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While Indians besiege a U.S. Army fort in 1876, residents of the fort, a gunfighter, a stagecoach driver, two Mexican women, and a motley company of soldiers, try to come to terms with their pasts.

After she marries Jack Valentine, Janie Wakefield ( Dorothy Gish ) discovers that her husband's reputation as a flirt is well deserved when she sees him riding in a taxi with a strange woman. Janie hesitates to believe that the man was Jack until he falls victim to the wiles of a fascinating widow who lives across the hall. After a tempestuous scene, Janie decides to forgive him until she overhears Jack making a date with a manicurist. The irate Janie returns to her father and, accepting a position in his Wall Street firm, becomes a successful businesswoman. Jack begs her to return, but only after he threatens suicide does Janie decide that her husband has been remodel-led.

A young woman is so superstitious that she cannot make a move or a decision without the approval of the cards or the stars. Pursued romantically by two men, one virtuous, the other villainous, the cards point her toward the villain. Which will she follow, her cards or her heart?

Daughter of impoverished vaudeville actor Lew Moore, Sheila ( Dorothy Gish ) works as a waitress in a chocolate manufacturer's candy shop, where she delights the customers with her tomboyish antics. Tom Ballantyne ( Richard Barthelmess ), the proprietor's son realizes that Sheila is excessively fond of dancing, asks her out without the benefit of a proper introduction, and she indignantly refuses. Soon afterwards, however, the two fall in love and secretly marry. Sheila's father insists that Tom's parents be informed, but when the young groom breaks the news, they react with such anger that Tom leaves home. Meanwhile, Sheila remains with the Ballantynes as their ward on the condition that she keep her marriage and her lineage a secret. One evening, Sheila decides to visit her father's theater but is discovered there by the Ballantynes. Infuriated, she vents her anger at the snobbish family and returns home with her father, but Tom follows her, and in the end, all of the parties are reconciled.

A simple country girl comes to the big city and is taken advantage of by unscrupulous city-slickers.

Bob, John, and Edward--three young boys growing up in the same neighborhood--have vastly-different experiences with sex. Bob's father patiently explains "the birds and the bees" to him, and even takes him to a hospital to see the effects of venereal disease. John's and Edward's parents don't tell them anything, leaving the boys to find out "on the streets". Consequently, when they become adults, John--who's been "playing the field"--contracts syphilis and is stopped from marrying and infecting his sweetheart. Edward, on the other hand, has become addicted to "self-love" and masturbates himself into an insane asylum. Wholesome Bob marries and, naturally, lives happily ever after.

A young woman is in love, but the man of her affections wants only her and no part of her vast wealth.

Boots is a young servant girl who polishes shoes in an English inn. She is an incurable romantic, addicted to melodramatic stories of love and adventure. When she discovers a Bolshevik plot to blow up a government official, she takes it on herself to foil the plot.

Polly has herself arrested and committed to a reformatory in order to investigate conditions at the institution, after the committee charged with the investigation whitewashes the facts.

Jane is a rootless young lady who finds an abandoned child and adopts it as her own. The decision, however, leads to great conflict with the child's vicious outlaw father.

Wild flapper Patricia Van Nuys decides to become a pilot like her husband Robert, but with a difference--she wants to become the first woman to cross the Atlantic Ocean by airplane. Capt. Endicott, a friend of Robert's, offers to teach her how to fly. One day while aloft in the plane, the craft takes a sudden nosedive and crashes. The pair walk away uninjured and find shelter in a roadhouse. Robert, upon hearing of this, becomes jealous of Pat's spending so much time with Endicott, which angers Pat. She decides to leave Robert and slips out of the house to catch an evening train, but unfortunately Endicott is also aboard the train. Robert finds out about that, too. Complications ensue.

The Grand Duchess Marie Louise is the beautiful young ruler of Molvania. She is a fun-loving girl who secretly hopes that the revolutionaries who threaten to take over her country are able to do so, as that will free her to go to America to be with the soldier friends she met during the Great War.

Doris Pennington is committed to an insane asylum by her aunt, who hopes to take over Doris's fortune. Upon arrival at the asylum, however, Doris convinces the staff that the nurse who accompanies her is actually the patient and she the nurse.

Framed for stealing some pearls while staying at the country home of her aunt and uncle, Mr. and Mrs. Dennison, Delsie O'Dell ( Dorothy Gish ) is banished from their house. Delsie along with her bulldog, Violet, follows Oscar, the actual thief, to an old haunted house, which is the hideout for a gang of thieves. A series of humorous escapades follows as she first hides from the thieves, then pretends to be a ghost, terrorizing them. Eventually she retrieves the pearls, clears her name, and is safe once again in the arms of Bill, Dennison's secretary.

Big Hearted Jim, the sheriff, loves the tomboyish Nugget Nell ( Dorothy Gish ), who runs a hash house in the mining country, but although she has romantic feelings, they are not aroused by Jim. Nell agrees to an old miner friend's request to care for his "child," Nell is shocked to meet the six-foot girl, but she cares for her just the same. Nell falls in love with the City Chap, out West to look after his mining property, but he barely notices her, having become intrigued by the Ingenue, whom he met on the stagecoach. The jealous Nell steals stylish clothes to allure him, but she has trouble walking in French high-heels. After rescuing the City Chap from outlaws robbing the stage, Nell takes him to a deserted shack. Although the outlaws kidnap the "child" and set fire to the shack, Jim, lassoing them one-by-one, rescues Nell, who, having seen the City Chap's cowardice, now yields to Jim's embrace.