Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-14 of 14
- The ethereally beautiful Vicky recalls her romances with Hao Hao and Jack in the neon-lit clubs of Taipei.
- The story of a family embroiled in the "White Terror" that was wrought on the Taiwanese people by the Kuomintang government after their arrival from mainland China in the late 1940s.
- In the "flower houses" (upscale brothels) of Shanghai, various interweaving stories of love, loyalty, and deceit play out subtly.
- Lung is a former member of the national Little League team who lives with his old childhood sweetheart Ah-chin, a traditional family woman. Although they live together, Ah-chin is weary of Lung's past liaison with another girl.
- Ah-Ching and his friends have just finished school in their island fishing village, and now spend most of their time drinking and fighting. Three of them decide to go to the port city of Kaohsiung to look for work. They find an apartment through relatives, and Ah-Ching is attracted to the girlfriend of a neighbor. There they face the harsh realities of the big city.
- A glimpse at the lives of two petty criminals in Taipei.
- The story revolves around Yoko Inoue, a pregnant woman in search of a cafe that was frequented by a Taiwanese composer whose life she is researching.
- A little boy and his baby-sitter inhabit the same imaginary world: through their adventures they are followed by a strange red balloon.
- Hsu Zi Qi is a young woman who lives alone in the city. Lee is the autistic son of Zi Qi's landlady, who tries to free himself from his protective mother. Feng is a shy young builder, who struggles with the constant breakdowns of his car. Through its interconnecting characters, the film subtly and intimately explores the moments of loneliness and regret that punctuate lives in a metropolitan city and emphasises the importance and necessity of simple human contact.
- Intended as the concluding film in the trilogy on the modern history of Taiwan began with Beiqing Chengshi (1989), this film reveals the story through three levels: a film within a film as well as the past and present as linked by a young woman, Liang Ching. She is being persecuted by an anonymous man who calls her repeatedly but does not speak. He has stolen her diary and faxes her pages daily. Liang is also rehearsing for a new film that is due to go into production soon. The film, entitled Haonan Haonu, is about a couple Chiang Bi-yu and Chung Hao-tung who returns to China to participate in the anti-Japanese movement in China in the 1940s and are arrested as communists when they go back to Taiwan.
- Lin has to look after his father's small pawnshop, while his father is hospitalized. His impish girlfriend Eiko, whom he met on the internet, comes to help him, when she is not working at the hospital. She calls Lin by his online pseudonym "No-lines" because he lost the lifeline on his hand in a motorcycle accident. Instead of checking IDs, Eiko suggests they take customers palm prints, so she can practice her palm-reading. Lin is attracted to a girl who comes to collect her pawned watch, and he arranges to meet her at the station, without Eiko knowing. The pair then try to sell off uncollected pawned articles, between stops on the subway train.
- Jin and Mi are two women living in Taiwan who have been lovers for some time; Jin is a singer in a rock band who suffers from severe mood swings and has been suffering from a fractured relationship with her mother while Mi is the more sedate and level-headed of the couple.
- Bound by their painful past, a mother and a daughter go on a journey in an attempt to find salvation.
- This documentary is about a famous Chinese painter, Liu XiaoDong. He left his hometown when he was 17. Thirty years later, he decided to go back home and to paint his family, his friends and his hometown which changed a lot today. The documentary recorded the mysterious and incredible process of Liu's painting, from the empty canvases to abundance in content and form. HOMETOWN BOY hopes to record this process from Liu Xiaodong's perspective as well as understand his art practice from this intimate distance.