| |  Online-Ressource |
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| Verfasst von: | Ehrlich, Nea [VerfasserIn]  |
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| Titel: | Animating Truth |
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| Titelzusatz: | Documentary and Visual Culture in the 21st Century |
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| Verf.angabe: | Nea Ehrlich |
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| Verlagsort: | Edinburgh |
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| Verlag: | Edinburgh University Press |
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| E-Jahr: | 2021 |
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| Jahr: | [2021] |
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| Umfang: | 1 Online-Ressource (xi, 272 Seiten) |
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| Illustrationen: | Illustrationen |
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| Gesamttitel/Reihe: | Edinburgh Studies in Film and Intermediality : ESFI |
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| Schrift/Sprache: | In English |
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| Ang. zum Inhalt: | Frontmatter |
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| | Contents |
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| | Illustrations |
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| | Acknowledgements |
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| | Introduction |
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| | Part I Starting Points: The Evidentiary Status of Animation as Documentary Imagery |
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| | CHAPTER ONE Why Now? |
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| | CHAPTER TWO Defining Animation and Animated Documents in Contemporary Mixed Realities |
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| | Part II Animation and Technoculture: The Virtualisation of Culture and Virtual Documentaries |
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| | CHAPTER THREE The Virtualisation of Culture: Screens, Virtuality and Materiality |
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| | CHAPTER FOUR Documenting Game Realities |
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| | CHAPTER FIVE In-game Documentaries of Non-game Realities |
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| | CHAPTER SIX Interactive Animated Documentaries: Documentary Games and VR |
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| | CHAPTER SEVEN Encounters, Ethics and Empathy |
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| | CHAPTER EIGHT Conflicting Realisms: Animated Documentaries and Post-truth |
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| | Epilogue |
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| | Filmography |
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| | Bibliography |
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| | Index |
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| ISBN: | 978-1-4744-6338-6 |
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| | 978-1-4744-6339-3 |
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| Abstract: | Explores the rise of animated documentary and non-fiction in the 21st century • Examines the digitalisation and virtualisation of culture as the backdrop for the rise of contemporary animated documentaries • Focuses on the techno-cultural setting and explores multiple areas of non-fiction • Offers a wide view of visual culture case studies including film, art, journalism, gaming, scientific and data visualization. Confronting shifts in the status and aesthetics of the real, Nea Ehrlich analyses how contemporary technoculture has transformed the relationship of animation to documentary by mapping out two parallel trends: the increased use of animation within documentary or non-fiction contexts, and the increasingly pervasive use of non-photorealistic animation within digital media. As the virtual becomes another aspect of our contemporary mixed reality (physical and virtual), the book aims to understand how this visual paradigm shift influences viewers, both ethically and politically, and questions the wider ramifications of this transformation in non-fiction aesthetics |
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| DOI: | doi:10.1515/9781474463386 |
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| URL: | kostenfrei: Resolving-System: https://doi.org/10.1515/9781474463386 |
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| | kostenfrei: Verlag ; Verlag: https://www.degruyter.com/isbn/9781474463386 |
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| | Cover: https://www.degruyter.com/document/cover/isbn/9781474463386/original |
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| | DOI: https://doi.org/10.1515/9781474463386 |
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| Schlagwörter: | (s)Dokumentarfilm / (s)Neue Medien / (s)Visuelle Medien / (s)Digitale Filmtechnik |
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| Datenträger: | Online-Ressource |
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| Sprache: | eng |
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| Bibliogr. Hinweis: | Erscheint auch als : print |
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| RVK-Notation: | AP 49400 |
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| | AP 56900 |
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| Sach-SW: | Film, Media & Cultural Studies |
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| | PERFORMING ARTS / Film & Video / History & Criticism |
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| K10plus-PPN: | 1800722702 |
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| Lokale URL UB: |  Zum Volltext |
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