Deadline’s Contenders Film: International kicks off this morning, offering up the opportunity to hear from filmmakers who have been making waves around the world in 2021. The second annual event spotlighting international feature films begins at 9 a.m. Pt and will showcase the cream of the crop from this year’s festival awards winners, box office hits and International Feature Oscar hopefuls as the teams behind them discuss their work and inspirations.
Click here to register and watch the livestream.
For Contenders Film: International, we’ve again pivoted to a virtual event, which will boast a robust lineup. In total, talent will appear to discuss 26 titles that will represent their home countries as the official submissions for the International Feature Film category at the 94th Academy Awards. A total of 19 studios, streamers and distributors be on hand with presentations including clips and Q&As moderated by Deadline’s crack crew...
Click here to register and watch the livestream.
For Contenders Film: International, we’ve again pivoted to a virtual event, which will boast a robust lineup. In total, talent will appear to discuss 26 titles that will represent their home countries as the official submissions for the International Feature Film category at the 94th Academy Awards. A total of 19 studios, streamers and distributors be on hand with presentations including clips and Q&As moderated by Deadline’s crack crew...
- 11/20/2021
- by Nancy Tartaglione
- Deadline Film + TV
Tereza sleeps alone in bed near the opening of “Tereza37,” Danilo Serbedzija’s placidly paced Croatian drama with edges both witty and shrewdly dark. It’s an image that stands as a fitting visual foreword to Serbedzija’s film, as Tereza is often solitary at home despite being married; her husband is regularly absent, gone out to the sea frequently on his unspecified aquatic job. Then the scene’s significance grows as Tereza rolls over, revealing her blood-soaked undergarments and sheets that Serbedzija’s matter-of-fact camera captures with unsentimental directness. Soon after she cleans it all up in a series of routine, Jeanne Dielman-esque moves, we realize that Tereza just had her fourth miscarriage, but wants to keep trying to conceive in a desperate pursuit of motherhood.
Perceptively written by Croatia’s prolific screen and stage actress Lana Barić — she also plays the titular character here with a thoughtful...
Perceptively written by Croatia’s prolific screen and stage actress Lana Barić — she also plays the titular character here with a thoughtful...
- 11/17/2021
- by Tomris Laffly
- Variety Film + TV
Keep track of all the submissions for best international feature at the 2022 Academy Awards.
Entries for the 2022 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
The 94th Academy Awards will take place on March 27, 2022 at the Dolby Theatre in Los Angeles. This is the first time since 2018 that the ceremony will take place in March, having moved to avoid conflicting with the Winter Olympics.
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly non-English dialogue...
Entries for the 2022 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
The 94th Academy Awards will take place on March 27, 2022 at the Dolby Theatre in Los Angeles. This is the first time since 2018 that the ceremony will take place in March, having moved to avoid conflicting with the Winter Olympics.
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly non-English dialogue...
- 10/11/2021
- by Ben Dalton¬Mona Tabbara
- ScreenDaily
Summerside sells The Liberation Of Skopje to First Brave/Jushi.
Italian sales company Summerside International has sold father-and-son directing team Rade and Danilo Serbedzija’s Second World War film The Liberation Of Skopje to China (First Brave/Jushi).
Set in 1941, when the Germans and their Bulgarian allies occupied the city of Skopje and took over local Jewish homes, the film depicts the suffering of the townspeople through the eyes of 11-year-old Zoran, whose father has joined the Yugoslavian partisan army to fight the occupiers and whose mother becomes involved with a German officer.
The Macedonia-Finland-Croatia co-production was Macedonia’s submission...
Italian sales company Summerside International has sold father-and-son directing team Rade and Danilo Serbedzija’s Second World War film The Liberation Of Skopje to China (First Brave/Jushi).
Set in 1941, when the Germans and their Bulgarian allies occupied the city of Skopje and took over local Jewish homes, the film depicts the suffering of the townspeople through the eyes of 11-year-old Zoran, whose father has joined the Yugoslavian partisan army to fight the occupiers and whose mother becomes involved with a German officer.
The Macedonia-Finland-Croatia co-production was Macedonia’s submission...
- 3/18/2018
- by Jean Noh
- ScreenDaily
Wide will sell Dede at Cannes, while Latido will sell The Constitution [pictured].
London production outfit Film And Music Entertainment (F&Me) has found sales homes for two projects ahead of Cannes.
Paris-based sales agent Wide Management will represent international sales on Dede, from debut director Mariam Khatchvani.
Wrapping in January, the UK-Georgia-Croatia-Netherlands-Qatar co-production is now completing post-production and is expected to be ready in time for the Toronto and Venice film festivals.
Starring George Babluani and Natia Vibliani, the drama is set in the harsh conditions of the Caucasus Mountains.
Katcharava’s 20 Steps produced the project with Igor Nola’s MP Film Production and JaJa Film Productions. It was originally developed at the Sundance Lab and Cannes’ Fabrique des Cinemas due Monde and has support from the Doha Film Institute and the Georgian National Film Centre.
Madrid-based Latido Entertainment will handle international sales for Rajko Grlic’s The Constitution, which is produced by Zagreb’s Inter Film and...
London production outfit Film And Music Entertainment (F&Me) has found sales homes for two projects ahead of Cannes.
Paris-based sales agent Wide Management will represent international sales on Dede, from debut director Mariam Khatchvani.
Wrapping in January, the UK-Georgia-Croatia-Netherlands-Qatar co-production is now completing post-production and is expected to be ready in time for the Toronto and Venice film festivals.
Starring George Babluani and Natia Vibliani, the drama is set in the harsh conditions of the Caucasus Mountains.
Katcharava’s 20 Steps produced the project with Igor Nola’s MP Film Production and JaJa Film Productions. It was originally developed at the Sundance Lab and Cannes’ Fabrique des Cinemas due Monde and has support from the Doha Film Institute and the Georgian National Film Centre.
Madrid-based Latido Entertainment will handle international sales for Rajko Grlic’s The Constitution, which is produced by Zagreb’s Inter Film and...
- 5/10/2016
- ScreenDaily
Exclusive: London-based production outfit introduces 10 films to the market, including Mariam Khatchvani’s Dede.
London-based production house Film and Music Entertainment (F&Me) has unveiled a 10-strong slate of films that it is introducing to buyers at the Efm.
Dede [pictured], the debut feature of Mariam Khatchvani, stars George Babluani and Natia Vibliani in the story of a woman who marries a man in defiance of her family’s wishes.
The Georgia-uk-Croatia-Dutch co-pro wrapped at the end of last month. Developed at the Sundance Lab, the project featured in Les Arcs’ works-in-progress strand and has support from the Doha Film Institute and the Georgian National Film Centre.
Another title the company has in Berlin is I Want To Be Like You. Written and directed by Konstantin Bojanov (Ave), the road movie follows a young artist’s journey to meet his hero. The cast includes 2015 Screen Star of Tomorrow Barry Keoghan (’71), Kim Bodnia (Pusher) and Thure Lindhardt (Into The Wild). The...
London-based production house Film and Music Entertainment (F&Me) has unveiled a 10-strong slate of films that it is introducing to buyers at the Efm.
Dede [pictured], the debut feature of Mariam Khatchvani, stars George Babluani and Natia Vibliani in the story of a woman who marries a man in defiance of her family’s wishes.
The Georgia-uk-Croatia-Dutch co-pro wrapped at the end of last month. Developed at the Sundance Lab, the project featured in Les Arcs’ works-in-progress strand and has support from the Doha Film Institute and the Georgian National Film Centre.
Another title the company has in Berlin is I Want To Be Like You. Written and directed by Konstantin Bojanov (Ave), the road movie follows a young artist’s journey to meet his hero. The cast includes 2015 Screen Star of Tomorrow Barry Keoghan (’71), Kim Bodnia (Pusher) and Thure Lindhardt (Into The Wild). The...
- 2/12/2016
- ScreenDaily
London-based production outfit introduces 10 films to the market, including Mariam Khatchvani’s Dede.
London-based production house Film and Music Entertainment (F&Me) has unveiled a 10-strong slate of films that it is introducing to buyers at the Efm.
Dede [pictured], the debut feature of Mariam Khatchvani, stars George Babluani and Natia Vibliani in the story of a woman who marries a man in defiance of her family’s wishes.
The Georgia-uk-Croatia-Dutch co-pro wrapped at the end of last month. Developed at the Sundance Lab, the project featured in Les Arcs’ works-in-progress strand and has support from the Doha Film Institute and the Georgian National Film Centre.
Another title the company has in Berlin is I Want To Be Like You. Written and directed by Konstantin Bojanov (Ave), the road movie follows a young artist’s journey to meet his hero. The cast includes 2015 Screen Star of Tomorrow Barry Keoghan (’71), Kim Bodnia (Pusher) and Thure Lindhardt (Into The Wild). The...
London-based production house Film and Music Entertainment (F&Me) has unveiled a 10-strong slate of films that it is introducing to buyers at the Efm.
Dede [pictured], the debut feature of Mariam Khatchvani, stars George Babluani and Natia Vibliani in the story of a woman who marries a man in defiance of her family’s wishes.
The Georgia-uk-Croatia-Dutch co-pro wrapped at the end of last month. Developed at the Sundance Lab, the project featured in Les Arcs’ works-in-progress strand and has support from the Doha Film Institute and the Georgian National Film Centre.
Another title the company has in Berlin is I Want To Be Like You. Written and directed by Konstantin Bojanov (Ave), the road movie follows a young artist’s journey to meet his hero. The cast includes 2015 Screen Star of Tomorrow Barry Keoghan (’71), Kim Bodnia (Pusher) and Thure Lindhardt (Into The Wild). The...
- 2/12/2016
- ScreenDaily
Festival initiative “U.S. in Progress” introduces four U.S. productions in post-production to European buyers.
American Independent films, French Independent Films and Oscar Nominated Foreign Language Films will be showcased.
The Weinstein Company’s Harvey Weinstein wil receive a tribute and will host a retrospective of his films.
Donald Sutherland will host a screening of Klute and will receive a Medal of Arts and Letters bestowed by Frederic Mitterrand.
The Champs Elysees Film Festival’s U.S. President is Michael Madsen
The French Festival President is Lambert Wilson
The discussions held so often about the sustainability of arthouse theaters, about the joining of forces between them and festivals and the ownership of festivals themselves, and sometimes of theaters as well, by distributors as a way to sustain the three key players of this precious triangle of culture, continue as the first Champs Elysees Film Festival presents a jam-packed line up and full program of events at its inaugural edition.
The seven day festival, June 6-12, has been formed and is owned by the independent distributor Sophie Dulac. It is exciting for me to go to see the arthouses we have already written about in the area of the Champs Elysees - the Balzac, its rival the Lincoln, the Publicis, and the two major chains, Gaumont Champs Elysees and Ugc George V. Another interesting aspect of this upcoming event is the festival's ownership by a French distributor, Sophie Dulac. This is one of two similarities between Gutek and Dulac. The New Horizons and the American Film Festivals are owned by Roman Gutek whose distribution company Gutek is the largest arthouse distributor in Poland. Similarly Sophie Dulac seems to "own" this festival. Somewhat analagous to this is the "owning" of distribution company Tribeca Films by the Tribeca Film Festival or the Sundance Select Distribution arm owned by the Sundance Film Festival. The New York Film Festival and the Toronto International Film Festivals have yet to declare themselves distributors but do own the arthouses in which to show "their" films year round in festival settings.
Dulac explains the impetus to launch the Champs Elysees Film Festival, “As Paris’ first truly international film festival, our mission is to create a bridge between the independent American and French film industries. In the most beautiful city in the world and one with a worldwide association to cinema, the Champs Elysées Film Festival will be a celebration of film promoting the work of young filmmakers and honoring the work of established directors.” She adds, “We want to throw a spotlight on independent film from France and the U.S. We will welcome famous names, offer new films, open up discussions between members of the film industry, give short films a special showcase and invite audiences to gala previews.”
I personally hope the tourists of Champs Elysees see this as a special opportunity to share inside festival experiences with international professionals and that it brings in more business than ordinary theatrical fare brings to the same theaters, thus proving that festivals serve as a new branch of film distribution and that the joining of forces between distributor, exhibitor and festival point toward a new mode of profitability for all parties.
U.S. in Progress was first presented at the American Film Festival in Wroclaw Poland in November. This is the second similarity between Dulac and Gutek. U.S. in Progress will now be here as well. U.S. in Progress is in fact a joint initiative between the American Film Festival in Wroclaw, the Champs Elysees Film Festival in Paris and Black Rabbit Film, a company of Adeline Monzier who also created the association of European indie distributors called EuropaDistribution. It is the first and only industry event devoted to U.S. indies in Europe. Its aim is to present U.S. indie films in post-production to European buyers in order to foster the circulation and distribution of American indie films in Europe. This presentation of American independent films in post-production to European buyers to promote the distribution of American independent films in Europe is uniquely one of the top new developments in the industry. The program works to forge inroads between the generation of talented American filmmakers emerging today and European buyers. I am so proud to be serving on its jury as I did on the first edition as well.
The other sections are: Official Selection of American Independent Films, French Galas, American Galas, Oscar Nominated Foreign Language Films and Shorts. A tribute to Harvey Weinstein will be presented on June 6 at an event to celebrate his career. Weinstein will participate in a roundtable conversation to discuss French/American co-productions and a Retrospective of 11 of his films will be shown throughout the week.
The American independent films selected as part of the inaugural program include Richard Linklater’s Bernie (Isa: Hyde Park, U.S.: Millennium) with Jack Black, Shirley Maclaine and Matthew McConaughey; Jesus Henry Christ (Isa: Im Global, U.S. E1) with Toni Collette and Michael Sheen; Bruce Beresford’s Peace, Love & Misunderstanding (Isa: Voltage, U.S. IFC) starring Jane Fonda, Catherine Keener and Elizabeth Olsen and Marina Abramovic: The Artist is Present (Isa: Submarine, U.S. Music Box). An Audience Award will be given out to the most popular American Independent. American Galas include Jennifer Westfeldt’s Friends with Kids (Isa: Red Granite, U.S. Roadside Attractions/ Lionsgate) and Wes Craven’s My Soul to Take (2010) in 3D.
French films include Comme Un Homme (Isa: Memento) directed by Safy Nebbou; Journal de France (Isa: Wild Bunch) directed by Claudine Nougaret and Raymond Depardon; Vous n'avez encore rien vu (Isa: Studiocanal) directed by Alain Resnais and Wrong (Isa: Kinology) helmed by Quentin Dupieux.
The Champs Elysees Film Festival has selected esteemed French Actor Lambert Wilson for the role of French President and Michael Madsen has accepted the role of the Festival’s U.S. President.
The festival will pay tribute to the actor Donald Sutherland who will be at the Festival to host a screening of the masterpiece Klute directed by Alan J. Pakula followed by a “Hollywood Conversation” with the iconic actor. Frederic Mitterrand will bestow Sutherland with the medal of Commander of Arts and Letters that evening.
Official Selection of American Independent Films
Blank City, a documentary directed by Celine Danhier’s
Bernie directed by Richard Linklater starring Jack Black, Shirley Maclaine and Matthew McConaughey
Jesus Henry Christ with Toni Colette, Jason Spevack and Michael Sheen
Keep The Lights On directed by Ira Sachs
Luv directed by Sheldon Candis
Marina Abramovic: The Artist Is Present, Matthew Akers acclaimed documentary
Not Waving But Drowning directed by Devyn Waitt, winner of U.S. in Progress Prize, Wroclaw, Poland.
Peace, Love & Misunderstanding directed by Bruce Beresford starring Jane Fonda, Catherine Keener and Elizabeth Olsen
Tabloid, Errol Morris fascinating documentary
The Perfect Family, directed by Anne Renton and starring Kathleen Turner, Emily Deschanel and Jason Ritter
French Galas
Adieu Berthe directed by Bruno Podalydès
Comme Un Homme directed by Safy Nebbou
Du Vent Dans Mes Mollets directed by Carine Tardieu
Journal De France directed by Claudine Nougaret and Raymond Depardon
La Clinique De L’Amour directed by Artus de Penguern
L’Air De Rien directed by Grégory Magne and Stéphane Viard
Mains Armees directed by Pierre Jolivet
Quand Je Serai Petit directed by Jean-Paul Rouve
Vous N’Avez Encore Rien Vu directed by Alain Resnais
Wrong helmed by Quentin Dupieux.
American Galas
After Life directed by Agnieszka Wojtow
Brake directed by Gabe Torres
Bitch Slap directed by Rick Jacobson
Friends With Kids directed by Jennifer Westfeldt
My Soul To Take (3D) directed by Wes Craven
Perfect Host directed by Nick Tomnay
Terri, directed by Azazel Jacobs
Summertime directed by Matthew Gordon.
The Champs Elysees Film Festival intends to reflect the diversity of international production by offering the public a selection of the 2012 Oscar nominated foreign language films, some never before seen in France:
Bullhead directed by Michael R.Roskam (Belgium)
Dans Ses Veux directed by Juan José Campanella (Spain/Argentina)(2010)
Monsieur Lazhar directed by Philippe Falardeau (Canada)
Une Separation directed by Asghar Farhadi (Iran)
72 Days directed by Danilo Serbedzija (Croatia)
Letters To Angel directed by Sulev Keedus (Estonia)
Volcano directed by Runar Runarsson (Iceland)
Films being screened as part of Harvey Weinstein’s retrospective include The Aviator, Chicago, Gangs Of New York, Jackie Brown, Kill Bill 1&2, The English Patient, Pulp Fiction, Shakespeare In Love, Good Will Hunting and The Yards.
More than thirty short films comprise the Champs Elysees Film Festival’s Official Selection of Short Films which were selected by a French industry team as well as four major film school programs: University of Southern California’s School of Cinematic Arts, New York University’s Tisch School of the Arts and Columbia University’s Columbia University Film Festival for the United States and Paris-based film school La Femis for France:
French Shorts Selection
Hurlement D’Un Poisson directed by Sébastien Carfora
It’S A Miracul’House directed by Stéphane Freiss
Les Meutes directed by Manuel Schapira
Mon Canard directed by Emmanuelle Michelet & Vincent Fouquet
Les Grossesses De Charlemagne directed by Nicolas Slomka and Matthieu Rumani,
Plume directed by Barry Purves
Personne(S) directed by Marc Fouchard
La Fille De L’Homme directed by Manuel Schapira
Kiss & Kill directed by Alain Ross
USC School of Cinematic Arts Shorts Selection
Little Spoon directed by Lauren Fash
Ellen directed by Kyle Hausmann-Stokes
Efrain directed by Matthew Breault
Fig directed by Ryan Coogler
The Nature Of Fall directed by Tomer Stolz
New York University Tisch School of the Arts Shorts Selection
Little Horse directed by Levi Abrino
Border Land directed by Alexander Smolowe
Premature directed by Rashaad Ernesto Green
Down In Number 5 directed by Kim Spurlock
Columbia University Film Festival Shorts Selection
Rolling On The Floor Laughing directed by Rusel Harbaugh
Motherland directed by Shario Siddiqui
Hatch directed by Christoph Kusching
Crossing directed by Gina Atwater
Off Season directed by Jonathan Van Tulleken
The Hirosaki Players directed by Jeff Sousa
La Femis Shorts Selection
Goose directed by Morgan Simon
Demain Ce Sera Bien directed by Pauline Gay
On Traks directed by Laurent Navarri
Bye Bye Wild Boy directed by Julie Lena...
American Independent films, French Independent Films and Oscar Nominated Foreign Language Films will be showcased.
The Weinstein Company’s Harvey Weinstein wil receive a tribute and will host a retrospective of his films.
Donald Sutherland will host a screening of Klute and will receive a Medal of Arts and Letters bestowed by Frederic Mitterrand.
The Champs Elysees Film Festival’s U.S. President is Michael Madsen
The French Festival President is Lambert Wilson
The discussions held so often about the sustainability of arthouse theaters, about the joining of forces between them and festivals and the ownership of festivals themselves, and sometimes of theaters as well, by distributors as a way to sustain the three key players of this precious triangle of culture, continue as the first Champs Elysees Film Festival presents a jam-packed line up and full program of events at its inaugural edition.
The seven day festival, June 6-12, has been formed and is owned by the independent distributor Sophie Dulac. It is exciting for me to go to see the arthouses we have already written about in the area of the Champs Elysees - the Balzac, its rival the Lincoln, the Publicis, and the two major chains, Gaumont Champs Elysees and Ugc George V. Another interesting aspect of this upcoming event is the festival's ownership by a French distributor, Sophie Dulac. This is one of two similarities between Gutek and Dulac. The New Horizons and the American Film Festivals are owned by Roman Gutek whose distribution company Gutek is the largest arthouse distributor in Poland. Similarly Sophie Dulac seems to "own" this festival. Somewhat analagous to this is the "owning" of distribution company Tribeca Films by the Tribeca Film Festival or the Sundance Select Distribution arm owned by the Sundance Film Festival. The New York Film Festival and the Toronto International Film Festivals have yet to declare themselves distributors but do own the arthouses in which to show "their" films year round in festival settings.
Dulac explains the impetus to launch the Champs Elysees Film Festival, “As Paris’ first truly international film festival, our mission is to create a bridge between the independent American and French film industries. In the most beautiful city in the world and one with a worldwide association to cinema, the Champs Elysées Film Festival will be a celebration of film promoting the work of young filmmakers and honoring the work of established directors.” She adds, “We want to throw a spotlight on independent film from France and the U.S. We will welcome famous names, offer new films, open up discussions between members of the film industry, give short films a special showcase and invite audiences to gala previews.”
I personally hope the tourists of Champs Elysees see this as a special opportunity to share inside festival experiences with international professionals and that it brings in more business than ordinary theatrical fare brings to the same theaters, thus proving that festivals serve as a new branch of film distribution and that the joining of forces between distributor, exhibitor and festival point toward a new mode of profitability for all parties.
U.S. in Progress was first presented at the American Film Festival in Wroclaw Poland in November. This is the second similarity between Dulac and Gutek. U.S. in Progress will now be here as well. U.S. in Progress is in fact a joint initiative between the American Film Festival in Wroclaw, the Champs Elysees Film Festival in Paris and Black Rabbit Film, a company of Adeline Monzier who also created the association of European indie distributors called EuropaDistribution. It is the first and only industry event devoted to U.S. indies in Europe. Its aim is to present U.S. indie films in post-production to European buyers in order to foster the circulation and distribution of American indie films in Europe. This presentation of American independent films in post-production to European buyers to promote the distribution of American independent films in Europe is uniquely one of the top new developments in the industry. The program works to forge inroads between the generation of talented American filmmakers emerging today and European buyers. I am so proud to be serving on its jury as I did on the first edition as well.
The other sections are: Official Selection of American Independent Films, French Galas, American Galas, Oscar Nominated Foreign Language Films and Shorts. A tribute to Harvey Weinstein will be presented on June 6 at an event to celebrate his career. Weinstein will participate in a roundtable conversation to discuss French/American co-productions and a Retrospective of 11 of his films will be shown throughout the week.
The American independent films selected as part of the inaugural program include Richard Linklater’s Bernie (Isa: Hyde Park, U.S.: Millennium) with Jack Black, Shirley Maclaine and Matthew McConaughey; Jesus Henry Christ (Isa: Im Global, U.S. E1) with Toni Collette and Michael Sheen; Bruce Beresford’s Peace, Love & Misunderstanding (Isa: Voltage, U.S. IFC) starring Jane Fonda, Catherine Keener and Elizabeth Olsen and Marina Abramovic: The Artist is Present (Isa: Submarine, U.S. Music Box). An Audience Award will be given out to the most popular American Independent. American Galas include Jennifer Westfeldt’s Friends with Kids (Isa: Red Granite, U.S. Roadside Attractions/ Lionsgate) and Wes Craven’s My Soul to Take (2010) in 3D.
French films include Comme Un Homme (Isa: Memento) directed by Safy Nebbou; Journal de France (Isa: Wild Bunch) directed by Claudine Nougaret and Raymond Depardon; Vous n'avez encore rien vu (Isa: Studiocanal) directed by Alain Resnais and Wrong (Isa: Kinology) helmed by Quentin Dupieux.
The Champs Elysees Film Festival has selected esteemed French Actor Lambert Wilson for the role of French President and Michael Madsen has accepted the role of the Festival’s U.S. President.
The festival will pay tribute to the actor Donald Sutherland who will be at the Festival to host a screening of the masterpiece Klute directed by Alan J. Pakula followed by a “Hollywood Conversation” with the iconic actor. Frederic Mitterrand will bestow Sutherland with the medal of Commander of Arts and Letters that evening.
Official Selection of American Independent Films
Blank City, a documentary directed by Celine Danhier’s
Bernie directed by Richard Linklater starring Jack Black, Shirley Maclaine and Matthew McConaughey
Jesus Henry Christ with Toni Colette, Jason Spevack and Michael Sheen
Keep The Lights On directed by Ira Sachs
Luv directed by Sheldon Candis
Marina Abramovic: The Artist Is Present, Matthew Akers acclaimed documentary
Not Waving But Drowning directed by Devyn Waitt, winner of U.S. in Progress Prize, Wroclaw, Poland.
Peace, Love & Misunderstanding directed by Bruce Beresford starring Jane Fonda, Catherine Keener and Elizabeth Olsen
Tabloid, Errol Morris fascinating documentary
The Perfect Family, directed by Anne Renton and starring Kathleen Turner, Emily Deschanel and Jason Ritter
French Galas
Adieu Berthe directed by Bruno Podalydès
Comme Un Homme directed by Safy Nebbou
Du Vent Dans Mes Mollets directed by Carine Tardieu
Journal De France directed by Claudine Nougaret and Raymond Depardon
La Clinique De L’Amour directed by Artus de Penguern
L’Air De Rien directed by Grégory Magne and Stéphane Viard
Mains Armees directed by Pierre Jolivet
Quand Je Serai Petit directed by Jean-Paul Rouve
Vous N’Avez Encore Rien Vu directed by Alain Resnais
Wrong helmed by Quentin Dupieux.
American Galas
After Life directed by Agnieszka Wojtow
Brake directed by Gabe Torres
Bitch Slap directed by Rick Jacobson
Friends With Kids directed by Jennifer Westfeldt
My Soul To Take (3D) directed by Wes Craven
Perfect Host directed by Nick Tomnay
Terri, directed by Azazel Jacobs
Summertime directed by Matthew Gordon.
The Champs Elysees Film Festival intends to reflect the diversity of international production by offering the public a selection of the 2012 Oscar nominated foreign language films, some never before seen in France:
Bullhead directed by Michael R.Roskam (Belgium)
Dans Ses Veux directed by Juan José Campanella (Spain/Argentina)(2010)
Monsieur Lazhar directed by Philippe Falardeau (Canada)
Une Separation directed by Asghar Farhadi (Iran)
72 Days directed by Danilo Serbedzija (Croatia)
Letters To Angel directed by Sulev Keedus (Estonia)
Volcano directed by Runar Runarsson (Iceland)
Films being screened as part of Harvey Weinstein’s retrospective include The Aviator, Chicago, Gangs Of New York, Jackie Brown, Kill Bill 1&2, The English Patient, Pulp Fiction, Shakespeare In Love, Good Will Hunting and The Yards.
More than thirty short films comprise the Champs Elysees Film Festival’s Official Selection of Short Films which were selected by a French industry team as well as four major film school programs: University of Southern California’s School of Cinematic Arts, New York University’s Tisch School of the Arts and Columbia University’s Columbia University Film Festival for the United States and Paris-based film school La Femis for France:
French Shorts Selection
Hurlement D’Un Poisson directed by Sébastien Carfora
It’S A Miracul’House directed by Stéphane Freiss
Les Meutes directed by Manuel Schapira
Mon Canard directed by Emmanuelle Michelet & Vincent Fouquet
Les Grossesses De Charlemagne directed by Nicolas Slomka and Matthieu Rumani,
Plume directed by Barry Purves
Personne(S) directed by Marc Fouchard
La Fille De L’Homme directed by Manuel Schapira
Kiss & Kill directed by Alain Ross
USC School of Cinematic Arts Shorts Selection
Little Spoon directed by Lauren Fash
Ellen directed by Kyle Hausmann-Stokes
Efrain directed by Matthew Breault
Fig directed by Ryan Coogler
The Nature Of Fall directed by Tomer Stolz
New York University Tisch School of the Arts Shorts Selection
Little Horse directed by Levi Abrino
Border Land directed by Alexander Smolowe
Premature directed by Rashaad Ernesto Green
Down In Number 5 directed by Kim Spurlock
Columbia University Film Festival Shorts Selection
Rolling On The Floor Laughing directed by Rusel Harbaugh
Motherland directed by Shario Siddiqui
Hatch directed by Christoph Kusching
Crossing directed by Gina Atwater
Off Season directed by Jonathan Van Tulleken
The Hirosaki Players directed by Jeff Sousa
La Femis Shorts Selection
Goose directed by Morgan Simon
Demain Ce Sera Bien directed by Pauline Gay
On Traks directed by Laurent Navarri
Bye Bye Wild Boy directed by Julie Lena...
- 6/7/2012
- by Sydney Levine
- Sydney's Buzz
From Albania to Vietnam, 63 countries are hoping that their film entry will get picked to fill one of the five slots for Best Foreign Language Film for the 84th Annual Academy Awards.
Five slots, 63 countries, the competition is fierce! Is your country of choice one of the 63 hopefuls?
I'm happy that my home country, the Philippines, has an entry, the dramedy "The Woman in the Septic Tank" from director Marlon N. Rivera. Released in the Philippines on August 3rd, the film became the highest grossing independent movie in my country's cinema history. So keeping my fingers crossed for this movie!
The shortlist will be released in January and then it will be whittled down to five contenders when the nominations are announced on Tuesday, January 24, 2012. The winner will be announced on Oscar night on Sunday, February 26, 2012.
Take a look at the complete list of Best Foreign Language hopefuls:
Albania, "Amnesty,...
Five slots, 63 countries, the competition is fierce! Is your country of choice one of the 63 hopefuls?
I'm happy that my home country, the Philippines, has an entry, the dramedy "The Woman in the Septic Tank" from director Marlon N. Rivera. Released in the Philippines on August 3rd, the film became the highest grossing independent movie in my country's cinema history. So keeping my fingers crossed for this movie!
The shortlist will be released in January and then it will be whittled down to five contenders when the nominations are announced on Tuesday, January 24, 2012. The winner will be announced on Oscar night on Sunday, February 26, 2012.
Take a look at the complete list of Best Foreign Language hopefuls:
Albania, "Amnesty,...
- 10/17/2011
- by Manny
- Manny the Movie Guy
Yesterday the Academy finally released the full list of 2012 Foreign Language Oscar contenders adding four films I did not have on my previous list from the Dominican Republic, Indonesia, United Kingdom and a mysterious title I can't find anything about from Kazakhstan and now that the short list has been announced and everyone has posted the Academy's press release it's like searching for a needle in a haystack if you go looking for more information on it. That said, if anyone has a link to any information on Egor Mikhalkov-Konchalovsky's Returning to the 'A' I would love to share it as I have links and information for all other 62 films submitted for consideration. As I said in my last post addressing the category, I haven't seen any of these films, a rarity for me, but based on buzz the top contenders would seem to include Zhang Yimou's The War of Flowers,...
- 10/14/2011
- by Brad Brevet
- Rope of Silicon
Nuri Bilge Ceylan's Once Upon a Time in Anatolia Oscar 2012: New Zealand/First Samoan Feature Among Best Foreign Language Film Contenders Albania, Amnesty, Bujar Alimani, director; Argentina, Aballay, Fernando Spiner, director; Austria, Breathing, Karl Markovics, director; Belgium, Bullhead, Michael R. Roskam, director; Bosnia and Herzegovina, Belvedere, Ahmed Imamovic, director; Brazil, Elite Squad: The Enemy Within, José Padilha, director; Bulgaria, Tilt, Viktor Chouchkov, Jr., director; Canada, Monsieur Lazhar, Philippe Falardeau, director; Chile, Violeta Went to Heaven, Andrés Wood, director; China, The Flowers of War, Zhang Yimou, director; Colombia, The Colors of the Mountain, Carlos César Arbeláez, director; Croatia, 72 Days, Danilo Serbedzija, director; Cuba, Havanastation, Ian Padrón, director; Czech Republic, Alois Nebel, Tomás Lunák, director; Denmark, Superclásico, Ole Christian Madsen, director; Dominican Republic, Love Child, Leticia Tonos, director; Egypt, Lust, Khaled el Hagar, director; Estonia, Letters to Angel, Sulev Keedus, director; Finland, Le Havre, Aki Kaurismäki, director; France, Declaration of War,...
- 10/13/2011
- by Steve Montgomery
- Alt Film Guide
We gave you an update a few weeks ago, but The Academy now has its final list of the 63 films competing for Best Foreign Film Oscar. This list will get cut down as films screen and the committee decides on a final five when the nominations get announced late January. The notable films include Iran’s A Separation, which we adored and China’s massive budget The Flowers of War starring Christian Bale (which isn’t even complete to my knowledge).
Mexico’s Miss Bala (read our Cannes and Vancouver reviews) and Finland’s Le Havre (our Cannes and Toronto reviews) are also contenders. Lebanon’s Where Do We Go Now? is also in the mix, a drama that won the top prize at Toronto. There are many others we’ve seen at festivals, so follow that coverage here as we head into Oscar season. Check out the press release below.
Mexico’s Miss Bala (read our Cannes and Vancouver reviews) and Finland’s Le Havre (our Cannes and Toronto reviews) are also contenders. Lebanon’s Where Do We Go Now? is also in the mix, a drama that won the top prize at Toronto. There are many others we’ve seen at festivals, so follow that coverage here as we head into Oscar season. Check out the press release below.
- 10/13/2011
- by [email protected] (thefilmstage.com)
- The Film Stage
Press Release:
Beverly Hills, CA - Sixty-three countries, including first-time entrant New Zealand, have submitted films for consideration in the Foreign Language Film category for the 84th Academy Awards®.
The 2011 submissions are:
Albania, “Amnesty,” Bujar Alimani, director;
Argentina, “Aballay,” Fernando Spiner, director;
Austria, “Breathing,” Karl Markovics, director;
Belgium, “Bullhead,” Michael R. Roskam, director;
Bosnia and Herzegovina,”Belvedere,” Ahmed Imamovic, director;
Brazil, “Elite Squad: The Enemy Within,” José Padilha, director;
Bulgaria, “Tilt,” Viktor Chouchkov, Jr., director;
Canada, “Monsieur Lazhar,” Philippe Falardeau, director;
Chile, “Violeta Went to Heaven,” Andrés Wood, director;
China, “The Flowers of War,” Zhang Yimou, director;
Colombia, “The Colors of the Mountain,” Carlos César Arbeláez, director;
Croatia, “72 Days,” Danilo Serbedzija, director;
Cuba, “Havanastation,” Ian Padrón, director;
Czech Republic,”Alois Nebel,” Tomás Lunák, director;
Denmark, “Superclásico,” Ole Christian Madsen, director;
Dominican Republic,”Love Child,” Leticia Tonos, director;
Egypt, “Lust,” Khaled el Hagar, director;
Estonia, “Letters to Angel,” Sulev Keedus, director;
Finland,...
Beverly Hills, CA - Sixty-three countries, including first-time entrant New Zealand, have submitted films for consideration in the Foreign Language Film category for the 84th Academy Awards®.
The 2011 submissions are:
Albania, “Amnesty,” Bujar Alimani, director;
Argentina, “Aballay,” Fernando Spiner, director;
Austria, “Breathing,” Karl Markovics, director;
Belgium, “Bullhead,” Michael R. Roskam, director;
Bosnia and Herzegovina,”Belvedere,” Ahmed Imamovic, director;
Brazil, “Elite Squad: The Enemy Within,” José Padilha, director;
Bulgaria, “Tilt,” Viktor Chouchkov, Jr., director;
Canada, “Monsieur Lazhar,” Philippe Falardeau, director;
Chile, “Violeta Went to Heaven,” Andrés Wood, director;
China, “The Flowers of War,” Zhang Yimou, director;
Colombia, “The Colors of the Mountain,” Carlos César Arbeláez, director;
Croatia, “72 Days,” Danilo Serbedzija, director;
Cuba, “Havanastation,” Ian Padrón, director;
Czech Republic,”Alois Nebel,” Tomás Lunák, director;
Denmark, “Superclásico,” Ole Christian Madsen, director;
Dominican Republic,”Love Child,” Leticia Tonos, director;
Egypt, “Lust,” Khaled el Hagar, director;
Estonia, “Letters to Angel,” Sulev Keedus, director;
Finland,...
- 10/13/2011
- by Michelle McCue
- WeAreMovieGeeks.com
Update: The total is now 60 films as Steve Pond at The Wrap informs us the Domenican Republic's submission La hija natural has been accepted. He also says we should expect four or five more films to be added to the list by the time things are said and done. My original post follows...
The deadline for countries to submit films for consideration at this year's Oscars was Monday, October 3 and this year's list is a little lighter than last (so far) as 60 countries have offered up submissions compared to 66 last year and 67 the year before that. Looking over the complete list, which I have included directly below and can always be viewed in my "The Contenders" section right here, there are a few that stand out based on what I've heard, but then again, this is the first year I can ever remember where I haven't seen a single one of the entries.
The deadline for countries to submit films for consideration at this year's Oscars was Monday, October 3 and this year's list is a little lighter than last (so far) as 60 countries have offered up submissions compared to 66 last year and 67 the year before that. Looking over the complete list, which I have included directly below and can always be viewed in my "The Contenders" section right here, there are a few that stand out based on what I've heard, but then again, this is the first year I can ever remember where I haven't seen a single one of the entries.
- 10/7/2011
- by Brad Brevet
- Rope of Silicon
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