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'''''Dangak''''' (syllables: ''dang-ak'') is a genre of traditional [[Korea]]n court music. The name means "[[Tang Dynasty|Tang]] music," and the style was first adapted from Tang Dynasty Chinese music during the [[Unified Silla]] period in the late first millennium. It was continued through the [[Goryeo]] (918-1392) and [[Joseon Dynasty|Joseon]] (1392-1910) dynasties, when, along with ''[[hyangak]]'' and ''[[aak]]'' it was one of the three approved genres of court music. ''Dangak'' performances were accompanied by Tang-style dances known as ''dangak jeongjae''.
'''''Dangak''''' (syllables: ''dang-ak'') is a genre of traditional [[Korea]]n court music. The name means "[[Tang dynasty|Tang]] music", and the style was first adapted from Tang Dynasty Chinese music during the [[Unified Silla]] period in the late first millennium. It was continued through the [[Goryeo]] (918–1392) and [[Joseon Dynasty|Joseon]] (1392–1910) dynasties, when, along with ''[[hyangak]]'' and ''[[aak]]'' it was one of the three approved genres of court music. ''Dangak'' performances were accompanied by Tang-style dances known as ''dangak jeongjae''.


Together with ''hyangak'', during the Joseon Dynasty ''dangak'' performances were the charge of the ''Jeonakseo'' (hangul: 전악서; hanja: [[wikt:典|典]][[wikt:樂|樂]][[wikt:署|署]]; 1394-1457) and later of the [[Jangagwon]] (hangul: 장악원; hanja: [[wikt:掌|掌]][[wikt:樂|樂]][[wikt:院|院]]), the court office of music. Performers of ''hyangak'' and ''dangak'' were drawn from the lower classes, in contrast to performers of ''aak''.{{ref|class1}}
Together with ''hyangak'', during the Joseon Dynasty ''dangak'' performances were the charge of the ''Jeonakseo'' (hangul: 전악서; hanja: [[wikt:典|典]][[wikt:樂|樂]][[wikt:署|署]]; 1394–1457) and later of the [[Jangagwon]] (hangul: 장악원; hanja: [[wikt:掌|掌]][[wikt:樂|樂]][[wikt:院|院]]), the court office of music. Performers of ''hyangak'' and ''dangak'' were drawn from the lower classes, in contrast to performers of ''aak''.{{ref|class1}}


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''Nakyangchun'' and a second piece, ''[[Boheoja]]'' (hangul: 보허자; hanja: [[wikt:步|步]][[wikt:虛|虛]][[wikt:子|子]]; literally "Pacing the Void"), are the only surviving pieces of ''Dangak'' music.{{ref|class2}}
''Nakyangchun'' and a second piece, ''[[Boheoja]]'' (hangul: 보허자; hanja: [[wikt:步|步]][[wikt:虛|虛]][[wikt:子|子]]; literally "Pacing the Void"), are the only surviving pieces of ''Dangak'' music.{{ref|class2}}

==See also==
*[[Aak]]
*[[Hyangak]]
*[[Korean culture]]
*[[Korean music]]
*[[List of Korea-related topics]]
*[[List of musical genres]]
*[[Nhã nhạc]]


==References==
==References==
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*[http://tvpot.daum.net/clip/ClipView.do?clipid=1485743 Video of a performance of ''Nakyangchun'']
*[http://tvpot.daum.net/clip/ClipView.do?clipid=1485743 Video of a performance of ''Nakyangchun'']


==See also==
*[[Aak]]
*[[Hyangak]]
*[[Nhã nhạc]]
*[[Korean music]]
*[[Korean culture]]
*[[List of Korea-related topics]]
*[[List of musical genres]]


{{korea-stub}}
{{korea-stub}}

Revision as of 21:21, 16 October 2020

Dangak
Hangul
당악
Hanja
Revised Romanizationdangak
McCune–Reischauertangak

Dangak (syllables: dang-ak) is a genre of traditional Korean court music. The name means "Tang music", and the style was first adapted from Tang Dynasty Chinese music during the Unified Silla period in the late first millennium. It was continued through the Goryeo (918–1392) and Joseon (1392–1910) dynasties, when, along with hyangak and aak it was one of the three approved genres of court music. Dangak performances were accompanied by Tang-style dances known as dangak jeongjae.

Together with hyangak, during the Joseon Dynasty dangak performances were the charge of the Jeonakseo (hangul: 전악서; hanja: ; 1394–1457) and later of the Jangagwon (hangul: 장악원; hanja: ), the court office of music. Performers of hyangak and dangak were drawn from the lower classes, in contrast to performers of aak.[1]

One of the most famous pieces in the dangak repertoire is called Nakyangchun (hangul: 낙양춘; hanja: ; lit. "Spring in Luoyang"). The American composer Lou Harrison, who studied traditional music in South Korea in 1961, created an arrangement of this work. The Korean composer Isang Yun also composed a contemporary orchestral work entitled Loyang, in 1962.

Nakyangchun and a second piece, Boheoja (hangul: 보허자; hanja: ; literally "Pacing the Void"), are the only surviving pieces of Dangak music.[2]

See also

References

  1. ^ Song (1999), p. 22.
  2. ^ "Data" (PDF). www.ncktpa.go.kr. Archived from the original (PDF) on 2007-06-21. Retrieved 2007-06-18.

Bibliography

  • Song, Bang-song (1999). Korean music: Historical and other aspects. Seoul: Jimoondang. ISBN 89-88095-13-8.