Titel: | Jews and theatre in an intercultural context |
Mitwirkende: | Nahshon, Edna [HerausgeberIn] ![i](/https/katalog.ub.uni-heidelberg.de/opacicon/information2.png) |
Verf.angabe: | edited by Edna Nahshon |
Verlagsort: | Leiden ; Boston |
Verlag: | Brill |
Jahr: | 2012 |
Umfang: | xviii, 388 Seiten |
Illustrationen: | Illustrationen |
Gesamttitel/Reihe: | Brill's series in Jewish studies ; volume 46 |
Ang. zum Inhalt: | Preface ; Religion and origins. Angel, she-ass, prophet: the play and its set-design / Simon Levy |
| From Alexandria to Berlin: the Hellenistic play Exagoge joins the Jewish canon / Sarit Cofman-Simhon |
| La Pasion de Jesus en Tafi: the representation of Jews in a contemporary Argentine passion play / Tamara Kohn |
| Going against the grain: Jews and passion plays on the American mainstream stage, 1879-1929 / Edna Nahshon |
| Plays and playwrights. Conceptions, connotations, and/or actions: the figuration of Jewish characters in Heinar Kipphardt's plays / Matthias Naumann |
| Between "I and thou": Buber, expressionism and Ernst Toller's search for community / David Garfinkle |
| Holocaust memory in the French-Jewish theater of Jean-Claude Grumberg / Seth L. Wolitz |
| Holocaust. Voices from the edge of the abyss: theatrical texts from the Terezin/Theresienstadt Ghetto, 1941-45 / Lisa Peschel |
| Apart from the document: Jews and Jewishness in theatre. Of the real / Carol Martin |
| Fritz Kortner on the postwar stage: the Jewish actor as a site of memory / Michael Bachman |
| Interpretations and reinterpretations. Jews in fashion at the Moscow Art Theater / Laurence Senelick |
| Restaging La Juive in a Post-Holocaust context / Hans-Peter Bayerdoerfer |
| Contemporary audiences and the infamous 'pound of flesh' in Shakespeare's The merchant of Venice / Melia Bensussan |
| The contemporary scene. The joy of breaking taboos: Jews and postwar German theatre / Anat Feinberg |
| The relativization of victim and perpetrator in the Hungarian productions of Merchant of Venice and Mein Kampf / Aniko Szucs |
| From Purimspiel to Polish masquerade: performing Jewish memory in Tykocin / Brigitte Sion |
| Diaspora Disneys: 'Jewface' minstrelsy and 'Jewfacade' display in East-Central Europe and Eurasias / S.I. Salamensky |
| From Halakha to Hadassah: queer Jewish performance art / Carol Zemel. |
ISBN: | 978-90-04-22717-0 |
Abstract: | Preface -- Religion and origins. Angel, she-ass, prophet: the play and its set-design / Simon Levy -- From Alexandria to Berlin: the Hellenistic play Exagoge joins the Jewish canon / Sarit Cofman-Simhon -- La Pasion de Jesus en Tafi: the representation of Jews in a contemporary Argentine passion play / Tamara Kohn -- Going against the grain: Jews and passion plays on the American mainstream stage, 1879-1929 / Edna Nahshon -- Plays and playwrights. Conceptions, connotations, and/or actions: the figuration of Jewish characters in Heinar Kipphardt's plays / Matthias Naumann -- Between "I and thou": Buber, expressionism and Ernst Toller's search for community / David Garfinkle -- Holocaust memory in the French-Jewish theater of Jean-Claude Grumberg / Seth L. Wolitz -- Holocaust. Voices from the edge of the abyss: theatrical texts from the Terezin/Theresienstadt Ghetto, 1941-45 / Lisa Peschel -- Apart from the document: Jews and Jewishness in theatre. Of the real / Carol Martin -- Fritz Kortner on the postwar stage: the Jewish actor as a site of memory / Michael Bachman -- Interpretations and reinterpretations. Jews in fashion at the Moscow Art Theater / Laurence Senelick -- Restaging La Juive in a Post-Holocaust context / Hans-Peter Bayerdoerfer -- Contemporary audiences and the infamous 'pound of flesh' in Shakespeare's The merchant of Venice / Melia Bensussan -- The contemporary scene. The joy of breaking taboos: Jews and postwar German theatre / Anat Feinberg -- The relativization of victim and perpetrator in the Hungarian productions of Merchant of Venice and Mein Kampf / Aniko Szucs -- From Purimspiel to Polish masquerade: performing Jewish memory in Tykocin / Brigitte Sion -- Diaspora Disneys: 'Jewface' minstrelsy and 'Jewfacade' display in East-Central Europe and Eurasias / S.I. Salamensky -- From Halakha to Hadassah: queer Jewish performance art / Carol Zemel |
Schlagwörter: | (s)Juden / (s)Theater / (z)Geschichte / (s)Drama / (s)Judenbild ![i](/https/katalog.ub.uni-heidelberg.de/opacicon/information2.png) |
| (z)Geschichte ![i](/https/katalog.ub.uni-heidelberg.de/opacicon/information2.png) |
Dokumenttyp: | Konferenzschrift: (2008 : New York, NY) |
Sprache: | eng |
RVK-Notation: | AP 67000 ![i](/https/katalog.ub.uni-heidelberg.de/opacicon/information2.png) |
| GE 5784 ![i](/https/katalog.ub.uni-heidelberg.de/opacicon/information2.png) |
| EC 7501 ![i](/https/katalog.ub.uni-heidelberg.de/opacicon/information2.png) |
| AP 64967 ![i](/https/katalog.ub.uni-heidelberg.de/opacicon/information2.png) |
K10plus-PPN: | 680256695 |
Verknüpfungen: | → Übergeordnete Aufnahme |
Jews and theatre in an intercultural context / Nahshon, Edna [HerausgeberIn]; 2012