Takashi Yamazaki
Takashi Yamazaki | |
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![]() Yamazaki in October 2023 | |
Born | Matsumoto, Nagano, Japan | June 12, 1964
Alma mater | Asagaya College of Art and Design |
Occupations |
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Years active | 1984–present |
Notable work |
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Spouse | |
Awards | |
Signature | |
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Takashi Yamazaki (山崎 貴, Yamazaki Takashi, born June 12, 1964) is a Japanese filmmaker and visual effects supervisor. Known for his blockbusters featuring advanced visual effects, he is considered a leading figure in the Japanese film industry.[1] Yamazaki is the recipient of multiple accolades, including an Academy Award, eight Japanese Academy Awards, five Nikkan Sports Film Awards, two Hochi Film Awards, and an Asian Film Award. His films have collectively grossed over $523 million worldwide.[2]
Yamazaki developed an interest in filmmaking after watching Star Wars and Close Encounters of the Third Kind (both 1977). He started working at visual effects studio Shirogumi in 1986 before creating his first features: Juvenile (2000) and Returner (2002). Yamazaki achieved both critical and commercial success in Japan by directing film adaptations of popular anime, novels, and manga, including Always: Sunset on Third Street (2005), Space Battleship Yamato (2010), The Eternal Zero (2013), and Stand by Me Doraemon (2014); the latter two films both earned a total of nine awards at the 38th Japanese Academy Awards. Yamazaki's career later advanced with The Great War of Archimedes, Dragon Quest: Your Story, Lupin III: The First (all 2019), and Stand by Me Doraemon 2 (2020).
His 2023 kaiju epic, Godzilla Minus One, became the most successful Japanese Godzilla film of all time. Yamazaki and the film's visual effects team also became the first Japanese crew ever to receive the Academy Award for Best Visual Effects. In 2024, Yamazaki was included in Gold House's annual list of 100 Most Impactful Asians.[3]
Early life
[edit]Takashi Yamazaki was born on June 12, 1964, in Matsumoto, Nagano,[1][4] to Yoshisuke Yamazaki, a baker,[5] and Kikuko.[6] On his childhood, Yamazaki reflected: "My parents raised me by letting me do what I wanted freely. I think that has shaped a big part of who I am today".[5] He also has a younger sister named Satsuki.[7]
Yamazaki was first introduced to film by the "Umbrella Program" as a child; in 2023 he reflected that Ishirō Honda's Matango (1963) and King Kong vs. Godzilla (1962) may have been among the first movies he ever saw.[8] Growing up, Yamazaki was influenced to work in the film industry by the 1977 American science fiction films Star Wars and Close Encounters of the Third Kind.[1] He filmed his directorial debut on 8 mm film with the assistance of a friend during his third year at Matsumoto Shiritsu Shimizu Junior High School .[9] This 1979 science fiction short, entitled Glory, was lost for 43 years until it was rediscovered in 2022 and screened in the director's hometown.[9][10]
Career
[edit]1984–1999: Early career
[edit]In 1984, Yamazaki began working as a miniature builder for Tatsuo Shimamura .[11] Following his graduation from Asagaya College of Art and Design in 1986, he officially became an employee at Shimamura's animation and special effects studio Shirogumi in Chōfu, Tokyo.[1][4][11][12]
After working on the Eko Eko Azarak series and Parasite Eve (1997), Yamazaki and his team at Shirogumi started pre-production on their feature NUE. The team spent two years preparing the project in collaboration with Robot Communications and they even went location scouting in Australia. Yamazaki, who was still heading the visual effects for up to three commercials monthly at this point, concluded that the film would require him to create the film on a relatively enormous budget of ¥2 billion, well above the average budget of ¥100 million usually given to first-time directors. Thus, Robot president Shūji Abe deemed NUE too expensive and requested that Yamazaki scrap it and attempt to make his directorial debut with a smaller scale.[11]
2000–2007: First directorial features and breakthrough
[edit]Shortly after abandoning NUE, Yamazaki converted the idea for his debut feature film, Juvenile (2000), which he directed, wrote, and headed the visual effects for.[11] A science fiction film, Juvenile is about a group of elementary school students who find a talking alien robot while camping in the woods and soon discover that it is their only hope in saving the planet from incoming evil alien invaders. Initially, Juvenile was to be shot on entirely on location by Kōzō Shibasaki under Yamazaki's direction on a budget of roughly ¥100 million, with Kiyoko Shibuya directing the visual effects on a budget of ¥50 million under Yamazaki's supervision.[11][13] However, Abe decided to increase the film's budget to ¥450 million in order to allow Yamazaki to make it a "proper movie for the summer vacation lineup".[11] Toho distributed Juvenile in July 2000 and it grossed ¥1.1 billion, making it the fifteenth highest-grossing Japanese film of that year.[14] It was also shown at the 2000 Giffoni Film Festival.[15]
His next film, the science fiction actioner Returner (2002), follows the story of Milly, a young woman living in a war-torn future, who is recruited by a mysterious time traveler named Miyamoto. The film was distributed by Toho in Japan on August 31, 2002[16] and was later in American theaters in October of the following year, where it was critically savaged.[17] After its release, Yamazaki proposed a sequel to Returner but Abe asked him to make a film set in the Shōwa era instead.[11]
![](http://upload.wikimedia.org/wikipedia/commons/thumb/2/20/Yoshioka_Hidetaka_from_%22Tora-san%2C_Wish_You_Were_Here%22_at_Opening_Ceremony_of_the_Tokyo_International_Film_Festival_2019_%2849013472433%29_%28cropped%29.jpg/180px-Yoshioka_Hidetaka_from_%22Tora-san%2C_Wish_You_Were_Here%22_at_Opening_Ceremony_of_the_Tokyo_International_Film_Festival_2019_%2849013472433%29_%28cropped%29.jpg)
Yamazaki's breakthrough came when he departed from the science fiction genre to create his third directorial feature, Always: Sunset on Third Street (2005), an adaptation Ryōhei Saigan's manga series Sunset on Third Street. Set in Tokyo during postwar Japan, this film tells the "heartwarming" story of the residents living at Third Street: Ryunosuke, a writer from the countryside; Norifumi, an auto mechanic; and sake bar owner Hiromi. Always: Sunset on Third Street – starring Hidetaka Yoshioka, Shinichi Tsutsumi, Koyuki, Maki Horikita, and Kenta Suga – was released to overwhelmingly positive reviews and grossed ¥3.23 billion, ranking fifteenth at the Japanese box office.[18] In 2005, film critic Tadao Satō regarded the film as a milestone in the usage for computer-generated imagery and acclaimed Yamazaki's direction.[19] At the 29th Japanese Academy Awards, the film won twelve awards, including Best Picture and Best Director.[1]
Yamazaki next directed, co-wrote (with Ryota Kosawa ), and headed the visual effects for Always: Sunset on Third Street 2 (2007), a sequel to Always: Sunset on Third Street also based on the manga series. The film opens with an "imaginary sequence" of Godzilla attacking Tokyo before returning to the story of the residents of Third Street.[20] Yamazaki stated that he is a lifelong fan of the Godzilla franchise and incorporated the opening scene in order to "start with something fresh from the first film" and added that "having Godzilla destroy Tokyo Tower with his oral beam was a great way to surprise audiences".[20] He also noted that the "two minutes (in which Godzilla appears) required a tremendous amount of work", with half of the crew having to work on the sequence over the course of six months.[21] Upon its November 3 release, Always: Sunset on Third Street 2 became Yamazaki's biggest box office hit, ranking the third-highest-grosser at Japanese box office that year.[22]
2008–2018: Directing film adaptations
[edit]![]() | This section needs expansion. You can help by adding to it. (July 2024) |
![](http://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/Takashi_Yamazaki_-_Yebisu_Garden_Cinema_%28cropped%29.jpg/170px-Takashi_Yamazaki_-_Yebisu_Garden_Cinema_%28cropped%29.jpg)
In 2008, Yamazaki turned to assisting his fellow Asagaya College of Art and Design graduate and future wife,[23] Shimako Satō, with the visual effects and screenplay for her action film, K-20: Legend of the Mask. Based on a novel by Sō Kitamura, K-20 is set in an alternate reality version of Japan during the 1940s and follows the mysterious masked antihero known as "K-20" who robs the rich and powerful, leaving behind a trail of dismay. K-20 was released in December 2008 and grossed ¥2 billion, making it the eighteenth highest-grossing Japanese film of 2009.[24]
In 2009, Yamazaki created the visual effects for Yōjirō Takita's Sanpei The Fisher Boy[25] – based on the manga Fisherman Sanpei – and directed, wrote and made the effects for the live-action jidaigeki romance film Ballad – based on the 2002 anime feature Crayon Shin-chan: Fierceness That Invites Storm! The Battle of the Warring States –.[26] Yamazaki was inspired to create Ballad after visiting the filming location of The Last Samurai (2003) and contemplating "Maybe Japan could make a historical drama centered around battles?".[citation needed]
In October 2009, Yamazaki started filming his first science fiction film since 2002's Returner, Space Battleship Yamato.[27] Featuring a screenplay by his partner Shimako Satō,[28] it is an adaptation of famed manga artist Leiji Matsumoto's 1974 anime series of the same name.[27] With a budget estimated at ¥2 billion[29] ($22–23.9 million)[27][28] and CGI used in 80% of the entire picture,[27][30] it was anticipated to become an "unprecedented science fiction blockbuster", and Toho spent an additional ¥100 million on New Years Day alone to promote the film and ensure it met their expectations.[31][32] Space Battleship Yamato was released in Japan during December 2010 and grossed ¥4.1 billion.[33]
The first animated to be co-directed by Yamazaki and Ryūichi Yagi , Friends: Naki on Monster Island, was released in Japanese theaters in December 2011. Loosely based on Hirosuke Hamada's children's book Naita Aka Oni, the film is about a monster named Naki who is protecting a young boy, whom they found lost on the Monster Island, from the other, man-eating, monsters. The film was nominated for an Japan Academy Film Prize and VFX Japan Award two years after its initial release.[citation needed]
Always: Sunset on Third Street '64, the sequel to Always: Sunset on Third Street 2, was Yamazaki's next venture. At the film's premiere screening on January 17, 2012, Yamazaki said that "it was very difficult to make this movie" but nevertheless expressed his desire for a sequel set during Expo '70.[34]
2018–present: Godzilla and other activities
[edit]![]() | This section needs expansion. You can help by adding to it. (July 2024) |
![](http://upload.wikimedia.org/wikipedia/commons/thumb/a/ae/Kamiki_and_Yamazaki_of_%22Godzilla_Minus_One%22_%28cropped%29.jpg/170px-Kamiki_and_Yamazaki_of_%22Godzilla_Minus_One%22_%28cropped%29.jpg)
In July 2018, the production of Yamazaki's next film The Great War of Archimedes was announced;[35] based on a manga by Norifusa Mita, this picture about the building of the battleship Yamato, and starred Masaki Suda in his first collaboration with Yamazaki.[35] It was released by in July 2019,[36] and was the sixteenth highest-grossing Japanese film of 2019.[37]
After the release of The Great War of Archimedes, Yamazaki was given the opportunity to make a Godzilla film by Toho executive and film producer Minami Ichikawa. Ichikawa stated that he and Yamazaki decided to collaborate on the project during the COVID-19 pandemic in 2020 and Yamazaki spent three years writing the screenplay.[38] The film, entitled Godzilla Minus One, was released in Japanese theaters in November 2023, and became one of the most acclaimed films in the franchise. For their work on the film, Yamazaki and his team became the first Japanese film to ever to receive an Academy Award nomination for Best Visual Effects.[39]
On December 27, 2023, Yamazaki began directing a kaiju web film in Ashikaga, Tochigi for a major food corporation, scheduled for a March 2024 release with a runtime of approximately one minute. Its visual effects were also made by the same team behind Godzilla Minus One.[40] It was later revealed to be titled Foodlosslla (フードロスラ, Fūdo Rosura) and produced by Ajinomoto.[41]
Yamazaki declared in February 2024 that he has a new film in development.[42] The following month, Variety reported that Yamazaki had recently enlisted with the American talent agency Creative Artists Agency (CAA);[43] the agreement could potentially help Yamazaki to be employed for Hollywood productions.[44]
Personal life
[edit]Yamazaki is married to fellow filmmaker Shimako Satō, whom he met at Asagaya College of Art and Design .[45][23] The couple own several cats, one of which influenced Yamazaki while making Godzilla Minus One.[46][47]
Filmography
[edit]Films
[edit]Year | Title | Director | Writer | Effects | Notes | Ref. | |
---|---|---|---|---|---|---|---|
Visual | Special | ||||||
1987 | The Drifting Classroom | No | No | No | Yes | [11] | |
1988 | A Taxing Woman's Return | No | No | No | Yes | [11] | |
1989 | Sweet Home | No | No | No | Yes | [11] | |
1993 | Daibyonin | No | No | No | Yes | Also digital compositor | [48][49] |
1994 | Uneasy Encounters | No | No | No | Yes | [48] | |
1995 | Eko Eko Azarak: Wizard of Darkness | No | No | No | Yes | [11][48] | |
A Quiet Life | No | No | No | Yes | [48][49] | ||
1996 | Eko Eko Azarak II: Birth of the Wizard | No | No | No | Yes | [11][48] | |
Supermarket Woman | No | No | No | Yes | [48] | ||
1997 | Parasite Eve | No | No | No | Yes | Also storyboarder | [11][48] |
2000 | Juvenile | Yes | Yes | Yes | No | [48] | |
2002 | Returner | Yes | Yes | Yes | No | [48] | |
2005 | Always: Sunset on Third Street | Yes | Yes[a] | Yes | No | [48] | |
2007 | Always: Sunset on Third Street 2 | Yes | Yes[a] | Yes | No | Also Godzilla designer | [48][50] |
2008 | K-20: Legend of the Mask | No | Associate | Associate | No | [51] | |
2009 | Ballad | Yes | Yes | Yes | No | [48] | |
2010 | Space Battleship Yamato | Yes | No | Yes | No | [48] | |
2011 | Friends: Naki on Monster Island | Yes | Yes | No | No | [48] | |
2012 | Always: Sunset on Third Street '64 | Yes | Yes | Yes | No | [48] | |
2013 | The Eternal Zero | Yes | Yes[b] | Yes | No | [48] | |
2014 | Stand by Me Doraemon | Yes[c] | Yes | No | No | [52] | |
Parasyte: Part 1 | Yes | Yes | Yes | Yes | [53] | ||
Bump of Chicken: Willpolis 2014 | Yes[d] | No | No | No | [54] | ||
2015 | Parasyte: Part 2 | Yes | Yes | Yes | Yes | [55] | |
2016 | Fueled: The Man They Called Pirate | Yes | Yes | Yes | No | [56] | |
2017 | Destiny: The Tale of Kamakura | Yes | Yes | Yes | No | [57] | |
2019 | The Great War of Archimedes | Yes | Yes | Yes | No | [58] | |
Dragon Quest: Your Story | Yes[e] | Yes | No | No | [59] | ||
Lupin III: The First | Yes | Yes | No | No | [60] | ||
2020 | Stand by Me Doraemon 2 | Yes[c] | Yes | No | No | [61] | |
2021 | It's a Flickering Life | No | No | Yes | No | [62][63] | |
2022 | Ghost Book Obakezukan[64] | Yes | Yes | Yes | No | Also character designer | [62] |
2023 | Godzilla Minus One | Yes | Yes | Yes | No | Also Godzilla designer[f] | [65][66] |
2024 | Foodlosslla | Yes | No | Yes | No | Short web film | [67][68] |
Commercials
[edit]- Lotte: Airs (2006)
- CR Neon Genesis Evangelion ~Apostle, Again~ (2007)
Music videos
[edit]- Bump of Chicken: "Namida no Furusato" (2006)
- Bump of Chicken: "Good Luck" (2012)
Theme park attraction
[edit]- Godzilla the Ride: Giant Monsters Ultimate Battle - Seibu-en (2021)[1]
- Ultraman the Ride: The Great Duel of the Century - Seibu-en (2023)[1]
Video games
[edit]- "Onimusha 3: Demon Siege" (Opening CG movie director) (2004)
Awards and nominations
[edit]Notes
[edit]References
[edit]- ^ a b c d e f g Keith. "GODZILLA MINUS ONE Official Press Release, Trailers and Teaser Posters -- Direct From Toho! North American Theatrical Release December 1!". SciFi Japan. Retrieved 2023-07-16.
- ^ "Takashi Yamazaki". The Numbers. Retrieved February 12, 2024.
- ^ "Keanu Reeves, Jung Kook, Hayao Miyazaki Among Gold House's A100 Honorees". Variety. May 1, 2024. Retrieved May 6, 2024.
- ^ a b "【山崎貴】「永遠の0」こだわったリアリティー 映像効果の第一人者が大事にする"重なり"". ZAKZAK (in Japanese). p. 2. Retrieved September 18, 2023.
- ^ a b "映画監督 山崎貴の世界〜少年は夢を追い続ける〜". TVでた蔵 (in Japanese). Retrieved May 28, 2024.
- ^ 日本テレビ. "山崎貴監督 特別展 監督の父母語る家族秘話「銭湯の後はフルーツ牛乳がお決まり」 29日まで松本市美術館で【長野・松本】|テレビ信州NEWS NNN". 日テレNEWS NNN (in Japanese). Retrieved May 28, 2024.
- ^ "『ゴジラ-1.0』山崎貴監督、ZIP!に生出演 米・アカデミー賞「視覚効果賞」受賞の快挙に至った撮影エピソードの数々を明かす". entax(エンタックス) (in Japanese). Retrieved May 28, 2024.
- ^ "『ゴジラ-1.0』山崎貴監督 作りながら感じたゴジラ映画と神事". Nikkei xTREND (in Japanese). November 24, 2023. Archived from the original on November 29, 2023. Retrieved February 4, 2024.
- ^ a b "松本出身・山崎貴さん初監督の短編映画 43年ぶりに発見され上映会 | 地域の話題 | 株式会社市民タイムス". Shimin Times (in Japanese). Retrieved September 18, 2023.
- ^ "スター・ウォーズに挑んだ中3の夏 山崎貴監督が撮った幻のフィルム". The Asahi Shimbun (in Japanese). 16 August 2022. Retrieved September 18, 2023.
- ^ a b c d e f g h i j k l m "山崎 貴監督と40年来のメンバーでふり返る、デジタル映像制作黎明期からの歩み〜白組 調布スタジオ創設メンバー座談会". CGWORLD.jp (in Japanese). Retrieved September 19, 2023.
- ^ "【卒業生】特別展『映画監督 山崎貴の世界』をリポート|デザインと美術の3年制専門学校/阿佐ヶ谷美術専門学校 -ASABI-". デザインと美術の3年制専門学校/阿佐ヶ谷美術専門学校 -ASABI- (in Japanese). Retrieved 2023-09-19.
- ^ "「ジュブナイル」山崎貴監督インタビュー" [Interview with Director Takashi Yamazaki of Juvenile]. Uchusen (in Japanese). April 30, 2001. p. 69.
- ^ "2000年(平成12年)興収10億円以上番組" (PDF). Eiren. Motion Picture Producers Association of Japan (MPPAJ). Retrieved September 19, 2023.
- ^ "JUVENILE". Giffoni Film Festival. Retrieved May 6, 2024.
- ^ "「Returner リターナー」が渋谷をジャック! : 映画ニュース". Eiga.com (in Japanese). Retrieved September 19, 2023.
- ^ "Returner". Rotten Tomatoes. October 17, 2003. Retrieved September 19, 2023.
- ^ "2005年(平成17年)興収10億円以上番組" (PDF). Eiren. Retrieved September 19, 2023.
- ^ Satō, Tadao (November 2005). "CGの使い方のひとつの里程標となる作品" [A work that serves as a milestone in how to use CG]. Kinema Junpo. p. 58.
- ^ a b Aiken, Keith. "GODZILLA ON THIRD STREET". SciFi Japan. Retrieved September 19, 2023.
- ^ 村上幸将. "山崎貴監督、北米プレミア観客の熱狂から見えた「ゴジラ」の先、自信持てる技術の元に - 日曜日のヒーロー&ヒロイン - 芸能コラム : 日刊スポーツ". nikkansports.com (in Japanese). Retrieved 2023-11-19.
- ^ "2007年(平成19年)興収10億円以上番組" (PDF). Eiren. Retrieved September 19, 2023.
- ^ a b "『三丁目の夕日』山崎貴監督と『アンフェア』佐藤嗣麻子監督が結婚!". Cinema Today (in Japanese). 2012-06-01. Retrieved September 3, 2023.
- ^ "2009年(平成21年)興収10億円以上番組" (PDF). Eiren. Retrieved September 19, 2023.
- ^ "人気漫画「釣りキチ三平」が、「ALWAYS」キャスト&スタッフで映画化! : 映画ニュース". Eiga.com (in Japanese). Retrieved September 19, 2023.
- ^ "草なぎ剛&新垣結衣主演で「クレヨンしんちゃん」名作を実写化! : 映画ニュース". 映画.com (in Japanese). Retrieved 2023-09-19.
- ^ a b c d "Live-Action Space Battleship Yamato Film's Cast Listed (Update 3)". Anime News Network. October 3, 2009. Retrieved September 20, 2023.
- ^ a b Lee, Maggie (December 22, 2010). "Space Battleship Yamato — Film Review". The Hollywood Reporter. Retrieved February 5, 2024.
- ^ Schilling, Mark (November 26, 2010). "'Space Battleship Yamato'". The Japan Times. Retrieved February 5, 2024.
- ^ "キムタクが実写版「宇宙戦艦ヤマト」主演". Daily Sports. Archived from the original on October 4, 2009. Retrieved February 5, 2024.
- ^ "キムタク・古代進で初の実写版ヤマト発進! (2/2ページ)". Sanspo. October 3, 2009. Archived from the original on October 4, 2009. Retrieved February 5, 2024.
- ^ "キムタク「ヤマト」、元日広告1億円発進!". Sanspo. December 27, 2009. Archived from the original on December 29, 2009. Retrieved February 5, 2024.
- ^ "2011年興行収入10億円以上番組" (PDF). Eiren. Retrieved February 5, 2024.
- ^ "『ALWAYS 三丁目の夕日』シリーズ、次回作の舞台は1970年の万博?". ORICON NEWS. 2016-10-05. Retrieved 2024-07-11.
- ^ a b "菅田将暉、天才数学者に!「アルキメデスの大戦」主演で山崎貴監督と初タッグ : 映画ニュース". Eiga.com (in Japanese). July 16, 2018. Retrieved December 27, 2023.
- ^ "アルキメデスの大戦 : 作品情報". 映画.com (in Japanese). Retrieved 2023-12-27.
- ^ "data_2019" (PDF). Eiren. Retrieved December 27, 2023.
- ^ 村上幸将. "映画「ゴジラ-1.0」神木隆之介と浜辺美波へのオファーは朝ドラ「らんまん」以前 - 芸能 : 日刊スポーツ". Nikkan Sports (in Japanese). Retrieved September 19, 2023.
- ^ "Godzilla Minus One Nominated for an Academy Award for Best Visual Effects before winning it". Godzilla.com. Toho. January 23, 2024. Archived from the original on January 23, 2024. Retrieved January 23, 2024.
- ^ "大手食品メーカー webムービー エキストラ募集について". Tochigi Prefectural Film Commission. Archived from the original on March 6, 2024. Retrieved March 5, 2024.
- ^ Ajinomoto [@ajinomoto] (March 5, 2024). "あと8日。
2024.03.14…
巨大怪獣が出現...!" (Tweet). Retrieved March 5, 2024 – via Twitter. - ^ Weintraub, Steve; Jones, Tamera (February 24, 2024). "Godzilla Minus One Director Reveals How Just 35 People Did 610 VFX Shots in Eight Months". Collider. Archived from the original on February 24, 2024. Retrieved February 24, 2024.
- ^ Keslassy, Elsa (March 28, 2024). "Godzilla Minus One Filmmaker Takashi Yamazaki Signs With CAA (EXCLUSIVE)". Variety. Retrieved April 3, 2024.
- ^ "山崎貴監督、ゴジラ映画作りは「ある種の神事」 オスカー受賞の歴史的快挙を成し遂げた"任せる"流儀". Sanyo Shimbun (in Japanese). Retrieved April 7, 2024.
- ^ Satō, Shimako [@satoshimako] (May 12, 2012). "4月に山崎貴(@ nostoro)と入籍しました。ご報告。" (Tweet) (in Japanese). Archived from the original on September 14, 2014. Retrieved September 3, 2023 – via Twitter.
- ^ McGovern, Joe (February 22, 2024). "Godzilla Minus One Director's Cats Inspired the Big Monster". TheWrap. Retrieved February 24, 2024.
- ^ Davids, Brian (2024-03-26). "'Godzilla x Kong' Director Adam Wingard Talks His Cat's Influence on Godzilla and Lance Reddick's Role in 'The Guest 2'". The Hollywood Reporter. Retrieved 2024-04-03.
- ^ a b c d e f g h i j k l m n o p "山崎貴" [Takashi Yamazaki]. Kinema Junpo (in Japanese). Retrieved 2024-02-19.
- ^ a b "ABOUT". Shirogumi (in Japanese). Retrieved February 18, 2024.
- ^ Takugawa, Yuki (November 3, 2023). "映画『ゴジラ-1.0』山崎貴監督インタビュー──「初代ゴジラを観た人たちが感じた圧倒的な恐怖の再現を目指しました」". GQ JAPAN (in Japanese). Retrieved February 18, 2024.
- ^ "K-20 怪人二十面相". Kinema Junpo (in Japanese). Retrieved February 18, 2024.
- ^ "STAND BY ME ドラえもん". Kinema Junpo (in Japanese). Retrieved February 18, 2024.
- ^ "寄生獣". Kinema Junpo (in Japanese). Retrieved February 18, 2024.
- ^ "BUMP OF CHICKEN "WILLPOLIS 2014" 劇場版". Kinema Junpo (in Japanese). Retrieved February 18, 2024.
- ^ "寄生獣 完結編". Kinema Junpo (in Japanese). Retrieved February 18, 2024.
- ^ "海賊とよばれた男". Kinema Junpo (in Japanese). Retrieved February 18, 2024.
- ^ "DESTINY 鎌倉ものがたり". Kinema Junpo (in Japanese). Retrieved February 18, 2024.
- ^ "アルキメデスの大戦". Kinema Junpo (in Japanese). Retrieved February 18, 2024.
- ^ "ドラゴンクエスト ユア・ストーリー". Kinema Junpo (in Japanese). Retrieved February 18, 2024.
- ^ "ルパン三世 THE FIRST". Kinema Junpo (in Japanese). Retrieved February 18, 2024.
- ^ "STAND BY ME ドラえもん2". Kinema Junpo (in Japanese). Retrieved February 18, 2024.
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