Peter Grant (music manager)

Peter Grant

Peter Grant, (5 April 1935 – 21 November 1995) was an English music manager. Grant managed the popular English bands The Yardbirds, Led Zeppelin and Bad Company, amongst others, and was also a record executive for Swan Song Records. He is widely credited with improving pay and conditions for musicians in dealings with concert promoters.

Life and career

Early life

Grant was born in the south London suburb of South Norwood, Surrey, England. His mother Dorothy worked as a secretary. He attended Sir Walter St John School in Grayshott before the Second World War, and completed schooling at Charterhouse School in Godalming after the evacuation. After the war Grant returned to Norwood until leaving at the age of 13, when he became a sheet metal factory worker in Croydon. He left that job after a few weeks and obtained employment on Fleet Street delivering photographs for Reuters. Grant was soon attracted to the entertainment industry, and worked as a stagehand for the Croydon Empire theatre until 1953, when he was called up for National Service in the RAOC, reaching the rank of Corporal. He worked briefly as an entertainment manager at a hotel in Jersey before being employed as a bouncer and doorman at London's famous The 2i's Coffee Bar, where Cliff Richard, Adam Faith, Tommy Steele and others got their start. Australian-born Professional wrestler Paul Lincoln, who also co-owned the 2i's bar, suggested Grant appear on television and gave him the opportunity to wrestle under the titles "Count Massimo" and "Count Bruno Alassio of Milan," using his 6 ft 5 in frame to good effect. This kindled his enthusiasm for acting, and he was hired by film studios as a bit part actor, stuntman, and body double.

Acting career

Between 1958 and 1963, Grant appeared in a number of movies, including A Night to Remember (as a crew member on the Titanic), The Guns of Navarone (as a British commando) and Cleopatra (as a palace guard). He also appeared in television shows such as The Saint, Crackerjack, Dixon of Dock Green, and The Benny Hill Show. He was Robert Morley's double on many of that actor's films. The money he made from these ventures was invested in his own entertainment transport business. As the acting roles dried up, Grant made more money taking groups such as The Shadows to their concerts.

Artist management

In 1963, Grant was hired by promoter Don Arden to act as the British tour manager for artists such as Bo Diddley, The Everly Brothers, Little Richard, Brian Hyland, Chuck Berry, Eddie Cochran, Gene Vincent, and The Animals. By 1964, Grant had started to manage his own acts including The Nashville Teens, an all-girl group called She Trinity, The New Vaudeville Band, Jeff Beck, Terry Reid, and Stone the Crows. His management was established in the same 155 Oxford Street office used by his friend, record producer Mickie Most, who had previously worked with Grant at The 2i's club. Most and Grant together set up the highly successful RAK Records label, which produced a string of hits throughout the 1970s.

It was in late 1966 that Simon Napier-Bell asked Grant to take over management of The Yardbirds, who were constantly touring yet struggling financially. Mickie Most had suggested to Napier-Bell that Grant would be an asset to The Yardbirds, but as it happened, his arrival was too late to save the band. The experience, however, did give him ideas which were put to good use later with Led Zeppelin. Grant's no-nonsense approach to promoters, and his persuasive presence, were influential in The Yardbirds making money from concerts for the first time. Grant travelled closely with The Yardbirds, ensuring that all costs were kept to a minimum, that members were paid on time, and that the band retained artistic control. Unlike most other managers at the time who rarely set foot in a venue, Grant's approach was hands-on.

The Led Zeppelin era

Main article: Led Zeppelin

In 1968 The Yardbirds dissolved, with all band members departing except guitarist Jimmy Page, who promptly set about constructing a new group consisting of himself, Robert Plant, John Bonham and John Paul Jones. Originally dubbed the "New Yardbirds," the group became known as Led Zeppelin, with Grant assuming the position as their manager. His trust and loyalty to Led Zeppelin was such that his managerial arrangement with the band was via a gentlemen's agreement.

Grant has been described as "one of the shrewdest and most ruthless managers in rock history," and it is doubtful whether Led Zeppelin would have been as successful without him as their manager. He negotiated the group's sizable five-year record contract with Atlantic Records, and his business philosophy would eventually pay off for the label. Grant strongly believed that bands could make more money, and have more artistic merit, by focusing their efforts on albums rather than singles. Live performances were deemed more important than television appearances – if one wanted to see Led Zeppelin, one had to experience one of their performances.

Led Zeppelin's success in the United States can partly be credited to Grant's keen sense of U.S. audiences and the vast underground movement that was sweeping the country. Under Grant's stewardship, by far the majority of Led Zeppelin concerts were performed in the United States, resulting in massive profits for the group. Grant ensured that the vast bulk of ticket profits wound up in the hands of the band rather than in the hands of promoters and booking agents. He is reported to have secured 90% of gate money from concerts performed by the band. Grant's famous dressing room scene in the film The Song Remains the Same, where he demands an explanation from concert staff about the sale of illegal posters, was typical of his no-nonsense dealings with people who tried to profit at the band's expense. According to rock journalist Steven Rosen:

Peter Grant, former bouncer and wrestler, was, in many respects, the physical embodiment of a led zeppelin. Standing over six feet and weighing over 300 pounds, he used his intimidating presence to maintain order and to keep his charges safe and worry-free ... His raison d’etre was simple - protecting his band and their finances. When a bootlegger or unauthorized photographer was identified, it was the lucky offending party who was let off with merely a severe verbal reprimand and confiscation of unauthorized t-shirts and film.

Grant sometimes took extraordinary measures to combat the practice of live bootleg recordings at Led Zeppelin concerts. He is reported to have personally visited record stores in London which were selling Led Zeppelin bootlegs and demanded all copies be handed over. On one occasion, at the Bath Festival in 1970, he threw water over unauthorised recording equipment. He also monitored the crowd at Led Zeppelin concerts so as to locate anything which resembled bootleg recording equipment. At one concert at Vancouver in 1971 he saw what he thought was recording equipment on the floor of the venue and personally ensured that the equipment be destroyed, only to find out later that the equipment was a noise pollution unit being operated by city officials to test the volume of the concert.

Grant is also recognised for the complete trust and faith that he placed in the band. Unlike some other managers of the era, he never compromised his clients by exploiting them for short-term profit, and instead always put their interests first. This was demonstrated, for example, by his decision to never release the popular songs from Led Zeppelin's albums as singles in the UK, in respect of the band's desire to develop the concept of album-oriented rock. As was explained by Jones:

[Peter] trusted us to get the music together, and then just kept everybody else away, making sure we had the space to do whatever we wanted without interference from anybody - press, record company, promoters. He only had us [as clients] and reckoned that if we were going to do good, then he would do good. He always believed that we would be hugely successful and people became afraid not to go along with his terms in case they missed out.

Grant was instrumental in setting up Led Zeppelin's publishing company, Superhype Music, in 1968. He was also the driving force in establishing Swan Song Records in 1974, which gave Led Zeppelin further financial and artistic control over its products. Although initially he solely managed Led Zeppelin, in later years he additionally assumed management of other bands signed to Swan Song, such as Bad Company and Maggie Bell. In 1975 he turned down a lucrative offer to manage Queen. When he was once questioned on what was the single most important thing a manager could say, Grant's response was "Know when to say 'no'." In 1977, he was asked by Colonel Tom Parker to manage a proposed concert tour of Europe by Elvis Presley, but Elvis died on August 16, 1977, just as negotiations had commenced.

The Oakland incident

In 1977, Grant gave his approval for Led Zeppelin's tour manager Richard Cole to hire John Bindon to act as security co-ordinator for the band's concert tour of the United States. Bindon had previously provided security for actors Ryan and Tatum O'Neal. Towards the end of the tour, a major incident occurred during their first concert at the Oakland Coliseum on July 23, 1977. Upon arrival at the stadium, it was alleged that Bindon pushed a member of promoter Bill Graham's stage crew out of the way as the band entered via a backstage ramp. Tension had been simmering between Graham's staff and Led Zeppelin's security team during the day, and as Grant and Bindon were walking down the ramp near the end of the concert, words were exchanged with stage crew chief Jim Downey, which resulted in Bindon knocking Downey out cold. Within minutes, a separate off-stage incident involving Graham's security man Jim Matzorkis (who was accused of slapping Peter Grant's 11 year-old son Warren over the removal of a dressing room sign), escalated into an all-in brawl. Led Zeppelin's second Oakland show took place only after Bill Graham signed a letter of indemnification absolving Led Zeppelin from responsibility for the previous night's incident. However, Graham refused to honour the letter and assault charges were laid against Grant, Cole, Bindon, and John Bonham when the band arrived back at their hotel. All four pleaded nolo contendere and received suspended sentences. Bindon was dismissed by the band and returned to England. Grant later stated that allowing Bindon to be hired was the biggest mistake he ever made as manager.

Post-Led Zeppelin and death

Marital problems, diabetes, cocaine addiction and the death of Led Zeppelin drummer John Bonham all took their toll on Grant's health, and after the official breakup of Led Zeppelin in 1980, and the subsequent folding of the Swan Song label in 1983, he virtually retired from the music business to his private estate in Hellingly, East Sussex. This is the house that is featured at the start of the film The Song Remains the Same.

Towards the end of his life, however, he conquered his addiction and lost a significant amount of weight. His first public appearance for many years was in 1989, when he and Jimmy Page both attended a Frank Sinatra concert at the Royal Albert Hall. Grant subsequently sold his estate, and moved to nearby Eastbourne, where he was offered the civic position of local magistrate for the town council, but turned it down. In 1992, he appeared in the film Carry On Columbus as a cardinal. In his remaining years, Grant became a keynote speaker at music management conferences.

On the afternoon of 21 November 1995, while driving to his home at Eastbourne, Grant suffered a fatal heart attack, his son Warren by his side. He was 60 years old. Grant was buried on 4 December 1995 at St. Peter and St. Paul's churchyard, Hellingly, East Sussex. His eulogy was read by long time friend Alan Callan. Coincidentally, it was the 15th anniversary of Led Zeppelin's official break up.

Phil Everly, from The Everly Brothers, described his management style:

Without his efforts, musicians had no careers. He was the first to make sure the artists came first and that we got paid and paid properly.

Similarly, Page has described Grant as groundbreaking in his style of management, explaining that:

Peter had changed the dynamic that existed between bands, managers and promoters. He was a superb, canny manager.

In 1996, The Music Managers Forum (MMF) award for outstanding achievement in management was renamed the Peter Grant Award, in his honour.

Grant is survived by son Warren and daughter Helen (born 1964). Helen was partner to former The Moody Blues and Wings guitarist Denny Laine. They have one daughter Lucienne (born 1987).

Filmography

• A Night to Remember (1958)
• The Guns of Navarone (1961)
• Cleopatra (1963)
• The Song Remains the Same (1976)
• Carry On Columbus (1992)

Television appearances

• Douglas Fairbanks, Jr., Presents (1955)
• The Saint (1962)
• Crackerjack (1962)
• Dixon of Dock Green (1962)
• The Benny Hill Show (1962)

Sources

Welch, Chris (2002), Peter Grant: The Man Who Led Zeppelin, London: Omnibus Press. ISBN 0-7119-9195-2.

External links

• Peter Grant at IMDb
• Peter Grant at Find-A-Grave