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Titel:Twenty-first-century Gothic
Titelzusatz:an Edinburgh companion
Mitwirkende:Wester, Maisha L. [HerausgeberIn]   i
 Aldana Reyes, Xavier [HerausgeberIn]   i
Verf.angabe:edited by Maisha Wester and Xavier Aldana Reyes
Verlagsort:Edinburgh
Verlag:Edinburgh University Press
E-Jahr:2019
Jahr:[2019]
Umfang:1 Online-Ressource (vi, 326 Seiten)
Gesamttitel/Reihe:Edinburgh companions to the Gothic
Schrift/Sprache:In English
Ang. zum Inhalt:Frontmatter
 Contents
 Acknowledgements
 Introduction: The Gothic in the Twenty-First Century
 Part I Updating the Tradition
 Chapter 1 Postcolonial Gothic
 Chapter 2 Queer Gothic
 Chapter 3 Postfeminist Gothic
 Chapter 4 Neoliberal Gothic
 Chapter 5 Gothic Digital Technologies
 Part II Contemporary Monsters
 Chapter 6 Contemporary Zombies
 Chapter 7 Contemporary Vampires
 Chapter 8 Contemporary Serial Killers
 Chapter 9 Contemporary Ghosts
 Chapter 10 Contemporary Werewolves
 Part III Contemporary Subgenres
 Chapter 11 The New Weird
 Chapter 12 Ecogothic
 Chapter 13 Gothic Comedy
 Chapter 14 Steampunk
 Chapter 15 Posthuman Gothic
 Part IV Ethnogothic
 Chapter 16 South African Gothic
 Chapter 17 Asian Gothic
 Chapter 18 Latin American Gothic
 Chapter 19 Aboriginal Gothic
 Chapter 20 Black Diasporic Gothic
 Notes on Contributors
 Index
ISBN:978-1-4744-4094-3
 978-1-4744-4095-0
Abstract:A transnational and transmedia companion to the post-millennial GothicCovers key areas and themes of the post-millennial Gothic as well as developments in the field and revisions of the Gothic traditionConstitutes the first thematic compendium to this area with a transmedia (literature, film and television) and transnational approachCovers a plurality of texts, from novels such as Stephenie Meyer’s Twilight (2005), Helen Oyeyemi’s White Is for Witching (2009), Justin Cronin’s The Passage (2010) and M.R. Carey’s The Girl with All the Gifts (2014), to films such as Kairo (2001), Juan of the Dead (2012) and The Darkside (2013), to series such as Dante’s Cove (2005–7), Hemlock Grove (2013–15), Penny Dreadful (2014–16), Black Mirror (2011–) and even the Slenderman mythosThis resource in contemporary Gothic literature, film and television takes a thematic approach, providing insights into the many forms the Gothic has taken in the twenty-first century. The 20 newly commissioned chapters cover emerging and expanding research areas, such as digital technologies, queer identity, the New Weird and postfeminism. They also discuss contemporary Gothic monsters – including zombies, vampires and werewolves – and highlight Ethnogothic forms such as Asian and Black Diasporic Gothic
DOI:doi:10.1515/9781474440943
URL:Verlag: https://www.degruyter.com/isbn/9781474440943
 Cover: https://www.degruyter.com/document/cover/isbn/9781474440943/original
 DOI: https://doi.org/10.1515/9781474440943
Schlagwörter:(s)Gothic <Kultur>   i / (s)Literatur   i / (s)Film   i / (z)Geschichte 2000-2019   i
Datenträger:Online-Ressource
Dokumenttyp:Aufsatzsammlung
Sprache:eng
Bibliogr. Hinweis:Erscheint auch als : Druck-Ausgabe: Twenty-first-century Gothic. - Edinburgh : Edinburgh University Press, 2019. - vi, 326 Seiten
RVK-Notation:EC 5205   i
Sach-SW:Literary Studies
 LITERARY CRITICISM / American / General
K10plus-PPN:1798072025
 
 
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