Edward Sloman(1883-1972)
- Director
- Actor
- Writer
British-born Edward Sloman was raised in London's East End, and left
home at age 19 to become an actor. He spent several years in the
British theater and later became a director in both legitimate theater
and vaudeville. After a quarrel with a powerful booking agent which
resulted in his being effectively shut out of the British theatrical
circuit, Sloman took an actress friend's advice and headed for
Hollywood in 1915. Introduced to director Wilfred Lucas at Universal
Pictures, Sloman was soon employed as an actor at the princely sum of
$7.50 a day. To make ends meet, he wrote scenarios, which he sold for
$25 apiece. A war picture he wrote was bought by producer Thomas H. Ince, a
major figure in Hollywood at the time, and on the strength of that
Sloman was hired by Lubin Pictures as a director, turning out his first
film in late 1915. After directing several one- and two-reel shorts,
the studio head insisted that he not only direct them but star in them,
too. Several months of performing these dual tasks exhausted Sloman to
the point where he quit Lubin. He was eventually hired by independent
producer Benjamin B. Hampton in 1919 and given the helm of a big-budget western,
The Westerners (1919). The film was quite successful and led to Sloman securing
steady employment with other independent producers. He was eventually
hired by Universal Pictures (again) and made His People (1925), the success of
which resulted in his being given a five-year contract by the studio.
His most critically acclaimed film, Surrender (1927), starred Russian actor
Ivan Mozzhukhin in a story of a beautiful Jewish girl whose Russian village is
invaded by Cossacks, and she is given a choice by the Cossack chieftain
of either sleeping with him or seeing her village destroyed. Sloman's
The Foreign Legion (1928) and We Americans (1928) were also well received, but his career declined
somewhat after the advent of talking pictures. He made his last film in
1938 and the next year left the business to enter the radio
broadcasting field as a writer, producer and director.