Titel: | Politics as public art |
Titelzusatz: | the aesthetics of political organizing and social movements |
Mitwirkende: | Zebracki, Martin [HerausgeberIn] |
| McNeill, Z. Zane [HerausgeberIn] |
Verf.angabe: | edited by Martin Zebracki, Z. Zane McNeill |
Verlagsort: | London ; New York |
Verlag: | Routledge, Taylor & Francis Group |
Jahr: | 2023 |
Umfang: | xv, 141 Seiten |
Illustrationen: | Illustrationen |
Gesamttitel/Reihe: | Routledge advances in theatre & performance studies |
Fussnoten: | Includes bibliographical references and index |
ISBN: | 978-1-032-13809-1 |
| 978-1-032-13855-8 |
Abstract: | Inhaltsverzeichnis: Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Acknowledgments -- List of Contributors -- Preamble -- 1 Politics as Public Art: Bodies, Power, Inclusive Change -- PART I: The Art of Political Movements: A Theoretical Genealogy -- 2 Introduction: Emotions, Materiality, and World-Building -- 3 A Beautiful Disruption: Extinction Rebellion's Red [Rebel] Brigade and a Theory of Emotional Representation in Protest -- 4 Reflections on Umunthu as the Life Politics of Ozhopé -- 5 Art-Making and World-Building: Arendt and the Political Potential of Socially Engaged Practices -- PART II: Bodies in Space: The Aesthetic Politics of Protest -- 6 Introduction: Political Praxis, Ideology, and the Deliberately Aesthetic Body -- 7 Bloodied Beaches, Copper Flowers: A Choreopolitical Analysis of Extinction Rebellion's Red Rebel Brigade -- 8 "Racism Lives Here": Queering the Neoliberal University Campus through Choreopolitical Antiracist Activism -- 9 Exploring the Role of the Disabled Body as a Vehicle and Art Form within Anti-Austerity Protest -- Epilogue -- 10 Entanglement and Choreopolitical Thought -- Index. |
| "This volume presents a keystone collection that pursues new frameworks for a critical understanding of the relationship between public art and protest movements through the utilization of socially engaged and choreopolitical approaches. This anthology draws from a unique combination of interdisciplinary scholarship and activism where it integrates geographically rich perspectives from political and grassroots community contexts spanning the US, Europe, Australia, and Southeastern Africa. The volume questions, and re-imagines, not only how public art practice can be integral to politics, including forms of surveillance and control of bodily movement. It also probes into how political participation itself can be construed as a form of public artmaking for radical social change and just worlds. This collection advocates for scholar-activist inquiry into how socially engaged public art practices can choreograph greater intersectional justice and pave the way for thinking through-and working towards-more inclusive futures. This book provides a wide appeal to audiences across humanities and social science scholarship, arts practice, and activism seeking conceptual and empirically informed tools for moving from public art and choreopolitical theory into modes of praxis: critical reflection and action"-- |
URL: | Inhaltsverzeichnis: https://swbplus.bsz-bw.de/bsz1818467909inh.htm |
| Inhaltsbeschreibung: https://www.routledge.com/Politics-as-Public-Art-The-Aesthetics-of-Political-Organizing-and-Social/Zebracki-McNeill/p/bo ... |
Schlagwörter: | (s)Öffentlicher Raum / (s)Protestbewegung / (s)Politische Kunst / (s)Agitationskunst |
Dokumenttyp: | Aufsatzsammlung |
Sprache: | eng |
Bibliogr. Hinweis: | Erscheint auch als : Online-Ausgabe: Politics as public art. - Abingdon, Oxon : Routledge, 2023 |
| Erscheint auch als : Online-Ausgabe: Politics as public art. - London : Routledge, 2023. - 1 Online-Ressource (xv, 141 Seiten) |
RVK-Notation: | MS 4760 |
K10plus-PPN: | 1818467909 |