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| Titel: | Jihadi audiovisuality and its entanglements |
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| Titelzusatz: | meanings, aesthetics, appropriations |
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| Mitwirkende: | Günther, Christoph [HerausgeberIn]  |
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| | Pfeifer, Simone [HerausgeberIn] |
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| Verf.angabe: | edited by Christoph Günther and Simone Pfeifer |
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| Verlagsort: | Edinburgh |
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| Verlag: | Edinburgh University Press |
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| E-Jahr: | 2020 |
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| Jahr: | [2020] |
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| Umfang: | 1 Online-Ressource (xvi, 328 Seiten) |
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| Illustrationen: | Illustrationen |
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| Schrift/Sprache: | In English |
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| Ang. zum Inhalt: | Frontmatter |
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| | CONTENTS |
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| | FIGURES |
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| | NOTES ON CONTRIBUTORS |
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| | ACKNOWLEDGEMENTS |
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| | JIHADI AUDIOVISUALITY AND ITS ENTANGLEMENTS: A CONCEPTUAL FRAMEWORK |
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| | PART A ETHICAL CHALLENGES OF EMPIRICALLY GROUNDED RESEARCH ON JIHADISM |
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| | 1 ON SPEAKING, REMAINING SILENT AND BEING HEARD: FRAMING RESEARCH, POSITIONALITY AND PUBLICS IN THE JIHADI FIELD |
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| | 2 DESIGNING RESEARCH ON RADICALISATION USING SOCIAL MEDIA CONTENT: DATA PROTECTION REGULATIONS AS CHALLENGES AND OPPORTUNITIES |
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| | 3 ETHICS IN GENDER ONLINE RESEARCH: A FACEBOOK CASE STUDY |
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| | PART B. VISUALISING JIHADI IDEOLOGY AND ACTION |
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| | 4 APPROPRIATION IN ISLAMIC STATE PROPAGANDA: A THEORETICAL AND ANALYTICAL FRAMEWORK OF TYPES AND DIMENSIONS |
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| | 5 VISUAL PERFORMATIVITY OF VIOLENCE: POWER AND RETALIATORY HUMILIATION IN ISLAMIC STATE (IS) BEHEADING VIDEOS BETWEEN 2014 AND 2017 |
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| | 6 FROM THE DARKNESS INTO THE LIGHT: NARRATIVES OF CONVERSION IN JIHADI VIDEOS |
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| | PART C APPROPRIATING AND CONTESTING JIHADI AUDIOVISUALITY |
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| | 7 ARTIVISM, POLITICS AND ISLAM– AN EMPIRICAL-THEORETICAL APPROACH TO ARTISTIC STRATEGIES AND AESTHETIC COUNTER-NARRATIVES THAT DEFY COLLECTIVE STIGMATISATION |
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| | 9 ‘YOU’RE AGAINST DAWLA, BUT YOU’RE LISTENING TO THEIR NASHEEDS?’ APPROPRIATING JIHADI AUDIOVISUALITIES IN THE ONLINE STREETWORK PROJECT JAMAL AL-KHATIB– MY PATH! |
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| | PART D. ANĀSHĪD: SOUNDSCAPES OF RELIGIOPOLITICAL EXPERIENCE |
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| | 10 ‘NĀSHĪD’ BETWEEN ISLAMIC CHANTING AND JIHADI HYMNS: CONTINUITIES AND TRANSFORMATIONS |
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| | 11 ANĀSHĪD AT THE CROSSROAD BETWEEN THE ORGANISATIONAL AND THE PRIVATE |
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| | 12 CONTESTED CHANTS: THE NĀSHĪD AL ṢALĪL AL-ṢAWĀRIM AND ITS APPROPRIATIONS |
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| | INDEX |
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| ISBN: | 978-1-4744-6753-7 |
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| | 978-1-4744-6754-4 |
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| Abstract: | Explores the use of images, sounds and videos in Jihadi media and how people engage with themFosters theoretical approaches to audiovisuality in the context of ‘propagandistic’ imageryPoints to strategies and logics of appropriation within and around Jihadi audiovisuality, such as humour, re-enactments and memetic forms of cultural resistanceConsiders cultural and aesthetic expressions that evolve in response to Jihadi media output Presents empirically grounded research, combined with historical, multi-modal, rhetorical, ethnomusicological and digital audio-visual analysis and interpretationsCase studies include: an exploration of: staged violence in IS productions; the appropriation of IS’s nashīd Ṣalīl al-Ṣawārim in digital contexts; the responses by social workers and former supporters of jihadi groups and movements; and how researchers themselves are part of the entanglements caused by politicisation and securitisation of IslamISIS is often described as a terrorist organisation that uses social media to empower its supporters and reinforce its message. Through 12 case studies, this book examines the different ways in which Jihadi groups and their supporters use visualisation, sound production and aesthetic means to articulate their cause in online as well as offline contexts.Divided into four thematic sections, the chapters probe Jihadi appropriation of traditional and popular cultural expressions and show how, in turn, political activists appropriate extremist media to oppose and resist the propaganda. By conceptualising militant Islamist audiovisual productions as part of global media aesthetics and practices, the authors shed light on how religious actors, artists, civil society activists, global youth, political forces, security agencies and researchers engage with mediated manifestations of Jihadi ideology to deconstruct, reinforce, defy or oppose the messages |
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| URL: | kostenfrei: Verlag ; Verlag: https://www.degruyter.com/isbn/9781474467537 |
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| | Cover: https://www.degruyter.com/document/cover/isbn/9781474467537/original |
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| Schlagwörter: | (s)Dschihadismus / (s)Neue Medien / (s)Internationaler Terrorismus |
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| Datenträger: | Online-Ressource |
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| Dokumenttyp: | Aufsatzsammlung |
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| Sprache: | eng |
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| Bibliogr. Hinweis: | Erscheint auch als : Druck-Ausgabe: Jihadi audiovisuality and its entanglements. - Edinburgh : Edinburgh University Press, 2020. - xvi, 328 Seiten |
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| Sach-SW: | Islamic Studies |
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| | ART / Art & Politics |
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| K10plus-PPN: | 1800722524 |
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| Lokale URL UB: |  Zum Volltext |
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Jihadi audiovisuality and its entanglements / Günther, Christoph [HerausgeberIn]; [2020] (Online-Ressource)
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