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Titel:Technology and film scholarship
Titelzusatz:experience, study theory
Mitwirkende:Hidalgo, Santiago [HerausgeberIn]   i
 Gaudreault, André [VerfasserIn eines Vorworts]   i
Verf.angabe:edited by Santiago Hidalgo ; foreword by André Gaudreault
Verlagsort:Amsterdam
Verlag:Amsterdam University Press
Jahr:2017
Jahr des Originals:2017
Umfang:1 Online-Ressource (264 Seiten)
Illustrationen:4 color plates, 16 halftones, 8 line drawings
Gesamttitel/Reihe:Film Theory in Media History
Schrift/Sprache:In English
Ang. zum Inhalt:Frontmatter -- ; Contents -- ; Acknowledgments -- ; Foreword / Gaudreault, André --
 Introduction / Hidalgo, Santiago --
 Section I: Experience -- ; 1. When Did Cinema Become Cinema? Technology, History, And The Moving Pictures / Musser, Charles --
 2. Exhibition Practices In Transition: Spectators, Audiences, And Projectors / Olsson, Jan --
 3. Reel Changes: Post-Mortem Cinephilia Or The Resistance Of Melancholia / Habib, André --
 4. Walter Benjamin’S Play Room: Where The Future So Eloquently Nests , Or: What Is Cinema Again? / Cooley, Dana --
 Section II: Study -- ; 5. Hitchcock, Film Studies, And New Media : The Impact Of Technology On The Analysis Of Film / Colangelo, David --
 6. Film Analysis And Statistics: A Field Report / O’Brien, Charles --
 7. A ‘Distant Reading’ Of The ‘Chaser Theory’ : Local Views And The Digital Generation Of New Cinema History / Moore, Paul --
 Section III: Theory -- ; 8. Cine-Graphism : A New Approach To The Evolution Of Film Language Through Technology / Gunning, Tom --
 9. Can We Have The Cave And Leave It Too? On The Meaning Of Cinema As Technology / Hediger, Vinzenz --
 10. On Viewfinders, Video Assist Systems, And Tape Splicers : Questioning The History Of Techniques And Technology In Cinema / Turquety, Benoît --
 Index
ISBN:978-90-485-2527-0
Abstract:This volume brings together a wide range of explorations of the ways in which technological innovations have established new and changing conditions for the experience and study of film. The book offers analyses by such leading figures in film studies as Tom Gunning and Charles Musser, who examine the ways in which technological changes have altered the ways how cinema is conceived and how it is approached as an object of study. Contributors also look at the overlapping stages through which new experience is translated in institutionalized knowledge within the discipline.
ComputerInfo:Mode of access: Internet via World Wide Web.
DOI:doi:10.1515/9789048525270
URL:Verlag: https://www.degruyter.com/isbn/9789048525270
 kostenfrei: Resolving-System: https://doi.org/10.1515/9789048525270?locatt=mode:legacy
 Cover: https://www.degruyter.com/doc/cover/9789048525270.jpg
 Cover: https://www.degruyter.com/cover/covers/9789048525270.jpg
 Cover: https://www.degruyter.com/document/cover/isbn/9789048525270/original
 DOI: https://doi.org/10.1515/9789048525270
Schlagwörter:(s)Film   i / (s)Filmtechnik   i / (s)Filmtheorie   i
Datenträger:Online-Ressource
Dokumenttyp:Aufsatzsammlung
Sprache:eng
Bibliogr. Hinweis:Erscheint auch als : Druckausgabe: Technology and film scholarship. - Amsterdam : Amsterdam University Press, 2017. - 264 Seiten
RVK-Notation:AP 42800   i
Sach-SW:Technology in motion pictures.
 PERFORMING ARTS / General
 PERFORMING ARTS / Film & Video / General
K10plus-PPN:1042462313
 
 
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