| Titel: | Filming the everyday |
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| Titelzusatz: | independent documentaries in twenty-first-century China |
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| Mitwirkende: | Pickowicz, Paul G. [HerausgeberIn]  |
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| | Zhang, Yingjin [HerausgeberIn] |
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| Verf.angabe: | edited by Paul G. Pickowicz and Yingjin Zhang |
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| Verlagsort: | Lanham ; Boulder ; New York ; London |
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| Verlag: | Rowman & Littlefield |
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| E-Jahr: | 2017 |
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| Jahr: | [2017] |
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| Umfang: | vii, 203 Seiten |
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| Illustrationen: | Illustrationen |
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| Format: | 24 cm |
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| Fussnoten: | Includes bibliographical references, filmography, and index |
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| Ang. zum Inhalt: | Pt. 1. Cultural context |
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| | Paul G. Pickowicz and Yingjin Zhang, "Introduction: documenting China independently" |
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| | Yingjin Zhang, "Who's afraid of the documentary camera" refiguring reality, memory, and power in Chinese independent documentary |
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| | Yomi Braester, "For whom does the director speak" the ethics of representation in documentary film criticism |
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| | Pt. 2. Rural reconfigurations |
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| | Angie Chau, "From root-searching to grassroots: returning to the countryside in contemporary Chinese fiction and independent documentary film" |
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| | Paul G. Pickowicz, "Zou Xueping's postsocialist homecoming" |
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| | Pt. 3. Embodied filmmaking |
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| | Tong Wang, "Looking back while marching forward: reconfiguration of selfhood in the folk memory project" |
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| | Laura Kissel, "The memory project and other ways of knowing: filmmaking, affect, and embodied knowledge" |
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| | Pt. 4. Documentary enactments |
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| | Alvin Wong, "Gendering intersubjectivity in new Chinese documentary: feminist multiplicity and vulnerable masculinity in postsocialist China" |
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| | Yiman Wang, "From bumming to roaming: Xu Tong's the Drifters trilogy" |
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| | Hongjian Wang, "Documenting through reenacting: revisiting the performative mode in Chinese independent documentaries" Appendix: Michael Berry, "Memory/document: in dialogue with Wu Wenguang's memory project" |
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| | Filmography |
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| ISBN: | 978-1-4422-7024-4 |
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| | 978-1-4422-7023-7 |
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| | 1-4422-7024-1 |
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| | 1-4422-7023-3 |
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| Abstract: | Pt. 1. Cultural context -- Paul G. Pickowicz and Yingjin Zhang, "Introduction: documenting China independently" --Yingjin Zhang, "Who's afraid of the documentary camera" refiguring reality, memory, and power in Chinese independent documentary -- Yomi Braester, "For whom does the director speak" the ethics of representation in documentary film criticism -- Pt. 2. Rural reconfigurations -- Angie Chau, "From root-searching to grassroots: returning to the countryside in contemporary Chinese fiction and independent documentary film" -- Paul G. Pickowicz, "Zou Xueping's postsocialist homecoming" -- Pt. 3. Embodied filmmaking -- Tong Wang, "Looking back while marching forward: reconfiguration of selfhood in the folk memory project" -- Laura Kissel, "The memory project and other ways of knowing: filmmaking, affect, and embodied knowledge" -- Pt. 4. Documentary enactments -- Alvin Wong, "Gendering intersubjectivity in new Chinese documentary: feminist multiplicity and vulnerable masculinity in postsocialist China" -- Yiman Wang, "From bumming to roaming: Xu Tong's the Drifters trilogy" -- Hongjian Wang, "Documenting through reenacting: revisiting the performative mode in Chinese independent documentaries" Appendix: Michael Berry, "Memory/document: in dialogue with Wu Wenguang's memory project" -- -- Filmography |
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| Schlagwörter: | (g)China / (s)Dokumentarfilm / (s)Alltag <Motiv> / (z)Geschichte 2000- |
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| Dokumenttyp: | Aufsatzsammlung |
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| Sprache: | eng |
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| Bibliogr. Hinweis: | Erscheint auch als : Online-Ausgabe: Filming the everyday. - Lanham : Rowman & Littlefield, [2016] |(DLC)2017001806 |
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| K10plus-PPN: | 877048223 |
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Filming the everyday / Pickowicz, Paul G. [HerausgeberIn]; [2017]
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