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Verfasst von:Comolli, Jean-Louis, [VerfasserIn]   i
Titel:Cinema Against Spectacle
Titelzusatz:Technique and Ideology Revisited
Mitwirkende:Fairfax, Daniel,   i
 Fairfax, Daniel, [HerausgeberIn]   i
 Rosen, Philip,   i
Verf.angabe:Jean-Louis Comolli; ed. by Daniel Fairfax.
Verlagsort:Amsterdam
Verlag:Amsterdam University Press
E-Jahr:2022
Jahr:[2022]
Umfang:1 Online-Ressource (348 p.)
Gesamttitel/Reihe:Film Theory in Media History
Schrift/Sprache:In English
Ang. zum Inhalt:Frontmatter
 Table of Contents
 Preface
 Introduction
 Cinema against Spectacle
 Introduction
 Cinema against Spectacle
 I. Opening the Window?
 II. Inventing the Cinema?
 III. Filming the Disaster?
 IV. Cutting the Figure?
 V. Changing the Spectator?
 Technique and Ideology: Camera, Perspective, Depth of Field
 Introduction
 I. On a Dual Origin
 II. Depth of Field: The Double Scene
 III. “Primitive” Depth of Field
 IV. Effacement of Depth/Advent of Speech
 V. Which Speech?
 Appendix I: Cinema/Ideology/Criticism
 Appendix II: Machines of the Visible
 Glossary of Terms
 Publication History
 Filmography
 Bibliography
 Translator’s Notes
 Index
 Film Theory in Media History
ISBN:978-90-485-1945-3
Abstract:Jean-Louis Comolli’s six-part essay Technique and Ideologyhad a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli’s activity as both a theorist and a filmmaker
URL:kostenfrei: Verlag ; Verlag: https://www.degruyter.com/isbn/9789048519453
 Cover: https://www.degruyter.com/document/cover/isbn/9789048519453/original
Datenträger:Online-Ressource
Sprache:eng
Sach-SW:ART / Film & Video
K10plus-PPN:1822447356
 
 
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