| Titel: | A companion to Eastern European cinemas |
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| Mitwirkende: | Imre, Anikó [HerausgeberIn]  |
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| Verf.angabe: | edited by Anikó Imre |
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| Verlagsort: | Chichester |
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| Verlag: | Wiley-Blackwell |
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| Jahr: | 2012 |
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| Umfang: | xvii, 525 Seiten |
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| Illustrationen: | Illustrationen |
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| Format: | 26 cm |
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| Gesamttitel/Reihe: | The Wiley-Blackwell companions to national cinemas |
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| Fussnoten: | Formerly CIP Uk. - Includes bibliographical references and index |
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| Ang. zum Inhalt: | Introduction: Eastern European cinema from no end to the end (as we know it) / Anikó Imre |
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| | New theoretical and critical frameworks. Body horror and post-socialist cinema: Gyorgy Polfis Taxidermia / Steven Shaviro |
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| | El perro negro: transnational readings of database documentaries from Spain / Marsha Kinder |
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| | Did somebody say Communism in the classroom? or, the value of analyzing totality in recent Serbian cinema / Zoran Samardzija |
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| | Laughing into an abyss: cinema and Balkanization / Kriss Ravetto-Biagioli |
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| | Jewish identities and generational perspectives / Catherine Portuges |
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| | Aftereffects of 1989: Corneliu Porumboiu's 12:08 East of Bucharest (2006) and Romanian cinema / Alice Bardan |
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| | Cinema beyond borders: Slovenian cinema in a world context / Meta Mazaj and Shekhar Deshpande |
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| | Historical and spatial redefinitions. Center and periphery, or how Karel Vachek formed a new government / Alice Lovejoy |
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| | The Polish black series documentary and the British Free Cinema movement / Bjorn Sorenssen |
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| | Socialists in outer space: East German film's Venusian adventure / Stefan Soldovieri |
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| | Red Shift: new Albanian cinema and its dialogue with the old / Bruce Williams |
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| | National space, (trans)national cinema: Estonian film in the 1960s / Eva Näripea |
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| | For the peace, for a new man, for a better world! Italian leftist culture and Czechoslovak cinema, 1945-1968 / Francesco Pitassio |
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| | Aesthetic (re)visions. The impossible Polish new wave and its accursed Émigré auteurs: Borowczyk, Polanski, Skolimowski and Zulawski / Michael Goddard |
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| | Documentary and industrial decline in Hungary: the "zd Series" of Tamás Almási / John Cunningham |
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| | Investigating the past, envisioning the future: an exploration of post-1991 Latvian documentary / Maruta Z. Vitols |
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| | East European historical epics: genre cinema and the visualization of a heroic national past / Nikolina Dobreva |
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| | Nation, gender and history in Latvian genre cinema / Irina Novikova |
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| | A comparative study: Rein Raamat's Big tõll and Priit Pärn's Luncheon on the grass / Andreas Trossek |
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| | Yugoslav black wave: the history and poetics of polemical cinema in the 60s and 70s in Yugoslavia / Greg DeCuir, Jr. |
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| | Industries and institutions. Follow the money: financing contemporary cinema in Romania / Ioana Uricaru |
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| | An alternative model of film production: film units in Poland after WWII / Dorota Ostrowska |
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| | The Hussite heritage film: a dream for all Czech seasons / Petra Hanukovu |
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| | International coproductions as productions of heterotopias / Ewa Mazierska |
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| | East is East? new Turkish cinema and Eastern Europe / Melis Behlil. |
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| ISBN: | 978-1-4443-3725-9 |
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| | 1-4443-3725-4 |
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| URL: | Cover: https://swbplus.bsz-bw.de/bsz391252216cov.jpg |
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| Dokumenttyp: | Aufsatzsammlung |
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| Sprache: | eng |
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| Bibliogr. Hinweis: | Erscheint auch als : Online-Ausgabe |(DE-576)BSZ485026317 |
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| RVK-Notation: | AP 44942 |
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| | AP 59441 |
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| | AP 44941 |
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| K10plus-PPN: | 671730185 |
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