| |  Online-Ressource |
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| Titel: | Spaces |
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| Titelzusatz: | Exploring Spatial Experiences of Representation and Reception in Screen Media |
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| Mitwirkende: | Armstrong, Isobel [MitwirkendeR]  |
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| | Broughton, Mark [MitwirkendeR] |
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| | Castro, Teresa [MitwirkendeR] |
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| | Christie, Ian [MitwirkendeR] |
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| | Christie, Ian [HerausgeberIn] |
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| | Cosgrove, Mark [MitwirkendeR] |
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| | Elwes, Catherine [MitwirkendeR] |
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| | Keiller, Patrick [MitwirkendeR] |
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| | Leperchey, Sarah [MitwirkendeR] |
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| | McKernan, Luke [MitwirkendeR] |
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| | Odin, Roger [MitwirkendeR] |
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| | Romdhane, Yosr Ben [MitwirkendeR] |
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| Verf.angabe: | ed. by Ian Christie |
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| Verlagsort: | Amsterdam |
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| Verlag: | Amsterdam University Press |
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| E-Jahr: | 2024 |
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| Jahr: | [2024] |
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| Umfang: | 1 Online-Ressource (222 p.) |
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| Gesamttitel/Reihe: | The Key Debates: Mutations and Appropriations in European Film Studies ; 9 |
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| Schrift/Sprache: | In English |
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| Ang. zum Inhalt: | Frontmatter |
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| | Table of Contents |
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| | Editorial |
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| | Acknowledgments |
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| | PART I Spaces of Spectatorship |
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| | 2. Panoramic Space and the Mesdag Show |
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| | 3. Places of Exhibition |
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| | 4. Lockdown as a Mental Space of Communication |
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| | PART II Spaces on Screen |
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| | 5. The Go-Between's Picturesque |
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| | 6. Akerman and Domestic Space |
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| | 7. Sequence and Simultaneity |
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| | 8. Unhoused |
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| | PART III Spatial Speculations |
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| | 9. Conjuring Spaces on Page and Screen - A Dialogue |
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| | 10. Fly Me to the Moon ... Extra-Terrestrial Projections in Artists' Film and Video |
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| | 11. Stereoscopic Space in Cinema |
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| | 12. Of Drones and the Environmental Crisis in the Year 2020 |
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| | 13. Afterword - Beyond the Frame: "Immersion," New Technologies and Old Ambitions |
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| | Index of Film and Video Titles |
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| | Index of Names |
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| | Index of Subjects |
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| ISBN: | 978-90-485-6327-2 |
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| Abstract: | Film has long been defined as a temporal art, most famously by André Bazin and Andrei Tarkovsky. Yet more fundamentally it has always been a spatial art, transporting its audiences imaginatively to spaces and places other than those they literally inhabit. In the digital era, this spatial illusion and paradox has been greatly expanded - by the predominance of domestic film viewing, along with new extra-terrestrial perspectives, and the promise of novel kinesthetic experiences with Virtual Reality and "immersion". The international authors in this collection address the history and aesthetics of screen media as spatial transposition, in a range of exemplary analyses that run from the landscapes of John Ford's westerns to Chantal Akerman's claustrophobic domestic spaces, from the conventions of the English country house film to Patrick Keiller's Robinson roaming a changed country, and from the experiences of Covid pandemic confinement to those of un-homed van-dwellers in Chloe Zhao's award-winning NOMADLAND |
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| DOI: | doi:10.1515/9789048563272 |
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| URL: | kostenfrei: Resolving-System: https://doi.org/10.1515/9789048563272?locatt=mode:legacy |
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| | kostenfrei: Verlag: https://www.degruyter.com/isbn/9789048563272 |
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| | Cover: https://www.degruyter.com/document/cover/isbn/9789048563272/original |
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| | DOI: https://doi.org/10.1515/9789048563272 |
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| Datenträger: | Online-Ressource |
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| Sprache: | eng |
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| Sach-SW: | ART / Film & Video |
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| K10plus-PPN: | 1885504012 |
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| Lokale URL UB: |  Zum Volltext |
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