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- Grande Otelo was one of Brazil's greatest actors and comedians, using the spotlight to shape his own narrative and discuss the institutional racism that haunted him for eight decades, two dictatorships and over a hundred films.
- Love and loss in a Rio night club. How far will Luiza go to spend one more night with the man she loves?
- Drylands could be anywhere, just as Marcélia Cartaxo could be many women (including herself). The actress is placed in a situation in which she encounters nature and other female figures, in some instances, her doubles. Out of these encounters spring other possibilities that operate in the world of representation, which, in the film originate from the same imaginary power as children's games in empty lots.
- She managed to save from the fire a stack of photographs and a diary with handwritten phrases. These words and faces are the only traces left by the man she once knew and loved. Crossing mountains and roads, she tries to retrace his steps.