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[[File:Tree Mountain sketch.jpg|thumb|Tree Mountain located in Ylöjärvi, Finland]]


'''Agnes Denes''' is internationally known for works investigating science, philosophy, linguistics, psychology, poetry, history, and music, created in a wide range of mediums. Her conceptually-based artistic practice is distinctive in terms of its engagement with aesthetics and socio-political ideas. Born in Hungary in 1931, raised in Sweden, and educated in the United States, her artistic career began in the 1960s. She has since participated in more than 450 exhibitions at galleries and museums throughout the world including, among others, solo shows at the Corcoran Gallery of Art, Washington, D.C. (1974); the Institute of Contemporary Art, London (1979); and retrospective surveys at the Herbert F. Johnson Museum of Art, Cornell University, Ithaca, N.Y. (1992); the Samek Art Gallery, Bucknell University, Lewisburg, Pennsylvania (2003); and the Ludwig Museum, Budapest, Hungary (2008). Her work has also been featured in such international surveys as the Biennale of Sydney (1976); documenta 6, Kassel, Germany (1977); the Venice Biennale (1978); and more recently ''Systems, Actions & Processes: 1965–1975,'' PROA Foundation, Buenos Aires (2011); ''Erre: variations labyrinthiques,'' Centre Pompidou, Metz (2011–12); ''Light Years: Conceptual Art and the Photograph: 1964–1977,'' Art Institute of Chicago (2012); Ends of the Earth: Land Art to 1974, Museum of Contemporary Art, Los Angeles (2012); and ''Materializing Six Years: Lucy R. Lippard and the Emergence of Conceptual Art,'' Brooklyn Museum (2012).
'''Agnes Denes''' is internationally known for works investigating science, philosophy, linguistics, psychology, poetry, history, and music, created in a wide range of mediums. Her conceptually-based artistic practice is distinctive in terms of its engagement with aesthetics and socio-political ideas. Born in Hungary in 1931, raised in Sweden, and educated in the United States, her artistic career began in the 1960s. She has since participated in more than 450 exhibitions at galleries and museums throughout the world including, among others, solo shows at the Corcoran Gallery of Art, Washington, D.C. (1974); the Institute of Contemporary Art, London (1979); and retrospective surveys at the Herbert F. Johnson Museum of Art, Cornell University, Ithaca, N.Y. (1992); the Samek Art Gallery, Bucknell University, Lewisburg, Pennsylvania (2003); and the Ludwig Museum, Budapest, Hungary (2008). Her work has also been featured in such international surveys as the Biennale of Sydney (1976); documenta 6, Kassel, Germany (1977); the Venice Biennale (1978); and more recently ''Systems, Actions & Processes: 1965–1975,'' PROA Foundation, Buenos Aires (2011); ''Erre: variations labyrinthiques,'' Centre Pompidou, Metz (2011–12); ''Light Years: Conceptual Art and the Photograph: 1964–1977,'' Art Institute of Chicago (2012); Ends of the Earth: Land Art to 1974, Museum of Contemporary Art, Los Angeles (2012); and ''Materializing Six Years: Lucy R. Lippard and the Emergence of Conceptual Art,'' Brooklyn Museum (2012).


Works by the artist are in the collections of The Museum of Modern Art; the Metropolitan Museum of Art; the Whitney Museum of American Art; the Hirshhorn Museum and Sculpture Garden; the Art Institute of Chicago; San Francisco Museum of Modern Art; the Moderna Museet, Stockholm; the Israel Museum, Jerusalem; the Kunsthalle Nürnberg; the National Gallery of Art, Washington, D.C.; among others. As a pioneer of Land Art, Agnes Denes created Rice/Tree/Burial in 1968 in Sullivan County, New York. Acknowledged as the first site-specific performance piece with ecological concerns, it was enacted ten years later on an expanded scale at Artpark in Lewiston, New York. ''Wheatfield – A Confrontation'' is arguably Agnes Denes’s best known work. It was created during a six-month period in the spring, summer, and fall of 1982 when Denes, with the support of the Public Art Fund, planted a field of golden wheat on two acres of rubble-strewn landfill near Wall Street and the World Trade Center in lower Manhattan (now the site of Battery Park City and the World Financial Center). Among her many other artistic achievements is ''Tree Mountain – A Living Time Capsule,'' a monumental earthwork reclamation project and the first man-made virgin forest, situated in Ylöjärvi, Western Finland. The site was dedicated by the President of Finland upon its completion in 1996 and is legally protected for the next four hundred years. Agnes Denes is equally known for her innovative use of metallic inks and other nontraditional materials in creating a prodigious body of drawings and prints that delineate her explorations in a variety of disciplines. She has completed public and private commissions in North and South America, Europe, Australia, and the Middle East, and has received numerous honors and awards including four fellowships from the National Endowment for the Arts; four grants from the New York State Council on the Arts; the DAAD Fellowship, Berlin, Germany (1978); the American Academy of Arts and Letters Purchase Award (1985); the Eugene McDermott Award in the Arts at MIT (1990); the Rome Prize from the American Academy in Rome (1998); the Jill Watson Award for Transdisciplinary Achievement in the Arts from Carnegie Mellon University (1999); the Anonymous Was a Woman Award (2007); and the Ambassador’s Award for Cultural Diplomacy (2008) from the American Embassy in Hungary. Denes holds honorary doctorates from Ripon College and Bucknell University and has had fellowships at the Studio for Creative Inquiry at Carnegie Mellon University and the Center for Advanced Visual Studies at M.I.T. She lectures extensively at colleges and universities throughout the United States and abroad, and participates in global conferences on art and the environment. She is the author of six books and is featured in numerous other publications on a wide range of subjects. She is represented by [http://www.tonkonow.com/denes.html Leslie Tonkonow Artworks + Projects, New York].
Works by the artist are in the collections of The Museum of Modern Art; the Metropolitan Museum of Art; the Whitney Museum of American Art; the Hirshhorn Museum and Sculpture Garden; the Art Institute of Chicago; San Francisco Museum of Modern Art; the Moderna Museet, Stockholm; the Israel Museum, Jerusalem; the Kunsthalle Nürnberg; the National Gallery of Art, Washington, D.C.; among others. As a pioneer of Land Art, Agnes Denes created Rice/Tree/Burial in 1968 in Sullivan County, New York. Acknowledged as the first site-specific performance piece with ecological concerns, it was enacted ten years later on an expanded scale at Artpark in Lewiston, New York. ''Wheatfield – A Confrontation'' is arguably Agnes Denes’s best known work. It was created during a six-month period in the spring, summer, and fall of 1982 when Denes, with the support of the Public Art Fund, planted a field of golden wheat on two acres of rubble-strewn landfill near Wall Street and the World Trade Center in lower Manhattan (now the site of Battery Park City and the World Financial Center). Among her many other artistic achievements is ''Tree Mountain – A Living Time Capsule,'' a monumental earthwork reclamation project and the first man-made virgin forest, situated in Ylöjärvi, Western Finland. The site was dedicated by the President of Finland upon its completion in 1996 and is legally protected for the next four hundred years.
Agnes Denes is equally known for her innovative use of metallic inks and other nontraditional materials in creating a prodigious body of drawings and prints that delineate her explorations in a variety of disciplines. She has completed public and private commissions in North and South America, Europe, Australia, and the Middle East, and has received numerous honors and awards including four fellowships from the National Endowment for the Arts; four grants from the New York State Council on the Arts; the DAAD Fellowship, Berlin, Germany (1978); the American Academy of Arts and Letters Purchase Award (1985); the Eugene McDermott Award in the Arts at MIT (1990); the Rome Prize from the American Academy in Rome (1998); the Jill Watson Award for Transdisciplinary Achievement in the Arts from Carnegie Mellon University (1999); the Anonymous Was a Woman Award (2007); and the Ambassador’s Award for Cultural Diplomacy (2008) from the American Embassy in Hungary. Denes holds honorary doctorates from Ripon College and Bucknell University and has had fellowships at the Studio for Creative Inquiry at Carnegie Mellon University and the Center for Advanced Visual Studies at M.I.T. She lectures extensively at colleges and universities throughout the United States and abroad, and participates in global conferences on art and the environment. She is the author of six books and is featured in numerous other publications on a wide range of subjects. She is represented by [http://www.tonkonow.com/denes.html Leslie Tonkonow Artworks + Projects, New York].


==Selected works==
==Selected works==

Revision as of 16:54, 5 December 2012

Agnes Denes
Born1931
Known forLand Art
Notable workWheatfield, Tree Mountain
MovementConceptual Art
File:Tree Mountain sketch.jpg
Tree Mountain located in Ylöjärvi, Finland

Agnes Denes is internationally known for works investigating science, philosophy, linguistics, psychology, poetry, history, and music, created in a wide range of mediums. Her conceptually-based artistic practice is distinctive in terms of its engagement with aesthetics and socio-political ideas. Born in Hungary in 1931, raised in Sweden, and educated in the United States, her artistic career began in the 1960s. She has since participated in more than 450 exhibitions at galleries and museums throughout the world including, among others, solo shows at the Corcoran Gallery of Art, Washington, D.C. (1974); the Institute of Contemporary Art, London (1979); and retrospective surveys at the Herbert F. Johnson Museum of Art, Cornell University, Ithaca, N.Y. (1992); the Samek Art Gallery, Bucknell University, Lewisburg, Pennsylvania (2003); and the Ludwig Museum, Budapest, Hungary (2008). Her work has also been featured in such international surveys as the Biennale of Sydney (1976); documenta 6, Kassel, Germany (1977); the Venice Biennale (1978); and more recently Systems, Actions & Processes: 1965–1975, PROA Foundation, Buenos Aires (2011); Erre: variations labyrinthiques, Centre Pompidou, Metz (2011–12); Light Years: Conceptual Art and the Photograph: 1964–1977, Art Institute of Chicago (2012); Ends of the Earth: Land Art to 1974, Museum of Contemporary Art, Los Angeles (2012); and Materializing Six Years: Lucy R. Lippard and the Emergence of Conceptual Art, Brooklyn Museum (2012).

Works by the artist are in the collections of The Museum of Modern Art; the Metropolitan Museum of Art; the Whitney Museum of American Art; the Hirshhorn Museum and Sculpture Garden; the Art Institute of Chicago; San Francisco Museum of Modern Art; the Moderna Museet, Stockholm; the Israel Museum, Jerusalem; the Kunsthalle Nürnberg; the National Gallery of Art, Washington, D.C.; among others. As a pioneer of Land Art, Agnes Denes created Rice/Tree/Burial in 1968 in Sullivan County, New York. Acknowledged as the first site-specific performance piece with ecological concerns, it was enacted ten years later on an expanded scale at Artpark in Lewiston, New York. Wheatfield – A Confrontation is arguably Agnes Denes’s best known work. It was created during a six-month period in the spring, summer, and fall of 1982 when Denes, with the support of the Public Art Fund, planted a field of golden wheat on two acres of rubble-strewn landfill near Wall Street and the World Trade Center in lower Manhattan (now the site of Battery Park City and the World Financial Center). Among her many other artistic achievements is Tree Mountain – A Living Time Capsule, a monumental earthwork reclamation project and the first man-made virgin forest, situated in Ylöjärvi, Western Finland. The site was dedicated by the President of Finland upon its completion in 1996 and is legally protected for the next four hundred years.

Agnes Denes is equally known for her innovative use of metallic inks and other nontraditional materials in creating a prodigious body of drawings and prints that delineate her explorations in a variety of disciplines. She has completed public and private commissions in North and South America, Europe, Australia, and the Middle East, and has received numerous honors and awards including four fellowships from the National Endowment for the Arts; four grants from the New York State Council on the Arts; the DAAD Fellowship, Berlin, Germany (1978); the American Academy of Arts and Letters Purchase Award (1985); the Eugene McDermott Award in the Arts at MIT (1990); the Rome Prize from the American Academy in Rome (1998); the Jill Watson Award for Transdisciplinary Achievement in the Arts from Carnegie Mellon University (1999); the Anonymous Was a Woman Award (2007); and the Ambassador’s Award for Cultural Diplomacy (2008) from the American Embassy in Hungary. Denes holds honorary doctorates from Ripon College and Bucknell University and has had fellowships at the Studio for Creative Inquiry at Carnegie Mellon University and the Center for Advanced Visual Studies at M.I.T. She lectures extensively at colleges and universities throughout the United States and abroad, and participates in global conferences on art and the environment. She is the author of six books and is featured in numerous other publications on a wide range of subjects. She is represented by Leslie Tonkonow Artworks + Projects, New York.

Selected works

Publications

  • The Human Argument Spring Publications, Putnam, Connecticut, 2008. ISBN 978-0-88214-569-3

Awards and honors

Biographies

  • Agnes Denes [1]
  • Biography [2]
  • Greenmuseum Bio [3]

References

  1. ^ Boettger, Suzaan (2008). "Excavating Land Art by Women in the 1970s". Sculpture. 27 (November): 38–45. {{cite journal}}: More than one of |number= and |issue= specified (help)
  2. ^ "Wheatfield". Retrieved 2008-10-23.
  3. ^ Glueck, Grace (1982-06-11). "A Critic's Guide to the Outdoor Sculpture Shows". New York Times (June 11). Retrieved 2008-10-24. {{cite journal}}: More than one of |work= and |journal= specified (help)
  4. ^ "Agnes Denes". Archived from the original on 23 November 2008. Retrieved 2008-10-23. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  5. ^ Agnes Denes: Projects for Public Spaces
  6. ^ Denes, Agnes. "My work as an environmental artist". Retrieved 2008-10-26.
  7. ^ "Winners of the Rome Prize for Work and Study Abroad". New York Times (April 19). 1997-04-19. Retrieved 2008-10-24. {{cite journal}}: More than one of |work= and |journal= specified (help)

See also

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