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'''Diango Hernández''' is a [[Cuba]]n artist. |
'''Diango Hernández''' is a [[Cuba]]n artist. |
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== Biography == |
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Hernandez was born in 1970 in [[Sancti Spíritus, Cuba|Sancti Spíritus]], Cuba. He earned a degree in [[industrial design]] at the [[Havana Superior Institute of Design]] (ISDI). After graduation in 1994 he began a collaboration experience together with [[Ernesto Oroza]], [[Juan Bernal]], [[Francis Acea]] and [[Manuel Piña]] under the name of Ordo Amoris Cabinet<ref>http://www.diangohernandez.com/tag/ordo-amoris-cabinet-1994-2003/</ref> after the [[Latin]] words for "order" and "love". From 1996 until 2003 Ordo Amoris Cabinet was only formed by Hernández and Francis Acea. The duo's sculptural installations were exhibited throughout [[Cuba]], [[Europe]], and [[North America]]. Hernández’s works has been included at the 51st [[Venice Biennale|Venice Art Biennale]] (Arsenale, 2005), [[São Paulo Art Biennial]] (2006), [[Biennale of Sydney]] (2006), [[Kunsthalle Basel]] (2006), Munich’s [[Haus der Kunst]] (2010), London’s [[Hayward Gallery]] (2010) and more recently with a survey at the [[Museum of Modern and Contemporary Art of Trento and Rovereto|MART]] (2011) in Rovereto, Italy.{{cn|date=July 2017}} Hernandez currently lives and works in [[Düsseldorf]], [[Germany]]. |
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== Awards and Residencies == |
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*2012 Premio Rotary Club, MIART, Milan, Italy |
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*2012 Artist in residency, Fondazione Brodbeck, Catania, Italy |
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*2010 Artist in residency, Blood Mountain Foundation, Budapest, Hungary |
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*2008 Rubens-Förderpreis der Stadt Siegen, Germany |
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*2007 Premio Icona, Verona, Italy |
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*2007 Artist in residence at Frac des Pays de la Loire, Carquefou, France |
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*2005 Artist in residence, [[Abteiberg Museum|Museum Abteiberg, Mönchengladbach]], Germany |
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*2001 Artist in residency [[Artpace|Artpace Foundation]], San Antonio, US* |
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*1998 Artist in residence, [[Ludwig Forum]] für Internationale Kunst, Aachen, Germany* |
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*1997 Artist in residency, [[Banff Centre for the Arts]], Alberta, Canada* |
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* <small>an asterisk indicates the exhibition was as Ordo Amoris Cabinet, Havana 1994-2003</small> |
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== Collaborations and Projects == |
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*1994-2003+ Ordo Amoris Cabinet (with Ernesto Oroza, Francis Acea, Juan Bernal and Manuel Piña) |
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*2009 Sun State (with Mouse on Mars)] |
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*2009+ with Anne Pöhlmann |
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*2010+ with Valéria Fazekas |
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*2010 Creates Inspire me, again Blog, together with Anne Pöhlmann |
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*2012 Creates lonelyfingers Artist's on-line platform, together with Anne Pöhlmann |
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== Exhibitions == |
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=== Solo exhibitions === |
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'''2017''' |
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・[http://www.van-horn.net/ ‘VAN HORN’], Düsseldorf, DE |
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・'Her Holidays', Nicolas Krupp Gallery, Basel, Switzerland |
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・'Diango Hernández and Victor Grippo', ‘Dialogos’ [[ARCO]] Madrid presented by Alexander and Bonin NY |
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・'Sobre las olas', (curated by Meike Behm) Kunsthalle Lingen, Lingen, Germany |
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'''2016''' |
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・'Hurricanes', Federico Luger Gallery, Milan, Italy |
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・'Diango Hernández and Antonio Paucar', ARCO Madrid presented by Galerie Barbara Thumm |
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・'Beach, a longing', (curated by Susanne Meyer-Büser) [[Kunstsammlung Nordrhein-Westfalen|K21]], Düsseldorf, Germany |
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・'Theoretical Beach', (curated by Stefanie Kreuzer) [[Museum Morsbroich]], Leverkusen, Germany |
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・'Marina', Galerie Barbara Thumm, Berlin, Germany |
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'''2015''' |
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・'Time Islands and Space Islands', (curated by Alfredo Cramerotti) [[Mostyn (gallery)|MOSTYN]], Cymru, Wales, UK |
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・'Words to sea', (curated by Gianni Jetzer) [[UNLIMITED]], [[Art Basel|ArtBasel]] with Marlborough Contemporary, London / Alexander and Bonin, NY / Barbara Thumm, Berlin / Nicolas Krupp, Basel |
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・'Eugene', Kunsthalle Münster, Münster, Germany |
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・'The book of waves', Marlborough Contemporary, London, UK |
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・'Layout for Flavor Orbit and Orange Curtain', (curated by Jacopo Crivelli Visconti) SP-ARTE with Galerie Barbara Thumm, São Paulo, Brazil |
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'''2014''' |
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・'By all means I am here', (curated by Katerina Gregos) Solo, Art Brussels with Marlborough Contemporary, Brussels, Belgium |
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・'Circling in loop', (curated by Delfim Sardo) Solo, Est Art Fair with Marlborough Contemporary, Estoril, Portugal |
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・'In hazard, translated', (curated by Simone Neuenschwander) [[Kunstverein Nürnberg]], Germany |
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・'Socialist nature', (curated by Gerhard Obermüller) Landesgalerie, Linz, Austria |
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'''2013''' |
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・'Komplette zimmer', Capitain Petzel, Berlin, Germany |
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・'The importance of a line', (curated by Nuno Faria), Porta33, Madeira, Portugal |
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・'The new man and the new woman', Marlborough Contemporary, London, UK |
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・'The editionx', dh artworks, Düsseldorf, Germany |
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'''2012''' |
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・‘The stamps that never travelled and the birds that never flew’, [http://www.benveniste.com/ Benveniste Contemporary], ARCO, Madrid, Spain |
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・‘Folded Tigers’, [http://www.philara.de/ Philara – Sammlung zeitgenössischer Kunst], Düsseldorf, Germany |
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・‘Drawing the human figure’ (curated by Nuno Faria), [http://www.fondazionebrodbeck.it/ Fondazione Brodbeck], Catania, Italy |
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'''2011''' |
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・‘Lonely fingers’ (curated by Georg Elben), Marl Skulpturenmuseum, Marl, Germany |
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・‘Diango Hernandez. Living rooms, a survey’ (curated by Yilmaz Dziewior), [[Museum of Modern and Contemporary Art of Trento and Rovereto|MART]], Rovereto, Italy |
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・‘Crystal clear’, [http://www.nicolaskrupp.com/ Nicolas Krupp Contemporary Art], Basel, Switzerland |
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・‘If I send you this’, [http://www.alexanderandbonin.com/ Alexander and Bonin], NY, US |
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・‘Line dreamers’, Haus im Süden, Cologne, Germany |
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・‘The stamps that never travelled and the birds that never flew’, [http://www.benveniste.com/ Benveniste Contemporary], Benveniste Contemporary, Madrid, Spain |
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'''2010''' |
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・ ‘A kiss, a hat, a stamp’, [http://www.bloodmountain.org/ Blood Mountain Foundation], Budapest, Hungary |
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・‘Museums: Selected works 1996 / 2010’, Galerie Michael Wiesehöfer, Cologne, Germany |
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'''2009''' |
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・‘Losing you tonight: Flying memories’, Galerie Michael Wiesehöfer, FIAC, Paris, France |
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・‘Losing you tonight’ (curated by Eva Schmidt), [http://www.mgk-siegen.de/ Museum für Gegenwartskunst Siegen], Germany |
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・‘Define gravity. Sun State #3’, collaboration with [[Mouse on Mars]], Galerie Michael Wiesehöfer, Cologne, Germany |
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・‘The importance of a line’ (curated by Nuno Faria), [http://www.porta33.com/ Porta33], Madeira, Portugal |
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・‘Giardino tropicale’, Paolo Maria Deanesi Gallery, Artissima, Turin, Italy |
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・‘La historia, mi juguete preferido’, Pepe Cobo y Cia, Madrid, Spain |
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・‘Th-ink’, [http://www.alexanderandbonin.com/ Alexander and Bonin], NY, US |
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・‘El manual del tractorista arrepentido’ (curated by Adriano Pedrosa), [http://www.alexanderandbonin.com/ Alexander and Bonin], NY, [http://zonamaco.com/ Zona Maco], Mexico City, Mexico |
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・‘It is also my history’, Pepe Cobo y Cia, [http://www.artcologne.de/de/artcologne/home/index.php ArtCologne], Cologne, Germany |
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・‘Building beyond success’, collaboration with [http://www.annepoehlmann.net/ Anne Pöhlmann], [http://www.mariettaclages.de/ Clages], Cologne, Germany |
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'''2008''' |
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・‘Inspire me, again’, Stella Lohaus Gallery, Antwerp, Belgium |
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・‘Diamonds and stones: My education’, [http://www.federicoluger.com/ Federico Luger Gallery], now [http://www.flgallery.com/ FL GALLERY] Milan, Italy |
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・‘out-of-place artifacts (OOPArt)’, Galerie Michael Wiesehöfer, Cologne / [http://www.bthumm.de/ Galerie Barbara Thumm], Berlin, Germany |
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'''2007''' |
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・‘Objects of ridicule’, [http://www.alexanderandbonin.com/ Alexander and Bonin], NY, US |
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・‘Victoria’ together with Andrzej Wróblewski (curated by Joanna Kordjak), [[National Museum, Warsaw|National Museum]], Warsaw, Poland |
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・‘Swans without a lake’ (curated by Melanie Bono), [[NAK|Neuer Aachener Kunstverein NAK]], Aachen, Germany |
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・‘The fruit of evil’, Galería Pepe Cobo, [http://www.artbasel.com/ ArtBasel] Miami Beach, Miami, US |
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・‘Mother the future was a political lie…’, Galerie Frehrking Wiesehöfer, ArtCologne, Cologne, Germany |
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・‘Power pencil’, Paolo Maria Deanesi Gallery, Rovereto, Italy |
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'''2006''' |
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・‘Dictators’, Galerie Frehrking Wiesehöfer, Cologne, Germany |
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・‘The factory of silence’, National Bank of, Düsseldorf, Germany |
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・‘Traitors’, Galería Pepe Cobo, Madrid, Spain |
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・‘Spies’, [http://www.alexanderandbonin.com/ Alexander and Bonin], NY, US |
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・‘Revolution’ (curated by Adam Szymczyk and Simone Neuenschwander), [[Kunsthalle Basel]], Basel, Switzerland |
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'''2005''' |
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・‘The museum of capitalism’ (curated by Susanne Titz), Altes Museum/[[Abteiberg Museum]], Mönchengladbach, Germany |
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・‘Waiting’, Galerie Frehrking Wiesehöfer, ArtForum, Berlin, Germany |
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・‘Palabras’, Pepe Cobo, Arco Art Fair, Madrid, Spain |
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・‘Revantgarde’, Paolo Maria Deanesi Gallery, Rovereto, Italy |
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2004 |
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・‘Democracy’ together with Boris Michailov (curated by Dagmar Behr), [http://www.kunstverein-arnsberg.de/ Kunstverein Arnsberg], Arnsberg, Germany |
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・‘Amateur’ (curated by Rutger Wolfson), [http://vleeshal.nl/en/ De Vleeshal], Middelburg, Netherlands |
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'''2003''' |
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・‘Amateur,’ Galerie Frehrking Wiesehöfer, Cologne, Germany |
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'''2002''' |
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・‘Sweet home’, [http://www.espacioaglutinador.com/ Espacio Aglutinador], Havana, Cuba* |
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'''2001''' |
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・‘Mousepads and screensavers’ (curated by Cuauhtemoc Medina), [[ArtPace]], San Antonio, US* |
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・‘Network transmission / Summer days’, Adamski Frehrking Wiesehöfer Galerie, Cologne, Germany* |
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'''1999''' |
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・‘Esta cerca es provisional: Evite ser requerido / This is a provisional fence: Keep out’, Centro de Desarrollo de Las Artes Visuales, Havana, Cuba* |
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'''1997''' |
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・‘Hiking Raffle’, [[Banff Centre for the Arts]], Alberta, Canada* |
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・‘Hormigón armado’, Centro de Desarrollo de Las Artes Visuales, Havana, Cuba* |
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'''1996''' |
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・‘Agua con azúcar y La muestra provisional’ (curated by Helmo Hernández), Centro de Desarrollo de Las Artes Visuales, Havana, Cuba* / [[MACD|Museo de Arte Contemporáneo y Diseño (MACD)]], San José, Costa Rica* |
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・‘Para saber quien soy’, Centro de Desarrollo de Las Artes Visuales, Havana, Cuba |
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'''1995''' |
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・‘Bésame Habana’, Centro de Arte y Diseño, Havana, Cuba* |
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* <small>an asterisk indicates the exhibition was as [http://www.diango.net/?p=1308 Ordo Amoris Cabinet]</small> |
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=== Group exhibitions === |
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'''2017''' |
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‘We Call It Ludwig’, Museum Ludwig, Cologne, DE |
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'''2016''' |
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‘We Call It Ludwig’, Museum Ludwig, Cologne, DE |
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‘WERE IT AS IF’, Witte de With Center for Contemporary Art, Rotterdam, NDL |
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'''2015''' |
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‘Salón de arte contemporáneo’, Palacete Sousa, Barranco, Peru |
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'''2014''' |
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‘Bringing Light into a Windowless Room’, Capitain Petzel, Berlin, DE |
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‘New Paintings’, Alexander and Bonin, New York, US |
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‘Beyond the Supersquare’, The Bronx Museum of the Arts, New York, US |
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‘The 1st International Biennial of Contemporary Art’, Cartagena de Indias, COL |
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'''2013''' |
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‘The New Man and The New Woman’, Marlborough Contemporary, London, GB |
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‘IHRE GESCHICHTE(N)’, Bonner Kunstverein und Artothek, Bonn, DE |
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‘lonelyfingers: Konversationsstücke’, Museum Abteiberg, Mönchengladbach, DE |
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‘Arqueológica’, Matadero, Madrid, ES |
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‘The Feverish Library (continued)’, Capitain Petzel, Berlin, DE |
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‘Stimuli’, Alexander and Bonin, New York, US |
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'''2012''' |
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‘Newtopia: The State of Human Rights’ (curated by Katerina Gregos), Mechelen, Belgium |
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‘Chaotic trajectories’ (curated by Thomas Rehbein), [http://temporary-gallery-cologne.de/ Temporary Gallery], Cologne, Germany |
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'''2011''' |
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‘Sammlung im Prozess’ (curated by Georg Elben), Skulpturenmuseum Glaskasten Marl, Marl, Germany |
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‘Hans hat Glück’, Castle Gandegg, Appiano, Italy |
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‘The silver show’, NAK, Aachen, Germany |
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‘Entropia’, Philara – Sammlung zeitgenössischer Kunst, Düsseldorf, Germany |
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‘DC Bonus’, Schmidt Maczollek / Michael Wiesehöfer / Thomas Zander, Forum für Fotografie, Cologne, Germany |
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‘New Space’, Federico Luger, Milan, Italy |
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‘Colors for a new home, Signs of love and other paintings’, Alexander and Bonin, NY, US |
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’Fronteras en mutación, en tránsito of Bridges & Borders (fase III)‘, CCEBA, Centro Cultural de España en Buenos Aires, Argentina |
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‘Local host‘ (International artists in / from NRW At AZKM), Ausstellungshalle Zeitgenössische Kunst, Münster |
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‘Tracks’, Kunstmuseum Liechtenstein, Liechtenstein |
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‘Drawings wall’, Paolo Maria Deanesi Gallery, Rovereto, Italy |
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'''2010''' |
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‘Neues Rheinland. Die Postironische Generation’ (curated by Stefanie Kreuzer), Museum Morsbroich, Leverkusen, Germany |
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‘Fiona Banner / Marcus Becker / Diango Hernández’ Galerie Barbara Thumm, Berlin, Germany |
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‘4 on paper’ Alexander and Bonin NY, US |
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‘Face to face’ Pepe Cobo y Cia, Madrid, Spain |
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‘Touched’ The 10th Liverpool Biennial (curated by Peter Gorschlüter), Tate Liverpool, UK |
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‘The new décor’ (curated by Ralph Rudolf), Hayward Gallery, London, UK / Garage CCC, Moscow, Russia |
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‘Star city’ (curated by Alex Farquharson), Nottingham Contemporary, Nottingham, UK |
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‘Who wants to use my window?’ Paolo Maria Deanesi Gallery, Rovereto, Italy |
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‘Goldene Zeiten’ (curated by Patrizia Dander and Julienne Lorz), Haus der Kunst, Munich, Germany |
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‘Modelos para armar: Thinking Latin America from the MUSAC collection, León, Spain |
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‘A philosophical enquiry into the origin of our ideas of the fear and terror’ (curated by Helmut Friedel and Giovanni Iovane), Galleria Gentili, Prato, Italy |
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‘Languages and experimentations’ MART, Rovereto, Italy |
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‘Larger than life stranger than fiction’ (curated by Ulrike Groos), 11th Triennale der Kleinplastik Fellbach bei Stuttgart, Germany |
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'''2009''' |
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‘Ordinary revolutions’ (curated by Stefanie Kreuzer), Museum Morsbroich, Leverkusen, Germany |
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‘Das Gespinst’ (curated by Wilhelm Schurmann), Museum Abteiberg, Mochengladbach, Germany |
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‘Performa 09′ (curated by Lara Pan) NY, US |
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‘Danielle Kawaaitaal and Diango Hernández’, Monkeys Island, Cologne, Germany |
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‘Precarious Form’ (curated by Veit Loers), Galerie Meyer Kainer, Vienna, Austria |
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‘ev + a 2009, Reading the city’ (curated by Yilmaz Dziewior), Limerick City, Ireland |
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‘Cambio de aceite’, Pepe Cobo y Cia, Madrid, Spain |
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'''2008''' |
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Open Plan Living, Art TLV, [http://www.arttlv.com/] Helena Rubinstein Pavilion & Gan Ka'akov, Tel Aviv, Israel |
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Baghdad / Space cog / Analyst, [http://www.frithstreetgallery.com/archive.html] Frith Street Gallery, London, UK |
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Arise! ye starvelings…, [http://www.pallasprojects.org/exhibitions/Arise/arise.htm] Pallas Contemporary Projects, Dublin, Ireland |
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This is not the way I remember it, [http://www.annahelwing.com/ThatsNotHowIRememberIt/ThatsNotHowIRememberIt.html] Anna Helwing Gallery, LA, US |
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Archivo Sur, [http://www.futuraproject.cz/en/index.htm] FUTURA Center for Contemporary Art, Prague, Czech Republic |
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Registered, (KONGRESS DER FUTUROLOGEN) [http://www.kongressderfuturologen.de/] ICA, Dunaujvaros, Hungary |
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Urban Sculpture, on Via Dante Milano [http://ilgiorno.quotidiano.net/milano/2008/03/14/72445-mostra_miraggi.shtml] Milano, Italy |
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Wessen Geschichte, Kunstverein Hamburg, Hamburg, Germany |
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'''2007''' |
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Disegni, Galleria Civica di Monfalcone, curated by Andrea Bruciati. Monfalcone, Italy |
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Video Latino Americano, curated by Antonio Arevalo, Foro de las Naciones Monterrey, Mexico |
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Jahresgaben 2007, Bonner Kunstverein, Bonn, Germany |
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Jahresgaben 2007, Neuer Aachener Kunstverein, Aachen, Germany |
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¿Qué pasa con las flores?, Galería Pepe Cobo, Madrid, Spain |
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Ironia Domestica: Uno sguardo curioso tra collezioni private italiane, Museidon: Museo d’arte moderna e contemporanea, Bolzano, Italy |
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Made in Germany, Kunstverein Hannover, Germany |
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Andrzej Wróblewski 1927-1957, Project Room, The [[National Museum, Warsaw]], Poland |
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Mr. President, University Art Museum, State University of New York, Albany, US |
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'''2006''' |
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Biennale of Sevilla, Spain |
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[[Biennale of Sydney]], Australia |
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[[São Paulo Biennial]], Brasil |
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Out of the Blue, Federico Luger Gallery, Milan, Italy |
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'''2005''' |
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Always a little further, Arsenale di Venezia, 51st [[Venice Biennial]], Venice, Italy |
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Lichtkunst aus Kunstlicht, ZKM/Museum für Neue Kunst, Karlsruhe, Germany |
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Roboter, Opelvillen, Rüsselsheim, Germany |
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Biwak, Frehrking Wiesehöfer, Cologne, Germany |
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Revantgarde, Paolo Maria Deanesi Gallery, Rovereto, Italy |
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Nuova Segnale, Federico Luger Gallery, Milano, Italy |
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'''2004''' |
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Flesh at War with Enigma, [[Kunsthalle Basel]], Switzerland |
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doku/fiction. Mouse on Mars - reviewed & remixed, [[Kunsthalle Düsseldorf]], Düsseldorf, Germany |
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Jahresgaben 2004, Kunstverein Arnsberg, Arnsberg, Germany |
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Jahresgaben 2004,Westfälischer Kunstverein, Münster, Germany |
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In Ictu Oculi, Pepe Cobo Gallery, Sevilla, Spain |
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Wildlife 04 final, Sommerpalast, Neuss, Germany |
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Bookies, M29 Brückner + Richter, Cologne, Germany |
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Mideo/Fear, Pepe Cobo Gallery, Sevilla, Spain |
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With Eyes of Stone and Water, Gallery 3,14, Bergen, Norway* |
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''' 2003 ''' |
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Centauro, 8va Bienal de la Habanal, Havana, Cuba |
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Stretch, Power Plant Gallery, Toronto, Canada* |
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'''2002''' |
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Prophets of Boom. The Schürmann Collection, Kunsthalle Baden-Baden, Germany* |
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With Eyes of Stone and Water, Helsinki Art Museum, Finland* |
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Atravesados. Deslizamientos de identidades y géneros", Fundación Telefónica, Madrid, Spain* |
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FITAC. VIII foro sobre teoría del Arte Contemporáneo. Monterrey, México* |
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La Huella Múltiple, Centro de Desarrollo de las Artes Visuales. Havana* |
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'''2001''' |
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Short Stories, La Fabbrica del Vapore, Milano, Italy* |
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Un dia como otro cualquiera/A day like any other day, 7th Havana Biennial, Cuba* |
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I am Cuba Double play, Tirana Biennale. Tirana, Albania* |
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'''2000''' |
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La conjuncion de la nada, Center for the Development of the Visual Arts, Havana, Cuba* |
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'''1999''' |
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CUBA, Presentl. Barbican Centre, London, UK* |
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Thinking Aloud, Camden Art Centre, London, UK* |
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'''1998''' |
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Antennas: Network Transmission/Taxi Limosina. Provisional Utopias, Ludwig Forum für Internationale Kunst, Aachen/Kunsthaus Berlin, Germany* |
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Il Salon de arte cubano contemporanso, Center for the Development of the Visual Arts/Centro de Arte Contemporáneo Wifredo Lam /CENCREM/ Fototeca de Cuba, Havana, Cuba* |
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Thinking Aloud, [[The Hayward]] Gallery, London; Kettle's Yard, Cambridge; Cornerhouse, Manchester, UK* |
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Entropy at Home, Schürmann Collection, [[Suermondt Ludwig Museum]], Aachen, Germany* |
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The Campaign Against Living Miserably, [[Royal College of Art]], London, UK* |
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'''1997''' |
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The Russian mountain, 3. Manifestation Internationale Vidéo et Art Électronique, Montreal, Canada* |
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Rompiendo los moldes, 6th Havana Biennial, Cuba* |
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'''1996''' |
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Ultimas Noticias, Galería de Matanzas, Cuba* |
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'''1995''' |
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Una de cada clase, Next Generation Show, Centro de Arte y Diseño, Havana, Cuba* |
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* <small>an asterisk indicates the exhibition was as [http://www.diango.net/?p=1308 Ordo Amoris Cabinet]</small> |
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== Selected bibliography == |
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*2016 |
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Kreuzer, Stefanie, ed. Theoretical Beach. Distanz Verlag, Berlin |
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*2015 |
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Diango Hernández: The Book of Waves. ex cat. Marlborough Contemporary, London |
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*2014 |
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Vermeulen, Timotheus and Gerhard Obermüller. Socialist Nature, ex. cat. Berlin: Distanz Verlag |
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*2013 |
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Diango Hernández: The New Man and the New Woman, ex. cat. London : Marlborough Contemporary |
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*2011 |
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Diango Hernández. Living Rooms, a Survey, ex. cat. Rovereto/Trento, Italy: Museo di Arte Moderna e Contem-poránea di Trento e Rovereto |
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Hernández, Diango. Home. New York: Alexander and Bonin Publishing, Inc. |
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*2009 |
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Jacob, Luis. 7 Pictures of Nothing Repeated Four Times, In Gratitude. ex. cat. Cologne: Verlag der Buchhandlung Walther König |
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Contemporary Latin American Art: Ordinary Revolutions, ex cat. Leverkusen, Germany: Museum Morsbroich |
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Diango Hernández: Losing You Tonight, ex cat. Siegen, Germany: Museum für Gegenwartskunst |
|||
*2008 |
|||
Guevera, Ernesto. out-of-place artifacts (OOPArt), ex. cat. Cologne, Galerie |
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Michael Wiesehofer, Berlin, Galerie Barbara Thumm |
|||
*2007 |
|||
Hernández, Diango. Diamonds and Stones: My Education, ex. cat. Milan: Federico Luger Gallery |
|||
Ice Cream: Contemporary Art in Culture. (essay by Lisette Lagnado) London and New York: Phaidon |
|||
Power Pencil: Diango Hernández, ex. cat. Rovereto, Italy: Paolo Maria Deanesi Gallery |
|||
Swans without a lake, ex. cat. Aachen: NAK Neuer Aachener Kunstverein |
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*2006 |
|||
Desenhos [drawings]: A-Z. Edited by Adriano Pedrosa. Funchal, Portugal: Colecção Madeira Corporate Services |
|||
Krystof, Dr. Doris. “Diango Hernández.“ in Zones of Contact: 2006 Sydney |
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Biennale. ex. cat. Sydney, Sydney Biennale Ltd. |
|||
Lagnado, Lisette and Adriano Pedrosa. 27a. Bienal de São Paulo: Como Viver |
|||
Junto, ex. cat. São Paulo: Fundação Bienal de São Paulo |
|||
Neuenschwander, Simon. "Simone Neuenschwander in conversation with Diango Hernández." Kunsthalle Basel (January 4, 2006): 3-5 |
|||
ARCO ’06, Volume 1. Madrid: ARCO/IFEMA Feria de Madrid |
|||
Neuenschwander, Simon. "Simone Neuenschwander in conversation with Diango |
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Hernández." Kunsthalle Basel (4 January 2006): 3-5 |
|||
*2005 |
|||
Always a Little Further: 51st International Art Exhibition. Venice: La Biennale |
|||
di Venezia |
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Diango Hernández: revantgarde ex.cat. New York: Lucas & Sternberg |
|||
Kempkes, Anke. “Let Us Talk About Revant-Garde: In conversation with Diango |
|||
Hernández.” in Flesh at War with Enigma ex. cat. Basel: Kunsthalle |
|||
Basel |
|||
Revuelta, Laura. "Diango Hernández." in elected affnities ex. cat. Madrid: |
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ARCO/IFEMA |
|||
Roboter, ex. cat. Rüsselsheim: Opelvillen |
|||
*2004 |
|||
doku/fiction: Mouse on Mars: Reviewed & Remixed. Düsseldorf: Kunsthalle |
|||
Düsseldorf |
|||
*2002 |
|||
Cuba - with Eyes of Stone and Water. (essay by Winzen, Matthias) Helsinki: |
|||
Helsinki City Art Museum |
|||
Prophets of Boom: Collection Schürmann. Köln: Kunsthalle Baden-Baden |
|||
*2001 |
|||
Short Stories. Milano: La Fabrica del Vapore |
|||
"Dreaming Red - Creating ArtPace", ArtPace, San Antonio, TX |
|||
Eligio, Antonio (Tonel), "Culture and Society in the Work of Cuban Artists." In |
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Art Cuba: The Next Generation. New York: Harry Abrams |
|||
"Atravesados. Deslizamientos de identidad y género", Havanna, Cuba |
|||
*1999 |
|||
Eligio, Antonio (Tonel). "Esta cerca es provisional / Evite ser Requerido", (This |
|||
is a Provisional Fence / Keep Out), Edition: Ordo Amoris Cabinet, |
|||
Havana |
|||
Hernandez, Orlando, "Trabajando Pa'l Inglé", Barbican Centre, London, UK |
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*1998 |
|||
"Provisorische Utopien", Ludwig Forum für Internationale Kunst, Aachen, |
|||
Yedgar, Ariella. "The Campaign against living Miserably", Royal College of |
|||
Art, London |
|||
*1996 |
|||
Hernandez, Helmo. "Hormigón Armado" (Reinforced Concrete), Edition: Ordo |
|||
Amoris Cabinet |
|||
*1997 "Utopian Territories: New Art from Cuba", Vancouver |
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== Articles and reviews == |
|||
*2015 |
|||
Cramerotti, Alfredo. “Diango Hernández: Time Islands and Space Islands.” The Seen (September 22, 2015) |
|||
*2013 |
|||
Vermeulen, Timotheus. “Ways of Knowing.” Frieze (No. 159, Nov-Dec 2013):141-143 |
|||
*2012 |
|||
Niklai, Jade. “Diango Hernández: Omission Versus Addition.” Flash Art (November – December 2012): 98-100 |
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Latimer, Quin. “Diango Hernandez: Nicolas Krupp Contemporary Art.” Artforum International (March 2012): 292-293 |
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*2011 |
|||
Gibellini, Laura. “Diango Hernández.” Arte al Día (Issue #137, November - December 2011): 113 |
|||
Pérez León, Dermis. “Diango Hernández: Educating Ourselves for Life Under Capitalism.” ArtNexus (no. 83 vol. 10): 52-56 |
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*2010 |
|||
Lorch, Catrin. “Diango Hernández.” Frieze (February, 2010): 134-35 |
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*2009 |
|||
Reindl, Uta M. “Diango Hernández.” artist Kunstmagazin #78 |
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*2008 |
|||
Montgomery, Harper. “Diango Hernández.” ArtNexus (June–August, 2008): 134 |
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Tallone, Ana. “Diango Hernández.” arte al día (February – March, 2008): 123 |
|||
Verhagen, Marcus. “Bagdad/Space Cog/ Analyst.” Art Monthly (September, 2008) |
|||
*2007 |
|||
“Fancy Fence.” PROP (October 2007): 54-65 |
|||
Hernández, Diango. “We Didn’t Want to Go to the Moon.” Piktogram #7, Warsaw |
|||
Wasserman, Nadine. “Hail to the Chief.” Metroland (February 15-21, 2007) |
|||
*2007 |
|||
Wei, Lilly. “Report from Sydney: Remapping the Art World.” Art in America (March 2007): 58-65 |
|||
*2006 |
|||
Wulffen, Thomas. 27. “Biennale von São Paulo.” Kunstforum (December 2006 – February 2007) |
|||
Lorch, Catrin. “Von der Schwerkraft der Farbe.” Frankfurter Allgemeine Zeitung (September 23, 2006): 53 |
|||
Cohen, David. “The Dark Side of Summer.” The New York Sun (June 15, 2006) |
|||
Schardt, Simone. “Von der Aktion zum Kataloggesäusel.” WOZ (February 9, 2006): 13 |
|||
Cybinski, Von Nikolaus. “Verschlissene Revolution.” Der Sonntag (February 5, 2006) |
|||
Hoffman, Annette. “Trummer der Geschichte.” Regioartline Kunstmagazin (January 31, 2006) |
|||
Fischer, Annina. “Macht, Propaganda und Diktatur.” B.Z. Zeitung (January 25 2006): 8 |
|||
*2005 |
|||
Revuelta, Laura. “Diango Hernández, ARCO Special - A Retrospective”, Madrid |
|||
Tomasini, Marco. “Hernández in Biennale”, l'Adige, May 31, Trento, Italy |
|||
Vetrocq, Marcia E. “Venice Biennale: Be Careful What You Wish For.” |
|||
Art in America (September 2005): 109-119 |
|||
*2004 |
|||
León, Dermis Pérez. “Diango Hernández: Amateur”, ArtNexus N° 52, V. |
|||
3/2004, USA |
|||
*2001 |
|||
Quinones, Paul. "Short Stories: La Fabrica del Vapore, Milano”, Flash Art 2001, |
|||
Italy |
|||
*2000 |
|||
Fernandez, Frencis. “Rusty Scope’ from Cornell to Resnor”, Arte Cubano 3 |
|||
Rodriguez, Hilda. “Espacios para una comunicaciòn deseada”, Arte Cubano 3 |
|||
*1999 |
|||
Grant, Simon. “Imagination at full stretch”, Evening Standard, May 12, London |
|||
Fuentes, Elvis. “Tan lejos tan cerca”, La Gaceta de Cuba, N° 8 |
|||
Eligio, Antonio. “Esta cerca es provisional / Evite ser Requerido”, Revista La |
|||
Gaceta de Cuba |
|||
Eligio, Antonio (Tonel). “Por la Habana en Limosina” La Gaceta de Cuba, N° 6, |
|||
S. 22 |
|||
Hunt, Ian. “Thinking Aloud”, Art Monthly, February |
|||
*1998 |
|||
Greess, Gabriela. “Überlebenskunst”, Süddeutsche Zeitung (July) Germany |
|||
Becker, Wolfgang. “Provisorische Utopien”, Ludwig Forum Aachen, Germany |
|||
*1997 |
|||
Moya, Nelson.“Agua con Azucar y Muestra Provisional 1 en el MADC”, Fanal |
|||
No. 14, Spain |
|||
*1996 |
|||
Molina, Juan Antonio.“Ordo Amoris. Hacia un diseño pragmatico”, La Gaceta |
|||
de Cuba, No. 4 (1996) |
|||
*1995 |
|||
Alberdi, Virginia, “The Next Generation”, Arte Cubano No. 2 (1995) days |
|||
== Biography == |
== Biography == |
Revision as of 15:51, 30 July 2017
This article contains content that is written like an advertisement. (July 2017) |
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Diango Hernández | |
---|---|
Born | Diango Hernández Torres 1970 |
Nationality | Cuban |
Spouse | Anne Pöhlmann |
Diango Hernández is a Cuban artist.
Biography
Hernandez was born in 1970 in Sancti Spíritus, Cuba. He earned a degree in industrial design at the Havana Superior Institute of Design (ISDI). After graduation in 1994 he began a collaboration experience together with Ernesto Oroza, Juan Bernal, Francis Acea and Manuel Piña under the name of Ordo Amoris Cabinet[1] after the Latin words for "order" and "love". From 1996 until 2003 Ordo Amoris Cabinet was only formed by Hernández and Francis Acea. The duo's sculptural installations were exhibited throughout Cuba, Europe, and North America. Hernández’s works has been included at the 51st Venice Art Biennale (Arsenale, 2005), São Paulo Art Biennial (2006), Biennale of Sydney (2006), Kunsthalle Basel (2006), Munich’s Haus der Kunst (2010), London’s Hayward Gallery (2010) and more recently with a survey at the MART (2011) in Rovereto, Italy.[citation needed] Hernandez currently lives and works in Düsseldorf, Germany.
Awards and Residencies
- 2012 Premio Rotary Club, MIART, Milan, Italy
- 2012 Artist in residency, Fondazione Brodbeck, Catania, Italy
- 2010 Artist in residency, Blood Mountain Foundation, Budapest, Hungary
- 2008 Rubens-Förderpreis der Stadt Siegen, Germany
- 2007 Premio Icona, Verona, Italy
- 2007 Artist in residence at Frac des Pays de la Loire, Carquefou, France
- 2005 Artist in residence, Museum Abteiberg, Mönchengladbach, Germany
- 2001 Artist in residency Artpace Foundation, San Antonio, US*
- 1998 Artist in residence, Ludwig Forum für Internationale Kunst, Aachen, Germany*
- 1997 Artist in residency, Banff Centre for the Arts, Alberta, Canada*
- an asterisk indicates the exhibition was as Ordo Amoris Cabinet, Havana 1994-2003
Collaborations and Projects
- 1994-2003+ Ordo Amoris Cabinet (with Ernesto Oroza, Francis Acea, Juan Bernal and Manuel Piña)
- 2009 Sun State (with Mouse on Mars)]
- 2009+ with Anne Pöhlmann
- 2010+ with Valéria Fazekas
- 2010 Creates Inspire me, again Blog, together with Anne Pöhlmann
- 2012 Creates lonelyfingers Artist's on-line platform, together with Anne Pöhlmann
Exhibitions
Solo exhibitions
2017
・‘VAN HORN’, Düsseldorf, DE
・'Her Holidays', Nicolas Krupp Gallery, Basel, Switzerland
・'Diango Hernández and Victor Grippo', ‘Dialogos’ ARCO Madrid presented by Alexander and Bonin NY
・'Sobre las olas', (curated by Meike Behm) Kunsthalle Lingen, Lingen, Germany
2016
・'Hurricanes', Federico Luger Gallery, Milan, Italy
・'Diango Hernández and Antonio Paucar', ARCO Madrid presented by Galerie Barbara Thumm
・'Beach, a longing', (curated by Susanne Meyer-Büser) K21, Düsseldorf, Germany
・'Theoretical Beach', (curated by Stefanie Kreuzer) Museum Morsbroich, Leverkusen, Germany
・'Marina', Galerie Barbara Thumm, Berlin, Germany
2015
・'Time Islands and Space Islands', (curated by Alfredo Cramerotti) MOSTYN, Cymru, Wales, UK
・'Words to sea', (curated by Gianni Jetzer) UNLIMITED, ArtBasel with Marlborough Contemporary, London / Alexander and Bonin, NY / Barbara Thumm, Berlin / Nicolas Krupp, Basel
・'Eugene', Kunsthalle Münster, Münster, Germany
・'The book of waves', Marlborough Contemporary, London, UK
・'Layout for Flavor Orbit and Orange Curtain', (curated by Jacopo Crivelli Visconti) SP-ARTE with Galerie Barbara Thumm, São Paulo, Brazil
2014
・'By all means I am here', (curated by Katerina Gregos) Solo, Art Brussels with Marlborough Contemporary, Brussels, Belgium
・'Circling in loop', (curated by Delfim Sardo) Solo, Est Art Fair with Marlborough Contemporary, Estoril, Portugal
・'In hazard, translated', (curated by Simone Neuenschwander) Kunstverein Nürnberg, Germany
・'Socialist nature', (curated by Gerhard Obermüller) Landesgalerie, Linz, Austria
2013
・'Komplette zimmer', Capitain Petzel, Berlin, Germany
・'The importance of a line', (curated by Nuno Faria), Porta33, Madeira, Portugal
・'The new man and the new woman', Marlborough Contemporary, London, UK
・'The editionx', dh artworks, Düsseldorf, Germany
2012
・‘The stamps that never travelled and the birds that never flew’, Benveniste Contemporary, ARCO, Madrid, Spain
・‘Folded Tigers’, Philara – Sammlung zeitgenössischer Kunst, Düsseldorf, Germany
・‘Drawing the human figure’ (curated by Nuno Faria), Fondazione Brodbeck, Catania, Italy
2011
・‘Lonely fingers’ (curated by Georg Elben), Marl Skulpturenmuseum, Marl, Germany
・‘Diango Hernandez. Living rooms, a survey’ (curated by Yilmaz Dziewior), MART, Rovereto, Italy
・‘Crystal clear’, Nicolas Krupp Contemporary Art, Basel, Switzerland
・‘If I send you this’, Alexander and Bonin, NY, US
・‘Line dreamers’, Haus im Süden, Cologne, Germany
・‘The stamps that never travelled and the birds that never flew’, Benveniste Contemporary, Benveniste Contemporary, Madrid, Spain
2010
・ ‘A kiss, a hat, a stamp’, Blood Mountain Foundation, Budapest, Hungary
・‘Museums: Selected works 1996 / 2010’, Galerie Michael Wiesehöfer, Cologne, Germany
2009
・‘Losing you tonight: Flying memories’, Galerie Michael Wiesehöfer, FIAC, Paris, France
・‘Losing you tonight’ (curated by Eva Schmidt), Museum für Gegenwartskunst Siegen, Germany
・‘Define gravity. Sun State #3’, collaboration with Mouse on Mars, Galerie Michael Wiesehöfer, Cologne, Germany
・‘The importance of a line’ (curated by Nuno Faria), Porta33, Madeira, Portugal
・‘Giardino tropicale’, Paolo Maria Deanesi Gallery, Artissima, Turin, Italy
・‘La historia, mi juguete preferido’, Pepe Cobo y Cia, Madrid, Spain
・‘Th-ink’, Alexander and Bonin, NY, US
・‘El manual del tractorista arrepentido’ (curated by Adriano Pedrosa), Alexander and Bonin, NY, Zona Maco, Mexico City, Mexico
・‘It is also my history’, Pepe Cobo y Cia, ArtCologne, Cologne, Germany
・‘Building beyond success’, collaboration with Anne Pöhlmann, Clages, Cologne, Germany
2008
・‘Inspire me, again’, Stella Lohaus Gallery, Antwerp, Belgium
・‘Diamonds and stones: My education’, Federico Luger Gallery, now FL GALLERY Milan, Italy
・‘out-of-place artifacts (OOPArt)’, Galerie Michael Wiesehöfer, Cologne / Galerie Barbara Thumm, Berlin, Germany
2007
・‘Objects of ridicule’, Alexander and Bonin, NY, US
・‘Victoria’ together with Andrzej Wróblewski (curated by Joanna Kordjak), National Museum, Warsaw, Poland
・‘Swans without a lake’ (curated by Melanie Bono), Neuer Aachener Kunstverein NAK, Aachen, Germany
・‘The fruit of evil’, Galería Pepe Cobo, ArtBasel Miami Beach, Miami, US
・‘Mother the future was a political lie…’, Galerie Frehrking Wiesehöfer, ArtCologne, Cologne, Germany
・‘Power pencil’, Paolo Maria Deanesi Gallery, Rovereto, Italy
2006
・‘Dictators’, Galerie Frehrking Wiesehöfer, Cologne, Germany
・‘The factory of silence’, National Bank of, Düsseldorf, Germany
・‘Traitors’, Galería Pepe Cobo, Madrid, Spain
・‘Spies’, Alexander and Bonin, NY, US
・‘Revolution’ (curated by Adam Szymczyk and Simone Neuenschwander), Kunsthalle Basel, Basel, Switzerland
2005
・‘The museum of capitalism’ (curated by Susanne Titz), Altes Museum/Abteiberg Museum, Mönchengladbach, Germany
・‘Waiting’, Galerie Frehrking Wiesehöfer, ArtForum, Berlin, Germany
・‘Palabras’, Pepe Cobo, Arco Art Fair, Madrid, Spain
・‘Revantgarde’, Paolo Maria Deanesi Gallery, Rovereto, Italy
2004
・‘Democracy’ together with Boris Michailov (curated by Dagmar Behr), Kunstverein Arnsberg, Arnsberg, Germany
・‘Amateur’ (curated by Rutger Wolfson), De Vleeshal, Middelburg, Netherlands
2003
・‘Amateur,’ Galerie Frehrking Wiesehöfer, Cologne, Germany
2002
・‘Sweet home’, Espacio Aglutinador, Havana, Cuba*
2001
・‘Mousepads and screensavers’ (curated by Cuauhtemoc Medina), ArtPace, San Antonio, US*
・‘Network transmission / Summer days’, Adamski Frehrking Wiesehöfer Galerie, Cologne, Germany*
1999
・‘Esta cerca es provisional: Evite ser requerido / This is a provisional fence: Keep out’, Centro de Desarrollo de Las Artes Visuales, Havana, Cuba*
1997
・‘Hiking Raffle’, Banff Centre for the Arts, Alberta, Canada*
・‘Hormigón armado’, Centro de Desarrollo de Las Artes Visuales, Havana, Cuba*
1996
・‘Agua con azúcar y La muestra provisional’ (curated by Helmo Hernández), Centro de Desarrollo de Las Artes Visuales, Havana, Cuba* / Museo de Arte Contemporáneo y Diseño (MACD), San José, Costa Rica*
・‘Para saber quien soy’, Centro de Desarrollo de Las Artes Visuales, Havana, Cuba
1995
・‘Bésame Habana’, Centro de Arte y Diseño, Havana, Cuba*
- an asterisk indicates the exhibition was as Ordo Amoris Cabinet
Group exhibitions
2017
‘We Call It Ludwig’, Museum Ludwig, Cologne, DE
2016
‘We Call It Ludwig’, Museum Ludwig, Cologne, DE
‘WERE IT AS IF’, Witte de With Center for Contemporary Art, Rotterdam, NDL
2015
‘Salón de arte contemporáneo’, Palacete Sousa, Barranco, Peru
2014
‘Bringing Light into a Windowless Room’, Capitain Petzel, Berlin, DE
‘New Paintings’, Alexander and Bonin, New York, US
‘Beyond the Supersquare’, The Bronx Museum of the Arts, New York, US
‘The 1st International Biennial of Contemporary Art’, Cartagena de Indias, COL
2013
‘The New Man and The New Woman’, Marlborough Contemporary, London, GB
‘IHRE GESCHICHTE(N)’, Bonner Kunstverein und Artothek, Bonn, DE
‘lonelyfingers: Konversationsstücke’, Museum Abteiberg, Mönchengladbach, DE
‘Arqueológica’, Matadero, Madrid, ES
‘The Feverish Library (continued)’, Capitain Petzel, Berlin, DE
‘Stimuli’, Alexander and Bonin, New York, US
2012
‘Newtopia: The State of Human Rights’ (curated by Katerina Gregos), Mechelen, Belgium
‘Chaotic trajectories’ (curated by Thomas Rehbein), Temporary Gallery, Cologne, Germany
2011
‘Sammlung im Prozess’ (curated by Georg Elben), Skulpturenmuseum Glaskasten Marl, Marl, Germany
‘Hans hat Glück’, Castle Gandegg, Appiano, Italy
‘The silver show’, NAK, Aachen, Germany
‘Entropia’, Philara – Sammlung zeitgenössischer Kunst, Düsseldorf, Germany
‘DC Bonus’, Schmidt Maczollek / Michael Wiesehöfer / Thomas Zander, Forum für Fotografie, Cologne, Germany
‘New Space’, Federico Luger, Milan, Italy
‘Colors for a new home, Signs of love and other paintings’, Alexander and Bonin, NY, US
’Fronteras en mutación, en tránsito of Bridges & Borders (fase III)‘, CCEBA, Centro Cultural de España en Buenos Aires, Argentina
‘Local host‘ (International artists in / from NRW At AZKM), Ausstellungshalle Zeitgenössische Kunst, Münster
‘Tracks’, Kunstmuseum Liechtenstein, Liechtenstein
‘Drawings wall’, Paolo Maria Deanesi Gallery, Rovereto, Italy
2010
‘Neues Rheinland. Die Postironische Generation’ (curated by Stefanie Kreuzer), Museum Morsbroich, Leverkusen, Germany
‘Fiona Banner / Marcus Becker / Diango Hernández’ Galerie Barbara Thumm, Berlin, Germany
‘4 on paper’ Alexander and Bonin NY, US
‘Face to face’ Pepe Cobo y Cia, Madrid, Spain
‘Touched’ The 10th Liverpool Biennial (curated by Peter Gorschlüter), Tate Liverpool, UK
‘The new décor’ (curated by Ralph Rudolf), Hayward Gallery, London, UK / Garage CCC, Moscow, Russia
‘Star city’ (curated by Alex Farquharson), Nottingham Contemporary, Nottingham, UK
‘Who wants to use my window?’ Paolo Maria Deanesi Gallery, Rovereto, Italy
‘Goldene Zeiten’ (curated by Patrizia Dander and Julienne Lorz), Haus der Kunst, Munich, Germany
‘Modelos para armar: Thinking Latin America from the MUSAC collection, León, Spain
‘A philosophical enquiry into the origin of our ideas of the fear and terror’ (curated by Helmut Friedel and Giovanni Iovane), Galleria Gentili, Prato, Italy
‘Languages and experimentations’ MART, Rovereto, Italy
‘Larger than life stranger than fiction’ (curated by Ulrike Groos), 11th Triennale der Kleinplastik Fellbach bei Stuttgart, Germany
2009
‘Ordinary revolutions’ (curated by Stefanie Kreuzer), Museum Morsbroich, Leverkusen, Germany
‘Das Gespinst’ (curated by Wilhelm Schurmann), Museum Abteiberg, Mochengladbach, Germany
‘Performa 09′ (curated by Lara Pan) NY, US
‘Danielle Kawaaitaal and Diango Hernández’, Monkeys Island, Cologne, Germany
‘Precarious Form’ (curated by Veit Loers), Galerie Meyer Kainer, Vienna, Austria
‘ev + a 2009, Reading the city’ (curated by Yilmaz Dziewior), Limerick City, Ireland
‘Cambio de aceite’, Pepe Cobo y Cia, Madrid, Spain
2008
Open Plan Living, Art TLV, [1] Helena Rubinstein Pavilion & Gan Ka'akov, Tel Aviv, Israel
Baghdad / Space cog / Analyst, [2] Frith Street Gallery, London, UK
Arise! ye starvelings…, [3] Pallas Contemporary Projects, Dublin, Ireland
This is not the way I remember it, [4] Anna Helwing Gallery, LA, US
Archivo Sur, [5] FUTURA Center for Contemporary Art, Prague, Czech Republic
Registered, (KONGRESS DER FUTUROLOGEN) [6] ICA, Dunaujvaros, Hungary
Urban Sculpture, on Via Dante Milano [7] Milano, Italy
Wessen Geschichte, Kunstverein Hamburg, Hamburg, Germany
2007
Disegni, Galleria Civica di Monfalcone, curated by Andrea Bruciati. Monfalcone, Italy
Video Latino Americano, curated by Antonio Arevalo, Foro de las Naciones Monterrey, Mexico
Jahresgaben 2007, Bonner Kunstverein, Bonn, Germany
Jahresgaben 2007, Neuer Aachener Kunstverein, Aachen, Germany
¿Qué pasa con las flores?, Galería Pepe Cobo, Madrid, Spain
Ironia Domestica: Uno sguardo curioso tra collezioni private italiane, Museidon: Museo d’arte moderna e contemporanea, Bolzano, Italy
Made in Germany, Kunstverein Hannover, Germany
Andrzej Wróblewski 1927-1957, Project Room, The National Museum, Warsaw, Poland
Mr. President, University Art Museum, State University of New York, Albany, US
2006
Biennale of Sevilla, Spain
Biennale of Sydney, Australia
São Paulo Biennial, Brasil
Out of the Blue, Federico Luger Gallery, Milan, Italy
2005
Always a little further, Arsenale di Venezia, 51st Venice Biennial, Venice, Italy
Lichtkunst aus Kunstlicht, ZKM/Museum für Neue Kunst, Karlsruhe, Germany
Roboter, Opelvillen, Rüsselsheim, Germany
Biwak, Frehrking Wiesehöfer, Cologne, Germany
Revantgarde, Paolo Maria Deanesi Gallery, Rovereto, Italy
Nuova Segnale, Federico Luger Gallery, Milano, Italy
2004
Flesh at War with Enigma, Kunsthalle Basel, Switzerland
doku/fiction. Mouse on Mars - reviewed & remixed, Kunsthalle Düsseldorf, Düsseldorf, Germany
Jahresgaben 2004, Kunstverein Arnsberg, Arnsberg, Germany
Jahresgaben 2004,Westfälischer Kunstverein, Münster, Germany
In Ictu Oculi, Pepe Cobo Gallery, Sevilla, Spain
Wildlife 04 final, Sommerpalast, Neuss, Germany
Bookies, M29 Brückner + Richter, Cologne, Germany
Mideo/Fear, Pepe Cobo Gallery, Sevilla, Spain
With Eyes of Stone and Water, Gallery 3,14, Bergen, Norway*
2003
Centauro, 8va Bienal de la Habanal, Havana, Cuba
Stretch, Power Plant Gallery, Toronto, Canada*
2002
Prophets of Boom. The Schürmann Collection, Kunsthalle Baden-Baden, Germany*
With Eyes of Stone and Water, Helsinki Art Museum, Finland*
Atravesados. Deslizamientos de identidades y géneros", Fundación Telefónica, Madrid, Spain*
FITAC. VIII foro sobre teoría del Arte Contemporáneo. Monterrey, México*
La Huella Múltiple, Centro de Desarrollo de las Artes Visuales. Havana*
2001
Short Stories, La Fabbrica del Vapore, Milano, Italy*
Un dia como otro cualquiera/A day like any other day, 7th Havana Biennial, Cuba*
I am Cuba Double play, Tirana Biennale. Tirana, Albania*
2000
La conjuncion de la nada, Center for the Development of the Visual Arts, Havana, Cuba*
1999
CUBA, Presentl. Barbican Centre, London, UK*
Thinking Aloud, Camden Art Centre, London, UK*
1998
Antennas: Network Transmission/Taxi Limosina. Provisional Utopias, Ludwig Forum für Internationale Kunst, Aachen/Kunsthaus Berlin, Germany*
Il Salon de arte cubano contemporanso, Center for the Development of the Visual Arts/Centro de Arte Contemporáneo Wifredo Lam /CENCREM/ Fototeca de Cuba, Havana, Cuba*
Thinking Aloud, The Hayward Gallery, London; Kettle's Yard, Cambridge; Cornerhouse, Manchester, UK*
Entropy at Home, Schürmann Collection, Suermondt Ludwig Museum, Aachen, Germany*
The Campaign Against Living Miserably, Royal College of Art, London, UK*
1997
The Russian mountain, 3. Manifestation Internationale Vidéo et Art Électronique, Montreal, Canada*
Rompiendo los moldes, 6th Havana Biennial, Cuba*
1996
Ultimas Noticias, Galería de Matanzas, Cuba*
1995
Una de cada clase, Next Generation Show, Centro de Arte y Diseño, Havana, Cuba*
- an asterisk indicates the exhibition was as Ordo Amoris Cabinet
Selected bibliography
- 2016
Kreuzer, Stefanie, ed. Theoretical Beach. Distanz Verlag, Berlin
- 2015
Diango Hernández: The Book of Waves. ex cat. Marlborough Contemporary, London
- 2014
Vermeulen, Timotheus and Gerhard Obermüller. Socialist Nature, ex. cat. Berlin: Distanz Verlag
- 2013
Diango Hernández: The New Man and the New Woman, ex. cat. London : Marlborough Contemporary
- 2011
Diango Hernández. Living Rooms, a Survey, ex. cat. Rovereto/Trento, Italy: Museo di Arte Moderna e Contem-poránea di Trento e Rovereto Hernández, Diango. Home. New York: Alexander and Bonin Publishing, Inc.
- 2009
Jacob, Luis. 7 Pictures of Nothing Repeated Four Times, In Gratitude. ex. cat. Cologne: Verlag der Buchhandlung Walther König Contemporary Latin American Art: Ordinary Revolutions, ex cat. Leverkusen, Germany: Museum Morsbroich Diango Hernández: Losing You Tonight, ex cat. Siegen, Germany: Museum für Gegenwartskunst
- 2008
Guevera, Ernesto. out-of-place artifacts (OOPArt), ex. cat. Cologne, Galerie Michael Wiesehofer, Berlin, Galerie Barbara Thumm
- 2007
Hernández, Diango. Diamonds and Stones: My Education, ex. cat. Milan: Federico Luger Gallery Ice Cream: Contemporary Art in Culture. (essay by Lisette Lagnado) London and New York: Phaidon Power Pencil: Diango Hernández, ex. cat. Rovereto, Italy: Paolo Maria Deanesi Gallery Swans without a lake, ex. cat. Aachen: NAK Neuer Aachener Kunstverein
- 2006
Desenhos [drawings]: A-Z. Edited by Adriano Pedrosa. Funchal, Portugal: Colecção Madeira Corporate Services Krystof, Dr. Doris. “Diango Hernández.“ in Zones of Contact: 2006 Sydney Biennale. ex. cat. Sydney, Sydney Biennale Ltd. Lagnado, Lisette and Adriano Pedrosa. 27a. Bienal de São Paulo: Como Viver Junto, ex. cat. São Paulo: Fundação Bienal de São Paulo Neuenschwander, Simon. "Simone Neuenschwander in conversation with Diango Hernández." Kunsthalle Basel (January 4, 2006): 3-5 ARCO ’06, Volume 1. Madrid: ARCO/IFEMA Feria de Madrid Neuenschwander, Simon. "Simone Neuenschwander in conversation with Diango Hernández." Kunsthalle Basel (4 January 2006): 3-5
- 2005
Always a Little Further: 51st International Art Exhibition. Venice: La Biennale di Venezia Diango Hernández: revantgarde ex.cat. New York: Lucas & Sternberg Kempkes, Anke. “Let Us Talk About Revant-Garde: In conversation with Diango Hernández.” in Flesh at War with Enigma ex. cat. Basel: Kunsthalle Basel Revuelta, Laura. "Diango Hernández." in elected affnities ex. cat. Madrid: ARCO/IFEMA Roboter, ex. cat. Rüsselsheim: Opelvillen
- 2004
doku/fiction: Mouse on Mars: Reviewed & Remixed. Düsseldorf: Kunsthalle Düsseldorf
- 2002
Cuba - with Eyes of Stone and Water. (essay by Winzen, Matthias) Helsinki: Helsinki City Art Museum Prophets of Boom: Collection Schürmann. Köln: Kunsthalle Baden-Baden
- 2001
Short Stories. Milano: La Fabrica del Vapore "Dreaming Red - Creating ArtPace", ArtPace, San Antonio, TX Eligio, Antonio (Tonel), "Culture and Society in the Work of Cuban Artists." In Art Cuba: The Next Generation. New York: Harry Abrams "Atravesados. Deslizamientos de identidad y género", Havanna, Cuba
- 1999
Eligio, Antonio (Tonel). "Esta cerca es provisional / Evite ser Requerido", (This is a Provisional Fence / Keep Out), Edition: Ordo Amoris Cabinet, Havana Hernandez, Orlando, "Trabajando Pa'l Inglé", Barbican Centre, London, UK
- 1998
"Provisorische Utopien", Ludwig Forum für Internationale Kunst, Aachen, Yedgar, Ariella. "The Campaign against living Miserably", Royal College of Art, London
- 1996
Hernandez, Helmo. "Hormigón Armado" (Reinforced Concrete), Edition: Ordo Amoris Cabinet
- 1997 "Utopian Territories: New Art from Cuba", Vancouver
Articles and reviews
- 2015
Cramerotti, Alfredo. “Diango Hernández: Time Islands and Space Islands.” The Seen (September 22, 2015)
- 2013
Vermeulen, Timotheus. “Ways of Knowing.” Frieze (No. 159, Nov-Dec 2013):141-143
- 2012
Niklai, Jade. “Diango Hernández: Omission Versus Addition.” Flash Art (November – December 2012): 98-100 Latimer, Quin. “Diango Hernandez: Nicolas Krupp Contemporary Art.” Artforum International (March 2012): 292-293
- 2011
Gibellini, Laura. “Diango Hernández.” Arte al Día (Issue #137, November - December 2011): 113 Pérez León, Dermis. “Diango Hernández: Educating Ourselves for Life Under Capitalism.” ArtNexus (no. 83 vol. 10): 52-56
- 2010
Lorch, Catrin. “Diango Hernández.” Frieze (February, 2010): 134-35
- 2009
Reindl, Uta M. “Diango Hernández.” artist Kunstmagazin #78
- 2008
Montgomery, Harper. “Diango Hernández.” ArtNexus (June–August, 2008): 134 Tallone, Ana. “Diango Hernández.” arte al día (February – March, 2008): 123 Verhagen, Marcus. “Bagdad/Space Cog/ Analyst.” Art Monthly (September, 2008)
- 2007
“Fancy Fence.” PROP (October 2007): 54-65 Hernández, Diango. “We Didn’t Want to Go to the Moon.” Piktogram #7, Warsaw Wasserman, Nadine. “Hail to the Chief.” Metroland (February 15-21, 2007)
- 2007
Wei, Lilly. “Report from Sydney: Remapping the Art World.” Art in America (March 2007): 58-65
- 2006
Wulffen, Thomas. 27. “Biennale von São Paulo.” Kunstforum (December 2006 – February 2007) Lorch, Catrin. “Von der Schwerkraft der Farbe.” Frankfurter Allgemeine Zeitung (September 23, 2006): 53 Cohen, David. “The Dark Side of Summer.” The New York Sun (June 15, 2006) Schardt, Simone. “Von der Aktion zum Kataloggesäusel.” WOZ (February 9, 2006): 13 Cybinski, Von Nikolaus. “Verschlissene Revolution.” Der Sonntag (February 5, 2006) Hoffman, Annette. “Trummer der Geschichte.” Regioartline Kunstmagazin (January 31, 2006) Fischer, Annina. “Macht, Propaganda und Diktatur.” B.Z. Zeitung (January 25 2006): 8
- 2005
Revuelta, Laura. “Diango Hernández, ARCO Special - A Retrospective”, Madrid Tomasini, Marco. “Hernández in Biennale”, l'Adige, May 31, Trento, Italy Vetrocq, Marcia E. “Venice Biennale: Be Careful What You Wish For.” Art in America (September 2005): 109-119
- 2004
León, Dermis Pérez. “Diango Hernández: Amateur”, ArtNexus N° 52, V. 3/2004, USA
- 2001
Quinones, Paul. "Short Stories: La Fabrica del Vapore, Milano”, Flash Art 2001, Italy
- 2000
Fernandez, Frencis. “Rusty Scope’ from Cornell to Resnor”, Arte Cubano 3 Rodriguez, Hilda. “Espacios para una comunicaciòn deseada”, Arte Cubano 3
- 1999
Grant, Simon. “Imagination at full stretch”, Evening Standard, May 12, London Fuentes, Elvis. “Tan lejos tan cerca”, La Gaceta de Cuba, N° 8 Eligio, Antonio. “Esta cerca es provisional / Evite ser Requerido”, Revista La Gaceta de Cuba Eligio, Antonio (Tonel). “Por la Habana en Limosina” La Gaceta de Cuba, N° 6, S. 22 Hunt, Ian. “Thinking Aloud”, Art Monthly, February
- 1998
Greess, Gabriela. “Überlebenskunst”, Süddeutsche Zeitung (July) Germany Becker, Wolfgang. “Provisorische Utopien”, Ludwig Forum Aachen, Germany
- 1997
Moya, Nelson.“Agua con Azucar y Muestra Provisional 1 en el MADC”, Fanal No. 14, Spain
- 1996
Molina, Juan Antonio.“Ordo Amoris. Hacia un diseño pragmatico”, La Gaceta de Cuba, No. 4 (1996)
- 1995
Alberdi, Virginia, “The Next Generation”, Arte Cubano No. 2 (1995) days
Biography
Hernandez was born in 1970 in Sancti Spíritus, Cuba. He earned a degree in industrial design at the Havana Superior Institute of Design (ISDI). After graduation in 1994 he began a collaboration experience together with Ernesto Oroza, Juan Bernal, Francis Acea and Manuel Piña under the name of Ordo Amoris Cabinet[2] after the Latin words for "order" and "love". From 1996 until 2003 Ordo Amoris Cabinet was only formed by Hernández and Francis Acea. The duo's sculptural installations were exhibited throughout Cuba, Europe, and North America. Hernández’s works has been included at the 51st Venice Art Biennale (Arsenale, 2005), São Paulo Art Biennial (2006), Biennale of Sydney (2006), Kunsthalle Basel (2006), Munich’s Haus der Kunst (2010), London’s Hayward Gallery (2010) and more recently with a survey at the MART (2011) in Rovereto, Italy.[citation needed] Hernandez currently lives and works in Düsseldorf, Germany.
Public collections
- Espacio de Arte Contemporáneo Almagro, Almagro, Spain
- FRAC des Pays de la Loire, Carquefou, France
- Museum Abteiberg, Mönchengladbach, Germany [8]
- Palazzo Forti Verona, Verona, Italy [9]
- Galleria Civica di Monfalcone, Italy
- MOMA, NY
- Inhotim, Brazil