Watchable Late Soviet & Post-Soviet Movies 1985-2015

The story of a teenager boy in times of the comunism fall in the Soviet Union.

ASSA is set in Crimea during the winter in the mid eighties. A young musician (Bananan) falls for mobster's (Krymov) young mistress (Alika). The parallel story line involves an 18th century assassination plot.

Moro returns to Alma Ata to collect money owed to him. While waiting out an unexpected delay, he visits his former girlfriend Dina, and discovers she has become a morphine addict. He decides to help her kick the habit and to fight the local drug mafia responsible for her condition. But Moro finds a deadly opponent in "the doctor," the mafia kingpin who is exploiting Dina.

The films hero is a metal worker named Ignat who is as strong and tough as the steel that his sprawling factory produces in the Ural Mountains. Its a great cheerless environment; life is arduous and dangerous; conditions at the plant are nearly subhuman. Almost every day brings a new crisis at the factory and Ignat is called upon to advert yet another potential disaster. The only excitement in the grimy industrial town is provided by robbing a train at gunpoint or stealing sheep from the Bashkiri tribe. The most renowned diversion, however, is the annual fist fight between the strongest metal worker and the strongest miner from the region. Against his better judgment, but with the support of his co-workers, Ignat decides to take part in this perilous venture.

The hero is an ordinary farmer, Philip Safronov, whose peaceful life is aggressively interrupted when his land is appropriated by a mysterious group to exploit its oil resources.

In the Russian wilderness, two brothers face a range of new, conflicting emotions when their father - a man they know only through a single photograph - resurfaces.

The genre of the film DUST could be called fantastic realism or existential drama with elements of the fantastic. Dust means the haste in which people live. Dust is a common misconception, the natural clogging up of the brain. Specks of dust how scientists perceive people, scientists who think they know more than anyone else about the universe.

A young woman is taken hostage by a police officer gone mad.

Engineering Red is a Russian surrealist film released in 1993, directed by Andrei I and animator Armen Petrosyan. The script is based on Thomas Mann's novel The Magic Mountain and idea of creating artificial people in the Soviet Union.

A story of a simple, naive Russian man Konek and the people around him: his love and her sister and a mysterious man. The film is set in 1957, time of changes, time of waiting for something big to happen.

A look at Saint Petersburg at the dawn of the 21st century.

Together with five Soviet avant-garde artists, hero of the Russian revolution Polina Schneider travels to Siberia to 'civilize' the native Khanty and Nenets tribes, for whom interaction with foreigners is forbidden by the gods, through art.

An ex-soldier with a personal honor code enters the family crime business in St. Petersburg, Russia.

Two men and a woman happen to meet in a bar. We learn from their conversations both the intriguing and banal details of their lives. But is anyone really telling the truth? From the meat market, to the president's drinking habit or the soviet cloning project, this allegory opposes different aspects of contemporary Russian society.

Arriving in Moscow, Danila discovers Konstantin dead and he sets out to avenge his death; a journey that leads him to Chicago and a whole new experience.

Mostly inspired from Kafka's unfinished novel "The Castle", a man gets called to a village for a job that no one called for, finds himself tangled up in a super-bureaucratic mess, and now he needs to fight his way around it.

Depiction of "troika" type of mass murder trials and it's influence on those who carried out plans to mass murder million of people. Somehow Russia was able to produce such movie, which easily could be documentary about actual events.

The protagonist, a talented geek, avenges a gang of racketeers for killing a best friend, using his extensive knowledge in various fields of technology. He traces them, collects material and, not relying on the police, he himself administers justice. It helps him in this same victim of racket, a pretty woman with whom he begins to tie the novel.

Ivan Khristoforov discovers the strange property of involuntarily blowing up surrounding objects. Trying to understand the reason and meaning of this unusual ability, he turns to family history. The attention of the secret public service does not bode well for Khristoforov.

In the times of Imperial Russia, a former military man of honor makes his own way in life participating in the deadly fights for other people as professional duelist.

Early 80s era Russian wheeler dealer pursues a business of trading favors so he can live above the salary he gets at his regular job.

A country family seen through the eyes of, and with often comical commentary by, the young son who is considered the village idiot: the pettiness, greed and criminality of the household stand in for larger Soviet society.

Group of Cossacks are coming to Moscow to buy an ox. Moscow turns out to be a devilish hole crowded with witches. Some local witch seduces Kol'ka Smagin (one of the Cossacks) and robs him of his brown eyes, giving him alien blue ones instead. Now Kol'ka and his uncle Zarubin are ready to go to any length in order to get the eyes back. The quest begins.

After his marriage with Lyuba (Yelena Safonova) breaks down, Boris (Sergei Koltakov) begins to search for an apartment of his own. He locates an apartment for couples which is being inhabited by a lone old lady (Varvara Soshalskaya) who is supposed to move in with her sister (Yevdokiya Urusova). The old lady doesn't want to go, and tries to stave off the inevitable by taking in a young woman Elya (Svetlana Voronina) as a flat-mate. Boris rapes the girl, but despite this she eventually becomes friends with him, and eventually they become lovers, entitling them to rent the apartment together (without the old lady).