Ceremony took place remotely, after festival shifted online week before opening.
Psychological thriller Exile has won the best film prize at the 26th Sarajevo Film Festival, which took place online this year due to the Covid-19 pandemic.
Scroll down for full list of winners
In a virtual awards ceremony, streamed on the festival’s VoD platform, Kosovo-born writer-director Visar Morina accepted the Heart of Sarajevo prize via a video message after jury president Michel Hazanavicius (The Artist) made the announcement from his own home in France. The award includes a prize of €16,000.
Exile, first seen at Sundance and in the Berlinale’s Panorama strand,...
Psychological thriller Exile has won the best film prize at the 26th Sarajevo Film Festival, which took place online this year due to the Covid-19 pandemic.
Scroll down for full list of winners
In a virtual awards ceremony, streamed on the festival’s VoD platform, Kosovo-born writer-director Visar Morina accepted the Heart of Sarajevo prize via a video message after jury president Michel Hazanavicius (The Artist) made the announcement from his own home in France. The award includes a prize of €16,000.
Exile, first seen at Sundance and in the Berlinale’s Panorama strand,...
- 8/21/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
Another offering of vintage East German pictures gives us all the pieces of a cinematic puzzle: Heiner Carow’s 1968 memory- movie of traumatic experiences in WW2 displeased the Communist authorities and was shelved… only to be cannibalized as a back-story for a new 1970 release aimed as a dig at West German values. It’s a fascinating comparison — an ideologically-challenged art film becomes a piece of well-produced propaganda.
The Russians Are Coming & Career
DVD
Defa Film Library
B&W / 2:35 widescreen / Street Date April, 2017 / available through Defa Film Library /
Cinematography: Jürgen Brauer
Film Editor: Evelyn Carow
Original Music: Peter Gotthardt, Dietrich Kittner
Written by Heiner Carow, Herman Herlinghaus, Claus Küchenmeister inspired by the short story Die Anzeige by Egon Richter
Produced by Defa
Directed by Heiner Carow
Defa, or Deutsche Film-Aktiengesellschaft was the film producing arm of the former Communist East German regime, that ended with the fall of the Berlin Wall.
The Russians Are Coming & Career
DVD
Defa Film Library
B&W / 2:35 widescreen / Street Date April, 2017 / available through Defa Film Library /
Cinematography: Jürgen Brauer
Film Editor: Evelyn Carow
Original Music: Peter Gotthardt, Dietrich Kittner
Written by Heiner Carow, Herman Herlinghaus, Claus Küchenmeister inspired by the short story Die Anzeige by Egon Richter
Produced by Defa
Directed by Heiner Carow
Defa, or Deutsche Film-Aktiengesellschaft was the film producing arm of the former Communist East German regime, that ended with the fall of the Berlin Wall.
- 4/4/2017
- by Glenn Erickson
- Trailers from Hell
Award Winning Director Wolfgang Becker (“Good Bye Lenin!”) will open the festival at the American Cinematheque’s Egyptian Theatre with “Me and Kaminski” bringing outstanding German cinema and its stars to Los Angeles from October 20 to 23rd.
Full Program Line Up Announced with a selection of the best new German, Austrian and Swiss Cinema
Celebrating its 10th year, German Currents features an expanded program including screenings of ten La premieres, conversations with prolific German directors, writers and actors, as well as the return of the free family matinee film screening for local schools.
“Me and Kaminski” starring Daniel Brühl and directed by Wolfgang Becker
2016 has been a successful year for German language cinema, not only in Europe, but across the globe. Beginning on Thursday, October 20th 2016 German Currents will open this year’s 4 day festival with the red carpet event Los Angeles premiere of Wolfgang Becker’s (“Goodbye Lenin”) five-time...
Full Program Line Up Announced with a selection of the best new German, Austrian and Swiss Cinema
Celebrating its 10th year, German Currents features an expanded program including screenings of ten La premieres, conversations with prolific German directors, writers and actors, as well as the return of the free family matinee film screening for local schools.
“Me and Kaminski” starring Daniel Brühl and directed by Wolfgang Becker
2016 has been a successful year for German language cinema, not only in Europe, but across the globe. Beginning on Thursday, October 20th 2016 German Currents will open this year’s 4 day festival with the red carpet event Los Angeles premiere of Wolfgang Becker’s (“Goodbye Lenin”) five-time...
- 10/4/2016
- by Sydney Levine
- Sydney's Buzz
The International Film Festival in Guadalajara (FICG31) celebrated its 31th anniversary this year and moved to the center of town, a move toward regaining its early luster within the galaxy of younger festivals now competing for resources in México. With its myriad of activities beyond the mere programming of films, its mentoring other festivals such as Puerto Vallarta and Oaxaca, I would give it two thumbs up.
On Friday, March 11, it announced its awards and officially announced next year’s Guest of Honor, Germany, closing with the German film, Doris Dörrie’s “Fukushima Mon Amour” (Isa: The Match Factory). This film is a deeply moving homage to the spirit of humanity, recovery and love as a German clown, played by Rosalie Thomass and her clown partners, the wonderful Moshe Cohen of San Francisco and Nami Kamata, visit the people remaining at the devastated town of Fukushima and Rosalie bonds with the last geisha of Fukushima played by the beautiful Aya Irizuki. It premiered at the Panorama of the Berlinale where Doris won the C.I.C.A.E. Award and the Heiner Carow Prize.
Official Competition Winners FICG31
Mezcal Award for Best Mexican Film to “Maquinaria Panamericana”/ “Panamerican Machinery”
Mezcal jury
The jury consists of 30 students from related fields from universities or major schools of Mexico, Latin American, Europe and Canada. Serving as a sort of tutor, Jose Ramon Mikelajauregui, Director of Dis was responsible for the academic program held at FICG31.
The Mezcal Award consisting of 500,000 Mexican pesos went to the director, Joaquín del Paso for “Maquinaria Panamericana”/ “Panamerican Machinery”, a portrait of an inefficient factory on the edge of Mexico City where the workers lock themselves in when the owner is found dead in the back of the warehouse and they discover he has been bankrolling the wages out of his own pocket for years.
A coproduction of Mantarraya Producciones, it also won the Fipresci Prize at its premiere in the Forum of the Berlinale. International sales agent (Isa) is the new Paris-based sales and co-production company Luxbox whose
co-ceo Fiorella Moretti was formerly head of sales at Ndm, the Mexico City-based sales company she set up with director Carlos Reygadas and producer Jaime Romandia of Mantarraya Productions in 2012 to sell “Post Tenebras Lux”.
Co-ceo Hédi Zardi previously worked in sales for Fortissimo and went on to Unifrance, the French cinema promotions agency and then to the PR and events company Le Public Systeme, where he was in charge of industry initiatives at Marrakesh and Deauville festivals.
The pair got to know one another through Gabriel Ripstein’s “600 Miles”, winner of the best first feature last year at the Berlinale, which Zardi associate produced and Moretti sold.
Special Mention went to “Margarita” directed by Bruno Santamaría Razo
Infinitum Aaward Grante dby the Public, consisting of 150,000 pesos, went to " El Charro de Toluquilla" (Isa: Imcine) by José Villalobos Romero, a doc about mariachi singer Jaime Garcia Dominguez who became fascinated by the recklessness and ladies´ man lifestyle of the classic Mexican movie characters with one difference: he´s got HIV. Jaime faces an inner maturing process as he decides between keeping this lifestyle or becoming a family man. It also won the award for Best Iberoamerican Documentary of 150,000 Mexican pesos or its equivalent in dollars to the director.
Best Latin American Fiction Film consisting of 250,000 Mexican pesos or its equivalent in dollars went to the production company of Felipe Guerrero’s film “ Oscuro animal”, about three women forced to flee their homes in a war torn region in Colombia. The film also won Best Actress Award (s) for Marleyda Soto, Luisa Galiano and Jocelyn Vides Meneses and Best Photography Award to Fernando Lockett.
A coproduction of Argentina, Greece, Netherlands, Germany and Colombia, it is being sold internationally by FiGa. It previously played in the Rotterdam Film Festival’s Tiger Competition and Ficci Cartagena 2016’s Official Dramatic Competition. At the Berlinale’s Efm 2016 it was part of the World Cinema Fund’s First Look section. Financing for the film came from Colombia’s Proimágenes, Argentina’s Incaa, Netherlands’ Hubert Bals Fund, Fundación Typa, and Germany’s Nrw and World Cinema Fund.
It also won the award for Award for Best Iberoamerican Director consisting off 150,000 Mexican pesos or its equivalent in dollars, because “almost wordlessly it portrays a complex and painful situation in Colombia which is all too common in Latin America.”
Special Feature Film Jury Award Iberoamerican Fiction of 125,000 Mexican pesos or its equivalent in dollars, went to the production company of “The 4th Company”/ ”La 4a Compañía” by Amir Galván Cervera and Mitzi Vanessa Arreola, based upon a true story about an underdog prison (American-style) football team that, against all odds, wins against the police force team. The jury stated that it “considers it a cinematic achievement about a shameful moment in the history of Mexico to be remembered and not to be repeated”. Adrian Thief also won for Best Actor, and he is that! There is no Isa of record, so those ISAs reading this should check it out on Cinando! It’s a seller!
Award for Best Latin American Film of 125,000 Mexican pesos or its equivalent in dollars went to the superb debuting director from Puerto Rico, Angel Manuel Soto for“La Granja”/ “The Farm”. Also the first film produced independently by Tom Davia’s Cinemaven (but check out his credits!), this film is a full-circle “Crash”-style story that rivals “Gemorrah” in its look at the barrio called “The Farm” or “La Granja” in which the lives of a midwife, a young boxer, a janitor, a mute kid and a young couple collide in a story about the desperate pursuit of happiness on the mean streets of La Granja. Shot on a budget of $250,000, this film took four years to complete as the Puerto Rican government film establishment sought to block its production and release – and you can see why. It previously played in Fantastic Fest.
This is another discovery film with no Isa, and I am sure the agents have already locked their eyes upon writer-director Angel Manuel Soto. He lives in Los Angeles. “Born in Santurce, Puerto Rico. Son of a car salesman and a flight attendant. Studied architecture and advertising. Always loved films. Now he makes them. He is a cinephile. He travels all over the world doing it, including Australia, Thailand, Cambodia, France, USA, and Puerto Rico. He is not planning on stopping.”
Best Screenplay Award went to Marina Seresesky for “La Puerta Abierta”/ “Open Door” (pictured above). Marina also directed this first film. She has made two shorts previously. After Ficg it will play at Sofia Iff 2016 in International Competition, San Diego Latino 2016 and Chicago Latino 2016 Film Festivals.
Movies Recommended for Selection for the Golden Globes Awards 2017 are “The 4th Company” and “Ciudades Desiertas” / “Deserted Cities” by Roberto Sneider.
Documentary Jury Special Award of 100,000 Mexican pesos or its equivalent in dollars to the director Jorge Caballero for“Patient”/ "Paciente" Isa Rise and Shine, a new company in Germany, picked up the film at its world premiere in Competition at Idfa.
Best Iberoamerican Short Film Award D of 75,000 pesos or its equivalent in dollars to the directors Miguel de Olaso and Bruno Zacharias for the 10 minute short “ Los Angeles 1991”.
Special Mention went to “Juan's Sundown”/ "El Ocaso de Juan" by Omar Deneb Vargas Juárez
Rigo Mora Award for Best Mexican Animated Short Film of 100,000 Mexican pesos went to the director Alejandro Rios for “ The Cats”/"Los Gatos."
Maguey Award for best Lgbt film went to "Theo et Hugo dans le meme bateau"/ "Paris 05:59" of France, directed by Olivier Ducastel and Jacques Martineau.
Special Mention went to “Neon Bull” of Brazil, directed by Gabriel Mascaro for its poetic and innovative illustrating of how traditional ideas of masculinity slowly have been made obsolete inviting us to question our own perspectives on gender bias.
After the Awards, Ficg gave a great closing night party. Lots of good people, new and old friends, great salsa band, danced til 3! Here’s me with my friend David Martinez of Raindance Film Festival. Coming from Guadalajara, living in London, this year he came home with Elliot Grove of Founder and Director of Raindance, and Aaron Wileman of Imaginative Exposure who gave a Master Class on Film Funds and Product Placement.
And of course I presented my own book in its abridged, Spanish language format, published by the University of Guadalajara Press, Cine Iberoamerican Industria y financiamiento por pais (Iberoamerican Cinema: Industry and Financing by Country). Read more about it here.
On Friday, March 11, it announced its awards and officially announced next year’s Guest of Honor, Germany, closing with the German film, Doris Dörrie’s “Fukushima Mon Amour” (Isa: The Match Factory). This film is a deeply moving homage to the spirit of humanity, recovery and love as a German clown, played by Rosalie Thomass and her clown partners, the wonderful Moshe Cohen of San Francisco and Nami Kamata, visit the people remaining at the devastated town of Fukushima and Rosalie bonds with the last geisha of Fukushima played by the beautiful Aya Irizuki. It premiered at the Panorama of the Berlinale where Doris won the C.I.C.A.E. Award and the Heiner Carow Prize.
Official Competition Winners FICG31
Mezcal Award for Best Mexican Film to “Maquinaria Panamericana”/ “Panamerican Machinery”
Mezcal jury
The jury consists of 30 students from related fields from universities or major schools of Mexico, Latin American, Europe and Canada. Serving as a sort of tutor, Jose Ramon Mikelajauregui, Director of Dis was responsible for the academic program held at FICG31.
The Mezcal Award consisting of 500,000 Mexican pesos went to the director, Joaquín del Paso for “Maquinaria Panamericana”/ “Panamerican Machinery”, a portrait of an inefficient factory on the edge of Mexico City where the workers lock themselves in when the owner is found dead in the back of the warehouse and they discover he has been bankrolling the wages out of his own pocket for years.
A coproduction of Mantarraya Producciones, it also won the Fipresci Prize at its premiere in the Forum of the Berlinale. International sales agent (Isa) is the new Paris-based sales and co-production company Luxbox whose
co-ceo Fiorella Moretti was formerly head of sales at Ndm, the Mexico City-based sales company she set up with director Carlos Reygadas and producer Jaime Romandia of Mantarraya Productions in 2012 to sell “Post Tenebras Lux”.
Co-ceo Hédi Zardi previously worked in sales for Fortissimo and went on to Unifrance, the French cinema promotions agency and then to the PR and events company Le Public Systeme, where he was in charge of industry initiatives at Marrakesh and Deauville festivals.
The pair got to know one another through Gabriel Ripstein’s “600 Miles”, winner of the best first feature last year at the Berlinale, which Zardi associate produced and Moretti sold.
Special Mention went to “Margarita” directed by Bruno Santamaría Razo
Infinitum Aaward Grante dby the Public, consisting of 150,000 pesos, went to " El Charro de Toluquilla" (Isa: Imcine) by José Villalobos Romero, a doc about mariachi singer Jaime Garcia Dominguez who became fascinated by the recklessness and ladies´ man lifestyle of the classic Mexican movie characters with one difference: he´s got HIV. Jaime faces an inner maturing process as he decides between keeping this lifestyle or becoming a family man. It also won the award for Best Iberoamerican Documentary of 150,000 Mexican pesos or its equivalent in dollars to the director.
Best Latin American Fiction Film consisting of 250,000 Mexican pesos or its equivalent in dollars went to the production company of Felipe Guerrero’s film “ Oscuro animal”, about three women forced to flee their homes in a war torn region in Colombia. The film also won Best Actress Award (s) for Marleyda Soto, Luisa Galiano and Jocelyn Vides Meneses and Best Photography Award to Fernando Lockett.
A coproduction of Argentina, Greece, Netherlands, Germany and Colombia, it is being sold internationally by FiGa. It previously played in the Rotterdam Film Festival’s Tiger Competition and Ficci Cartagena 2016’s Official Dramatic Competition. At the Berlinale’s Efm 2016 it was part of the World Cinema Fund’s First Look section. Financing for the film came from Colombia’s Proimágenes, Argentina’s Incaa, Netherlands’ Hubert Bals Fund, Fundación Typa, and Germany’s Nrw and World Cinema Fund.
It also won the award for Award for Best Iberoamerican Director consisting off 150,000 Mexican pesos or its equivalent in dollars, because “almost wordlessly it portrays a complex and painful situation in Colombia which is all too common in Latin America.”
Special Feature Film Jury Award Iberoamerican Fiction of 125,000 Mexican pesos or its equivalent in dollars, went to the production company of “The 4th Company”/ ”La 4a Compañía” by Amir Galván Cervera and Mitzi Vanessa Arreola, based upon a true story about an underdog prison (American-style) football team that, against all odds, wins against the police force team. The jury stated that it “considers it a cinematic achievement about a shameful moment in the history of Mexico to be remembered and not to be repeated”. Adrian Thief also won for Best Actor, and he is that! There is no Isa of record, so those ISAs reading this should check it out on Cinando! It’s a seller!
Award for Best Latin American Film of 125,000 Mexican pesos or its equivalent in dollars went to the superb debuting director from Puerto Rico, Angel Manuel Soto for“La Granja”/ “The Farm”. Also the first film produced independently by Tom Davia’s Cinemaven (but check out his credits!), this film is a full-circle “Crash”-style story that rivals “Gemorrah” in its look at the barrio called “The Farm” or “La Granja” in which the lives of a midwife, a young boxer, a janitor, a mute kid and a young couple collide in a story about the desperate pursuit of happiness on the mean streets of La Granja. Shot on a budget of $250,000, this film took four years to complete as the Puerto Rican government film establishment sought to block its production and release – and you can see why. It previously played in Fantastic Fest.
This is another discovery film with no Isa, and I am sure the agents have already locked their eyes upon writer-director Angel Manuel Soto. He lives in Los Angeles. “Born in Santurce, Puerto Rico. Son of a car salesman and a flight attendant. Studied architecture and advertising. Always loved films. Now he makes them. He is a cinephile. He travels all over the world doing it, including Australia, Thailand, Cambodia, France, USA, and Puerto Rico. He is not planning on stopping.”
Best Screenplay Award went to Marina Seresesky for “La Puerta Abierta”/ “Open Door” (pictured above). Marina also directed this first film. She has made two shorts previously. After Ficg it will play at Sofia Iff 2016 in International Competition, San Diego Latino 2016 and Chicago Latino 2016 Film Festivals.
Movies Recommended for Selection for the Golden Globes Awards 2017 are “The 4th Company” and “Ciudades Desiertas” / “Deserted Cities” by Roberto Sneider.
Documentary Jury Special Award of 100,000 Mexican pesos or its equivalent in dollars to the director Jorge Caballero for“Patient”/ "Paciente" Isa Rise and Shine, a new company in Germany, picked up the film at its world premiere in Competition at Idfa.
Best Iberoamerican Short Film Award D of 75,000 pesos or its equivalent in dollars to the directors Miguel de Olaso and Bruno Zacharias for the 10 minute short “ Los Angeles 1991”.
Special Mention went to “Juan's Sundown”/ "El Ocaso de Juan" by Omar Deneb Vargas Juárez
Rigo Mora Award for Best Mexican Animated Short Film of 100,000 Mexican pesos went to the director Alejandro Rios for “ The Cats”/"Los Gatos."
Maguey Award for best Lgbt film went to "Theo et Hugo dans le meme bateau"/ "Paris 05:59" of France, directed by Olivier Ducastel and Jacques Martineau.
Special Mention went to “Neon Bull” of Brazil, directed by Gabriel Mascaro for its poetic and innovative illustrating of how traditional ideas of masculinity slowly have been made obsolete inviting us to question our own perspectives on gender bias.
After the Awards, Ficg gave a great closing night party. Lots of good people, new and old friends, great salsa band, danced til 3! Here’s me with my friend David Martinez of Raindance Film Festival. Coming from Guadalajara, living in London, this year he came home with Elliot Grove of Founder and Director of Raindance, and Aaron Wileman of Imaginative Exposure who gave a Master Class on Film Funds and Product Placement.
And of course I presented my own book in its abridged, Spanish language format, published by the University of Guadalajara Press, Cine Iberoamerican Industria y financiamiento por pais (Iberoamerican Cinema: Industry and Financing by Country). Read more about it here.
- 3/17/2016
- by Sydney Levine
- Sydney's Buzz
Reviewed in today's Berlinale Diary: Heiner Carow's The Journey to Sundevit; Ted Fendt's Short Stay with Meaghan Lydon, Marta Sicinksa and Mike Maccherone; André Téchiné's Being 17, co-written with Céline Sciamma and starring Sandrine Kiberlain, Kacey Mottet Klein, Corentin Fila and Alexis Loret; Ivo M. Ferreira's Letters from War with Miguel Nunes, Margarida Vila-Nova, Ricardo Pereira, João Pedro Vaz and João Pedro Mamede; Philip Scheffner's Havarie; Anne Zohra Berrached's 24 Weeks with Julia Jentsch, Bjarne Mädel, Johanna Gastdorf, Emilia Pieske and Maria Dragus; and Rachid Bouchareb's Road to Istanbul with Astrid Whettnall, Pauline Burlet, Patricia Ide and Abel Jafri. » - David Hudson...
- 2/15/2016
- Keyframe
Reviewed in today's Berlinale Diary: Heiner Carow's The Journey to Sundevit; Ted Fendt's Short Stay with Meaghan Lydon, Marta Sicinksa and Mike Maccherone; André Téchiné's Being 17, co-written with Céline Sciamma and starring Sandrine Kiberlain, Kacey Mottet Klein, Corentin Fila and Alexis Loret; Ivo M. Ferreira's Letters from War with Miguel Nunes, Margarida Vila-Nova, Ricardo Pereira, João Pedro Vaz and João Pedro Mamede; Philip Scheffner's Havarie; Anne Zohra Berrached's 24 Weeks with Julia Jentsch, Bjarne Mädel, Johanna Gastdorf, Emilia Pieske and Maria Dragus; and Rachid Bouchareb's Road to Istanbul with Astrid Whettnall, Pauline Burlet, Patricia Ide and Abel Jafri. » - David Hudson...
- 2/15/2016
- Fandor: Keyframe
Bahman Ghobadi’s Life On The Border, Hans Steinbichler’s The Diary Of Anne Frank join Generation special screenings.
Hans Steinbichler’s The Diary Of Anne Frank is among two special screenings added to the Berlin Film Festival’s (Feb 11-21) Generation strand, aimed at teenagers and children.
The film, which will be distributed by co-producers Universal Pictures International in Germany and gets its world premiere in the strand, stars Lea van Acken (Heil) as Anne Frank, alongside Martina Gedeck (The Lives Of Others) and Ulrich Noethen (Downfall).
The latest project from Kurdish filmmaker Bahman Ghobadi (Turtles Can Fly) will have its European premiere in the strand.
The documentary, produced by Ghobadi, sees eight children from Syrian refugee camps handed cameras and given the encouragement to tell their personal stories.
The juries for the Generation programme’s two sections - Generation Kplus and Generation 14plus – have also been revealed.
The Generation 14plus International Jury - which presents...
Hans Steinbichler’s The Diary Of Anne Frank is among two special screenings added to the Berlin Film Festival’s (Feb 11-21) Generation strand, aimed at teenagers and children.
The film, which will be distributed by co-producers Universal Pictures International in Germany and gets its world premiere in the strand, stars Lea van Acken (Heil) as Anne Frank, alongside Martina Gedeck (The Lives Of Others) and Ulrich Noethen (Downfall).
The latest project from Kurdish filmmaker Bahman Ghobadi (Turtles Can Fly) will have its European premiere in the strand.
The documentary, produced by Ghobadi, sees eight children from Syrian refugee camps handed cameras and given the encouragement to tell their personal stories.
The juries for the Generation programme’s two sections - Generation Kplus and Generation 14plus – have also been revealed.
The Generation 14plus International Jury - which presents...
- 1/22/2016
- ScreenDaily
Films include Shepherds and Butchers with Steve Coogan; Don’t Call Me Son from Anna Muylaert; and a documentary about a director and actress who were kidnapped by Kim Jong-il.
The Berlinale (Feb 11-21) has completed the selection for this year’s Panorama strand, comprising 51 films from 33 countries. A total of 34 fiction features comprise the main programme and Panorama Special while a further 17 titles will screen in Panorama Dokumente.
A total of 33 films are world premieres, nine are international premieres and nine European premieres. The 30th Teddy Award is also being celebrated with an anniversary series of 17 films.
Notable titles include Shepherds and Butchers from South Africa, which is set toward the end of Apartheid and stars Steve Coogan as a hotshot lawyer who faces his biggest test when he agrees to defend a white prison guard who has killed seven black men. What ensues is a charge against the death penalty itself, in a case...
The Berlinale (Feb 11-21) has completed the selection for this year’s Panorama strand, comprising 51 films from 33 countries. A total of 34 fiction features comprise the main programme and Panorama Special while a further 17 titles will screen in Panorama Dokumente.
A total of 33 films are world premieres, nine are international premieres and nine European premieres. The 30th Teddy Award is also being celebrated with an anniversary series of 17 films.
Notable titles include Shepherds and Butchers from South Africa, which is set toward the end of Apartheid and stars Steve Coogan as a hotshot lawyer who faces his biggest test when he agrees to defend a white prison guard who has killed seven black men. What ensues is a charge against the death penalty itself, in a case...
- 1/21/2016
- by [email protected] (Michael Rosser)
- ScreenDaily
Films include Shepherds and Butchers, starring Steve Coogan; Don’t Call Me Son from Anna Muylaert; and a documentary about a director and actress who were kidnapped by Kim Jong-il and forced to make films.
The Berlinale (Feb 11-21) has completed the selection for this year’s Panorama strand, comprising 51 films from 33 countries. A total of 34 fiction features comprise the main programme and Panorama Special while a further 17 titles will screen in Panorama Dokumente.
A total of 33 films are world premieres, nine are international premieres and nine European premieres. The 30th Teddy Award is also being celebrated with an anniversary series of 17 films.
Notable titles include Shepherds and Butchers from South Africa, which is set toward the end of Apartheid and stars Steve Coogan as a hotshot lawyer faces his biggest test when he agrees to defend a white prison guard who has killed seven black men. What ensues is a charge against the death penalty itself...
The Berlinale (Feb 11-21) has completed the selection for this year’s Panorama strand, comprising 51 films from 33 countries. A total of 34 fiction features comprise the main programme and Panorama Special while a further 17 titles will screen in Panorama Dokumente.
A total of 33 films are world premieres, nine are international premieres and nine European premieres. The 30th Teddy Award is also being celebrated with an anniversary series of 17 films.
Notable titles include Shepherds and Butchers from South Africa, which is set toward the end of Apartheid and stars Steve Coogan as a hotshot lawyer faces his biggest test when he agrees to defend a white prison guard who has killed seven black men. What ensues is a charge against the death penalty itself...
- 1/21/2016
- by [email protected] (Michael Rosser)
- ScreenDaily
The Berlinale's added to its Panorama section, completed its Perspektive Deutsches Kino lineup and announced the complete Berlinale Classics program, which includes new restorations of James Whale's The Road Back, Fritz Lang's Destiny, Heiner Carow's The Russians Are Coming, Hou Hsiao-hsien's Daughter of the Nile, John Huston's Fat City and Yasujiro Ozu's Early Summer. We can look forward to new films from Alex Gibney, Doris Dörrie, James Schamus, Wayne Wang, Ira Sachs and Emir Baigazin as well as Uncle Howard, a documentary by Aaron Brookner featuring Jim Jarmusch, Sara Driver, Tom Dicillo, Brad Gooch, Robert Wilson and William S. Burroughs. » - David Hudson...
- 1/17/2016
- Keyframe
The Berlinale's added to its Panorama section, completed its Perspektive Deutsches Kino lineup and announced the complete Berlinale Classics program, which includes new restorations of James Whale's The Road Back, Fritz Lang's Destiny, Heiner Carow's The Russians Are Coming, Hou Hsiao-hsien's Daughter of the Nile, John Huston's Fat City and Yasujiro Ozu's Early Summer. We can look forward to new films from Alex Gibney, Doris Dörrie, James Schamus, Wayne Wang, Ira Sachs and Emir Baigazin as well as Uncle Howard, a documentary by Aaron Brookner featuring Jim Jarmusch, Sara Driver, Tom Dicillo, Brad Gooch, Robert Wilson and William S. Burroughs. » - David Hudson...
- 1/17/2016
- Fandor: Keyframe
Six newly-restored films from Germany, Japan, Taiwan and the Us.
The Berlinale Classics strand at the 66th Berlin International Film Festival (Feb 11-21) is to include premieres of six films: two German and four international productions, five of them world premieres.
Us film The Road Back directed by James Whale in 1937, references a slice of German history. It is based on the eponymous Erich Maria Remarque novel about four German infantrymen who face a difficult road back to civilian life.
In 1939, after protests from Germany, Universal Studios re-edited the film without consulting the director. The festival is showing a reconstruction of Whale’s original 1937 theatrical release version, preserved by the Library of Congress in collaboration with NBCUniversal and Martin Scorsese’s The Film Foundation. David Stenn and the UCLA Film & Television Archive provided skills and film footage.
Heiner Carow’s semi-autobiographical film The Russians are Coming (Die Russen kommen, Gdr, 1968) is set in...
The Berlinale Classics strand at the 66th Berlin International Film Festival (Feb 11-21) is to include premieres of six films: two German and four international productions, five of them world premieres.
Us film The Road Back directed by James Whale in 1937, references a slice of German history. It is based on the eponymous Erich Maria Remarque novel about four German infantrymen who face a difficult road back to civilian life.
In 1939, after protests from Germany, Universal Studios re-edited the film without consulting the director. The festival is showing a reconstruction of Whale’s original 1937 theatrical release version, preserved by the Library of Congress in collaboration with NBCUniversal and Martin Scorsese’s The Film Foundation. David Stenn and the UCLA Film & Television Archive provided skills and film footage.
Heiner Carow’s semi-autobiographical film The Russians are Coming (Die Russen kommen, Gdr, 1968) is set in...
- 1/14/2016
- by [email protected] (Michael Rosser)
- ScreenDaily
The European Film Market’s Matthijs Wouter Knol ended his first edition as director today confident that the new initiatives introduced had been accepted by the industry.
Speaking exclusively to ScreenDaily, Knol explained that the several new initiatives for producers at Efm (Feb 5-13) - such as the Producers Hub, Bridging The Dragon event, and meetings between Berlin-based startups and producers - had shown that the Market is capable of adapting to new areas of business which are interesting for the film industry as well as bringing in new energy and impulses and positioning itself as an international market central in Europe with a strong basis in Berlin.
Efm president Beki Probst summed up Knol’s achievement by citing the French and said: “Pour un coup d’essai, c’est un coup de maître” … “For a first attempt, it was brilliant.”
Knol said that he would not necessarily be looking to introduce new initiatives at Efm each...
Speaking exclusively to ScreenDaily, Knol explained that the several new initiatives for producers at Efm (Feb 5-13) - such as the Producers Hub, Bridging The Dragon event, and meetings between Berlin-based startups and producers - had shown that the Market is capable of adapting to new areas of business which are interesting for the film industry as well as bringing in new energy and impulses and positioning itself as an international market central in Europe with a strong basis in Berlin.
Efm president Beki Probst summed up Knol’s achievement by citing the French and said: “Pour un coup d’essai, c’est un coup de maître” … “For a first attempt, it was brilliant.”
Knol said that he would not necessarily be looking to introduce new initiatives at Efm each...
- 2/13/2015
- by [email protected] (Martin Blaney)
- ScreenDaily
Selection opens with a documentary about what motivates Somali pirates and includes the European premiere of 20,000 Days on Earth, starring Nick Cave, and 10 world premieres.Scroll down for full list
The Berlin International Film Festival (Feb 6-16) has unveiled the 16 films that will make up the documentary section of its Panorama strand.
This year’s Panorama Dokumente comprises 16 films, including ten world premieres, and will open on Feb 7 with the world premiere of Dutch co-production The Last Hijack by Tommy Pallotta and Femke Wolting. The film depicts what motivates piracy in Somalia.
The topic of Africa, which is also reflected in the Ethiopian fictional feature Difret, is also central to Swedish filmmaker Göran Hugo Olsson in Concerning Violence. This commentary on Africa’s decolonisation, cites Frantz Fanon’s “The Wretched of the Earth” - and Us singer Lauryn Hill lends these texts her voice.
Olsson previously presented The Black Power Mixtape 1967-1975 about the Afro-American civil rights...
The Berlin International Film Festival (Feb 6-16) has unveiled the 16 films that will make up the documentary section of its Panorama strand.
This year’s Panorama Dokumente comprises 16 films, including ten world premieres, and will open on Feb 7 with the world premiere of Dutch co-production The Last Hijack by Tommy Pallotta and Femke Wolting. The film depicts what motivates piracy in Somalia.
The topic of Africa, which is also reflected in the Ethiopian fictional feature Difret, is also central to Swedish filmmaker Göran Hugo Olsson in Concerning Violence. This commentary on Africa’s decolonisation, cites Frantz Fanon’s “The Wretched of the Earth” - and Us singer Lauryn Hill lends these texts her voice.
Olsson previously presented The Black Power Mixtape 1967-1975 about the Afro-American civil rights...
- 1/22/2014
- by [email protected] (Michael Rosser)
- ScreenDaily
The 63rd Berlinale is coming to a close, and the awards have been announced!
In Competition
Golden Bear - Child's Pose, directed by Călin Peter Netzer
Jury Grand Prix - An Episode in the Life of an Iron Picker, directed by Danis Tanović
Silver Bear for Best Director - Prince Avalanche, directed by David Gordon Green
Best Actor - Nazif Mujić, An Episode in the Life of an Iron Picker
Best Actress - Paulina Garcia, Gloria
Best Screenplay - Closed Curtain, written by Jafar Panahi
Alfred Bauer Prize - Vic+Flo Saw a Bear, directed by Denis Côté
Outstanding Artistic Contribution - Cinematographer Aziz Zhambakiyev, for Harmony Lessons
Special Mentions - Promised Land, directed by Gus Van Sant & Layla Fourie, directed by Pia Marais
Best First Feature Award
Best First Feature - The Rocket, directed by Kim Mordaunt
Special Mention - The Battle of Tabatô, directed by João Viana
Teddy...
In Competition
Golden Bear - Child's Pose, directed by Călin Peter Netzer
Jury Grand Prix - An Episode in the Life of an Iron Picker, directed by Danis Tanović
Silver Bear for Best Director - Prince Avalanche, directed by David Gordon Green
Best Actor - Nazif Mujić, An Episode in the Life of an Iron Picker
Best Actress - Paulina Garcia, Gloria
Best Screenplay - Closed Curtain, written by Jafar Panahi
Alfred Bauer Prize - Vic+Flo Saw a Bear, directed by Denis Côté
Outstanding Artistic Contribution - Cinematographer Aziz Zhambakiyev, for Harmony Lessons
Special Mentions - Promised Land, directed by Gus Van Sant & Layla Fourie, directed by Pia Marais
Best First Feature Award
Best First Feature - The Rocket, directed by Kim Mordaunt
Special Mention - The Battle of Tabatô, directed by João Viana
Teddy...
- 2/17/2013
- by Notebook
- MUBI
London – The 2013 edition of the Berlin International Film Festival will add an award to be handed out by Defa, the former East German state-owned film studio. The Berlin-based Defa Foundation will award the newly-created Heiner Carow Prize during the festival. The award, which comes with a cash prize of €5,000 ($6,400), will go to a German fictional, documentary or essay film from the festival's Panorama section with a three-member jury choosing the winning film. The Defa Foundation has set up the prize in memory of director Carow who made many films at
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- 11/6/2012
- by Stuart Kemp
- The Hollywood Reporter - Movie News
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