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- A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.
- When Shekhar comes to know that Rani became disabled because of him, he decides to help her by hiding his real identity.
- A wealthy mill owner, Durgadas Prasad, hires a secretary to handle his office work. She falls in love with Billoo, who incidentally happens to be Durgadas' estranged grandson.
- Dilip, spoilt and careless grandson of wealthy Rai Bahadur, is in love with film actress Nayantara and wants to marry her. However, Nayantara wants to marry him only for his wealth. Rai Bahadur totally disapproves this. However, film actor Ashok Kumar knows the truth as he also loves Nayantara. Dilip, unaware of Nayantara's ulterior motives, deceives Rai Bahadur time & again. On a day, Rai Bahadur with the help of his doctor friend, plays a trick. He pretends to be on his death bed and asks Dilip to change his ways. Dilip tries to assure him that he is out of the alliance with Nayantara and is in love with a nice girl who he plans to marry with. Rai Bahadur asks him to bring that girl in. Helpless Dilip ropes in Kiran. Rai Bahadur likes Kiran and hires her to take care of his house and himself until Dilip marries her. Unwillingly, Dilip co-op with the situation but falls in love with Kiran as he is now aware of what Nayantara wants. But he cannot marry Kiran as Nayantara starts blackmailing him at the pretext of some photographs she has in her possession. She threatens to sue Dilip but Ashok Kumar comes in and saves Dilip.
- Lata (Devika Rani), daughter of a dancing girl, is brought up by social worker Mathuradas (Prasad) and is engaged to marry the rich Ranjit (Ashok Kumar) when the villain Chand (S.N. Tripathi) arrives to blackmail her with her undisclosed ancestry. Lata is forced to disclose the truth to Ranjit and the assembled wedding guests. Ranjit disowns her but they are reunited when Ranjit, blinded by an explosion, is nursed back to health by a devoted woman who turns out to be his wife.
- Rich guy Puran is not allowed to marry poor girl Asha. Will his Zid (stubbornness) win over the family forms the plot of this film
- After the death of his wife, a policeman fails to up-bring his only son in a good way and spoils him. This creates serious repercussions once the child becomes an adult.
- The love story between between the beautiful village belle Radha and Kamal, the son of the village zamindar who wants to be a great poet. The zamindar sends his son to the city where Kamal becomes a noted novelist and playwright while Radha is persecuted by the zamindar and his henchmen Banwari. She feigns suicide but in fact goes to join her beloved in the city (on the same train as the now repentant father). When she eventually reaches Kamal's house, she hears him declaring his love to a woman. Unaware that he is merely reading lines from his latest play.
- International brand ambassador of Sanskrit, Megastar Aazaad created a mega movie titled Aham Brahmasmi to project, promote and protect the oldest ancient Language of the world, Sanskrit which is the first mainstream feature film in world history. 6th September 2019, went as a remarkable day for Indian Cinema, as Capital of India New Delhi and spiritual capital of India Kashi ( Varanasi ) witnessed a historic moment with the first screening of timeless creation Aham Brahmasmi and Sanatani Nationalist Filmmaker Megastar Aazaad marked his great presence among the Sanskrit lovers. The cine lovers had welcome Megastar Aazaad's movie of creating cinematic extravaganza in Dev Bhasha Sanskrit. Viewers of all ages witnessed the mega show with the Writer, Editor, Music Director, Director and lead actor Megastar Aazaad with chanting "Har Har Mahadev", " Bum-Bum Bol Raha Hai Kashi " and "Jayatu Jayatu Sanskritam" as if Aham Brahmasmi is not merely a movie but a cultural maha-yagna. The great purpose of movie is to rejuvenate the ancient language of the world and to create meaningful relevant and thought-provoking cinema. So that the world of today, acquaint with the forgotten languages and traditions. The ambition behind making this cinematic extravaganza is to rejuvenate Sanskrit among common people and unite the global audience by means of cinema. The historical Mega Movie Aham Brahmasmi is produced by Cinematic Giant Rajnarayan Dube's Legendary Film Company The Bombay Talkies Studios along with Kamini Dube, Vishwa Sahitya Parishad, Bombay Talkies Foundation, Aazaad Federation and World Literature Organization. Sanatani Filmmaker Kamini Dube is one of the most eminent female personality of India. After the grand success of first mainstream Sanskrit film in the history of world cinema Aham Brahmasmi, following the mission to promote, protect and strengthen the art, cultural languages and literature through cinematic creations, Megastar Aazaad is coming up with his Tamil venture namely Mahanayakan in one of the world's oldest language to unite the northern and southern part of India. To fill up any gap or remove any barrier of language, Aazaad is here to create a cinematic and rashtradharma for all and is ready with his timeless creation Mahanayakan in Tamil. Filmmaker and Megastar Aazaad has created his cinematic extravaganza Mahanayakan in Tamil to salute and pay respect to the enthusiastic and enlightened cine lovers of south India and has devoted his whole life to the mission of rejuvenating the ancient and forgotten languages worldwide and to unite the lingual division throughout the world by the means of art, literature, and cinematic creations.
- Two poor homeless siblings have singing talent but are unable to find a job. When they meet the brother of a theatre owner, things start to change a lot.
- A romantic crime thriller. Kamala elopes on her wedding day with her childhood friend Ratanlal. Her father Manganlal chases the couple and catches them on a train. His furious exchanges with Ratanlal are interrupted by gunfire and in the mysterious gloom of the evening a body is thrown off the train. The suspects are Ratanlal, who cannot furnish an alibi, Kamala, who insists on being the murderess, ex-convict Sukhdev, who confesses to the murder claiming robbery to be the motive, and the lunatic Tarachand, who also admits his guilt.
- Nirmala (Devika Rani) is a modern girl - young, beautiful, dressed in the latest fashions, attends college, and is even the only female in an all-male class. She doesn't take second place to the men, besting all but one in the annual exams. She tied with Ramdas (Ashok Kumar). But, at the same time she is tied to the age-old culture, traditions and religion. She yearns for a husband and for motherhood. And this conflict forms the crux of the story.
- Based on Bankimchandra's novel Rajani (1877), this romance addresses property rights. Samar (Kumar) and Tarangini (Sumitra Devi) are childhood lovers. Samar feels betrayed when she obeys her father's decision and marries a wealthy zamindar. When Samar becomes a successful lawyer, he tries to take revenge on Tarangini and marries a blind flower-girl who, he discovers, owns the property on which the zamindar has built his fortune. The plot is complicated by the fact that the blind girl loves Jatin, the zamindar's son.
- Legendary film company, The Bombay Talkies Studios along with Kamini Dube, Bombay Talkies Foundation, Vishwa Sahitya Parishad, Aazaad Federation, World Literature Organization and filmmaker Aazaad made the first film in history of Indian cinema which gives insights about life and thoughts of the greatest revolutionary Chandrashekhar Azad. His thoughts were like the flames of fire and acts were deadly blasts. The forgotten hero return back from the darkness, created by selfish politics to the silver screen as the daring and dynamic protagonist of all time created by writer, director, actor Aazaad. The nationalistic flavour - colour - nature combination of the movie is a continuation of what he has been portraying in his earlier movies. While his earlier movies had element of nationalism, Rashtraputra showcased the reality, the lesser known facts of the greatest revolutionary, Chandrashekhar Azad. Azad was not only the commander - in - chief of Hindustan Socialist Republican Army (HSRA) but an unmatched mentor, friend - philosopher - guide of over two thousand and five hundred revolutionaries of HSRA like Bhagat Singh, Rajguru, Sukhdev Thapar, Bhagwaticharan Vohra, Durga Bhabhi, Batukeshwar Dutt, Madanlal Dhingra, etc. In the true sense of meaning Chandrashekhar Azad was the supreme force of the bloodstained revolutionary freedom movement of India. In this film Rashtraputra we have shown that Azad is a timeless cinematic creation. He was, He is and he will be the relevant hero of all time. Time changes but the problems remain the same in different looks. What would Azad do, how he would react if he was alive today? He would be the same motivational force for today's youth as he was in his lifetime. Rashtraputra described as a great motivational movie with high voltage drama and entertainment values for the youth as well as the enlightened audience of twenty first century. Movie Rashtraputra is based on life and thoughts of Chandrashekhar Azad and also a tribute to all those forgotten heroes of freedom movement and to all those revolutionaries who didn't earned the fame they deserved viz. Mangal Pandey (Indian rebellion of 1857), Balwant Vasudev Phadke (Indian independence activist), Krantiveer Lahuji Raghoji Salve, Khudiram Bose (Bengali-Indian revolutionary), Rani Lakshmi Bai (Indian Rebellion of 1857), Chapekar Brothers (Assassination of W. C. Rand), Rash Behari Bose (Indian Independence Movement, Ghadar Revolution, Indian National Army, Jugantar), Aurobindo Ghosh (Alipore Bomb Case), Barindra Kumar Ghosh (Alipore Bomb Case, Jugantar), Jatindra Nath Das (Lahore Conspiracy Case), Bagha Jatin alias Jatin Das Mukherjee (German Plot during World War I), Ullaskar Dutta (Alipore Bomb Case), Hemu Kalani (Mahatma Gandhi's Quit India movement), Udham Singh (Jallianwala Bagh massacre in Amritsar), Subhash Chandra Bose (the Commander in Chief and founder of Azad Hind Fauj) and many more. And also tribute to the activists of Kakori Conspiracy and closest associates of greatest revolutionary Chandrashekhar Azad (The prime activists of Kakori Conspiracy) viz. Ramprasad Bismil, Ashafakulla Khan, Roshan Singh, Faninder Nath Ghosh, Jogesh Chandra Chatterjee, Keshab Chakravarty, Murari Lal Gupta (fake name of Murari Lal Khanna), Mukundi Lal (Mukundi Lal Gupta), Banwari Lal, Rajendra Lahiri, Manmath Nath Gupt and Sachindra Bakshi. Rashtraputra is written, directed and acted by Aazaad, who has been introduced by the legendary film company, The Bombay Talkies Studios. Aazaad and his forefathers hail from the holy city of Kashi i.e Varanasi (Banaras) which is mythologically known as the city of Lord Shiva. Aazaad is a great devotee of Lord Shiva although he is born and bought up in the city of Mumba Devi, City of dreams and the commercial capital of India, Mumbai. Aazaad an alumnus of Bhonsala Military School, Nashik, which was founded by Dr. B.S. Moonje who founded RSS along with Keshav Baliram Hedgewar and others in 1925. In 1935, Dr. B.S. Moonje established the Central Hindu Military Education Society at Nashik with the aim of 'Indianisation' of the army (Indian Defense) and started 'Bhonsala Military School' in 1937. Dr. B.S. Moonjealso was the All India President of the Hindu Mahasabha from 1927 until he handed over the charge to Vinayak Damodar Savarkar in 1937. At the very nascent age of the cinema Rajnarayan Dube's Bombay Talkies was born in India when other contemporary film companies of the world such as Warner Bros. Entertainment, Universal Pictures, 20th Century Fox, Paramount Pictures were born and brought up to create cinematic magic for the world audience, but Bombay Talkies (under the command of Girish Ghanshyam Dube), is the only premiere film company which has made charismatic comeback and repeating its old pride and glory after sixty-three years of utter darkness. The legendary film company, The Bombay Talkies Studios was formed in 1934 by the pillar of Indian Cinema, Rajnarayan Dube along with Himanshu Rai & Devika Rani. Under the command of Rajnarayan Dube, Bombay Talkies had Produced 115 films like Achhut Kannya, Kismet, Bandhan, Mahal, Jhoola, Jeevan Naiya, Neel Kamal, Baadbaan, Daag, Majboor, Drishtidan (Bengali), Janmabhoomi, Izzat, Prem Kahani, Punarmilan, Aawaz, Pratima, Raj Mahal, Apnapan, Anyaya, Roti, Farrar, Ziddi, Mashal, Azad, Jwar Bhata, Basant, Sangram, Patita, Bhabi (1938), Durga, Kala Patthar, Indian Lady, Jeevan Prabhat, Hamari Baat, Anand, Aurangzeb, Bemisaal, Mamta, Sipahi, Milan, Naya Sansar, Anjaan, Adalat, Aandolan, Zindagi, Zamindar, Kanjoos, Ravan, Raja Rani, Phaansi, Kasam, Parakh, Dhobi Doctor, Deewana, Darpan, Dr. Kumar, Maa, Khamosh, Nauka Doobi, Talaq, Zakhmi, Maharaja, Nirmala, Vilayati Babu, Dushman, Khandani, Puraskar, Tawaif, Asha, Aandhi, Sadma, Anaath, Loafer, Muqaddar, Prem Kahani, Vachan, Lahore to Calcutta, Navjeevan, Ramdhari B.A., Saudagar, Ghajini, Hero, Sawa Lakh, Pratima, Bulandi, Char Aankhen, Chanakya, Nakli Heera, Lahore, Rail Ka Dibba, Dost, Chhoti Si Duniya, Cinema and many more, Distributed 259 films, Launched over 280 Legends like Ashok Kumar, Leela Chitnis, Madhubala (who began as a child artist and was given her stage name by Rajnarayan Dube himself, Dilip Kumar, Raj Kapoor, Dev Anand, Leela Chitnis, David Abraham Cheulkar, Phani Majumdar, Gyan Mukherjee, K.A. Abbas, Saadat Hasan Manto, Nabendu Ghosh, Hansa Wadkar, Uttam Kumar, Kedar Sharma, Gemini Ganesan, P.L. Santoshi, Shakti Samanta, Niranjan Pal, Pt. Narendra Sharma, Kishor Sahu, P. Jairaj, Asit Sen, Mumtaj Ali, Nalini Jaywant, Kamini Kaushal, Snehprabha, Joseph Wirsching, Kanan Devi, Sharat Chandra Chattopadhyay, Shaheed Lateef, Sita Devi, Abhi Bhattacharya, R.D. Mathur, Aghajani Kashmiri, Kamal Bose, Pran, Usha Kiran, Renuka Devi, Munshi Premchand (Written 2 Films for Bombay Talkies), Mukri, Bhagwati Charan Verma, Mehmood, Kishore Kumar, Kamal Amrohi, Guru Dutt, Suraiya, Bimal Roy, Nitin Bose, Salil Chowdhary, Kavi Pradeep, Franz Osten, Hrishikesh Mukherjee, Sashadhar Mukherjee, Asha Bhonsle, Lata Mangeshkar, Satyajit Ray, Amiya Chakravarti, S. D. Burman, Manna Dey, Saraswati Devi (who was the first woman music director of Asia) and many more, Supported various new theatres such as BN Sircar's New Theatres in Calcutta, V Shantaram's Prabhat Pictures, Homi Wadia's Wadia Movietone, Sohrab Modi's Minerva Movietone, LV Prasad's Prasad Labs and Pictures (Prasad was an ex-technician from Bombay Talkies), SS Vasan's Gemini Pictures and Mehboob Khan's theatres, Tarachand Barjatya's Rajshri Productions (Barjatya served as a distribution manager for Bombay Talkies for the period of seven years), Constructed 400 Cinema Halls and Financed more than 700 Films. Rajnarayan Dube had also established one of oldest finance company of India, in 1929 named Dube Industries. Maintaining the legacy and keeping the Nationalistic flavour of Chandrashekhar Azad under the command of military school alumnus and filmmaker Aazaad, The Bombay Talkies Studios released Rashtraputra on 2nd November 2018 which received enormous appreciation from the audience and has praised from the critics after the magnificent triumph of the film. Rashtraputra has grossed a massive business in Indian Box Office. The magnum opus Rashtraputra flagged on 21st May 2019 at 72nd Festival De Cannes (Marche Du Film), Riviera France. The film earned huge respect at the arena and received enormous applauds and appreciation from global audience and the team Bombay Talkies has successfully premiered the ultimate cinematic creation of filmmaker Aazaad in the world's most glamorous and prestigious cine extravaganza and made the country proud. Filmmaker Aazaad along with Kamini Dube, The Bombay Talkies Studios, Bombay Talkies Foundation, Vishwa Sahitya Parishad, World Literature Organization and Aazaad Federation are also ready to showcase the film in 28 Indian and Foreign Languages which is a first time global phenomenon in the history of world cinema. In the year of 2019, during Mid-day showbiz iconic awards, Rashtraputra got awarded in four categories. It was a moment of great triumph. Megastar Aazaad got the prestigious Mid-day showbiz iconic awards held at Grand Hyatt, Mumbai as the best director, best actor, best writer whereas the first sanatani revolutionary women producer and filmmaker Kamini Dube was awarded the Mid-day showbiz iconic award for the best producer for her film Rashtraputra which was produced by herself along with the legendary film company, The Bombay Talkies Studios. After the international success of Rashtraputra, legendary film company Bombay Talkies is ready with another master piece titled 'Aham Brahmasmi' which is the first mainstream film in Sanskrit. The great purpose of Aham Brahmasmi is to rejuvenate the Indian ancient language and to create meaningful relevant and thought provoking cinema. The world of today will acquaint with the forgotten languages and traditions. Our ambition is to entertain and unite the global audience by means of cinema.
- The hero Ramesh (Kumar/Bhattacharya) agrees to marry a woman he has never met, unknown to his real lover Hemnalini (Ranjana/Sarkar). The wedding party is hit by a storm when travelling across a river; the hero's father and the bride are drowned while the hero survives. He later meets Kamala (Meera Mishra), whose husband (likes Ramesh's wife had died shortly after their marriage. Their respective bereavements bring the two closer until Kamala's husband is discovered to be still alive. Eventually Ramesh marries Hemnalini. The classic Tagore novel was Nitin Bose's debut at Bombay Talkies, and his most ambitious Hindi film to date. Reviews attacked it for its slow pace, but generally commended its extensive night shooting.
- The story centers on three college friends: the liberal Vijay, the conservative Loknath and Jagdish.
- The story revolves around Ramesh's life, a law student who is forced into an arranged marriage though he is in love with somebody else. Following the wedding, story focuses on the bride's mistaken identity and the search for her husband.
- A nationalist rural drama- Janmabhoomi was the first patriotic Hindi movie. The plot has Dr. Ajay Ghosh and his girl friend Protima working to improve the lives of Indian villagers, incurring the enmity of the local zamindar and his vicious, scheming henchman Sanatan. Ajay's relentless goodness eventually persuades the zamindar to bequeath his property to the hero, and general well-being reigns as class conflict is transmuted into class collaboration. The film includes the nationalist song 'Jai jai janani janmabhoomi' and other choruses with a similar thrust.