Titel: | Filming the everyday |
Titelzusatz: | independent documentaries in twenty-first-century China |
Mitwirkende: | Pickowicz, Paul G. [HerausgeberIn] |
| Zhang, Yingjin [HerausgeberIn] |
Verf.angabe: | edited by Paul G. Pickowicz and Yingjin Zhang |
Verlagsort: | Lanham ; Boulder ; New York ; London |
Verlag: | Rowman & Littlefield |
E-Jahr: | 2017 |
Jahr: | [2017] |
Umfang: | vii, 203 Seiten |
Illustrationen: | Illustrationen |
Format: | 24 cm |
Fussnoten: | Includes bibliographical references, filmography, and index |
Ang. zum Inhalt: | Pt. 1. Cultural context |
| Paul G. Pickowicz and Yingjin Zhang, "Introduction: documenting China independently" |
| Yingjin Zhang, "Who's afraid of the documentary camera" refiguring reality, memory, and power in Chinese independent documentary |
| Yomi Braester, "For whom does the director speak" the ethics of representation in documentary film criticism |
| Pt. 2. Rural reconfigurations |
| Angie Chau, "From root-searching to grassroots: returning to the countryside in contemporary Chinese fiction and independent documentary film" |
| Paul G. Pickowicz, "Zou Xueping's postsocialist homecoming" |
| Pt. 3. Embodied filmmaking |
| Tong Wang, "Looking back while marching forward: reconfiguration of selfhood in the folk memory project" |
| Laura Kissel, "The memory project and other ways of knowing: filmmaking, affect, and embodied knowledge" |
| Pt. 4. Documentary enactments |
| Alvin Wong, "Gendering intersubjectivity in new Chinese documentary: feminist multiplicity and vulnerable masculinity in postsocialist China" |
| Yiman Wang, "From bumming to roaming: Xu Tong's the Drifters trilogy" |
| Hongjian Wang, "Documenting through reenacting: revisiting the performative mode in Chinese independent documentaries" Appendix: Michael Berry, "Memory/document: in dialogue with Wu Wenguang's memory project" |
| Filmography |
ISBN: | 978-1-4422-7024-4 |
| 978-1-4422-7023-7 |
| 1-4422-7024-1 |
| 1-4422-7023-3 |
Abstract: | Pt. 1. Cultural context -- Paul G. Pickowicz and Yingjin Zhang, "Introduction: documenting China independently" --Yingjin Zhang, "Who's afraid of the documentary camera" refiguring reality, memory, and power in Chinese independent documentary -- Yomi Braester, "For whom does the director speak" the ethics of representation in documentary film criticism -- Pt. 2. Rural reconfigurations -- Angie Chau, "From root-searching to grassroots: returning to the countryside in contemporary Chinese fiction and independent documentary film" -- Paul G. Pickowicz, "Zou Xueping's postsocialist homecoming" -- Pt. 3. Embodied filmmaking -- Tong Wang, "Looking back while marching forward: reconfiguration of selfhood in the folk memory project" -- Laura Kissel, "The memory project and other ways of knowing: filmmaking, affect, and embodied knowledge" -- Pt. 4. Documentary enactments -- Alvin Wong, "Gendering intersubjectivity in new Chinese documentary: feminist multiplicity and vulnerable masculinity in postsocialist China" -- Yiman Wang, "From bumming to roaming: Xu Tong's the Drifters trilogy" -- Hongjian Wang, "Documenting through reenacting: revisiting the performative mode in Chinese independent documentaries" Appendix: Michael Berry, "Memory/document: in dialogue with Wu Wenguang's memory project" -- -- Filmography |
Schlagwörter: | (g)China / (s)Dokumentarfilm / (s)Alltag <Motiv> / (z)Geschichte 2000- |
Dokumenttyp: | Aufsatzsammlung |
Sprache: | eng |
Bibliogr. Hinweis: | Erscheint auch als : Online-Ausgabe: Filming the everyday. - Lanham : Rowman & Littlefield, [2016] |(DLC)2017001806 |
K10plus-PPN: | 877048223 |
Filming the everyday / Pickowicz, Paul G. [HerausgeberIn]; [2017]