Dakota Fanning’s Marge Sherwood describes Tom Ripley as an untrustworthy liar who takes advantage of people in the official trailer for Netflix’s Ripley. The limited series stars All of Us Strangers‘ Andrew Scott in the titular role and is based on Patricia Highsmith’s popular Tom Ripley novels.
“Tom Ripley (Scott), a grifter scraping by in early 1960s New York, is hired by a wealthy man to travel to Italy to try to convince his vagabond son to return home,” reads Netflix’s synopsis. “Tom’s acceptance of the job is the first step into a complex life of deceit, fraud, and murder.”
In addition to Scott and Fanning, the series stars Johnny Flynn (Lovesick) as Dickie Greenleaf, Eliot Sumner (Pretty Red Dress), Maurizio Lombardi (Monterossi), Margherita Buy (Mia Madre), and two-time Oscar nominee John Malkovich. Oscar winner Steven Zaillian (Schindler’s List) wrote, directed, and executive produced the limited series.
“Tom Ripley (Scott), a grifter scraping by in early 1960s New York, is hired by a wealthy man to travel to Italy to try to convince his vagabond son to return home,” reads Netflix’s synopsis. “Tom’s acceptance of the job is the first step into a complex life of deceit, fraud, and murder.”
In addition to Scott and Fanning, the series stars Johnny Flynn (Lovesick) as Dickie Greenleaf, Eliot Sumner (Pretty Red Dress), Maurizio Lombardi (Monterossi), Margherita Buy (Mia Madre), and two-time Oscar nominee John Malkovich. Oscar winner Steven Zaillian (Schindler’s List) wrote, directed, and executive produced the limited series.
- 3/4/2024
- by Rebecca Murray
- Showbiz Junkies
Justine Triet’s Oscar-nominated Anatomy of a Fall and Thomas Cailley’s fantasy drama The Animal Kingdom are the front runners for this year’s Cesar Awards, France’s equivalent to the Academy Awards. In nominations announced Wednesday, Anatomy picked up 11 Cesar noms and The Animal Kingdom 12. Both were nominated in the best film and best director categories.
Also nominated for best film are Jean-Baptiste Durand’s Junkyard Dog, All Your Faces from director Jeanne Herry and Cédric Kahn’s The Goldman Case.
France’s official Academy Award contender, Anh Hung Tran’s foodie period drama The Taste of Things, which missed out on an Oscar nom on Tuesday, picked up three Ceasar nominations, but none in the main categories.
German actress Sandra Hüller, a best actress nominee at this year’s Oscars for her starring turn in Anatomy of a Fall, is also up for the Cesar for best actress,...
Also nominated for best film are Jean-Baptiste Durand’s Junkyard Dog, All Your Faces from director Jeanne Herry and Cédric Kahn’s The Goldman Case.
France’s official Academy Award contender, Anh Hung Tran’s foodie period drama The Taste of Things, which missed out on an Oscar nom on Tuesday, picked up three Ceasar nominations, but none in the main categories.
German actress Sandra Hüller, a best actress nominee at this year’s Oscars for her starring turn in Anatomy of a Fall, is also up for the Cesar for best actress,...
- 1/24/2024
- by Scott Roxborough and Georg Szalai
- The Hollywood Reporter - Movie News
The film tackles the issue of illegal immigration and people trafficking.
Asimina Proedrou’s debut feature Behind The Haystacks swept the board at Greece’s Iris Awards this week, winning the prizes for best film, director, debut director, screenplay, actor, supporting actress and actor, cinematography, editing and sound.
The film is about a family forced to take part in the trafficking of illegal migrants from Turkey to Greece and into the EU.
Scroll down for the full list of winners
It premiered at the Thessaloniki International Film Festival in November 2022 where it was awarded the Fipresci prize as well as the best debut director award.
Asimina Proedrou’s debut feature Behind The Haystacks swept the board at Greece’s Iris Awards this week, winning the prizes for best film, director, debut director, screenplay, actor, supporting actress and actor, cinematography, editing and sound.
The film is about a family forced to take part in the trafficking of illegal migrants from Turkey to Greece and into the EU.
Scroll down for the full list of winners
It premiered at the Thessaloniki International Film Festival in November 2022 where it was awarded the Fipresci prize as well as the best debut director award.
- 6/29/2023
- by Alexis Grivas
- ScreenDaily
Composers including Howard Shore, Patrick Doyle and Daniel Pemberton have taken part.
The World Soundtrack Awards (Wsa), taking place annually at Film Fest Gent, is pairing 25 composers with 25 filmmakers for a short film project called 25 x 2 to celebrate the festival’s 50th anniversary.
Composers including Howard Shore, Patrick Doyle and Daniel Pemberton have composed a short piece of music (1-2 minutes) with many recorded by the Brussels Philharmonic orchestra. Filmmakers Including Terence Davies, Radu Jude, Paul Schrader, Naomi Kawase and Ildikó Enyedi are now creating shorts based on the scores.
The shorts will be presented at this year’s Film Fest Gent,...
The World Soundtrack Awards (Wsa), taking place annually at Film Fest Gent, is pairing 25 composers with 25 filmmakers for a short film project called 25 x 2 to celebrate the festival’s 50th anniversary.
Composers including Howard Shore, Patrick Doyle and Daniel Pemberton have composed a short piece of music (1-2 minutes) with many recorded by the Brussels Philharmonic orchestra. Filmmakers Including Terence Davies, Radu Jude, Paul Schrader, Naomi Kawase and Ildikó Enyedi are now creating shorts based on the scores.
The shorts will be presented at this year’s Film Fest Gent,...
- 5/21/2023
- by Orlando Parfitt
- ScreenDaily
Composers including Howard Shore, Patrick Doyle and Daniel Pemberton have taken part.
The World Soundtrack Awards (Wsa), taking place annually at Film Fest Gent, is pairing 25 composers with 25 filmmakers for a short film project called 25 x 2 to celebrate the festival’s 50th anniversary.
Composers including Howard Shore, Patrick Doyle and Daniel Pemberton have composed a short piece of music (1-2 minutes) with many recorded by the Brussels Philharmonic orchestra. Filmmakers Including Terence Davies, Radu Jude, Paul Schrader, Naomi Kawase and Ildikó Enyedi are now creating shorts based on the scores.
The shorts will be presented at this year’s Film Fest Gent,...
The World Soundtrack Awards (Wsa), taking place annually at Film Fest Gent, is pairing 25 composers with 25 filmmakers for a short film project called 25 x 2 to celebrate the festival’s 50th anniversary.
Composers including Howard Shore, Patrick Doyle and Daniel Pemberton have composed a short piece of music (1-2 minutes) with many recorded by the Brussels Philharmonic orchestra. Filmmakers Including Terence Davies, Radu Jude, Paul Schrader, Naomi Kawase and Ildikó Enyedi are now creating shorts based on the scores.
The shorts will be presented at this year’s Film Fest Gent,...
- 5/21/2023
- by Orlando Parfitt
- ScreenDaily
Composers including Howard Shore, Patrick Doyle and Daniel Pemberton have taken part.
The World Soundtrack Awards (Wsa), taking place annually at Film Fest Gent, is pairing 25 composers with 25 filmmakers for a short film project called 25 x 2 to celebrate the festival’s 50th anniversary.
Composers including Howard Shore, Patrick Doyle and Daniel Pemberton have composed a short piece of music (1-2 minutes) with many recorded by the Brussels Philharmonic orchestra. Filmmakers Including Terence Davies, Radu Jude, Paul Schrader, Naomi Kawase and Ildikó Enyedi are now creating shorts based on the scores.
The shorts will be presented at this year’s Film Fest Gent,...
The World Soundtrack Awards (Wsa), taking place annually at Film Fest Gent, is pairing 25 composers with 25 filmmakers for a short film project called 25 x 2 to celebrate the festival’s 50th anniversary.
Composers including Howard Shore, Patrick Doyle and Daniel Pemberton have composed a short piece of music (1-2 minutes) with many recorded by the Brussels Philharmonic orchestra. Filmmakers Including Terence Davies, Radu Jude, Paul Schrader, Naomi Kawase and Ildikó Enyedi are now creating shorts based on the scores.
The shorts will be presented at this year’s Film Fest Gent,...
- 5/21/2023
- by Orlando Parfitt
- ScreenDaily
Director Emad Aleebrahim Dehkordi dedicates award to ‘women of Iran and younger generation.’
Iranian director Emad Aleebrahim Dehkordi’s directorial debut drama A Tale of Shemroon won the Marrakech International’s Film Festival’s Etoile d’Or grand prize as the nine-day festival wrapped its 19th in-person edition over the weekend.
The Farsi and French-language film takes place north of Tehran and follows a boy and his younger brother who, following the death of their mother, attempt to launch a quick money-making business to help their family, but end up getting caught up in an illegal drug trade and Tehran’s wealthy world of corruption.
Iranian director Emad Aleebrahim Dehkordi’s directorial debut drama A Tale of Shemroon won the Marrakech International’s Film Festival’s Etoile d’Or grand prize as the nine-day festival wrapped its 19th in-person edition over the weekend.
The Farsi and French-language film takes place north of Tehran and follows a boy and his younger brother who, following the death of their mother, attempt to launch a quick money-making business to help their family, but end up getting caught up in an illegal drug trade and Tehran’s wealthy world of corruption.
- 11/20/2022
- by Rebecca Leffler
- ScreenDaily
Some people may be slow to go to cinemas as the pandemic eases, but here in Los Angeles, they’re certainly not sluggish to head to awards season events, and Netflix took over the old Amoeba Records space on Sunset Blvd Monday (aka The Lighthouse Artspace) for their very swanky, in-person concert Playlist event which touted a lineup of platinum composers and music supervisors working on their projects.
Not only did the event serve as a music sampling of Q4 Netflix series and movies, but it also doubled as an awards season preview for voters as well. Miramax broke ground on these types of awards events back in the late 1990s, read their English Patient In Word And Music which featured director/scribe Anthony Minghella reading parts of the script, author Michael Ondaatje reading from the book, and composer Gabriel Yared conducting the score before a chamber orchestra in a...
Not only did the event serve as a music sampling of Q4 Netflix series and movies, but it also doubled as an awards season preview for voters as well. Miramax broke ground on these types of awards events back in the late 1990s, read their English Patient In Word And Music which featured director/scribe Anthony Minghella reading parts of the script, author Michael Ondaatje reading from the book, and composer Gabriel Yared conducting the score before a chamber orchestra in a...
- 11/9/2022
- by Anthony D'Alessandro
- Deadline Film + TV
The Marrakech Film Festival will honor a quartet of renowned film personalities at its 2022 edition.
Honorees who will receive the festival’s Étoile d’or (Golden Star) include Scottish actor Tilda Swinton (“The Eternal Daughter”), U.S. filmmaker James Gray (“Armageddon Time”), Moroccan film pioneer and director Farida Benlyazid (“The Wretched Life of Juanita Narboni”) and Bollywood star Ranveer Singh (“’83”).
The festival has also revealed a raft of well-known names who will participate in In Conversation events. They include British actor Jeremy Irons (“House of Gucci”), French actor and director Julie Delpy (“My Zoe”), Iranian auteur Asghar Farhadi (“A Hero”), French filmmaker Julia Ducournau (“Titane”), U.S. filmmaker Jim Jarmusch (“The Dead Don’t Die”), French actor Marina Foïs (“The Sitting Duck”), Swedish director Ruben Östlund (“Triangle of Sadness”), French filmmaker Léos Carax (“Annette”) and Franco-Lebanese composer Gabriel Yared (“Scarlet”).
Singh said: “The notion that my craft has resonated in Africa is hugely gratifying.
Honorees who will receive the festival’s Étoile d’or (Golden Star) include Scottish actor Tilda Swinton (“The Eternal Daughter”), U.S. filmmaker James Gray (“Armageddon Time”), Moroccan film pioneer and director Farida Benlyazid (“The Wretched Life of Juanita Narboni”) and Bollywood star Ranveer Singh (“’83”).
The festival has also revealed a raft of well-known names who will participate in In Conversation events. They include British actor Jeremy Irons (“House of Gucci”), French actor and director Julie Delpy (“My Zoe”), Iranian auteur Asghar Farhadi (“A Hero”), French filmmaker Julia Ducournau (“Titane”), U.S. filmmaker Jim Jarmusch (“The Dead Don’t Die”), French actor Marina Foïs (“The Sitting Duck”), Swedish director Ruben Östlund (“Triangle of Sadness”), French filmmaker Léos Carax (“Annette”) and Franco-Lebanese composer Gabriel Yared (“Scarlet”).
Singh said: “The notion that my craft has resonated in Africa is hugely gratifying.
- 10/27/2022
- by Naman Ramachandran
- Variety Film + TV
Click here to read the full article.
The 2022 Marrakech Film Festival will pay tribute to talents from four continents this year, with Scottish actor Tilda Swinton, U.S. director James Gray, Bollywood superstar Ranveer Singh and pioneering Moroccan filmmaker Farida Benlyazid all receiving the festival’s Étoile d’or, or Golden Star, honor for their contributions to cinema.
Swinton, an Oscar winner for Michael Clayton (2007), most recently appeared in a doppelgänger performance as a filmmaker and her elderly mother in Joanna Hogg’s The Eternal Daughter, her third film with the British director. In a statement, Swinton called the Étoile d’or honor “truly touching. To return [to Marrakech] to celebrate with my friends this exceptional forum for world cinema and the perpetual global fellowship of film love with the beautiful audience there will be a pure joy for which I am deeply grateful.”
Tilda Swinton in ‘The Eternal Daughter’
Veteran filmmaker Gray,...
The 2022 Marrakech Film Festival will pay tribute to talents from four continents this year, with Scottish actor Tilda Swinton, U.S. director James Gray, Bollywood superstar Ranveer Singh and pioneering Moroccan filmmaker Farida Benlyazid all receiving the festival’s Étoile d’or, or Golden Star, honor for their contributions to cinema.
Swinton, an Oscar winner for Michael Clayton (2007), most recently appeared in a doppelgänger performance as a filmmaker and her elderly mother in Joanna Hogg’s The Eternal Daughter, her third film with the British director. In a statement, Swinton called the Étoile d’or honor “truly touching. To return [to Marrakech] to celebrate with my friends this exceptional forum for world cinema and the perpetual global fellowship of film love with the beautiful audience there will be a pure joy for which I am deeply grateful.”
Tilda Swinton in ‘The Eternal Daughter’
Veteran filmmaker Gray,...
- 10/27/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Festival returns for its first in-person event in three years from November 11-19.
Tilda Swinton and Moroccan film pioneer and director Farida Benlyazid are to be honoured at the upcoming Marrakech International Film Festival with tribute awards.
Returning for its first in-person event in three years from November 11-19, Marrakech’s comeback edition will also honour Indian actor Ranveer Singh with the festival’s Etoile d’Or prize as well as hosting an “In Conversation” series with some of global cinema’s top talents including Singh, UK actor Jeremy Irons, French actor/filmmaker Julie Delpy and Iranian director Asghar Farhadi.
Tilda Swinton and Moroccan film pioneer and director Farida Benlyazid are to be honoured at the upcoming Marrakech International Film Festival with tribute awards.
Returning for its first in-person event in three years from November 11-19, Marrakech’s comeback edition will also honour Indian actor Ranveer Singh with the festival’s Etoile d’Or prize as well as hosting an “In Conversation” series with some of global cinema’s top talents including Singh, UK actor Jeremy Irons, French actor/filmmaker Julie Delpy and Iranian director Asghar Farhadi.
- 10/26/2022
- by Rebecca Leffler
- ScreenDaily
Scarlet (L'envol) director Pietro Marcello with Anne-Katrin Titze (in scarlet Haider Ackermann) on Gabriel Yared: “He was both a guide and for me it was a new experience to be flanked and to be working alongside a composer of that high level.” Photo: Kate Patterson
Pietro Marcello’s Scarlet (L'envol), which is an adaptation by the director with Maurizio Braucci and Maud Ameline (Mikhaël Hers’ Amanda), in collaboration with Geneviève Brisac of the 1923 novel Scarlet Sails by Russian author Alexander Grin stars Raphaël Thiéry, Juliette Jouan, Louis Garrel, Noémie Lvovsky, and Yolande Moreau.
Pietro Marcello on costume designer Pascaline Chavanne (pictured Juliette Jouan as Juliette in Scarlet): “For me it was a privilege to work not only with her but with the many masters of their crafts that I worked with.”
The film is a celebration of craft, both on screen and in the making, Pascaline Chavanne’s...
Pietro Marcello’s Scarlet (L'envol), which is an adaptation by the director with Maurizio Braucci and Maud Ameline (Mikhaël Hers’ Amanda), in collaboration with Geneviève Brisac of the 1923 novel Scarlet Sails by Russian author Alexander Grin stars Raphaël Thiéry, Juliette Jouan, Louis Garrel, Noémie Lvovsky, and Yolande Moreau.
Pietro Marcello on costume designer Pascaline Chavanne (pictured Juliette Jouan as Juliette in Scarlet): “For me it was a privilege to work not only with her but with the many masters of their crafts that I worked with.”
The film is a celebration of craft, both on screen and in the making, Pascaline Chavanne’s...
- 10/12/2022
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Neapolitan director Pietro Marcello, who made the transition from high-profile docs to fiction with his Naples-set 2019 adaptation of Jack London’s Martin Eden – that made a splash on the international art-house scene – has now tackled a France-set tale inspired by a Russian novel in his new film “Scarlet” (see review) that mixes fable, musical, historical and magical realism elements.
The pic’s central character is Juliette, played by promising newcomer Juliette Jouan, an orphan girl raised by a community of women and by her father Raphaël, a burly soldier who returned from the First World War to find that his adored wife after giving birth had passed away.
Marcello spoke to Variety about what he calls his first ‘feminine’ film. Excerpts.
There is a strong sense of matriarchy in this film. You’ve underlined its feminine aspect.
I’ve always made films that are quite masculine. “Martin Eden” certainly was.
The pic’s central character is Juliette, played by promising newcomer Juliette Jouan, an orphan girl raised by a community of women and by her father Raphaël, a burly soldier who returned from the First World War to find that his adored wife after giving birth had passed away.
Marcello spoke to Variety about what he calls his first ‘feminine’ film. Excerpts.
There is a strong sense of matriarchy in this film. You’ve underlined its feminine aspect.
I’ve always made films that are quite masculine. “Martin Eden” certainly was.
- 5/18/2022
- by Nick Vivarelli
- Variety Film + TV
Not quite a musical, sort of a folktale, and almost but not entirely a hardscrabble hunk of post-war realism before all of a sudden changing gears, “Scarlet” – which opened the 2022 Cannes Film Festival’s Directors’ Fortnight sidebar on Wednesday – is a tricky project to pin down. Of course, director Pietro Marcello wouldn’t have it any other way.
Shooting in French for the first time, the Italian filmmaker made his name with documentaries before working found and historical footage into the world of make-believe with 2019’s “Martin Eden.” With this more ambitious (if more uneven) follow-up, Marcello continues at a similar pace, folding fact into fiction as he explores both the landscapes of rural Normandy in the aftermath of the First World War and the plight of the working poor, all through the crags of his leading man’s brow.
That brow (and those crags) belongs to Raphael (Raphaël Thiéry...
Shooting in French for the first time, the Italian filmmaker made his name with documentaries before working found and historical footage into the world of make-believe with 2019’s “Martin Eden.” With this more ambitious (if more uneven) follow-up, Marcello continues at a similar pace, folding fact into fiction as he explores both the landscapes of rural Normandy in the aftermath of the First World War and the plight of the working poor, all through the crags of his leading man’s brow.
That brow (and those crags) belongs to Raphael (Raphaël Thiéry...
- 5/18/2022
- by Ben Croll
- The Wrap
A slight but satisfying choice to open Director’s Fortnight at the Cannes Film Festival, Pietro Marcello’s “Scarlet” isn’t quite a fairy tale, although it certainly feels like one at times. For example, roughly midway through the movie, a woman who might be a witch meets the film’s fanciful young heroine, Juliette (Juliette Jouan), in the woods and predicts her fortune, explaining that one day this girl — who’s destined for greater things than the provincial Normandy farm where she’s dutifully passed her adolescence — will be whisked away by a ship flying scarlet sails.
Set in the years just after the Great War, this charming French-language fable — which hails from the celebrated Italian doc maker whose epic narrative debut, “Martin Eden,” was a critical success on the festival circuit just pre-covid — is smaller, sweeter and more sensitive than Marcello’s earlier work. The movie’s sense of reality-based romance,...
Set in the years just after the Great War, this charming French-language fable — which hails from the celebrated Italian doc maker whose epic narrative debut, “Martin Eden,” was a critical success on the festival circuit just pre-covid — is smaller, sweeter and more sensitive than Marcello’s earlier work. The movie’s sense of reality-based romance,...
- 5/18/2022
- by Peter Debruge
- Variety Film + TV
Pietro Marcello, the critically acclaimed Italian filmmaker of the Venice prize-winning “Martin Eden,” has just started shooting “Scarlet” (“L’envol”), a French-language drama set in Northern Normandy. Orange Studio has acquired international sales rights to the film which will be distributed in France by Le Pacte.
Charles Gillibert, whose Paris-based outfit CG Cinema previously delivered award-winning films such as Deniz Erguven’s “Mustang” and Leos Carax’s “Annette,” is producing “Scarlet” with Avventurosa and Rai Cinema in Italy, in collaboration with Ilya Stewart (Hype Film) and Antonio Miyakawa (Wise Pictures).
Marcello penned the script with his regular screenwriting partner Maurizio Braucci (“Gomorra”), as well as Maud Ameline (“Amanda”), with the participation of the novelist Geneviève Brisac.
The film is set between the two world wars, a time of great inventions, and follows the journey of a young woman who was raised by her father, a widowed war veteran, and strives...
Charles Gillibert, whose Paris-based outfit CG Cinema previously delivered award-winning films such as Deniz Erguven’s “Mustang” and Leos Carax’s “Annette,” is producing “Scarlet” with Avventurosa and Rai Cinema in Italy, in collaboration with Ilya Stewart (Hype Film) and Antonio Miyakawa (Wise Pictures).
Marcello penned the script with his regular screenwriting partner Maurizio Braucci (“Gomorra”), as well as Maud Ameline (“Amanda”), with the participation of the novelist Geneviève Brisac.
The film is set between the two world wars, a time of great inventions, and follows the journey of a young woman who was raised by her father, a widowed war veteran, and strives...
- 8/19/2021
- by Elsa Keslassy
- Variety Film + TV
Eleni Karaindrou set to perform with the Brussels Philharmonic.
Greek composer Eleni Karaindrou is set to receive the lifetime achievement award at the 21st World Soundtrack Awards.
The ceremony is the traditional closing night event of the Film Fest Ghent (October 12-23) and is scheduled to take place as a physical event this year. It will be held at the opera house in Ghent for the first time.
Karaindrou is best known for her long-time collaboration with Greek director Theo Angelopoulos. The pair have worked together on eight films including Palme d’Or winner Eternity And A Day and Oscar nominee The Weeping Meadow.
Greek composer Eleni Karaindrou is set to receive the lifetime achievement award at the 21st World Soundtrack Awards.
The ceremony is the traditional closing night event of the Film Fest Ghent (October 12-23) and is scheduled to take place as a physical event this year. It will be held at the opera house in Ghent for the first time.
Karaindrou is best known for her long-time collaboration with Greek director Theo Angelopoulos. The pair have worked together on eight films including Palme d’Or winner Eternity And A Day and Oscar nominee The Weeping Meadow.
- 6/1/2021
- by Melissa Kasule
- ScreenDaily
While he earned acclaim with Lost and Beautiful, The Mouth of the Wolf, and more, Pietro Marcello received a much-deserved breakthrough with his astounding, textured drama Martin Eden. The Italian director quickly followed up that Jack London adaptation with the documentary For Lucio this year but now he’s plotting his next narrative feature.
Arte France Cinéma has announced today they are backing his new film titled L’Envol (roughly translated to The Flight), which is set to star Juliette Jouan, Raphaël Thierry, Louis Garrel, and Noémie Lvovsky. Loosely inspired by Aleksandr Grin’s 1923 novel Scarlet Sails, the romantic tale will follow “the emancipation of a woman over twenty years, between 1919 and 1939, a time of great inventions and great dreams.”
With a score by Gabriel Yared, shooting is set to begin in Normandy and Hauts-de-France starting this August, so we could expect a festival premiere in 2022.
Read our recent interview...
Arte France Cinéma has announced today they are backing his new film titled L’Envol (roughly translated to The Flight), which is set to star Juliette Jouan, Raphaël Thierry, Louis Garrel, and Noémie Lvovsky. Loosely inspired by Aleksandr Grin’s 1923 novel Scarlet Sails, the romantic tale will follow “the emancipation of a woman over twenty years, between 1919 and 1939, a time of great inventions and great dreams.”
With a score by Gabriel Yared, shooting is set to begin in Normandy and Hauts-de-France starting this August, so we could expect a festival premiere in 2022.
Read our recent interview...
- 4/12/2021
- by Jordan Raup
- The Film Stage
Indie Sales has acquired Jimmy Keyrouz’s feature debut “Broken Keys,” which was part of Cannes 2020’s official selection and represented Lebanon in the Oscar race.
“Broken Keys” is a follow-up of Keyrouz’s short “Nocturne in Black,” winner of a flurry of international awards, including the BAFTA Los Angeles Student Film Award.
The movie was scored by music composer Gabriel Yared (“The English Patient”) and produced by Antoun Sehnaoui at Ezekiel Film Production, whose credits include “The Insult,” “Raw” and “Clouds of Sils Maria.”
Set in 2013 in a war-torn village in Islamic-State controlled Syria, the film follows Karim, a pianist who placed his last hopes in his instrument. When an Isis soldier destroys his piano, he leaves his home to embark on a dangerous journey to find the missing parts he needs to rebuild his piano.
“Broken Keys” was partly shot in Mosul, Iraq, in the last Islamic State stronghold.
“Broken Keys” is a follow-up of Keyrouz’s short “Nocturne in Black,” winner of a flurry of international awards, including the BAFTA Los Angeles Student Film Award.
The movie was scored by music composer Gabriel Yared (“The English Patient”) and produced by Antoun Sehnaoui at Ezekiel Film Production, whose credits include “The Insult,” “Raw” and “Clouds of Sils Maria.”
Set in 2013 in a war-torn village in Islamic-State controlled Syria, the film follows Karim, a pianist who placed his last hopes in his instrument. When an Isis soldier destroys his piano, he leaves his home to embark on a dangerous journey to find the missing parts he needs to rebuild his piano.
“Broken Keys” was partly shot in Mosul, Iraq, in the last Islamic State stronghold.
- 2/16/2021
- by Elsa Keslassy
- Variety Film + TV
Of all the below-the-line categories at the Oscars, Best Original Score is the most difficult to predict early on due to the finicky nature of the music branch of the academy. Scores that sound like frontrunners are disqualified for a variety of reasons, from the number of credited composers to the amount of previously recorded music used. (Scroll down for the most up-to-date 2021 Oscar predictions for Best Original Score.)
Even when we know the players, it is still difficult to predict the eventual winner given the diversity of the recent champs. The epic orchestrations of Howard Shore‘s “The Lord of the Rings: The Fellowship of the Ring” (2002) and “Lotr: The Return of the King” (2004) sound nothing like A.H. Rahman‘s pulsating, Bombay-infused work on “Slumdog Millionaire” (2009), Alexander Desplat‘s whimsical tunes for “The Grand Budapest Hotel” (2015) or Hildur Guonadottir‘s pulsating rhythms in “Joker” (2020).
As with many of...
Even when we know the players, it is still difficult to predict the eventual winner given the diversity of the recent champs. The epic orchestrations of Howard Shore‘s “The Lord of the Rings: The Fellowship of the Ring” (2002) and “Lotr: The Return of the King” (2004) sound nothing like A.H. Rahman‘s pulsating, Bombay-infused work on “Slumdog Millionaire” (2009), Alexander Desplat‘s whimsical tunes for “The Grand Budapest Hotel” (2015) or Hildur Guonadottir‘s pulsating rhythms in “Joker” (2020).
As with many of...
- 2/10/2021
- by Paul Sheehan
- Gold Derby
This year’s nine Oscar shortlists are voted on by five branches of the Academy — Music, Documentary, Animation and Shorts, VFX, and Makeup and Hairstyling — as well as the intrepid members from all over the world who were willing and able to watch online a minimum of a dozen qualifying international features. Reading the tea leaves of these shortlists reveals some strengths and weaknesses heading into the final round of voting for the final five nominations to be announced on March 15.
To state the obvious, voters made their selection from a wide range of smaller-scale movies, given that many of the studio blockbusters, from Steven Spielberg’s “West Side Story” to Denis Villeneuve’s “Dune,” were pushed back due to the pandemic. Clearly, while stuck at home, many Academy voters were watching Netflix. That’s a huge advantage for “step one” on the road to an Oscar nomination: getting your movie seen.
To state the obvious, voters made their selection from a wide range of smaller-scale movies, given that many of the studio blockbusters, from Steven Spielberg’s “West Side Story” to Denis Villeneuve’s “Dune,” were pushed back due to the pandemic. Clearly, while stuck at home, many Academy voters were watching Netflix. That’s a huge advantage for “step one” on the road to an Oscar nomination: getting your movie seen.
- 2/9/2021
- by Anne Thompson and Bill Desowitz
- Thompson on Hollywood
This year’s nine Oscar shortlists are voted on by five branches of the Academy — Music, Documentary, Animation and Shorts, VFX, and Makeup and Hairstyling — as well as the intrepid members from all over the world who were willing and able to watch online a minimum of a dozen qualifying international features. Reading the tea leaves of these shortlists reveals some strengths and weaknesses heading into the final round of voting for the final five nominations to be announced on March 15.
To state the obvious, voters made their selection from a wide range of smaller-scale movies, given that many of the studio blockbusters, from Steven Spielberg’s “West Side Story” to Denis Villeneuve’s “Dune,” were pushed back due to the pandemic. Clearly, while stuck at home, many Academy voters were watching Netflix. That’s a huge advantage for “step one” on the road to an Oscar nomination: getting your movie seen.
To state the obvious, voters made their selection from a wide range of smaller-scale movies, given that many of the studio blockbusters, from Steven Spielberg’s “West Side Story” to Denis Villeneuve’s “Dune,” were pushed back due to the pandemic. Clearly, while stuck at home, many Academy voters were watching Netflix. That’s a huge advantage for “step one” on the road to an Oscar nomination: getting your movie seen.
- 2/9/2021
- by Anne Thompson and Bill Desowitz
- Indiewire
The shortlists for the Academy Awards’ two music categories are out, and while there are few surprises among the 375-member music branch’s 15 choices for best original score, there’s a remarkable shift in the original song category: Nearly half of the 15 songs on that list emerged from narrative films or documentaries whose casts or subjects were predominantly Black.
Most of these songs had already been tagged as leading contenders, even though it was hardly a certainty they’d all make the shortlist. Among them: Janelle Monae’s “Turntables” from the voter-suppression doc “All In: The Fight for Democracy,” Mary J. Blige’s “See What You’ve Done” from the prison-sterilization documentary “Belly of the Beast,” John Legend’s “Never Break” from the young-actor doc “Giving Voice,” Leslie Odom Jr.’s “Speak Now” from “One Night in Miami,” H.E.R.’s “Fight for You” from “Judas and the Black Messiah” and...
Most of these songs had already been tagged as leading contenders, even though it was hardly a certainty they’d all make the shortlist. Among them: Janelle Monae’s “Turntables” from the voter-suppression doc “All In: The Fight for Democracy,” Mary J. Blige’s “See What You’ve Done” from the prison-sterilization documentary “Belly of the Beast,” John Legend’s “Never Break” from the young-actor doc “Giving Voice,” Leslie Odom Jr.’s “Speak Now” from “One Night in Miami,” H.E.R.’s “Fight for You” from “Judas and the Black Messiah” and...
- 2/9/2021
- by Jon Burlingame
- Variety Film + TV
The Academy of Motion Picture Arts and Sciences will be announcing its shortlist on Tuesday in nine Oscar categories. The categories and number of films to be revealed include documentary feature (15), documentary short subject (10), international feature (15), makeup and hairstyling (10), original score (15), original song (15), animated short film (10), live action short film (10) and visual effects (10).
The shortlist voting concluded on Feb. 5, and the remaining will move on to the official phase one voting, which will take place on March 5-9. The Oscar nominations will be announced on March 15, with the show scheduled to take place on April 25.
Down below, find the predictions for the shortlist (except for the shorts) with commentary on what to expect. Go to the Awards Circuit prediction pages of each category for the contenders’ full rankings and the credited artisans.
Makeup and Hairstyling
“Bill & Ted Face the Music” (United Artists Releasing) “Emma.” (Focus Features) “Hillbilly Elegy” (Netflix...
The shortlist voting concluded on Feb. 5, and the remaining will move on to the official phase one voting, which will take place on March 5-9. The Oscar nominations will be announced on March 15, with the show scheduled to take place on April 25.
Down below, find the predictions for the shortlist (except for the shorts) with commentary on what to expect. Go to the Awards Circuit prediction pages of each category for the contenders’ full rankings and the credited artisans.
Makeup and Hairstyling
“Bill & Ted Face the Music” (United Artists Releasing) “Emma.” (Focus Features) “Hillbilly Elegy” (Netflix...
- 2/8/2021
- by Clayton Davis
- Variety Film + TV
The Oscar race is already underway for categories devoted to below-the-line crafts — cinematography, costume design, editing, makeup and hairstyling, music, production design, sound and visual effects.
Voting began on Feb. 1 to determine a shortlist of possible nominees culled from all eligible contenders in the four craft categories that use a two-step process: score, original song, visual effects and makeup & hairstyling.
Voters have until Feb. 5 to narrow down all the contenders to a shortlist of semifinalists: 15 each in the Best Original Score and Best Original Song categories, 10 each in Best Makeup and Hairstyling and Best Visual Effects. (The shortlists will be announced on Feb. 9 ahead of the March 15 announcement of nominees.)
Here are our thoughts on what might advance in the four below-the-line categories that use shortlists.
“News of the World” (Universal Pictures)
Best Original Score
The Music Branch’s shortlists are typically short on surprises — and when those do happen,...
Voting began on Feb. 1 to determine a shortlist of possible nominees culled from all eligible contenders in the four craft categories that use a two-step process: score, original song, visual effects and makeup & hairstyling.
Voters have until Feb. 5 to narrow down all the contenders to a shortlist of semifinalists: 15 each in the Best Original Score and Best Original Song categories, 10 each in Best Makeup and Hairstyling and Best Visual Effects. (The shortlists will be announced on Feb. 9 ahead of the March 15 announcement of nominees.)
Here are our thoughts on what might advance in the four below-the-line categories that use shortlists.
“News of the World” (Universal Pictures)
Best Original Score
The Music Branch’s shortlists are typically short on surprises — and when those do happen,...
- 2/2/2021
- by Steve Pond
- The Wrap
The Hollywood Reporter’s Alex Ritman spoke to Jimmy Keyrouz, director of Broken Keys, and the film’s composer, Gabriel Yared, for a THR Presents Q&a powered by Vision Media.
During the half-hour chat, the pair described how an Oscar-winning student short film morphed into a full-length feature — a Cannes 2020 selection and now Lebanon’s submission to the Academy Awards’ international feature category — and attracted an Oscar-winning composer along the way.
Set in an unnamed town in war-torn Iraq and Syria under the brutal control of the Islamic State in 2014, Broken Keys follows Karim, a talented musician who literally risks his life in ...
During the half-hour chat, the pair described how an Oscar-winning student short film morphed into a full-length feature — a Cannes 2020 selection and now Lebanon’s submission to the Academy Awards’ international feature category — and attracted an Oscar-winning composer along the way.
Set in an unnamed town in war-torn Iraq and Syria under the brutal control of the Islamic State in 2014, Broken Keys follows Karim, a talented musician who literally risks his life in ...
- 1/29/2021
- The Hollywood Reporter - Film + TV
The Hollywood Reporter’s Alex Ritman spoke to Jimmy Keyrouz, director of Broken Keys, and the film’s composer, Gabriel Yared, for a THR Presents Q&a powered by Vision Media.
During the half-hour chat, the pair described how an Oscar-winning student short film morphed into a full-length feature — a Cannes 2020 selection and now Lebanon’s submission to the Academy Awards’ international feature category — and attracted an Oscar-winning composer along the way.
Set in an unnamed town in war-torn Iraq and Syria under the brutal control of the Islamic State in 2014, Broken Keys follows Karim, a talented musician who literally risks his life in ...
During the half-hour chat, the pair described how an Oscar-winning student short film morphed into a full-length feature — a Cannes 2020 selection and now Lebanon’s submission to the Academy Awards’ international feature category — and attracted an Oscar-winning composer along the way.
Set in an unnamed town in war-torn Iraq and Syria under the brutal control of the Islamic State in 2014, Broken Keys follows Karim, a talented musician who literally risks his life in ...
- 1/29/2021
- The Hollywood Reporter - Movie News
An endangered musician in a Syrian town controlled by Isis must sell his beloved piano in order to escape the country in the gripping drama “Broken Keys.” It marks the feature debut of Columbia U.-trained, Lebanese writer-director Jimmy Keyrouz. Inspired by real events, the feature is an expansion of his 2016 Student Academy Award-winning short “Nocturne in Black.” Now boasting a score by Keyrouz’s famous compatriot Gabriel Yared and a Cannes 2020 label designation, the film combines real-life crisis, potent emotion and an ending of stunning defiance making it a strong entry for Lebanon in the Academy’s international feature competition.
In Sekka, twentysomething pianist Karim shares a bombed-out building with his cousin Maya (Sara Abi Kanaan), an aspiring law student, and many other neighbors of assorted ages and occupations, some of whom belong to an underground resistance opposing Isis. Since playing or listening to music is one of many...
In Sekka, twentysomething pianist Karim shares a bombed-out building with his cousin Maya (Sara Abi Kanaan), an aspiring law student, and many other neighbors of assorted ages and occupations, some of whom belong to an underground resistance opposing Isis. Since playing or listening to music is one of many...
- 1/29/2021
- by Alissa Simon
- Variety Film + TV
Although this year’s Middle Eastern/North African Oscar submissions have yet to generate a strong buzz, there are titles among the 10 films that could be contenders for the international feature short list.
Chief among them is “Sun Children” from veteran Iranian helmer Majid Majidi, whose 1997 “Children of Heaven” landed a foreign-language film nomination. This gripping drama about exploited urban street kids is cast with charismatic, non-pro performers and earned an acting award at the Venice fest for its resilient young protagonist. Strand Films will release.
A possible dark horse is “Broken Keys,” the feature debut of Lebanese multi-hyphenate Jimmy Keyrouz. It marks an expansion of his 2016 Student Academy Award-winner “Nocturne in Black” about a musician in a Syrian town controlled by Isis. Sporting the Cannes Label, this tense drama, with a score by Keyrouz’s famous compatriot Gabriel Yared, shares the combination of real-life crisis and sweeping emotion that characterizes some past nominees.
Chief among them is “Sun Children” from veteran Iranian helmer Majid Majidi, whose 1997 “Children of Heaven” landed a foreign-language film nomination. This gripping drama about exploited urban street kids is cast with charismatic, non-pro performers and earned an acting award at the Venice fest for its resilient young protagonist. Strand Films will release.
A possible dark horse is “Broken Keys,” the feature debut of Lebanese multi-hyphenate Jimmy Keyrouz. It marks an expansion of his 2016 Student Academy Award-winner “Nocturne in Black” about a musician in a Syrian town controlled by Isis. Sporting the Cannes Label, this tense drama, with a score by Keyrouz’s famous compatriot Gabriel Yared, shares the combination of real-life crisis and sweeping emotion that characterizes some past nominees.
- 1/27/2021
- by Alissa Simon
- Variety Film + TV
Nominees for the Hollywood Music in Media Awards are being unveiled Friday, with a packed slate of songs and scores in film, TV and videogame categories. Names in contention range from Alexandre Desplat, James Newton Howard and Trent Reznor/Atticus Ross as returning veterans in the score divisions to stars like Taylor Swift, H.E.R., Brandi Carlile, Travis Scott, Haim and Janelle Monae as nominated songwriters for feature film themes.
Kenny Loggins has been tagged for the HMMAs; Career Achievement in Music honor, which has previously gone to figures including Diane Warren, Smokey Robinson and composer John Debney.
Loggins will perform on the livestreamed awards show, which has been set for 7 p.m. Pt on Jan. 27, to be webcast on the Hmma site in lieu of the traditional live ceremony (which last year took place at Avalon in Hollywood). He’ll be joined in the performance ranks by Andra Day, Rita Wilson,...
Kenny Loggins has been tagged for the HMMAs; Career Achievement in Music honor, which has previously gone to figures including Diane Warren, Smokey Robinson and composer John Debney.
Loggins will perform on the livestreamed awards show, which has been set for 7 p.m. Pt on Jan. 27, to be webcast on the Hmma site in lieu of the traditional live ceremony (which last year took place at Avalon in Hollywood). He’ll be joined in the performance ranks by Andra Day, Rita Wilson,...
- 1/15/2021
- by Chris Willman
- Variety Film + TV
Academy Award-winning composer Gabriel Yared was forced to take an unconventional approach to crafting the score to the new film “The Life Ahead,” starring Sophia Loren. While Yared typically prefers to join a project early in its run, director Edoardo Ponti brought a draft of the film to Yared’s residence in Paris after shooting was complete. Still, the composer was struck by the emotional journey of the film. “I was really immediately captivated and overwhelmed by the story, by the characters, by the performances,” says Yared in an exclusive new interview with Gold Derby. “It has an emotional depth and also a melancholia that attracted me straight away.” Watch the interview above.
SEEEdoardo Ponti interview: ‘The Life Ahead’ writer and director
Yared was tasked with the challenge of composing themes for two very different characters — the haunted Madame Rosa (Loren), and the youthful Momo (newcomer Ibrahima Gueye). “Those two...
SEEEdoardo Ponti interview: ‘The Life Ahead’ writer and director
Yared was tasked with the challenge of composing themes for two very different characters — the haunted Madame Rosa (Loren), and the youthful Momo (newcomer Ibrahima Gueye). “Those two...
- 1/13/2021
- by Kevin Jacobsen
- Gold Derby
An employed silence. A scratchy phonograph playing a theme inspired by Yiddish music. An exercise in minimalism. Those are some of the components in scores belonging to films flying under the radar as awards season begins — but might not be when all is said and done.
Variety looks at some of those works and the composers behind them.
The Invisible Man
In this classic-movie update, Elisabeth Moss plays the abused, on-the-run wife of a brilliant scientist. Composer Benjamin Wallfisch (“It”) took his initial inspiration from Bernard Herrmann’s famous “Psycho” score, writing solely for string orchestra (including a cello theme for Moss’ character), then added angry, aggressive electronics to depict the husband with the invisibility suit. Yet he also strategically employed silence. “We made bold musical gestures, so that the absence of music is something you feel,” Wallfisch says. “We used unusual mixing techniques, sometimes surrounding the audience with a wall of sound,...
Variety looks at some of those works and the composers behind them.
The Invisible Man
In this classic-movie update, Elisabeth Moss plays the abused, on-the-run wife of a brilliant scientist. Composer Benjamin Wallfisch (“It”) took his initial inspiration from Bernard Herrmann’s famous “Psycho” score, writing solely for string orchestra (including a cello theme for Moss’ character), then added angry, aggressive electronics to depict the husband with the invisibility suit. Yet he also strategically employed silence. “We made bold musical gestures, so that the absence of music is something you feel,” Wallfisch says. “We used unusual mixing techniques, sometimes surrounding the audience with a wall of sound,...
- 1/7/2021
- by Jon Burlingame
- Variety Film + TV
Having scored around 100 films since his first venture into cinema with Jean-Luc Godard’s 1980 drama Sauve Qui Peut (la vie) (Every Man for Himself), Gabriel Yared — who won both an Oscar and Grammy for 1996’s The English Patient, the first of four collaborations with the late Anthony Minghella — sits among today’s great movie composers.
For his latest feature, Netflix’s The Life Ahead, the Lebanese-French 71-year-old crafted the music to accompany one of cinema’s most enduring icons, Sophia Loren. Directed by her son, Edoardo Ponti, the drama — adapted from Romain Gary’s novel The Life Before — tells the story of Rosa ...
For his latest feature, Netflix’s The Life Ahead, the Lebanese-French 71-year-old crafted the music to accompany one of cinema’s most enduring icons, Sophia Loren. Directed by her son, Edoardo Ponti, the drama — adapted from Romain Gary’s novel The Life Before — tells the story of Rosa ...
- 12/11/2020
- The Hollywood Reporter - Film + TV
Having scored around 100 films since his first venture into cinema with Jean-Luc Godard’s 1980 drama Sauve Qui Peut (la vie) (Every Man for Himself), Gabriel Yared — who won both an Oscar and Grammy for 1996’s The English Patient, the first of four collaborations with the late Anthony Minghella — sits among today’s great movie composers.
For his latest feature, Netflix’s The Life Ahead, the Lebanese-French 71-year-old crafted the music to accompany one of cinema’s most enduring icons, Sophia Loren. Directed by her son, Edoardo Ponti, the drama — adapted from Romain Gary’s novel The Life Before — tells the story of Rosa ...
For his latest feature, Netflix’s The Life Ahead, the Lebanese-French 71-year-old crafted the music to accompany one of cinema’s most enduring icons, Sophia Loren. Directed by her son, Edoardo Ponti, the drama — adapted from Romain Gary’s novel The Life Before — tells the story of Rosa ...
- 12/11/2020
- The Hollywood Reporter - Movie News
It’s always a pleasure to see a screen legend return to starring roles. For Sophia Loren, we haven’t seen her on the screen in a major way in over a decade, since her supporting appearance in Nine. Now, she’s back as a lead, showcasing her talents in Netflix’s latest awards contender, the international feature The Life Ahead. A movie built around her, and one that aptly showcases her, it’s a contender not just potentially in Best International Feature, but in Best Actress for Loren as well. Hitting the streaming service today, it’s well worth a watch, if only to see Loren in action once again, proving she hasn’t missed a beat. The film is a drama, based on the novel The Life Before Us, which has twice been adapted already before this. Taking place in an Italian seaside town, a 12-year-old street kid...
- 11/13/2020
- by Joey Magidson
- Hollywoodnews.com
The 20th annual World Soundtrack Awards saw composers Nicholas Britell and Hildur Guðnadóttir take home prizes for their musical works featured in HBO’s Succession and Todd Philip’s Joker, respectively.
Britell, whose Succession theme song took home an Emmy award in 2019, received the World Sountrack Award’s TV composer of the Year Award. Guðnadóttir, who landed her first Oscar nomination and win for her Joker score this year, was awarded the award ceremony’s Film Composer of the Year prize.
The annual awards ceremony, which crowned winners for a number of categories including Best Original Song and Discovery of the Year, honored Oscar-winning composer Gabriel Yared with its Lifetime Achievement Award. Previous Lifetime Achievement Award honorees include Elmer Bernstein, David Shire and Frédéric Devreese.
“”I am thrilled and very honoured to be presented with the Lifetime Achievement Award. I have been a...
Britell, whose Succession theme song took home an Emmy award in 2019, received the World Sountrack Award’s TV composer of the Year Award. Guðnadóttir, who landed her first Oscar nomination and win for her Joker score this year, was awarded the award ceremony’s Film Composer of the Year prize.
The annual awards ceremony, which crowned winners for a number of categories including Best Original Song and Discovery of the Year, honored Oscar-winning composer Gabriel Yared with its Lifetime Achievement Award. Previous Lifetime Achievement Award honorees include Elmer Bernstein, David Shire and Frédéric Devreese.
“”I am thrilled and very honoured to be presented with the Lifetime Achievement Award. I have been a...
- 10/24/2020
- by Alexandra Del Rosario
- Deadline Film + TV
Hildur Guðnadóttir and Nicholas Britell took top honors at the 20th World Soundtrack Awards on Saturday during the Ghent Film Festival.
Iceland-born, Berlin-based Guðnadóttir was named Film Composer of the Year for her Oscar-winning score for “Joker.” She won last year’s TV Composer of the Year for her Emmy-winning score for the HBO series “Chernobyl.”
American composer Britell was named TV Composer of the Year for his music for the second season of HBO’s “Succession.” He was last year’s Wsa award winner for Film Composer of the Year for “If Beale Street Could Talk” and “Vice,” so Britell and Guðnadóttir essentially switch places from last year’s honors.
Wsa Discovery Of the Year went to American-born, Paris-based composer Bryce Dessner for his music for “The Two Popes.” The Wsa Public Choice Award, chosen by fans from around the world, went to Madrid-born, Los Angeles-based Alfonso G. Aguilar...
Iceland-born, Berlin-based Guðnadóttir was named Film Composer of the Year for her Oscar-winning score for “Joker.” She won last year’s TV Composer of the Year for her Emmy-winning score for the HBO series “Chernobyl.”
American composer Britell was named TV Composer of the Year for his music for the second season of HBO’s “Succession.” He was last year’s Wsa award winner for Film Composer of the Year for “If Beale Street Could Talk” and “Vice,” so Britell and Guðnadóttir essentially switch places from last year’s honors.
Wsa Discovery Of the Year went to American-born, Paris-based composer Bryce Dessner for his music for “The Two Popes.” The Wsa Public Choice Award, chosen by fans from around the world, went to Madrid-born, Los Angeles-based Alfonso G. Aguilar...
- 10/24/2020
- by Jon Burlingame
- Variety Film + TV
The two composers won for, respectively, their scores for ‘Joker’ and ‘Succession’.
Hildur Gudnadóttir won the film composer of the year prize for her score for Joker at the World Soundtrack Awards (Wsa), held online this evening (Saturday October 24).
Gudnadóttir’s prize meant she has now been represented at the Wsa for three consecutive years. The Icelandic composer was nominated for the discovery of the year award two years ago for Sicario: Day Of The Soldado, and won the TV composer of the year prize last year for HBO series Chernobyl. She also won the Oscar for best score in February this year for Joker,...
Hildur Gudnadóttir won the film composer of the year prize for her score for Joker at the World Soundtrack Awards (Wsa), held online this evening (Saturday October 24).
Gudnadóttir’s prize meant she has now been represented at the Wsa for three consecutive years. The Icelandic composer was nominated for the discovery of the year award two years ago for Sicario: Day Of The Soldado, and won the TV composer of the year prize last year for HBO series Chernobyl. She also won the Oscar for best score in February this year for Joker,...
- 10/24/2020
- by Ben Dalton
- ScreenDaily
The composers of ‘Little Women’, ‘Joker’ and ‘It Chapter Two’ scores also nominated.
The World Soundtrack Awards has unveiled the nominations for its 20th edition, which is set is to go ahead as a physical event as well as being streamed live and online for the first time.
Scroll down for full list of nominees
The nominees for the coveted Film Composer of the Year award include Alexandre Desplat (Little Women), Hildur Guðnadóttir (Joker), Thomas Newman (1917), Benjamin Wallfisch (It Chapter Two) and John Williams (Star Wars: The Rise of Skywalker).
The contenders were all Oscar-nominated earlier this year, with the...
The World Soundtrack Awards has unveiled the nominations for its 20th edition, which is set is to go ahead as a physical event as well as being streamed live and online for the first time.
Scroll down for full list of nominees
The nominees for the coveted Film Composer of the Year award include Alexandre Desplat (Little Women), Hildur Guðnadóttir (Joker), Thomas Newman (1917), Benjamin Wallfisch (It Chapter Two) and John Williams (Star Wars: The Rise of Skywalker).
The contenders were all Oscar-nominated earlier this year, with the...
- 9/12/2020
- by Michael Rosser
- ScreenDaily
Oliver Stone to Take Restored Copy of Oscar-Winning ‘Born on the Fourth of July’ to Lumière Festival
One of several high-profile guests scheduled to attend the Lumière Festival in October, Oliver Stone will be screening a newly restored copy of 1989’s “Born on the Fourth of July” at its world premiere in the French city of Lyon.
Other guests of honor include actor Viggo Mortensen, Danish director Thomas Vinterberg (1998’s “Festen”), Italian filmmaker Alice Rohrwacher and Oscar winning composer Gabriel Yared. Sofia Coppola, whose father Francis Ford picked up the Lumière Prize last year, is bringing her latest film, “On the Rocks”, starring Bill Murray and Rashida Jones, to Lyon.
Run by film director Bertrand Tavernier and Cannes Festival head Thierry Frémaux, Lumière is one of the world’s leading film heritage events. This 12th edition will also feature contemporary works including 20 films originally scheduled to run in Cannes before the festival had to be cancelled due to Covid-19. Titles include Vinterberg’s “Drunk”, “Last Words” by Jonathan Nossiter,...
Other guests of honor include actor Viggo Mortensen, Danish director Thomas Vinterberg (1998’s “Festen”), Italian filmmaker Alice Rohrwacher and Oscar winning composer Gabriel Yared. Sofia Coppola, whose father Francis Ford picked up the Lumière Prize last year, is bringing her latest film, “On the Rocks”, starring Bill Murray and Rashida Jones, to Lyon.
Run by film director Bertrand Tavernier and Cannes Festival head Thierry Frémaux, Lumière is one of the world’s leading film heritage events. This 12th edition will also feature contemporary works including 20 films originally scheduled to run in Cannes before the festival had to be cancelled due to Covid-19. Titles include Vinterberg’s “Drunk”, “Last Words” by Jonathan Nossiter,...
- 9/10/2020
- by Lise Pedersen
- Variety Film + TV
Alexandre Desplat named guest of honour and set to attend.
The 20th World Soundtrack Awards is set is to go ahead as a physical event on October 24 but will be streamed live and online for the first time.
The ceremony and concert, which will take place as the closing event of 47th Film Fest Ghent in Belgium, will be broadcast online to give the festival’s international audience the opportunity to “attend” in spite of travel restrictions that may remain as a result of the Covid-19 pandemic.
The audience at the Kinepolis Ghent will mainly comprise industry but will also include members of the public.
The 20th World Soundtrack Awards is set is to go ahead as a physical event on October 24 but will be streamed live and online for the first time.
The ceremony and concert, which will take place as the closing event of 47th Film Fest Ghent in Belgium, will be broadcast online to give the festival’s international audience the opportunity to “attend” in spite of travel restrictions that may remain as a result of the Covid-19 pandemic.
The audience at the Kinepolis Ghent will mainly comprise industry but will also include members of the public.
- 6/16/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
Ann Roth won an Oscar for Anthony Minghella’s adaptation of Michael Ondaatje’s The English Patient
For Anthony Minghella’s adaptation of Michael Ondaatje’s The English Patient, shot by John Seale, Oscar-winner Ann Roth and her then assistant Carlo Poggioli dressed Kristin Scott Thomas as Katharine, Ralph Fiennes as Almásy, Juliette Binoche as Hana, Naveen Andrews as Kip, Willem Dafoe as Caravaggio, and Colin Firth as Katharine’s husband Geoffrey.
Ralph Fiennes as Almásy
The English Patient won Oscars for Best Picture (producer Saul Zaentz), Director, Actress in a Supporting Role (Binoche), Cinematography, Editing (Walter Murch), Original Dramatic Score (Gabriel Yared), Art Direction, and Sound, and BAFTAs for Best...
For Anthony Minghella’s adaptation of Michael Ondaatje’s The English Patient, shot by John Seale, Oscar-winner Ann Roth and her then assistant Carlo Poggioli dressed Kristin Scott Thomas as Katharine, Ralph Fiennes as Almásy, Juliette Binoche as Hana, Naveen Andrews as Kip, Willem Dafoe as Caravaggio, and Colin Firth as Katharine’s husband Geoffrey.
Ralph Fiennes as Almásy
The English Patient won Oscars for Best Picture (producer Saul Zaentz), Director, Actress in a Supporting Role (Binoche), Cinematography, Editing (Walter Murch), Original Dramatic Score (Gabriel Yared), Art Direction, and Sound, and BAFTAs for Best...
- 1/20/2020
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Four months after winning an Emmy for her score to the miniseries “Chernobyl” and two days after taking home a Golden Globe for her music to “Joker,” composer Hildur Gudnadottir won new awards for both of those scores at the first annual Scl Awards, presented by the Society of Composers and Lyricists.
Although the Scl was formed in 1983 as an offshoot of previous organizations that had dated back to 1945, its efforts to promote the interests of composers and lyricists working in visual media did not include giving out awards until this year.
“What took you guys so long with the awards?” composer Bill Conti asked at the beginning of the show. “People who work in Hollywood, we need constant approval.”
Also Read: BAFTA Nominations Put '1917' in the Awards Spotlight Again - and 'Joker,' Too
The Icelandic composer Gudnadottir received that approval to the point where she was visibly embarrassed,...
Although the Scl was formed in 1983 as an offshoot of previous organizations that had dated back to 1945, its efforts to promote the interests of composers and lyricists working in visual media did not include giving out awards until this year.
“What took you guys so long with the awards?” composer Bill Conti asked at the beginning of the show. “People who work in Hollywood, we need constant approval.”
Also Read: BAFTA Nominations Put '1917' in the Awards Spotlight Again - and 'Joker,' Too
The Icelandic composer Gudnadottir received that approval to the point where she was visibly embarrassed,...
- 1/8/2020
- by Steve Pond
- The Wrap
The Society of Composers & Lyricists has been around for nearly 75 years, but not until this year did the organization start its own annual awards program for music appearing in film, TV and videogames — and the nominees announced Tuesday for the inaugural show are certain to be scrutinized as a bellwether for what to expect as the Motion Picture Academy’s music branch votes on shortlists for the song and score categories.
As expected, Hildur Gudnadóttir scored nominations in film and TV categories alike, with nods for her work on “Joker” and “Chernobyl,” respectively. The latter limited series already won her an Emmy, and she’s being seen as a shoo-in for an Oscar nomination for scoring the blockbuster supervillain origin story.
The Scl Awards have instituted separate categories for scores of studio films and independent films. In the studio division, Gudnadóttir’s “Joker” music will face the scores written by Michael Abels for “Us,...
As expected, Hildur Gudnadóttir scored nominations in film and TV categories alike, with nods for her work on “Joker” and “Chernobyl,” respectively. The latter limited series already won her an Emmy, and she’s being seen as a shoo-in for an Oscar nomination for scoring the blockbuster supervillain origin story.
The Scl Awards have instituted separate categories for scores of studio films and independent films. In the studio division, Gudnadóttir’s “Joker” music will face the scores written by Michael Abels for “Us,...
- 12/4/2019
- by Chris Willman
- Variety Film + TV
“Sex, Eyes, & Mental Illness”
By Raymond Benson
What made the 1986 French picture, Betty Blue so striking were three things—the explicit sex on display, the mesmerizing eyes of lead actress Béatrice Dalle, and the film’s frank depiction of mental illness and its devastating effect on a relationship.
Director Jean-Jacques Beineix had burst onto the scene with the superb, quirky, and new New Wave crime picture, Diva (1981) that embraced not only the French New Wave of the early 1960s, but the early 1980s pop New Wave of music and visuals that were exploding in all mediums at that time. Diva was a critical and commercial hit with Western audiences, although Beineix’s follow-up, Moon in the Gutter (1983), was not. The filmmaker bounced back, though, with Betty Blue, which received a deserved Oscar nomination for Best Foreign Film.
Based on a popular French novel by Philippe Djian, the story concerns a...
By Raymond Benson
What made the 1986 French picture, Betty Blue so striking were three things—the explicit sex on display, the mesmerizing eyes of lead actress Béatrice Dalle, and the film’s frank depiction of mental illness and its devastating effect on a relationship.
Director Jean-Jacques Beineix had burst onto the scene with the superb, quirky, and new New Wave crime picture, Diva (1981) that embraced not only the French New Wave of the early 1960s, but the early 1980s pop New Wave of music and visuals that were exploding in all mediums at that time. Diva was a critical and commercial hit with Western audiences, although Beineix’s follow-up, Moon in the Gutter (1983), was not. The filmmaker bounced back, though, with Betty Blue, which received a deserved Oscar nomination for Best Foreign Film.
Based on a popular French novel by Philippe Djian, the story concerns a...
- 11/20/2019
- by [email protected] (Cinema Retro)
- Cinemaretro.com
Judy Garland has a special place in Hollywood. The legend is largely beloved, even to this day. From her early days until her last, she was always embraced by at least part of the world, and sometimes…the entire world. This week, after blowing away audiences at the Telluride Film Festival, the biopic Judy brings the last part of her life to the screen. Buoyed by an amazing performance by Renée Zellweger, the movie is better than your garden variety industry tale. Oscar is going to come calling for this one, mark my words. Luckily, it’s solidly entertaining and never once feels like homework. The film is a biopic, centered on the final year of the famous actress/singer’s life. When we meet her, Judy Garland (Zellweger) is essentially homeless, having been kicked out of her hotel room she stays in with her young daughter and son. Bringing...
- 9/25/2019
- by Joey Magidson
- Hollywoodnews.com
The city of Vienna will honor composer Gabriel Yared with the Max Steiner Film Music Achievement Award as part of their Hollywood in Vienna gala Oct. 19, organizers of the annual event announced Sunday.
The night before receiving the award, the Oscar- and Grammy-winning Yared is slated to perform selections from his music on piano along with the Orf Vienna Radio Symphonic Orchestra at the Vienna Concert Hall.
Other recipients of the Steiner Award since the founding of Hollywood in Vienna in 2007 include Hans Zimmer, Randy Newman, Lalo Schifrin, Danny Elfman, Alan Silvestri, James Newton Howard and, before they passed away, the late James Horner and John Barry.
Yared’s most awarded score was for “The English Patient” — it won him an Oscar, Golden Globe, Grammy and BAFTA. His association with the late director Anthony Minghella also included the music for “Cold Mountain” and “The Talented Mr. Ripley.” He recently wrote...
The night before receiving the award, the Oscar- and Grammy-winning Yared is slated to perform selections from his music on piano along with the Orf Vienna Radio Symphonic Orchestra at the Vienna Concert Hall.
Other recipients of the Steiner Award since the founding of Hollywood in Vienna in 2007 include Hans Zimmer, Randy Newman, Lalo Schifrin, Danny Elfman, Alan Silvestri, James Newton Howard and, before they passed away, the late James Horner and John Barry.
Yared’s most awarded score was for “The English Patient” — it won him an Oscar, Golden Globe, Grammy and BAFTA. His association with the late director Anthony Minghella also included the music for “Cold Mountain” and “The Talented Mr. Ripley.” He recently wrote...
- 4/28/2019
- by Variety Staff
- Variety Film + TV
American composer Marco Beltrami will be the guest of honor at the World Soundtrack Awards, part of the Ghent Film Festival, on Oct. 18 in Belgium.
Beltrami, a two-time Oscar nominee (for “3:10 to Yuma” and “The Hurt Locker”), recently scored the horror hit “A Quiet Place” and the Oscar winner for Best Documentary “Free Solo.” Music from both will be performed in a concert by the Brussels Philharmonic.
Festival music director Dirk Brossé, who will conduct, called Beltrami “an all-around composer whose music moves within the most diverse musical styles and genres. Dedicating considerable attention to melody and obsessed by rhythms, Marco offers a rich palette of both acoustic and electronic colors.”
The Ghent Film Festival runs from October 8 to 18 this year. It is widely considered one of the world’s leading events devoted primarily to film music; past concerts have featured such leading composers as Hans Zimmer, Ennio Morricone,...
Beltrami, a two-time Oscar nominee (for “3:10 to Yuma” and “The Hurt Locker”), recently scored the horror hit “A Quiet Place” and the Oscar winner for Best Documentary “Free Solo.” Music from both will be performed in a concert by the Brussels Philharmonic.
Festival music director Dirk Brossé, who will conduct, called Beltrami “an all-around composer whose music moves within the most diverse musical styles and genres. Dedicating considerable attention to melody and obsessed by rhythms, Marco offers a rich palette of both acoustic and electronic colors.”
The Ghent Film Festival runs from October 8 to 18 this year. It is widely considered one of the world’s leading events devoted primarily to film music; past concerts have featured such leading composers as Hans Zimmer, Ennio Morricone,...
- 3/27/2019
- by Jon Burlingame
- Variety Film + TV
Rupert Everett turns his fascination with Oscar Wilde, the 19th-century Irish poet and playwright who was persecuted and jailed for “gross indecency with men” (the word homosexual was never uttered), into a film of righteous anger, touching gravity and wicked Wildean wit. Having played the literary lion on stage in David Hare’s The Judas Kiss and characters in film versions of An Ideal Husband (1999) and The Importance of Being Earnest (2002), Everett shows a kinship with the role that goes beyond an openly gay actor playing a gay icon. Any...
- 10/11/2018
- by Peter Travers
- Rollingstone.com
Hidden among more than 250 movies screening at this year’s Toronto Film Festival, there’s one — well-written, relatable, and wonderfully of-the-moment — in which a mom, fed up at last with her child’s unremitting narcissism, snaps, “Not everything’s about you,” adding that it’s Ok to be selfish in your 20s, but it stops being cute when you turn 30. Xavier Dolan’s “The Death and Life of John F. Donovan” is not that movie, although its director, who is 29, might benefit from seeing that other, better Toronto film, “The Weekend,” which contains the aforementioned scene, and whose central lesson he would do well to absorb: Maturity comes in realizing that you are not the center of the universe.
A work of stunning technique eclipsed by its increasingly jaw-dropping solipsism, “Death and Life” — or “How Deep Into Xavier Dolan’s Navel Dare We Gaze?” — may as well be preaching the...
A work of stunning technique eclipsed by its increasingly jaw-dropping solipsism, “Death and Life” — or “How Deep Into Xavier Dolan’s Navel Dare We Gaze?” — may as well be preaching the...
- 9/13/2018
- by Peter Debruge
- Variety Film + TV
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