Ellis R. Dungan: Difference between revisions
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==Biography== |
==Biography== |
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===Early life=== |
===Early life=== |
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An Irish-American, Dungan was born in [[Barton, Ohio]], USA<ref name="ReferenceA">http://www.thehindu.com/thehindu/mp/2002/01/21/stories/2002012100030300.htm</ref> on May 11, 1909.{{ |
An Irish-American, Dungan was born in [[Barton, Ohio]], USA<ref name="ReferenceA">http://www.thehindu.com/thehindu/mp/2002/01/21/stories/2002012100030300.htm</ref> on May 11, 1909.{{citation needed|date=May 2019}} He attended [[St. Clairsville High School]] in [[St. Clairsville, Ohio|St. Clairsville]], where he played quarterback on the school football team. He bought his first box camera to take pictures for the school yearbook, for which he was editor-in-chief. He later enrolled at the [[University of Southern California]] in 1932 in the newly established Cinema Department. |
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===Career=== |
===Career=== |
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In 1935, he came to India with his college mate Michael Ormalev at the invitation of another USC student - Manik Lal Tandon of [[Bombay]]. Tandon's family was then planning to enter the film industry. When those plans did not take off, Tandon invited them to [[Calcutta]] where he was directing the Tamil film ''[[Nandanar (1935 film)|Nandanar]]''. There Tandon introduced them to A. N. Marudhachalam Chettiar, a film producer who was making the film ''[[Sathi leelavathi (1936 film)|Sathi Leelavathi]]'' and recommended Dungan be hired to direct the film as he himself was busy directing ''Nandanar''. Thus Dungan made his directing debut with ''Sathi Leelavathi'' which was also the first film of future-[[Chief Minister of Tamil Nadu]], [[M. G. Ramachandran]].<ref name="thehindu.com"/> During 1936-50, Dungan made a number of Tamil films and one Hindi film - ''Meera'' (1947). Dungan had no knowledge of Indian languages, a problem which never affected his career as a director of films in Indian languages, especially Tamil.<ref>[http://www.hindu.com/thehindu/fr/2002/02/01/stories/2002020100850300.htm He transcended barriers with aplomb on The Hindu website]</ref> He introduced many new techniques to Indian cinema despite the technical limitations of that period. Many of his movies were based on the mythical characters of the [[Hinduism|Hindu religion]] and he had to shoot them in Hindu temples where non-Hindus were not allowed in those days. Dungan filmed his movies in the temples by passing himself off as a [[Kashmiri people|Kashmiri]] pundit.<ref>{{Cite web |url=http://www.hinduonnet.com/thehindu/thscrip/print.pl?file=2004121700410500.htm&date=2004%2F12%2F17%2F&prd=fr& |title=Full of technical innovations - Article on the movie Meera |access-date=December 7, 2019 |archive-url=https://web.archive.org/web/20100425031537/http://www.hinduonnet.com/thehindu/thscrip/print.pl?file=2004121700410500.htm&date=2004%2F12%2F17%2F&prd=fr& |archive-date=April 25, 2010 |url-status=dead }}</ref> Dungan is credited with introducing modern make-up, the mobile camera and cabaret dance numbers to Tamil Cinema and moving it away from the influence of stage plays. For his introduction of intimate love scenes in ''[[Ponmudi (1950 film)|Ponmudi]]'' (1950), Dungan was criticized by the press for introducing "vulgar" scenes and for "corrupting the population with American ways".<ref name="thehindu.com"/><ref>[http://www.hindu.com/mp/2008/10/04/stories/2008100452520700.htm Blast From the Past - Ponmudi 1950, The Hindu, 4 October 2008]</ref> |
In 1935, he came to India with his college mate Michael Ormalev at the invitation of another USC student - Manik Lal Tandon of [[Bombay]]. Tandon's family was then planning to enter the film industry. When those plans did not take off, Tandon invited them to [[Calcutta]] where he was directing the Tamil film ''[[Nandanar (1935 film)|Nandanar]]''. There Tandon introduced them to A. N. Marudhachalam Chettiar, a film producer who was making the film ''[[Sathi leelavathi (1936 film)|Sathi Leelavathi]]'' and recommended Dungan be hired to direct the film as he himself was busy directing ''Nandanar''. Thus Dungan made his directing debut with ''Sathi Leelavathi'' which was also the first film of future-[[Chief Minister of Tamil Nadu]], [[M. G. Ramachandran]].<ref name="thehindu.com"/> During 1936-50, Dungan made a number of Tamil films and one Hindi film - ''Meera'' (1947). Dungan had no knowledge of Indian languages, a problem which never affected his career as a director of films in Indian languages, especially Tamil.<ref>[http://www.hindu.com/thehindu/fr/2002/02/01/stories/2002020100850300.htm He transcended barriers with aplomb on The Hindu website]</ref> He introduced many new techniques to Indian cinema despite the technical limitations of that period. Many of his movies were based on the mythical characters of the [[Hinduism|Hindu religion]] and he had to shoot them in Hindu temples where non-Hindus were not allowed in those days. Dungan filmed his movies in the temples by passing himself off as a [[Kashmiri people|Kashmiri]] pundit.<ref>{{Cite web |url=http://www.hinduonnet.com/thehindu/thscrip/print.pl?file=2004121700410500.htm&date=2004%2F12%2F17%2F&prd=fr& |title=Full of technical innovations - Article on the movie Meera |access-date=December 7, 2019 |archive-url=https://web.archive.org/web/20100425031537/http://www.hinduonnet.com/thehindu/thscrip/print.pl?file=2004121700410500.htm&date=2004%2F12%2F17%2F&prd=fr& |archive-date=April 25, 2010 |url-status=dead }}</ref> Dungan is credited with introducing modern make-up, the mobile camera and cabaret dance numbers to Tamil Cinema and moving it away from the influence of stage plays. For his introduction of intimate love scenes in ''[[Ponmudi (1950 film)|Ponmudi]]'' (1950), Dungan was criticized by the press for introducing "vulgar" scenes and for "corrupting the population with American ways".<ref name="thehindu.com"/><ref>[http://www.hindu.com/mp/2008/10/04/stories/2008100452520700.htm Blast From the Past - Ponmudi 1950, The Hindu, 4 October 2008]</ref> |
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His last Tamil film was ''[[Manthiri Kumari]]'' in 1950. He returned to America and settled in [[Wheeling, West Virginia]] in 1958. There he started his company - "Ellis Dungan productions" and for the next thirty years made documentary movies for the Hollywood producer Duke Goldstone.<ref name="westvirginia1">{{cite book | first=Ken| last=Sullivan| |
His last Tamil film was ''[[Manthiri Kumari]]'' in 1950. He returned to America and settled in [[Wheeling, West Virginia]] in 1958. There he started his company - "Ellis Dungan productions" and for the next thirty years made documentary movies for the Hollywood producer Duke Goldstone.<ref name="westvirginia1">{{cite book | first=Ken| last=Sullivan| author-link= | origyear=| year= 2006| title=The West Virginia encyclopedia |edition= | publisher= West Virginia Humanities Council| location= | id= | pages=119 | url=https://books.google.com/books?id=g0cUAQAAIAAJ}}</ref> |
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===Death=== |
===Death=== |
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* ''[[Tarzan Goes to India]]'' (1962) (as second unit producer) |
* ''[[Tarzan Goes to India]]'' (1962) (as second unit producer) |
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* ''[[For Liberty and Union]]'' (1977) |
* ''[[For Liberty and Union]]'' (1977) |
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* ''[[Josiah Fox - Architect of the United States First Navy]]'' (1987)<ref name="westvirginia1"/><ref name="afi">{{cite book | first=| last=| |
* ''[[Josiah Fox - Architect of the United States First Navy]]'' (1987)<ref name="westvirginia1"/><ref name="afi">{{cite book | first=| last=| author-link= | origyear=| year= 1997| title=The American Film Institute catalog of motion pictures produced in the United States: Feature Films, 1961-1970, |edition= | publisher= American Film Institute| location= | isbn= 978-0-520-20970-1| pages=86 | url=https://books.google.com/books?id=s1k1RsGvFwwC}}</ref> |
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==Bibliography== |
==Bibliography== |
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* [https://india.blogs.nytimes.com/2014/02/06/an-american-in-madras-traces-career-of-unlikely-pioneer-in-tamil-language-films NYT blog post on Ellis R. Dungan] |
* [https://india.blogs.nytimes.com/2014/02/06/an-american-in-madras-traces-career-of-unlikely-pioneer-in-tamil-language-films NYT blog post on Ellis R. Dungan] |
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{{Ellis R. Dungan}} |
{{Ellis R. Dungan}} |
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{{DEFAULTSORT:Dungan, Ellis R.}} |
{{DEFAULTSORT:Dungan, Ellis R.}} |
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[[Category:1909 births]] |
[[Category:1909 births]] |
Revision as of 21:52, 20 November 2020
Ellis R. Dungan | |
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![]() | |
Born | Ellis Roderick Dungan May 11, 1909 |
Died | December 1, 2001 Wheeling, West Virginia, U.S. | (aged 92)
Occupation | Film director |
Years active | 1935–87 |
Spouse | Elaine Dungan |
Ellis Roderick Dungan (May 11, 1909 – December 1, 2001) was an American film director, who was well known for working in Indian films, predominantly in Tamil cinema, from 1936 to 1950.[1] He was an alumnus of the University of Southern California and moved to India in 1935. During his film career in South India, Dungan directed the debut films of several popular Tamil film actors, such as M. G. Ramachandran in Sathi Leelavathi,[2] T. S. Balaiya and N. S. Krishnan.[3]
Biography
Early life
An Irish-American, Dungan was born in Barton, Ohio, USA[4] on May 11, 1909.[citation needed] He attended St. Clairsville High School in St. Clairsville, where he played quarterback on the school football team. He bought his first box camera to take pictures for the school yearbook, for which he was editor-in-chief. He later enrolled at the University of Southern California in 1932 in the newly established Cinema Department.
Career
![](http://upload.wikimedia.org/wikipedia/commons/thumb/8/8e/Ellis_Dungan_SD_Santhanalakshmi_MK_Thyagaraja_Bhagavathar_Ambikavathy_1937.jpg/220px-Ellis_Dungan_SD_Santhanalakshmi_MK_Thyagaraja_Bhagavathar_Ambikavathy_1937.jpg)
In 1935, he came to India with his college mate Michael Ormalev at the invitation of another USC student - Manik Lal Tandon of Bombay. Tandon's family was then planning to enter the film industry. When those plans did not take off, Tandon invited them to Calcutta where he was directing the Tamil film Nandanar. There Tandon introduced them to A. N. Marudhachalam Chettiar, a film producer who was making the film Sathi Leelavathi and recommended Dungan be hired to direct the film as he himself was busy directing Nandanar. Thus Dungan made his directing debut with Sathi Leelavathi which was also the first film of future-Chief Minister of Tamil Nadu, M. G. Ramachandran.[2] During 1936-50, Dungan made a number of Tamil films and one Hindi film - Meera (1947). Dungan had no knowledge of Indian languages, a problem which never affected his career as a director of films in Indian languages, especially Tamil.[5] He introduced many new techniques to Indian cinema despite the technical limitations of that period. Many of his movies were based on the mythical characters of the Hindu religion and he had to shoot them in Hindu temples where non-Hindus were not allowed in those days. Dungan filmed his movies in the temples by passing himself off as a Kashmiri pundit.[6] Dungan is credited with introducing modern make-up, the mobile camera and cabaret dance numbers to Tamil Cinema and moving it away from the influence of stage plays. For his introduction of intimate love scenes in Ponmudi (1950), Dungan was criticized by the press for introducing "vulgar" scenes and for "corrupting the population with American ways".[2][7]
His last Tamil film was Manthiri Kumari in 1950. He returned to America and settled in Wheeling, West Virginia in 1958. There he started his company - "Ellis Dungan productions" and for the next thirty years made documentary movies for the Hollywood producer Duke Goldstone.[8]
Death
Dungan died in Wheeling on December 1, 2001 at the age of 92.[9]
Legacy
Dungan is credited with having revolutionized Indian cinema and introduced western innovations. In 2013, American film maker Karan Bali made a one-hour documentary on Dungan titled An American in Madras by consulting West Virginia State Archives and interviewing people who had known Dungan.
Filmography
Tamil
- Bhakta Nandanar (1935) (uncredited)
- Sathi Leelavathi (1936)
- Seemanthini (1936)
- Iru Sahodarargal (1936)
- Ambikapathy (1937)
- Surya Puthri (1941)
- Sakuntalai (1940)
- Kalamegam (1940)
- Daasi Penn (1943)
- Valmiki (1945)
- Returning Soldier (1945)
- Meera (1945)
- Ponmudi (1950)
- Manthiri Kumari (1950)
Hindi
- Meera (1947)
English
- The Jungle (1952)
- Smilin' Ed's Gang (1951–1954) (TV show)
- Andy's Gang (1955–1960) (TV show)
- Harry Black and the Tiger (1958)
- Wheeling 1959: Wheels to Progress (1959)
- The Big Hunt (1959)
- Tarzan Goes to India (1962) (as second unit producer)
- For Liberty and Union (1977)
- Josiah Fox - Architect of the United States First Navy (1987)[8][10]
Bibliography
- A Guide to Adventure - An Autobiography (with Barbara Diane Smik), Pittsburg: Dorrance Publishing Co. (2002)
References
- ^ "The Hindu article on Ellis Dungan". Archived from the original on October 7, 2008. Retrieved June 29, 2007.
- ^ a b c The Hindu article on Americans in Tamil cinema
- ^ Reminiscences on Directing M.S., the Musician-Movie Star on www.sangam.org
- ^ http://www.thehindu.com/thehindu/mp/2002/01/21/stories/2002012100030300.htm
- ^ He transcended barriers with aplomb on The Hindu website
- ^ "Full of technical innovations - Article on the movie Meera". Archived from the original on April 25, 2010. Retrieved December 7, 2019.
- ^ Blast From the Past - Ponmudi 1950, The Hindu, 4 October 2008
- ^ a b Sullivan, Ken (2006). The West Virginia encyclopedia. West Virginia Humanities Council. p. 119.
- ^ "Article on Dungan on West Virginia, Wheeling library webpage". Archived from the original on June 5, 2011. Retrieved November 23, 2009.
- ^ The American Film Institute catalog of motion pictures produced in the United States: Feature Films, 1961-1970,. American Film Institute. 1997. p. 86. ISBN 978-0-520-20970-1.