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There’s been a lot of talk lately about how the studios have lost interest in physical media, with Disney outsourcing its discs to Sony and questions over where the business is going in the wake of Redbox’s demise and Best Buy’s decision to stop selling Blu-rays and DVDs. Yet not only have the rumors of physical media’s death been greatly exaggerated as boutique labels step in to pick up the slack, but even at the studio level, praiseworthy efforts to showcase archival treasures are alive and well. Take, for example, the new Warner Archive Blu-ray of Raoul Walsh’s 1946 classic “The Man I Love.”
“The Man I Love” is a film beloved by cinephiles but hardly famous — among Warners’ 1940s releases, it’s a long way down from “Casablanca” and “The Maltese Falcon” when it comes to widespread popularity. It’s the kind of movie that...
“The Man I Love” is a film beloved by cinephiles but hardly famous — among Warners’ 1940s releases, it’s a long way down from “Casablanca” and “The Maltese Falcon” when it comes to widespread popularity. It’s the kind of movie that...
- 7/31/2024
- by Jim Hemphill
- Indiewire
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Germany’s Christoph Hochhäusler, the acclaimed director of “Till The End of The Night” which premiered at the 2023 Berlin Film Festival, returns with his latest film, “Death Will Come.” The crime piece is set to debut at the Locarno Film Festival, produced by Heimatfilm in collaboration with Amour Fou Luxembourg and Tarantula.
Sold by Italy’s True Colors, the film sees Tez, a hitwoman played by Sophie Verbeeck, tasked to avenge the death of a crime boss’s courier. The boss (Louis-Do de Lencquesaing) who hired her has motives more nuanced than they seem.
Tez remains an enigma, with the story only scratching the surface of what makes her tick as she goes about her work. For Hochhäusler, the mystery is intentional. “I believe spectator and character must meet. As a spectator, I am usually willing to go to greater lengths, investing in the fiction so to speak, if the...
Sold by Italy’s True Colors, the film sees Tez, a hitwoman played by Sophie Verbeeck, tasked to avenge the death of a crime boss’s courier. The boss (Louis-Do de Lencquesaing) who hired her has motives more nuanced than they seem.
Tez remains an enigma, with the story only scratching the surface of what makes her tick as she goes about her work. For Hochhäusler, the mystery is intentional. “I believe spectator and character must meet. As a spectator, I am usually willing to go to greater lengths, investing in the fiction so to speak, if the...
- 7/30/2024
- by Callum McLennan
- Variety Film + TV
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Nineteen forty-seven was a crucial year for Robert Mitchum’s rising star. The enduring popular classic, of course, is Jacques Tourneur’s seminal Out of the Past, and he headlined Edward Dmytryk’s Oscar-nominated prestige thriller Crossfire. It’s in Raoul Walsh’s noirish, Freudian western Pursued, though, that we see Mitchum crossing the divide between what Hollywood expected of the young man and the godlike figure they got in return.
The performance is a total menu of Mitchum’s various modes: an uneven mix of the young, beefy neurotic with a few too many shirt buttons undone; the high-riding titan who would star in Charles Laughton’s The Night of the Hunter; and the varnished-oak elder statesman who still has a few moves left in him, in Dick Richards’s Farewell, My Lovely and Peter Yates’s The Friends of Eddie Coyle. But it’s an unevenness that’s...
The performance is a total menu of Mitchum’s various modes: an uneven mix of the young, beefy neurotic with a few too many shirt buttons undone; the high-riding titan who would star in Charles Laughton’s The Night of the Hunter; and the varnished-oak elder statesman who still has a few moves left in him, in Dick Richards’s Farewell, My Lovely and Peter Yates’s The Friends of Eddie Coyle. But it’s an unevenness that’s...
- 6/16/2024
- by Jaime N. Christley
- Slant Magazine
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Janis Paige, the ebullient redhead who starred in the original Broadway production of The Pajama Game and in such Hollywood musicals as Silk Stockings and Romance on the High Seas, has died. She was 101.
Paige, who was discovered in the 1940s while performing at the legendary Hollywood Canteen, died Sunday of natural causes at her home in Los Angeles, her friend Stuart Lampert announced.
Paige starred on her own network sitcom, playing a widowed nightclub singer struggling to raise her 10-year-old daughter, on the 1955-56 CBS series It’s Always Jan, and she had recurring roles as Dick van Patten’s free-spirited sister on ABC’s Eight Is Enough and as a hospital administrator on CBS’ Trapper John, M.D.
The actress also turned in two memorable guest-starring stints in 1976, playing an attractive diner waitress named Denise who tempts Archie (Carroll O’Connor) to cheat on Edith (Jean Stapleton) on All in the Family...
Paige, who was discovered in the 1940s while performing at the legendary Hollywood Canteen, died Sunday of natural causes at her home in Los Angeles, her friend Stuart Lampert announced.
Paige starred on her own network sitcom, playing a widowed nightclub singer struggling to raise her 10-year-old daughter, on the 1955-56 CBS series It’s Always Jan, and she had recurring roles as Dick van Patten’s free-spirited sister on ABC’s Eight Is Enough and as a hospital administrator on CBS’ Trapper John, M.D.
The actress also turned in two memorable guest-starring stints in 1976, playing an attractive diner waitress named Denise who tempts Archie (Carroll O’Connor) to cheat on Edith (Jean Stapleton) on All in the Family...
- 6/3/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
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John Wilkes Booth was desperate to be famous. Instead, he became infamous as the man who assassinated President Abraham Lincoln. He had been born in 1838 as the ninth of ten children of the famed actor Junius Brutus Booth. Though he had shown talent, his career was often derailed by his emotional instability. His older brother Edwin Booth was considered one of the top actors of the day.
The handsome younger Booth had received strong reviews in a New York production of “Richard III” with the New York Herald declaring him a “veritable sensation.” Booth even told the paper “I’m determined to be the villain.” A staunch supporter of the Confederacy, by 1864 he had recruited several co-conspirators in his plan to kidnap Honest Abe. Their attempts failed, but on April 14, 1865, he learned Lincoln would attend the comedy “Our American Cousin” at Ford’s Theater that evening, During the third act...
The handsome younger Booth had received strong reviews in a New York production of “Richard III” with the New York Herald declaring him a “veritable sensation.” Booth even told the paper “I’m determined to be the villain.” A staunch supporter of the Confederacy, by 1864 he had recruited several co-conspirators in his plan to kidnap Honest Abe. Their attempts failed, but on April 14, 1865, he learned Lincoln would attend the comedy “Our American Cousin” at Ford’s Theater that evening, During the third act...
- 4/8/2024
- by Susan King
- Gold Derby
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An epochal rise-and-fall epic of the gangster cycle, Raoul Walsh’s skittering, impetuous The Roaring Twenties hits the ground running but a couple lengths further back on the track than one would expect. It bookends the glorious ascent of James Cagney’s bootlegger with a cold reception for soldiers returning from overseas following World War I on one side and the 1929 stock market crash on the other.
The plot, based on Mark Hellinger’s short story “The World Moves On,” defies genre conventions right out of the gate, beginning not with Cagney’s spry neophyte chump Eddie Bartlett traipsing his way into, say, the stage door of a hotbox revue but with him stumbling his way into a blown-out crater in Europe during the war. The role of Bartlett, a principled soldier who blossoms into a hoodlum with a conscience, found Cagney at a peculiar point in his career as a uniquely physical being,...
The plot, based on Mark Hellinger’s short story “The World Moves On,” defies genre conventions right out of the gate, beginning not with Cagney’s spry neophyte chump Eddie Bartlett traipsing his way into, say, the stage door of a hotbox revue but with him stumbling his way into a blown-out crater in Europe during the war. The role of Bartlett, a principled soldier who blossoms into a hoodlum with a conscience, found Cagney at a peculiar point in his career as a uniquely physical being,...
- 3/1/2024
- by Eric Henderson
- Slant Magazine
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Actors do not get to pick the roles that make them stars. They might have an inkling in certain cases that a part has the potential to catapult them off the B-list (look no further than Humphrey Bogart convincing George Raft to surrender the lead in Raoul Walsh's 1941 gangster classic "High Sierra"), but, ultimately, the public chooses. And this can be the source of lifelong agony for actors who envisioned entirely different careers for themselves.
Take Christopher Plummer. The great Canadian actor worked steadily in theater, film, and television for over seven decades. He was equally at home playing Cyrano de Bergerac on Broadway or hamming it up as a paganistic reverend in Tom Mankiewicz's irredeemably silly "Dragnet." He won an Oscar, two Tonys, and two Primetime Emmys, and seemed to be having the time of his life even in the worst of movies (and they don't get...
Take Christopher Plummer. The great Canadian actor worked steadily in theater, film, and television for over seven decades. He was equally at home playing Cyrano de Bergerac on Broadway or hamming it up as a paganistic reverend in Tom Mankiewicz's irredeemably silly "Dragnet." He won an Oscar, two Tonys, and two Primetime Emmys, and seemed to be having the time of his life even in the worst of movies (and they don't get...
- 2/24/2024
- by Jeremy Smith
- Slash Film
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Some apotheosis of film culture has been reached with Freddy Got Fingered‘s addition to the Criterion Channel. Three years after we interviewed Tom Green about his consummate film maudit, it’s appearing on the service’s Razzie-centered program that also includes the now-admired likes of Cruising, Heaven’s Gate, Querelle, and Ishtar; the still-due likes of Under the Cherry Moon; and the more-contested Gigli, Swept Away, and Nicolas Cage-led Wicker Man. In all cases it’s an opportunity to reconsider one of the lamest, thin-gruel entities in modern culture.
A Jane Russell retro features von Sternberg’s Macao, Gentlemen Prefer Blondes, and Raoul Walsh’s The Tall Men and The Revolt of Mamie Stover; streaming premieres will be held for Yuen Woo-ping’s Dreadnaught, Claire Simon’s Our Body, Ellie Foumbi’s Our Father, the Devil, the recently restored Sepa: Our Lord of Miracles, and The Passion of Rememberance.
A Jane Russell retro features von Sternberg’s Macao, Gentlemen Prefer Blondes, and Raoul Walsh’s The Tall Men and The Revolt of Mamie Stover; streaming premieres will be held for Yuen Woo-ping’s Dreadnaught, Claire Simon’s Our Body, Ellie Foumbi’s Our Father, the Devil, the recently restored Sepa: Our Lord of Miracles, and The Passion of Rememberance.
- 2/14/2024
- by Nick Newman
- The Film Stage
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Late auteur Peter Bogdanovich is still just a handshake away per his posthumous podcast, “One Handshake Away.”
Prior to Bogdanovich’s January 2022 death, the filmmaker recorded a series of interviews with fellow directors such as Guillermo del Toro, Quentin Tarantino, Ken Burns, and Rian Johnson to discuss their biggest cinematic influences.
Per Deadline, Bogdanovich named the podcast “One Handshake Away” to honor the relationship between contemporary directors and pioneering filmmakers, with each filmmaker being “one handshake away” from one another in film history.
After Bogdanovich’s passing, del Toro took over the podcast and recorded the final three episodes, interviewing Greta Gerwig, Julie Delpy, and Allison Anders, which included discussing the works of Howard Hawks, Fritz Lang, and Raoul Walsh.
Filmmakers Alfred Hitchcock, Don Siegel, Orson Welles, and John Ford were reexamined in episodes Bogdanovich recorded; the podcast additionally features exclusive archival interviews with Hitchcock, Welles, and Ford that have...
Prior to Bogdanovich’s January 2022 death, the filmmaker recorded a series of interviews with fellow directors such as Guillermo del Toro, Quentin Tarantino, Ken Burns, and Rian Johnson to discuss their biggest cinematic influences.
Per Deadline, Bogdanovich named the podcast “One Handshake Away” to honor the relationship between contemporary directors and pioneering filmmakers, with each filmmaker being “one handshake away” from one another in film history.
After Bogdanovich’s passing, del Toro took over the podcast and recorded the final three episodes, interviewing Greta Gerwig, Julie Delpy, and Allison Anders, which included discussing the works of Howard Hawks, Fritz Lang, and Raoul Walsh.
Filmmakers Alfred Hitchcock, Don Siegel, Orson Welles, and John Ford were reexamined in episodes Bogdanovich recorded; the podcast additionally features exclusive archival interviews with Hitchcock, Welles, and Ford that have...
- 2/5/2024
- by Samantha Bergeson
- Indiewire
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Exclusive: Peter Bogdanovich, the director of Hollywood classics such as The Last Picture Show and Paper Moon, may have died two years ago but he left behind a “love letter to film.”
The critic-turned-filmmaker was working on One Handshake Away, a podcast series that saw him in conversation with some of the greatest living filmmakers, including Guillermo del Toro, Quentin Tarantino, Rian Johnson and Ken Burns framed through a series of never-before-heard archival interviews with legends including Alfred Hitchcock, Orson Welles and John Ford.
After Bogdanovich’s death, del Toro took over for the final three interviews with Greta Gerwig, Julie Delpy and Allison Anders.
Each episode pays homage to a master and offers insight and perspective on the influence and impact the legends who came before them had on their career and filmmaking.
Bogdanovich discussed Hitchcock with del Toro, Don Siegel with Tarantino, Welles with Johnson and Ford with Burns.
The critic-turned-filmmaker was working on One Handshake Away, a podcast series that saw him in conversation with some of the greatest living filmmakers, including Guillermo del Toro, Quentin Tarantino, Rian Johnson and Ken Burns framed through a series of never-before-heard archival interviews with legends including Alfred Hitchcock, Orson Welles and John Ford.
After Bogdanovich’s death, del Toro took over for the final three interviews with Greta Gerwig, Julie Delpy and Allison Anders.
Each episode pays homage to a master and offers insight and perspective on the influence and impact the legends who came before them had on their career and filmmaking.
Bogdanovich discussed Hitchcock with del Toro, Don Siegel with Tarantino, Welles with Johnson and Ford with Burns.
- 2/5/2024
- by Peter White
- Deadline Film + TV
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In February 2024, The Criterion Collection will release The Heroic Trio and Executioners in 4K and Blu-ray. Yes, they will also release films by Michael Roemer's Nothing But a Man, Raoul Walsh's The Roaring Twenties, Eric Rohmer's Tales of the Four Seasons, and Robert Altman's McCabe and Mrs. Miller in 4K (?!). You can read more about at the official Criterion site. But my personal takeaway is The Heroic Trio and Executioners in 4K and Blu-ray will be released. I'll just quote from Criterion's official verbiage: "The star power of cinema icons Maggie Cheung, Anita Mui, and Michelle Yeoh fuels these gloriously unrestrained action joyrides from auteur Johnnie To and action choreographer Ching Siu-tung. "The Heroic Trio and its sequel, Executioners, follow a new kind...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 11/16/2023
- Screen Anarchy
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Congratulations to Johnnie To, whose achievements are such that almost anything else is pat. Yet he now has one of the best films in the Criterion Collection: his action-fantasy masterpiece The Heroic Trio––starring Maggie Cheung, Michelle Yeoh, and Anita Mui––will retire its hard-subbed laserdisc rip for a 4K Uhd arriving in February, its sequel Executioners (perhaps not one of the best films in the Criterion Collection but welcome all the same) included as a two-feature set. (With appreciable credit given to co-director Ching Siu-tung.) Raoul Walsh’s The Roaring Twenties is likewise joining the collection in 4K, while 2016’s McCabe & Mrs. Miller disc gets an upgrade.
Arguably most eventful, though, is the long-awaited release of Rohmer’s Tales of the Four Seasons, which Janus toured virtually and physically throughout 2021. And not to be discounted even slightly is Michael Roemer’s Nothing But a Man––arguably, it so happens,...
Arguably most eventful, though, is the long-awaited release of Rohmer’s Tales of the Four Seasons, which Janus toured virtually and physically throughout 2021. And not to be discounted even slightly is Michael Roemer’s Nothing But a Man––arguably, it so happens,...
- 11/15/2023
- by Leonard Pearce
- The Film Stage
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The end of the Hollywood studio system in the late 1950s is an oft-mourned loss by anyone who spends an inordinate amount of time watching Turner Classic Movies or browsing the tiles on the Criterion Channel. Hollywood still makes great movies all the time, of course, but what has been lost is the volume of modest and unassuming but expertly crafted mid-range genre films. What made the classical era unique wasn’t the groundbreaking art of an Alfred Hitchcock or a John Ford; every age has its titans, and one could argue that in just the past few months we’ve had several Hollywood movies as bold and distinctive as any in the industry’s past.
What the now-defunct studio system gave us was a robust slate of movies from directors whose names were not known to the general public — directors like Michael Curtiz, Mitchell Leisen, Budd Boetticher, and several...
What the now-defunct studio system gave us was a robust slate of movies from directors whose names were not known to the general public — directors like Michael Curtiz, Mitchell Leisen, Budd Boetticher, and several...
- 11/11/2023
- by Jim Hemphill
- Indiewire
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f it was the summer of the megawatt blockbusters “Barbie” and “Oppenheimer,” September has turned into a month of sequelitis with “The Nun 2,” “Equalizer 3” and “My Big Fat Greek Wedding 3.” Even Kenneth Branagh’s “A Hunting in Venice,” is the third installment in the actor/director’s Hercule Poirot mystery series. It’s all a bit of a snooze. That wasn’t the case 70 years ago this month.
There were some oddball films that were released September, 1953 including “Cat-Women of the Moon” with Sonny Tufts and Marie Windsor and “The Sins of Jezebel” starring Paulette Goddard. But 70 years ago, audiences were introduced to a new wide-screen format and young actress who would become one of the biggest stars of the 1950s and ‘60s and Clark Gable returning to a role he originated in 1932.
Twentieth Century Fox’s Darryl F. Zanuck unveiled the studio’s new widescreen process Cinemascope...
There were some oddball films that were released September, 1953 including “Cat-Women of the Moon” with Sonny Tufts and Marie Windsor and “The Sins of Jezebel” starring Paulette Goddard. But 70 years ago, audiences were introduced to a new wide-screen format and young actress who would become one of the biggest stars of the 1950s and ‘60s and Clark Gable returning to a role he originated in 1932.
Twentieth Century Fox’s Darryl F. Zanuck unveiled the studio’s new widescreen process Cinemascope...
- 9/19/2023
- by Susan King
- Gold Derby
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Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSGasoline Rainbow.London Film Festival have announced the films in their competitive sections, with new work by Zhang Mengqi, Ryusuke Hamaguchi, and Bill and Turner Ross included in the Official Competition, plus films by Ehsan Khoshbakht, Cyril Aris, and Chloe Abrahams up for the Documentary award.Meanwhile, the Alliance of Motion Picture Arts and Sciences recently returned to the bargaining table with the Writers Guild of America, with CEOs like Bob Iger, David Zaslav, and Ted Sarandos in tow. "On the 113th day of the strike—and while SAG-AFTRA is walking the picket lines by our side—we were met with a lecture about how good their single and only counteroffer was,” wrote the WGA in a statement circulated to members, followed two days later by a thorough explanation of why this proposal was inadequate.
- 9/11/2023
- MUBI
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Hat. Whip. Nazis. Trains. CG de-aging. It’s interesting what it takes to bring Indiana Jones back to the ‘40s. It’s even more interesting what filmmaking language “Indiana Jones and the Dial of Destiny” employs to make us feel embedded in the era’s cinema of action and adventure: It wouldn’t be complete without a goon falling into the abyss to the accompaniment of the Wilhelm scream.
When audiences hear the Wilhelm scream in “Dial of Destiny,” it’s sound designer Gary Rydstrom doing a little time travel of his own: Back to the ‘70s and the creative exuberance of the Movie Brats, and even further still to the Westerns and serials that made heroes seem larger than life. The pained cry, sometimes attributed to actor/singer Sheb Wooley, almost has the quality of a bullet ricochet: You hear it and feel something at the intersection of cartoon comedy,...
When audiences hear the Wilhelm scream in “Dial of Destiny,” it’s sound designer Gary Rydstrom doing a little time travel of his own: Back to the ‘70s and the creative exuberance of the Movie Brats, and even further still to the Westerns and serials that made heroes seem larger than life. The pained cry, sometimes attributed to actor/singer Sheb Wooley, almost has the quality of a bullet ricochet: You hear it and feel something at the intersection of cartoon comedy,...
- 7/18/2023
- by Sarah Shachat
- Indiewire
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Margia Dean, who co-starred in the cult sci-fi classic The Quatermass Xperiment and appeared alongside the likes of Clint Eastwood, Vincent Price, Esther Williams and George Reeves in other movies, has died. She was 101.
Dean died June 23 in her apartment in Rancho Cucamonga, California, her niece Denyse Barr told The Hollywood Reporter.
From 1948-56, Dean worked in about 20 features for producer Robert L. Lippert, founder of the B-movie studio Lippert Pictures, thus earning the nickname “The Queen of Lippert.”
She acted for Sam Fuller in two of those films, the first two features he ever directed, in fact — I Shot Jesse James (1949), in which she portrayed a saloon singer, and the Price-starring The Baron of Arizona (1950).
Based on a popular BBC serial, Hammer Films’ The Quatermass Xperiment (1956), directed by Val Guest and starring Brian Donlevy, told the story of an astronaut (Richard Wordsworth) who crash-lands back on Earth and...
Dean died June 23 in her apartment in Rancho Cucamonga, California, her niece Denyse Barr told The Hollywood Reporter.
From 1948-56, Dean worked in about 20 features for producer Robert L. Lippert, founder of the B-movie studio Lippert Pictures, thus earning the nickname “The Queen of Lippert.”
She acted for Sam Fuller in two of those films, the first two features he ever directed, in fact — I Shot Jesse James (1949), in which she portrayed a saloon singer, and the Price-starring The Baron of Arizona (1950).
Based on a popular BBC serial, Hammer Films’ The Quatermass Xperiment (1956), directed by Val Guest and starring Brian Donlevy, told the story of an astronaut (Richard Wordsworth) who crash-lands back on Earth and...
- 7/6/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
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Dean Smith, who won a gold medal as a sprinter at the 1952 Helsinki Olympics before becoming a top-notch Hollywood stunt performer who worked on a dozen films starring John Wayne, has died. He was 91.
Smith died Saturday at his home in Breckenridge, Texas, after a battle with cancer, his friend Rob Word told The Hollywood Reporter.
Smith, who got into the business with help from James Garner, appeared in seven Paul Newman films, including Cat on a Hot Tin Roof (1958), Butch Cassidy and the Sundance Kid (1969), The Life and Times of Judge Roy Bean (1972), The Sting (1973) and The Towering Inferno (1974).
The tough Texan, who loved to say he could “ride, run and jump,” doubled for good friend Dale Robertson on the 1957-62 NBC series Tales of Wells Fargo, the 1964 film Blood on the Arrow and the 1966-68 ABC series Iron Horse.
He also did the dirty work for Ben Johnson...
Smith died Saturday at his home in Breckenridge, Texas, after a battle with cancer, his friend Rob Word told The Hollywood Reporter.
Smith, who got into the business with help from James Garner, appeared in seven Paul Newman films, including Cat on a Hot Tin Roof (1958), Butch Cassidy and the Sundance Kid (1969), The Life and Times of Judge Roy Bean (1972), The Sting (1973) and The Towering Inferno (1974).
The tough Texan, who loved to say he could “ride, run and jump,” doubled for good friend Dale Robertson on the 1957-62 NBC series Tales of Wells Fargo, the 1964 film Blood on the Arrow and the 1966-68 ABC series Iron Horse.
He also did the dirty work for Ben Johnson...
- 6/25/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
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The great Spanish filmmaker Pedro Almodóvar is a rabid fan of the Western genre but until now he had never made one. He had also only dabbled in directing an English-language film with the exception of the 2020 short The Human Voice, which starred Tilda Swinton.
His latest movie is also a short, just 31 minutes, but he finally got to do his Western in English. It’s a nice homage to the form and those great directors who created it, but it is safe to say this homage could only have come from this master of cinema.
Almodóvar brought the finished product to its world premiere at the Cannes Film Festival on Wednesday and, if flattered by the attention, the ghosts of John Ford, Howard Hawks, John Sturges, Anthony Mann, Raoul Walsh and Sam Peckinpah may be surprised at the twist that this 73-year-old fanboy has given Strange Way of Life.
His latest movie is also a short, just 31 minutes, but he finally got to do his Western in English. It’s a nice homage to the form and those great directors who created it, but it is safe to say this homage could only have come from this master of cinema.
Almodóvar brought the finished product to its world premiere at the Cannes Film Festival on Wednesday and, if flattered by the attention, the ghosts of John Ford, Howard Hawks, John Sturges, Anthony Mann, Raoul Walsh and Sam Peckinpah may be surprised at the twist that this 73-year-old fanboy has given Strange Way of Life.
- 5/17/2023
- by Pete Hammond
- Deadline Film + TV
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Actor John Wayne had many famous sayings over the course of his life. He went down in history for the legacy that he left on the silver screen, but his importance extends beyond his performances. Wayne had many life quotes that he accumulated over his lifetime, many of which came from the mentors in his life, including his father. The movie star had a motivational saying that talked about the “most important thing in life.”
John Wayne came from humble beginnings John Wayne | Hulton Archive/Getty Images
Wayne didn’t always live the life of a star in Hollywood. He came from humble beginnings under the name Marion Robert Morrison from Winterset, Iowa. However, his family moved to Southern California, where he ultimately found his love for entertainment. He started as a prop man at Fox, but he had a look meant for the silver screen. As a result, he landed some minor roles.
John Wayne came from humble beginnings John Wayne | Hulton Archive/Getty Images
Wayne didn’t always live the life of a star in Hollywood. He came from humble beginnings under the name Marion Robert Morrison from Winterset, Iowa. However, his family moved to Southern California, where he ultimately found his love for entertainment. He started as a prop man at Fox, but he had a look meant for the silver screen. As a result, he landed some minor roles.
- 4/15/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
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It was 1941. Though World War II was already under way, film production was in full swing at Warner Bros. Studios in Burbank.
Humphrey Bogart was getting ready to shoot “The Maltese Falcon,” while the next year, “Casablanca” would film on Warners soundstages and at the nearby Van Nuys airport, subbing for Morocco. Bette Davis was making “Now Voyager” on the lot after location visits to Lake Arrowhead and Laguna Beach.
At the Warner Bros. Café, the studio’s commissary on the Burbank lot, James Cagney and Rita Hayworth lunched with director Raoul Walsh, while actor and future president Ronald Reagan dined with Olivia de Havilland — just a few of the major stars and filmmakers who could be seen taking a break from the hard work of filming.
These days, studio executives are big on Cobb salads and Kobe beef burgers. But back in the 1940s, the dense one-page menu featured...
Humphrey Bogart was getting ready to shoot “The Maltese Falcon,” while the next year, “Casablanca” would film on Warners soundstages and at the nearby Van Nuys airport, subbing for Morocco. Bette Davis was making “Now Voyager” on the lot after location visits to Lake Arrowhead and Laguna Beach.
At the Warner Bros. Café, the studio’s commissary on the Burbank lot, James Cagney and Rita Hayworth lunched with director Raoul Walsh, while actor and future president Ronald Reagan dined with Olivia de Havilland — just a few of the major stars and filmmakers who could be seen taking a break from the hard work of filming.
These days, studio executives are big on Cobb salads and Kobe beef burgers. But back in the 1940s, the dense one-page menu featured...
- 4/6/2023
- by Pat Saperstein
- Variety Film + TV
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Movie star John Wayne and The Lone Ranger actor Clayton Moore both held a strong foothold in the Western genre. One operated in film, while the other was recognized for his television appearance. Nevertheless, Wayne and Moore strongly agreed when it came to their criticisms of how Hollywood pushed entertainment to meet audience expectations.
John Wayne and Clayton Moore represented a Western era of the past L-r: John Wayne and Clayton Moore as the Lone Ranger | John Springer Collection/Corbis/Corbis via Getty Images, Lmpc via Getty Images
Wayne first entered the scene when he started working in the props department on the Fox lot. It allowed him to cross paths with film directors, such as John Ford and Raoul Walsh. He earned his first leading role in 1930’s The Big Trail, which later granted him 1939’s Stagecoach. Wayne’s popularity went sky-high, becoming the face of the Western genre.
John Wayne and Clayton Moore represented a Western era of the past L-r: John Wayne and Clayton Moore as the Lone Ranger | John Springer Collection/Corbis/Corbis via Getty Images, Lmpc via Getty Images
Wayne first entered the scene when he started working in the props department on the Fox lot. It allowed him to cross paths with film directors, such as John Ford and Raoul Walsh. He earned his first leading role in 1930’s The Big Trail, which later granted him 1939’s Stagecoach. Wayne’s popularity went sky-high, becoming the face of the Western genre.
- 3/31/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
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Actor John Wayne was an inspiration for many movie stars around the world seeking to achieve his level of success. Some critics attacked his performances, claiming that he couldn’t act. Nevertheless, he continued to build the on-screen persona that Western and war genre audiences came to love. Wayne once explained that there was one actor that was an “enormous” impact on his career.
John Wayne had a signature walk and talk John Wayne | Getty Images
Wayne initially provided inspiration for filmmakers, such as John Ford and Raoul Walsh, who saw something in him. He was working in the props department at Fox before he landed his first leading role in 1930’s The Big Trail. However, Wayne didn’t develop his acting chops overnight, as he initially had difficulty finding the rhythm that became unique to him.
Red River and The Man Who Shot Liberty Valance demonstrated some of the...
John Wayne had a signature walk and talk John Wayne | Getty Images
Wayne initially provided inspiration for filmmakers, such as John Ford and Raoul Walsh, who saw something in him. He was working in the props department at Fox before he landed his first leading role in 1930’s The Big Trail. However, Wayne didn’t develop his acting chops overnight, as he initially had difficulty finding the rhythm that became unique to him.
Red River and The Man Who Shot Liberty Valance demonstrated some of the...
- 3/29/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
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When it comes to classic collaborations between actors and directors, few can compete with John Ford and John Wayne. The two made movies together for most of their working careers. Even though Ford had a complicated working relationship with Wayne according to most accounts, bullying and belittling him when the cameras were off, they shared a great affection for each other between movies. And at their best, those movies are unbeatable.
Ford had a bit of a reputation for his behavior on sets, coming from his tendency to yell or roughhouse. If Ford could be a bit of a heel on set, a tyrannical bully with a megaphone, he was beloved to many of his longtime actors, the wide-ranging community that became known as the John Ford Stock Company. In many ways, his behavior was probably excused as a lot of masculine ribbing, men ridiculing each other in the tradition...
Ford had a bit of a reputation for his behavior on sets, coming from his tendency to yell or roughhouse. If Ford could be a bit of a heel on set, a tyrannical bully with a megaphone, he was beloved to many of his longtime actors, the wide-ranging community that became known as the John Ford Stock Company. In many ways, his behavior was probably excused as a lot of masculine ribbing, men ridiculing each other in the tradition...
- 3/19/2023
- by Anthony Crislip
- Slash Film
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Actor John Wayne didn’t always have stardom on the brain, especially when he was in high school. He had several passions, involving himself in several areas, involving journalism, debate, and sports. However, Wayne was undeniably a prankster who found a way to embarrass an actor in a way that caused the audience to erupt into a sea of laughter.
John Wayne worked with props in high school John Wayne | Michael Ochs Archives/Getty Images
Before Wayne developed his passion as an actor, he found enjoyment working in the Stage Society as a prop boy. There, he built sets and helped with production design and anything else required to pull off the school’s latest productions. According to Carolyn McGivern’s book, John Wayne: A Giant Shadow, he thought the school productions were “a source of never-ending amusement.”
The movie star developed a strong understanding of sets before heading into a career in acting.
John Wayne worked with props in high school John Wayne | Michael Ochs Archives/Getty Images
Before Wayne developed his passion as an actor, he found enjoyment working in the Stage Society as a prop boy. There, he built sets and helped with production design and anything else required to pull off the school’s latest productions. According to Carolyn McGivern’s book, John Wayne: A Giant Shadow, he thought the school productions were “a source of never-ending amusement.”
The movie star developed a strong understanding of sets before heading into a career in acting.
- 3/17/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
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Movie star John Wayne had an iconic walk that helped amplify his on-screen presence in Western and war films. He became the face of an entire era of Western filmmaking, entering the popular culture canon in more ways than one. However, Wayne didn’t entirely understand how his walk was much different from any other. Therefore, he didn’t get how that added to the sex appeal that he had earlier in his career.
John Wayne became a masculine icon John Wayne | Jean Claude Pierdet\Ina via Getty Images
Wayne got his big break thanks to his fateful meeting with director John Ford on the Fox lot, where the young eventual actor started working in props. However, he received his first leading role in Raoul Walsh’s 1930 adventure film The Big Trail. Wayne slumped into B-movies for quite some time before he got another shot at fame in 1939’s Stagecoach,...
John Wayne became a masculine icon John Wayne | Jean Claude Pierdet\Ina via Getty Images
Wayne got his big break thanks to his fateful meeting with director John Ford on the Fox lot, where the young eventual actor started working in props. However, he received his first leading role in Raoul Walsh’s 1930 adventure film The Big Trail. Wayne slumped into B-movies for quite some time before he got another shot at fame in 1939’s Stagecoach,...
- 3/10/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
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Movie star John Wayne took his career very seriously. He starred in a wide assortment of Western and war movies, but they weren’t all winners. Wayne wasn’t afraid to admit when a movie role wasn’t the right one for him. However, he always took it personally when a bad one came across his desk. It once went so far that he threatened to fire his agent when he read a script that he found offensive. Nevertheless, it went on to win big at the Academy Awards.
John Wayne wanted to play strong movie roles John Wayne | Rdb/ullstein bild via Getty Images
Wayne made his first box-office disaster with 1930’s The Big Trail, which was directed by Raoul Walsh. He didn’t get the opportunity to explode into stardom until 1939’s Stagecoach, which was his first leading collaboration with his mentor, John Ford. The movie star had...
John Wayne wanted to play strong movie roles John Wayne | Rdb/ullstein bild via Getty Images
Wayne made his first box-office disaster with 1930’s The Big Trail, which was directed by Raoul Walsh. He didn’t get the opportunity to explode into stardom until 1939’s Stagecoach, which was his first leading collaboration with his mentor, John Ford. The movie star had...
- 3/9/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
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Movie star John Wayne was no stranger to Westerns. He starred in some of the greatest films ever to grace the genre, but he also starred in his share of war and drama movies. Wayne talked about the importance of Westerns to moviegoing audiences when the genre was at its peak. Fans of all ages went to the theaters to see a wide assortment of such films. The Oscar-winning actor once explained why countries around the world had such a firm understanding of Westerns.
John Wayne became the face of Westerns John Wayne | Michael Ochs Archives/Getty Images
Wayne started his acting career in Westerns with 1930’s The Big Trail, thanks to director Raoul Walsh. He starred in a variety of B-movies after his first film bombed at the box office. However, Wayne had another shot at stardom with John Ford’s Stagecoach in 1939, which made him a roaring success.
John Wayne became the face of Westerns John Wayne | Michael Ochs Archives/Getty Images
Wayne started his acting career in Westerns with 1930’s The Big Trail, thanks to director Raoul Walsh. He starred in a variety of B-movies after his first film bombed at the box office. However, Wayne had another shot at stardom with John Ford’s Stagecoach in 1939, which made him a roaring success.
- 3/3/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
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John Wayne had a strong passion for the movies that he made. He carefully selected the roles that he accepted once he reached stardom. However, Wayne grew tired of playing the same type of characters his critics denounced his talents. The movie star once recalled the moment when he got over the fact that he kept getting typecast.
John Wayne couldn’t escape Western movies John Wayne | Silver Screen Collection/Getty Images
Wayne first made a name for himself in Western movies with 1930’s The Big Trail. Raoul Walsh gave him his first shot at making it big, but the film was a box office flop. Next, he had a disappointing contract with Columbia Pictures and a line of B-movies that left him feeling unfulfilled. Wayne played Singin’ Sandy Saunders, which he went as far as to call “embarrassing.”
The movie star finally found his stride with 1939’s Stagecoach, thanks to his mentor,...
John Wayne couldn’t escape Western movies John Wayne | Silver Screen Collection/Getty Images
Wayne first made a name for himself in Western movies with 1930’s The Big Trail. Raoul Walsh gave him his first shot at making it big, but the film was a box office flop. Next, he had a disappointing contract with Columbia Pictures and a line of B-movies that left him feeling unfulfilled. Wayne played Singin’ Sandy Saunders, which he went as far as to call “embarrassing.”
The movie star finally found his stride with 1939’s Stagecoach, thanks to his mentor,...
- 3/2/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
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Actor John Wayne starred in Western and war movies that filled his filmography. However, he didn’t initially get his start in front of the camera. First, Wayne worked at Fox in the props department on several films before getting his first leading role in Raoul Walsh’s 1930 Western adventure called The Big Trail. Here are the eight movies Wayne worked on in the props department before he was famous.
John Wayne | ullstein bild/ullstein bild via Getty Images ‘The Great K & A Train Robbery’ (1926) L-r: Dorothy Dwan as Madge Cullen and Tom Mix as Tom Gordon | Fox
A detective poses as a bandit in an undercover mission to stop a streak of train robberies from continuing. Meanwhile, he falls in love with the railroad president’s daughter.
The Great K & A Train Robbery is a silent film directed by Lewis Seiler and written by John Stone from Paul Leicester Ford’s novel.
John Wayne | ullstein bild/ullstein bild via Getty Images ‘The Great K & A Train Robbery’ (1926) L-r: Dorothy Dwan as Madge Cullen and Tom Mix as Tom Gordon | Fox
A detective poses as a bandit in an undercover mission to stop a streak of train robberies from continuing. Meanwhile, he falls in love with the railroad president’s daughter.
The Great K & A Train Robbery is a silent film directed by Lewis Seiler and written by John Stone from Paul Leicester Ford’s novel.
- 3/1/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
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Movie star John Wayne and legendary filmmaker John Ford made one of the most iconic actor-director duos ever. However, the director was infamously harsh on the actor, frequently coming down hard on him in front of entire movie sets. Ford didn’t open up about his positive feelings toward Wayne’s performances until after he won an Oscar.
John Wayne and John Ford first collaborated on ‘Stagecoach’ John Wayne | Ron Galella, Ltd./Ron Galella Collection via Getty Images
Before Wayne and Ford officially teamed up, the actor earned his first leading role from Raoul Walsh in 1930’s The Big Trail. It failed to catch on at the box office, which delayed the movie star’s climb to fame. Nevertheless, Wayne shined in the Ford-directed ensemble called Stagecoach, which hit theaters in 1939.
The duo worked on another 13 movies over the course of their careers, creating some of the best films ever made.
John Wayne and John Ford first collaborated on ‘Stagecoach’ John Wayne | Ron Galella, Ltd./Ron Galella Collection via Getty Images
Before Wayne and Ford officially teamed up, the actor earned his first leading role from Raoul Walsh in 1930’s The Big Trail. It failed to catch on at the box office, which delayed the movie star’s climb to fame. Nevertheless, Wayne shined in the Ford-directed ensemble called Stagecoach, which hit theaters in 1939.
The duo worked on another 13 movies over the course of their careers, creating some of the best films ever made.
- 2/25/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
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The John Wayne his fans know and love didn't really show up until John Ford's "Stagecoach" in 1939. Though the director and silent Western star Tom Mix saw tremendous potential in the USC football washout when they took him on as a prop boy in the mid-1920s, his screen presence was purely physical. At 6'4", the Iowa-born lad cut a formidable figure on the big screen, but he had miles to go as an actor. If you asked Ford (and many did), he was happy to tell you that Wayne needed a decade's worth of seasoning in Poverty Row Westerns before he could topline a major Hollywood production.
It was unwise to argue with the cantankerous Ford, but Wayne had a shot at undermining his mentor when Raoul Walsh cast the young man as the star of 1930's "The Big Trail," an early, wildly pricey epic that sought to...
It was unwise to argue with the cantankerous Ford, but Wayne had a shot at undermining his mentor when Raoul Walsh cast the young man as the star of 1930's "The Big Trail," an early, wildly pricey epic that sought to...
- 2/23/2023
- by Jeremy Smith
- Slash Film
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Movie star John Wayne and director John Ford became one of the most iconic filmmaker and actor duos ever to move through Hollywood. It all started with their fateful meeting when Wayne worked as a prop man at Fox, where their personalities quickly hit it off. They would later go on to collaborate on 14 movies together, although the list would be longer if one was to count the times they helped one another in lesser capacities.
‘Stagecoach’ (1939) L-r: Claire Trevor as Dallas and John Wayne as Ringo Kid | Getty Images
A group of unlikely travelers find themselves on a stagecoach headed for Lordsburg, New Mexico, in the 1880s. The arrival of an escaped outlaw named the Ringo Kid (Wayne) shakes up their adventure, as they face riding through dangerous Apache territory.
Wayne played his first leading role in Raoul Walsh’s The Big Trail in 1930, but the actor’s career...
‘Stagecoach’ (1939) L-r: Claire Trevor as Dallas and John Wayne as Ringo Kid | Getty Images
A group of unlikely travelers find themselves on a stagecoach headed for Lordsburg, New Mexico, in the 1880s. The arrival of an escaped outlaw named the Ringo Kid (Wayne) shakes up their adventure, as they face riding through dangerous Apache territory.
Wayne played his first leading role in Raoul Walsh’s The Big Trail in 1930, but the actor’s career...
- 2/22/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
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John Wayne became a movie star due to his signature acting style that connected with audiences around the world. He came to represent the U.S. itself, using the film medium to instill what he considered to be positive messaging that the whole family could enjoy. Wayne also had specific ideas for what he considered a “real man” to be, which he brought to every character.
Movie star John Wayne has over 180 acting credits John Wayne as Col. Mike Kirby | Screen Archives/Getty Images
Wayne was a movie star with an expansive filmography largely consisting of Westerns and war films. It all started with filmmaker Raoul Walsh seeing something special enough in him to cast him in the leading role of 1930’s The Big Trail. The film was a massive box-office disappointment, but it gave him further experience that he would take with him to other projects.
The actor’s...
Movie star John Wayne has over 180 acting credits John Wayne as Col. Mike Kirby | Screen Archives/Getty Images
Wayne was a movie star with an expansive filmography largely consisting of Westerns and war films. It all started with filmmaker Raoul Walsh seeing something special enough in him to cast him in the leading role of 1930’s The Big Trail. The film was a massive box-office disappointment, but it gave him further experience that he would take with him to other projects.
The actor’s...
- 2/19/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
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Western movie legend John Wayne developed the genre in a way that cemented him in film history forever. He wasn’t shy in acknowledging his own impact on the Western hero’s definition in the media, as he described exactly what separated him from the pack. Wayne pushed the Western genre forward in a way that no one else ever could.
John Wayne defined an era of Western movies John Wayne | Fox Photos/Getty Images
Wayne went from working in props to ultimately becoming a Western and war movie star. He always had the look to play a cowboy, transforming from the young, clean hero to the tough representation of masculinity. It all started with his first leading role in Raoul Walsh’s The Big Trail that hit theaters in 1930. However, it was his collaboration with John Ford on 1939’s Stagecoach that pushed him into stardom.
The actor defined an...
John Wayne defined an era of Western movies John Wayne | Fox Photos/Getty Images
Wayne went from working in props to ultimately becoming a Western and war movie star. He always had the look to play a cowboy, transforming from the young, clean hero to the tough representation of masculinity. It all started with his first leading role in Raoul Walsh’s The Big Trail that hit theaters in 1930. However, it was his collaboration with John Ford on 1939’s Stagecoach that pushed him into stardom.
The actor defined an...
- 2/17/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
![Image](https://m.media-amazon.com/images/M/MV5BMzFjNmQ3NDUtNWU0NC00ZGVjLWI4MTEtMWQ3NjBhOTFiNjk4XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
Actor John Wayne starred in a wide assortment of movies primarily rooted in the Western and war genres. He had a signature walk and a slow, booming voice that commanded moviegoers’ attention. However, only nine of Wayne’s movies were selected for the National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.” They select 25 film each year for this high honor. However, the Wayne films that made the cut aren’t all the obvious picks.
‘The Big Trail’ (1930) L-r: John Wayne as Breck Coleman and Marguerite Churchill as Ruth Cameron | Michael Ochs Archives/Getty Images
Raoul Walsh’s The Big Trail follows Breck Coleman (Wayne), as he leads an adventure with hundreds of settlers seeking to travel from the Mississippi River out West for greater opportunities. However, there are many potentially fatal dangers along the way.
The 1930 feature marked the actor’s first leading role,...
‘The Big Trail’ (1930) L-r: John Wayne as Breck Coleman and Marguerite Churchill as Ruth Cameron | Michael Ochs Archives/Getty Images
Raoul Walsh’s The Big Trail follows Breck Coleman (Wayne), as he leads an adventure with hundreds of settlers seeking to travel from the Mississippi River out West for greater opportunities. However, there are many potentially fatal dangers along the way.
The 1930 feature marked the actor’s first leading role,...
- 2/17/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
![Image](https://m.media-amazon.com/images/M/MV5BZjlmOTliZDctZWUzNS00YTJiLTlmNDctMTdiOTJmNzUzYTgyXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
Movie star John Wayne drew the attention of many international figures, including former Japanese Emperor Hirohito. Various prominent figures didn’t all share positive sentiments for him, but none of them questioned his star power with American moviegoers. Emperor Hirohito and Wayne had a private conversation that a journalist asked about, although the Western legend wasn’t having any of it.
John Wayne drew international attention John Wayne | Screen Archives/Getty Images
Wayne first hit the silver screen in a leading role in Raoul Walsh’s The Big Trail in 1930, but it bombed at the box office. As a result, he wouldn’t see his first glowing success until 1939’s Stagecoach. It was an ensemble piece that still allowed him to shine. The Western adventure was one of many collaborations that the movie star had with legendary filmmaker John Ford.
Many critics didn’t consider Wayne a real actor at the time,...
John Wayne drew international attention John Wayne | Screen Archives/Getty Images
Wayne first hit the silver screen in a leading role in Raoul Walsh’s The Big Trail in 1930, but it bombed at the box office. As a result, he wouldn’t see his first glowing success until 1939’s Stagecoach. It was an ensemble piece that still allowed him to shine. The Western adventure was one of many collaborations that the movie star had with legendary filmmaker John Ford.
Many critics didn’t consider Wayne a real actor at the time,...
- 2/11/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
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Movie star John Wayne starred in over 165 films over the course of his career. Unfortunately, they didn’t all necessarily make him proud. He had plenty of bad roles, some of which resulted from his performance and others because of casting. Nevertheless, there was one Wayne movie that was so traumatic that he “visually shuddered” when anybody would mention the title.
John Wayne admitted that he played some bad movie roles John Wayne | ullstein bild/ullstein bild via Getty Images
Wayne had his first chance to make it in the movie business with Raoul Walsh’s The Big Trail in 1930. Unfortunately, audiences underappreciated it at the time, and it flopped at the box office. However, that didn’t mark the end. He was thrust into B-movie Westerns for many years, many of which he wasn’t too happy to be a part of. Nevertheless, he was lucky to have consistent work as an actor.
John Wayne admitted that he played some bad movie roles John Wayne | ullstein bild/ullstein bild via Getty Images
Wayne had his first chance to make it in the movie business with Raoul Walsh’s The Big Trail in 1930. Unfortunately, audiences underappreciated it at the time, and it flopped at the box office. However, that didn’t mark the end. He was thrust into B-movie Westerns for many years, many of which he wasn’t too happy to be a part of. Nevertheless, he was lucky to have consistent work as an actor.
- 2/11/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
![Image](https://m.media-amazon.com/images/M/MV5BNTRmZGEzN2ItMDdkMi00NmQ3LWE4ZGEtZmZhZDMzNDJjYzdjXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
Actor John Wayne starred in over 165 movies over the course of his successful career. He starred in several legendary Western films, including Stagecoach and The Man Who Shot Liberty Valance, but there was one that he turned down. As a result, he lost the “top Western star of the year” award, which sent him into a frustrated spiral.
John Wayne had personal drama with Columbia studio head John Wayne | Archive Photos/Getty Images
Filmmaker Raoul Walsh gave Wayne his first opportunity to star in a leading role in 1930’s The Big Trail, which ultimately bombed at the box office. The actor moved to low-budget Western flicks, which offered him consistent work, but they didn’t give him the chance to grow in the way he wanted.
Wayne almost lost it all when he had a contract with Columbia studio head Harry Cohn. The actor acted politely toward a female actor on the studio lot,...
John Wayne had personal drama with Columbia studio head John Wayne | Archive Photos/Getty Images
Filmmaker Raoul Walsh gave Wayne his first opportunity to star in a leading role in 1930’s The Big Trail, which ultimately bombed at the box office. The actor moved to low-budget Western flicks, which offered him consistent work, but they didn’t give him the chance to grow in the way he wanted.
Wayne almost lost it all when he had a contract with Columbia studio head Harry Cohn. The actor acted politely toward a female actor on the studio lot,...
- 2/10/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
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![Shirley Clarke](https://m.media-amazon.com/images/M/MV5BMzdjMWUyNDItNDAyNi00MmRmLTg3OTktMGEyOGE2MmVmYWZkXkEyXkFqcGdeQXVyMTc4MzI2NQ@@._V1_QL75_UY207_CR9,0,140,207_.jpg)
February, marking both Black History Month and Valentine’s Day, is the kind of stretch from which a programmer can mine plenty. Accordingly the Criterion Channel have oriented their next slate around both. The former is mostly noted in a series comprising numerous features and shorts: Shirley Clarke and William Greaves up to Ephraim Asili and Garrett Bradley, among them gems such as Varda’s Black Panthers and Kathleen Collins’ Losing Ground; a six-film series on James Baldwin; and 10 works by Oscar Micheaux.
Meanwhile, the 23-film “All You Need Is Love” will cover the blinding romance of L’Atalante, the heartbreak of Happy Together, and youthful whimsy of Stolen Kisses; four Douglas Sirk rarities should leave their mark, but I’m perhaps most excited about three starring Rock Hudson and Doris Day. Perhaps more bracing are 12 movies by Derek Jarman and four by noir maestro Robert Siodmak. Also a major...
Meanwhile, the 23-film “All You Need Is Love” will cover the blinding romance of L’Atalante, the heartbreak of Happy Together, and youthful whimsy of Stolen Kisses; four Douglas Sirk rarities should leave their mark, but I’m perhaps most excited about three starring Rock Hudson and Doris Day. Perhaps more bracing are 12 movies by Derek Jarman and four by noir maestro Robert Siodmak. Also a major...
- 1/26/2023
- by Nick Newman
- The Film Stage
![Seijun Suzuki](https://m.media-amazon.com/images/M/MV5BMTc5NTcwMDc5NF5BMl5BanBnXkFtZTgwMTc4MzQ1MTI@._V1_QL75_UY207_CR1,0,140,207_.jpg)
![Seijun Suzuki](https://m.media-amazon.com/images/M/MV5BMTc5NTcwMDc5NF5BMl5BanBnXkFtZTgwMTc4MzQ1MTI@._V1_QL75_UY207_CR1,0,140,207_.jpg)
Celebrating 100 years of iconoclast director Seijun Suzuki (1923-2017), a singular force in Japanese cinema whose radical stylistic vision and unpredictable narratives shaped the B-movie genre, Japanese cinephilia and the political New Left, Japan Society and The Japan Foundation present Seijun Suzuki Centennial—a selection of six films from across the filmmaker’s nearly 60-film body of work, all on imported 35mm prints straight from Japan. Covering ground from his earliest yakuza feature (Satan’s Town) to his unbridled return to studio filmmaking after being blacklisted for 10 years (A Tale of Sorrow and Sadness) and his subsequent independent success (Kagero-za), this special series offers a rare glimpse into the core of Suzuki’s creative genius.
Organized in conjunction with the recent publication of series’ guest curator William Carroll’s Suzuki Seijun and Postwar Japanese Cinema (Columbia University Press, 2022), Seijun Suzuki Centennial delves into the versatility and audacious nature of the...
Organized in conjunction with the recent publication of series’ guest curator William Carroll’s Suzuki Seijun and Postwar Japanese Cinema (Columbia University Press, 2022), Seijun Suzuki Centennial delves into the versatility and audacious nature of the...
- 1/6/2023
- by Rouven Linnarz
- AsianMoviePulse
![Image](https://m.media-amazon.com/images/M/MV5BNGM4Y2JkNTktNDU1Zi00MjU4LWE2OTMtZGNlNDM2MWY1NWI1XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR0,0,500,281_.jpg)
John Ford did enjoy his petty tortures, especially when his subject was John Wayne.
Ford had certainly earned the right to rib the star a little. He employed Wayne as a prop man as a favor to USC coach Howard Jones and silent Western star Tom Mix, and vouched for the actor when Raoul Walsh considered casting him for his 1930 epic "The Big Trail." He might not have coined the name "John Wayne" (that was Walsh), but he did more to shape his swaggering persona than any other director in Hollywood.
But Ford's needling could verge on cruelty. When an insecure Wayne, playing a Swedish seaman in 1940's "The Long Voyage Home," asked Ford for a dialect coach to help him nail the accent, the director retorted "Well, Jesus, all right, if you want to be a goddamn actor." In 1948, after viewing Howard Hawks' "Red River," Ford quipped, "I never...
Ford had certainly earned the right to rib the star a little. He employed Wayne as a prop man as a favor to USC coach Howard Jones and silent Western star Tom Mix, and vouched for the actor when Raoul Walsh considered casting him for his 1930 epic "The Big Trail." He might not have coined the name "John Wayne" (that was Walsh), but he did more to shape his swaggering persona than any other director in Hollywood.
But Ford's needling could verge on cruelty. When an insecure Wayne, playing a Swedish seaman in 1940's "The Long Voyage Home," asked Ford for a dialect coach to help him nail the accent, the director retorted "Well, Jesus, all right, if you want to be a goddamn actor." In 1948, after viewing Howard Hawks' "Red River," Ford quipped, "I never...
- 1/4/2023
- by Jeremy Smith
- Slash Film
![Image](https://m.media-amazon.com/images/M/MV5BYTNmN2FlMWMtMGUwZS00MGNmLTk1MGEtZTAyZmEyNmE2ZTIxXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR0,0,500,281_.jpg)
As the motion picture industry lurched into the sound era, John Wayne's career was languishing. He wasn't getting many decent roles. He wasn't impressing people when he did. He wasn't even John Wayne.
He was Marion Robert Morrison, a strapping, 6'3", Iowa-born washout from the USC football team. Wayne found his way into Hollywood via his coach, Howard Jones, who frequently procured tickets for the silent movie star Tom Mix. The actor, along with director John Ford, took on the young Wayne as a favor to Jones, giving him steady, if unspectacular work as a prop man and extra.
Given his athletic stature and boyish good looks, Wayne had the physical makings of a future star. After plugging away throughout the second half of the 1920s in bit parts (occasionally as a member of the USC football team), he finally received his first official credit Duke Morrison in James Tinling...
He was Marion Robert Morrison, a strapping, 6'3", Iowa-born washout from the USC football team. Wayne found his way into Hollywood via his coach, Howard Jones, who frequently procured tickets for the silent movie star Tom Mix. The actor, along with director John Ford, took on the young Wayne as a favor to Jones, giving him steady, if unspectacular work as a prop man and extra.
Given his athletic stature and boyish good looks, Wayne had the physical makings of a future star. After plugging away throughout the second half of the 1920s in bit parts (occasionally as a member of the USC football team), he finally received his first official credit Duke Morrison in James Tinling...
- 1/4/2023
- by Jeremy Smith
- Slash Film
![Image](https://m.media-amazon.com/images/M/MV5BMDUzYzk3MzgtZDM2OS00NDk3LWI5OGEtNDIzOWZhOTk3OTU0XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR0,0,500,281_.jpg)
Is there a classic Hollywood actor more iconic than Humphrey Bogart? Perhaps James Cagney or John Wayne, but neither of them had the versatility of Bogart. He's a genuine star, someone whose career you can track from studio bit player to leading man. Bogart is simultaneously one of the most distinctive, easily imitable actors of the Hollywood era and one of the most natural, subtle performers of the era, whether he is playing heroes, villains, or something in between.
It's difficult to pick standout scenes from his career, as he's an actor whose most memorable moments tend to be little non-verbal flourishes, such as the look of disdain he gives his fellow convicts as they listen to music in "We're No Angels," or his amusement at Rocco's childlike fear of the storm in "Key Largo." Yet, there are a few definitive moments that are the most memorable scenes of his film career.
It's difficult to pick standout scenes from his career, as he's an actor whose most memorable moments tend to be little non-verbal flourishes, such as the look of disdain he gives his fellow convicts as they listen to music in "We're No Angels," or his amusement at Rocco's childlike fear of the storm in "Key Largo." Yet, there are a few definitive moments that are the most memorable scenes of his film career.
- 12/25/2022
- by Nick Bartlett
- Slash Film
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Diane McBain, whose career playing spoiled rich girls included turns as the yacht owner Daphne Dutton on the ABC crime show Surfside 6 and an author stalking Elvis Presley in Spinout, has died. She was 81.
McBain died Wednesday morning at the Motion Picture & Television Country House and Hospital in Woodland Hills after a battle with liver cancer, her friend and writing partner, Michael Gregg Michaud, told The Hollywood Reporter.
McBain also guest-starred on four episodes of ABC’s Batman, first as a hat shop assistant who’s in cahoots with David Wayne’s Mad Hatter in 1966 and then as stamp company proprietor Pinky Pinkston — she wore only pink and had a pink dog — on the memorable 1967 installment that featured The Green Hornet (Van Williams) and Kato (Bruce Lee).
In her first film, McBain appeared with Richard Burton in Vincent Sherman’s Ice Storm (1960), then starred alongside Troy Donahue and Claudette Colbert...
McBain died Wednesday morning at the Motion Picture & Television Country House and Hospital in Woodland Hills after a battle with liver cancer, her friend and writing partner, Michael Gregg Michaud, told The Hollywood Reporter.
McBain also guest-starred on four episodes of ABC’s Batman, first as a hat shop assistant who’s in cahoots with David Wayne’s Mad Hatter in 1966 and then as stamp company proprietor Pinky Pinkston — she wore only pink and had a pink dog — on the memorable 1967 installment that featured The Green Hornet (Van Williams) and Kato (Bruce Lee).
In her first film, McBain appeared with Richard Burton in Vincent Sherman’s Ice Storm (1960), then starred alongside Troy Donahue and Claudette Colbert...
- 12/21/2022
- by Mike Barnes
- The Hollywood Reporter - Movie News
![Shirley Clarke](https://m.media-amazon.com/images/M/MV5BMzdjMWUyNDItNDAyNi00MmRmLTg3OTktMGEyOGE2MmVmYWZkXkEyXkFqcGdeQXVyMTc4MzI2NQ@@._V1_QL75_UY207_CR9,0,140,207_.jpg)
![Shirley Clarke](https://m.media-amazon.com/images/M/MV5BMzdjMWUyNDItNDAyNi00MmRmLTg3OTktMGEyOGE2MmVmYWZkXkEyXkFqcGdeQXVyMTc4MzI2NQ@@._V1_QL75_UY207_CR9,0,140,207_.jpg)
What will be your first movie of 2023? If you’re reading this it’s likely you put some (let’s be honest: too much) thought into what commences the cinematic year. The Criterion Channel’s January lineup will put some good things front and center: they’re launching a 20-film cinema verité series that highlights all major figures of the form; an eight-film Mike Leigh retrospective that focuses on his little-seen, lesser-discussed BBC features produced between 1973 and 1984; a series on Abbas Kiarostami’s studies of childhood; and because you’ve either seen Eo or have it marked to watch, Jerzy Skolimowski’s three most-acclaimed films should be of equal note.
Another 2022 favorite, Il Buco, will have its streaming premiere alongside Kamikaze Hearts, the Depardieu-led Cyrano de Bergerac, and the recent restoration of Lodge Kerrigan’s Keane. The sole Criterion Edition for this month is 3 Women, while some notable recent documentaries—The American Sector,...
Another 2022 favorite, Il Buco, will have its streaming premiere alongside Kamikaze Hearts, the Depardieu-led Cyrano de Bergerac, and the recent restoration of Lodge Kerrigan’s Keane. The sole Criterion Edition for this month is 3 Women, while some notable recent documentaries—The American Sector,...
- 12/20/2022
- by Nick Newman
- The Film Stage
![Peter Billingsley, Melinda Dillon, Jeff Gillen, and Darren McGavin in A Christmas Story (1983)](https://m.media-amazon.com/images/M/MV5BOWMyNjE0MzEtMzVjNy00NjIxLTg0ZjMtMWJhNGI1YmVjYTczL2ltYWdlXkEyXkFqcGdeQXVyNzc5MjA3OA@@._V1_QL75_UX140_CR0,3,140,207_.jpg)
![Peter Billingsley, Melinda Dillon, Jeff Gillen, and Darren McGavin in A Christmas Story (1983)](https://m.media-amazon.com/images/M/MV5BOWMyNjE0MzEtMzVjNy00NjIxLTg0ZjMtMWJhNGI1YmVjYTczL2ltYWdlXkEyXkFqcGdeQXVyNzc5MjA3OA@@._V1_QL75_UX140_CR0,3,140,207_.jpg)
Holidays loom, but don’t fear TBS marathons of A Christmas Story. If, like me, you once enacted some good and let studio classics stream on Criterion during family Christmas, you know the trip home will be easier with December’s additions. (People at Criterion: please don’t report me for logging into multiple devices.) As family arrives, drinks are downed, and questions about what you’ve been up to are stumbled through it’ll be nice to stream their “Screwball Comedy Classics” series—25 titles meeting some deep cuts (10 via Venmo if you’ve recently watched It Happens Every Spring).
Personally I’m most excited about the 11 movies in “Snow Westerns,” going as far back as The Secret of Convict Lake, as recently as Ravenous, with the likes of Wellman, Peckinpah, and Corbucci in-between. I personally cannot stand soccer but I appreciate the World Cup giving occasion for a series...
Personally I’m most excited about the 11 movies in “Snow Westerns,” going as far back as The Secret of Convict Lake, as recently as Ravenous, with the likes of Wellman, Peckinpah, and Corbucci in-between. I personally cannot stand soccer but I appreciate the World Cup giving occasion for a series...
- 11/22/2022
- by Nick Newman
- The Film Stage
![Image](https://m.media-amazon.com/images/M/MV5BOTIxYjIwMzctYTBjMC00ZGM3LThkNjUtYmMxNGNlYmM2NzBmXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BOTIxYjIwMzctYTBjMC00ZGM3LThkNjUtYmMxNGNlYmM2NzBmXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
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Sara Shane, who starred opposite Gordon Scott in Tarzan’s Greatest Adventure and appeared alongside Clark Gable in The King and Four Queens, has died. She was 94.
Shane died July 31 on the Gold Coast of Australia, her family announced.
Shane also starred with Kathleen Hughes and Marla English in the melodrama Three Bad Sisters (1956) and had the female lead in Affair in Havana (1957), featuring John Cassavetes and Raymond Burr.
With the Jane character absent in the John Guillermin-directed Tarzan’s Greatest Adventure (1959), Shane stepped in to portray Angie Loring, an American model and pilot who meets up with the King of the Jungle in Africa. The film was Scott’s fourth as Tarzan.
And in The King and Four Queens (1956), helmed by Raoul Walsh, Shane played Oralie McDade, one of four young widows — Eleanor Parker, Jean Willes and Barbara Nichols are the others — who...
Sara Shane, who starred opposite Gordon Scott in Tarzan’s Greatest Adventure and appeared alongside Clark Gable in The King and Four Queens, has died. She was 94.
Shane died July 31 on the Gold Coast of Australia, her family announced.
Shane also starred with Kathleen Hughes and Marla English in the melodrama Three Bad Sisters (1956) and had the female lead in Affair in Havana (1957), featuring John Cassavetes and Raymond Burr.
With the Jane character absent in the John Guillermin-directed Tarzan’s Greatest Adventure (1959), Shane stepped in to portray Angie Loring, an American model and pilot who meets up with the King of the Jungle in Africa. The film was Scott’s fourth as Tarzan.
And in The King and Four Queens (1956), helmed by Raoul Walsh, Shane played Oralie McDade, one of four young widows — Eleanor Parker, Jean Willes and Barbara Nichols are the others — who...
- 9/21/2022
- by Mike Barnes
- The Hollywood Reporter - Movie News
![Image](https://m.media-amazon.com/images/M/MV5BZDBjZTYxZWItYzQxNC00ZTFiLTk0MGMtMDk4NzkzZmRhMTNmXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BZDBjZTYxZWItYzQxNC00ZTFiLTk0MGMtMDk4NzkzZmRhMTNmXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
The effort to restore neglected films doesn’t get more rewarding than this 4K rebirth of Lewis Milestone’s version of the acclaimed Somerset Maugham story. Loaned from MGM, Joan Crawford tries on the role of Sadie Thompson and holds her own opposite Walter Huston’s fire & brimstone preacher. It’s still a major achievement of the pre-Code era, an adult story that doesn’t water down its ‘dangerous’ themes: it’s exactly the kind of show that the censors didn’t want made.
Rain
Blu-ray
Mary Pickford Foundation / Vci
1932 / B&w / 1:37 Academy / 94 + 76 min. / Street Date September 27, 2022 / Available from Mvd / 29.95
Starring: Joan Crawford, Walter Huston, Fred Howard, Ben Hendricks Jr., William Gargan, Mary Shaw, Guy Kibbee, Kendall Lee, Beulah Bondi, Matt Moore, Walter Catlett.
Cinematography: Oliver Marsh
Art Director: Richard Day
Film Editor: W. Duncan Mansfield
Original Music: Alfred Newman
Screen adaptation by Maxwell Anderson from the play by John Colton,...
Rain
Blu-ray
Mary Pickford Foundation / Vci
1932 / B&w / 1:37 Academy / 94 + 76 min. / Street Date September 27, 2022 / Available from Mvd / 29.95
Starring: Joan Crawford, Walter Huston, Fred Howard, Ben Hendricks Jr., William Gargan, Mary Shaw, Guy Kibbee, Kendall Lee, Beulah Bondi, Matt Moore, Walter Catlett.
Cinematography: Oliver Marsh
Art Director: Richard Day
Film Editor: W. Duncan Mansfield
Original Music: Alfred Newman
Screen adaptation by Maxwell Anderson from the play by John Colton,...
- 9/20/2022
- by Glenn Erickson
- Trailers from Hell
![James Wong Howe, 1974](https://m.media-amazon.com/images/M/MV5BMTYxNzUzMDc5NF5BMl5BanBnXkFtZTYwNTkzODM2._V1_QL75_UX140_CR0,4,140,207_.jpg)
![James Wong Howe, 1974](https://m.media-amazon.com/images/M/MV5BMTYxNzUzMDc5NF5BMl5BanBnXkFtZTYwNTkzODM2._V1_QL75_UX140_CR0,4,140,207_.jpg)
Cinematography retrospectives are the way to go—more than a thorough display of talent, it exposes the vast expanse a Dp will travel, like an education in form and business all the same. Accordingly I’m happy to see the Criterion Channel give a 25-film tribute to James Wong Howe, whose career spanned silent cinema to the ’70s, populated with work by Howard Hawks, Michael Curtz, Samuel Fuller, Alexander Mackendrick, Sydney Pollack, John Frankenheimer, and Raoul Walsh.
Further retrospectives are granted to Romy Schneider (recent repertory sensation La piscine among them), Carlos Saura (finally a chance to see Peppermint frappe!), the British New Wave, and groundbreaking distributor Cinema 5, who brought to U.S. shores everything from The Man Who Fell to Earth and Putney Swope to Pumping Iron and Scenes from a Marriage.
September also yields streaming premieres for the recently restored Bronco Bullfrog, Ang Lee’s Pushing Hands,...
Further retrospectives are granted to Romy Schneider (recent repertory sensation La piscine among them), Carlos Saura (finally a chance to see Peppermint frappe!), the British New Wave, and groundbreaking distributor Cinema 5, who brought to U.S. shores everything from The Man Who Fell to Earth and Putney Swope to Pumping Iron and Scenes from a Marriage.
September also yields streaming premieres for the recently restored Bronco Bullfrog, Ang Lee’s Pushing Hands,...
- 8/22/2022
- by Leonard Pearce
- The Film Stage
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