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| Titel: | A cultural history of the avant-garde in the Nordic countries 1925-1950 |
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| Mitwirkende: | Benedikt Hjartarson [HerausgeberIn]  |
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| | Kollnitz, Andrea [HerausgeberIn] |
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| | Stounbjerg, Per [HerausgeberIn] |
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| | Ørum, Tania [HerausgeberIn] |
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| Verf.angabe: | edited by Benedikt Hjartarson, Andrea Kollnitz, Per Stounbjerg, Tania Ørum |
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| Verlagsort: | Leiden ; Boston |
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| Verlag: | Brill Rodopi |
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| E-Jahr: | 2019 |
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| Jahr: | [2019] |
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| Umfang: | 1 Online-Ressource (XXIV, 968 Seiten) |
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| Illustrationen: | Illustrationen |
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| Gesamttitel/Reihe: | Avant-garde critical studies ; volume 36 |
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| | Literature and Cultural Studies E-Books Online, Collection 2019, ISBN: 9789004386334 |
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| Fussnoten: | Includes index |
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| ISBN: | 978-90-04-38829-1 |
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| Abstract: | "A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, radio, body culture and magazines. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: the pre-war and wartime responses to international developments, the new cultural institutions, sexual politics, the impact of refugees and the new start after the war."--Provided by publisher |
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| | Arne Korsmo, PAGON and ""Meccano for the HomeState-Controlled Avant-Garde? -- Emil Bønnelycke's Radiophonic Portrait of Copenhagen; Nyrki Tapiovaara -- Between Avant-Garde and Mainstream Cinema; In the Absence of the Avant-Garde -- Atonality, Satire and De-Romanticisation in the Musical Life of Norway; Unionalen -- A Travelling Scandinavian Exhibition Platform; A Vanguard Claiming Ground -- Swedish Artists on the Market and within the State 1930-1955 |
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| | Avant-Garde Strategies versus Democratisation and ""Popularisation"" -- New Artist Roles and Forms of Distribution in the Danish Art World of the Interwar Period |
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| | Intro; A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950; Copyright; Contents; Preface; Notes on Contributors; Introduction; Section 1: Paradigmatic Cases; Introduction to Section 1; Viking Eggeling and European Avant-Garde Cinema; For Our Own Time -- Negotiating Tradition, Modernity and the Avant-Garde at the Stockholm Exhibition 1930; The Kjersmeier Collection of African Art, the Danish Avant-Garde and the Construction of Photographic Meaning; Alvar Aalto around 1930 -- Between Modernism and the Avant-Garde; Asger Jorn and Cobra -- A Many-Headed Beast |
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| | Rita Kernn-Larsen -- An International Surrealist CareerFrom Bauhaus to Bispebjerg -- Edvard Heiberg and the Social Avant-Garde; Corporeal Aesthetics -- Primitivism and the Reception of African American Performing Arts around 1930; Trajectories, Circulations and Geographical Configurations of the Avant-Garde and Modernism in Finland, 1922-1939; Section 4: Institutional Settings; Introduction to Section 4; How Nordic Neue Sachlichkeit, Kulturradikalisme, Transformed Modernism into a Vernacular Avant-Garde; The Engineer and the Avant-Garde -- Concrete Artists in Sweden |
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| | Section 2: Legacies and New DirectionsIntroduction to Section 2; Quosego -- Final Blow, Starting Shot; Surrealism in Denmark -- Vilhelm Bjerke-Petersen's Book Surrealismen, 1934; Everybody must participate in everything"" -- Cross-Aesthetic Practices in and around the Danish Magazine linien (1934-1939); The Reception of the Halmstad Group in the 1930s; Smile at the World, and It Will Laugh at You -- Helhesten's Folkelig Avant-Garde; The Birth of a Vanguard -- Icelandic Art 1940-1950; Scandinavian Women Artists and the Académie Moderne -- Abstraction, Gender and the Nordic |
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| | Universal Language on National Ground -- Otto G. Carlsund and Art Concret at the Stockholm Exhibition 1930Linien II -- A Local Avant-Garde Formation in Postwar Denmark; Section 3: Transmissions, Appropriations and Responses; Introduction to Section 3; To France with Love -- Surrealism, Schadism, Situationism and Jens August Schade; A Nordic Verfremdung -- Bertolt Brecht's Exile in Denmark, Sweden and Finland 1933-1941; Merz in the Mountains: Peripheral Art in a Peripheral Landscape -- On Kurt Schwitters's Norwegian Exile and Artistic Production in Møre og Romsdal, 1937-1940 |
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| DOI: | doi:10.1163/9789004388291 |
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| URL: | Volltext ; Verlag: https://doi.org/10.1163/9789004388291 |
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| | Volltext: https://brill.com/abstract/title/38041 |
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| | Resolving-System: http://dx.doi.org/10.1163/9789004388291 |
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| | DOI: https://doi.org/10.1163/9789004388291 |
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| Schlagwörter: | (g)Dänemark / (g)Finnland / (g)Island / (g)Norwegen / (g)Schweden / (s)Avantgarde / (z)Geschichte 1925-1950 |
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| Datenträger: | Online-Ressource |
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| Dokumenttyp: | Aufsatzsammlung |
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| Sprache: | eng |
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| Bibliogr. Hinweis: | Erscheint auch als : Druck-Ausgabe: A cultural history of the Avant-garde in the Nordic countries 1925-1950. - Leiden : Brill Rodopi, 2019. - XXIV, 968 Seiten |
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| K10plus-PPN: | 1067144854 |
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| Verknüpfungen: | → Übergeordnete Aufnahme |
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| Lokale URL UB: |  Zum Volltext |
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¬A¬ cultural history of the avant-garde in the Nordic countries 1925-1950 / Benedikt Hjartarson [HerausgeberIn]; [2019] (Online-Ressource)
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