Artists in this era were carted off to mental hospitals. Works they produced were labeled “anti-Soviet” and “degenerate.” In the Soviet system, religious institutions (churches, monasteries, etc.) either became prisons for artworks or found themselves stripped of artistic archives. But in the...
The artists represented by the collection stayed true to their visions despite the terrible costs associated with being an artist in their oppressed political regime. Amanda Pope and Tchavdar Georgiev contextualize the work well, depicting the Soviet concentration camps in evidence to Stalin’s murderous ways. Artists in this era were carted off to mental hospitals. Works they produced were labeled “anti-Soviet” and “degenerate.” In the Soviet system, religious institutions (churches, monasteries, etc.) either became prisons for artworks or found themselves stripped of artistic archives. But in the...
- 10/28/2010
- Moving Pictures Magazine
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