Titel: | Rembrandt and the inspiration of India |
Mitwirkende: | Schrader, Stephanie [HerausgeberIn] |
| Glynn, Catherine [VerfasserIn von ergänzendem Text] |
| Rice, Yael [VerfasserIn von ergänzendem Text] |
| Robinson, William W. [VerfasserIn von ergänzendem Text] |
| Glynn, Catherine Ann [VerfasserIn] |
Institutionen: | J. Paul Getty Museum [Herausgebendes Organ] |
Verf.angabe: | edited by Stephanie Schrader, with contributions by Catherine Glynn, Yael Rice, and William W. Robinson |
Verlagsort: | Los Angeles |
Verlag: | The J. Paul Getty Museum |
E-Jahr: | 2018 |
Jahr: | [2018] |
Umfang: | xi, 148 Seiten |
Fussnoten: | "This publication is issued on the occasion of the exhibition Rembrandt and the Inspiration of India, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from March 13 to June 24, 2018." |
Weitere Titel: | Rückseite der Titelseite: "This publication is issued on the occasion of the exhibition Rembrandt and the Inspiration of India, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from March 13 to June 24, 2018 |
Ang. zum Inhalt: | Rembrandt and the Mughal Line: Artistic Inspiration in the Global City of Amsterdam / Stephanie Schrader |
| Mughal masterworks in Rembrandt's hand / Catherine Glynn |
| "A book of Indian drawings, by Rembrandt, 25 in number" / William W. Robinson |
| The global aspirations of the Mughal Album / Yael Rice |
ISBN: | 978-1-60606-552-5 |
| 1-60606-552-1 |
Abstract: | Rembrandt and the Mughal Line: Artistic Inspiration in the Global City of Amsterdam / Stephanie Schrader -- Mughal Masterworks in Rembrandt's Hand / Catherine Glynn -- "A book of Indian drawings, by Rembrandt, 25 in number" / William W. Robinson -- The Global Aspirations of the Mughal Album / Yael Rice |
| This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions. |
URL: | Inhaltsverzeichnis: https://swbplus.bsz-bw.de/bsz501798315inh.htm |
Schlagwörter: | (g)Indien / (g)Mogulreich / (s)Malerei / (s)Rezeption / (p)Rembrandt <Harmensz van Rijn> / (s)Zeichnung |
Dokumenttyp: | Ausstellungskatalog: (J. Paul Getty Museum : 13.03.2018-24.06.2018 : Los Angeles, Calif.) |
| Bildband |
| Ausstellungskatalog: (J. Paul Getty Museum : 13.03.2018-24.06.2018 : Los Angeles) |
Sprache: | eng |
Sach-SW: | Art, Mogul Empire |
| Rembrandt Harmenszoon van Rijn 1606-1669 |
| Los Angeles |
K10plus-PPN: | 894951661 |
Rembrandt and the inspiration of India / Schrader, Stephanie [HerausgeberIn]; [2018]