Jump to content

Veit Harlan: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
Roeeyaron (talk | contribs)
YurikBot (talk | contribs)
m robot Adding: no:Veit Harlan
Line 39: Line 39:
[[fr:Veit Harlan]]
[[fr:Veit Harlan]]
[[he:פייט הרלן]]
[[he:פייט הרלן]]
[[no:Veit Harlan]]
[[pt:Veit Harlan]]
[[pt:Veit Harlan]]

Revision as of 14:53, 24 March 2006

Veit Harlan (* September 22 1899 in Berlin; † April 13 1964 in Capri/Italy) was a German film director and actor.

After studying under Max Reinhardt, he first appeared on the threatre stage in 1915. After World War I, he appeared on the Berlin stage. In 1922 he married the ill-fated Jewish actress and cabaret singer Dora Gerson and the couple divorced in 1924. Gerson would later be murdered at Auschwitz with her family. In 1929, he married Hilde Koerber, having three children with her before divorcing her for political reasons related to the influence of National Socalism. Afterwards, he married the actress Kristina Soederbaum, for whom he wrote several tragic roles, further increasing her popularity.

During the 1930's, Harlan made several anti-Semitic films. In 1937 Joseph Goebbels appointed Harlan as one of his leading propaganda directors. His most "notable" piece of this period was the film Jud Süß, starring Heinrich George, which was shown for anti-Semitic purposes both in Germany and Austria. It received in 1943 UFA's highest awards.

At the end of the war Harlan was charged with participating in the anti-Semitic movement and aiding the Nazis. He successfully argued against the charges on the grounds that higher-ups had deliberately interfered with his art and was acquitted.

He made a few more films after the war, dying while on vacation in Capri.

Filmography

  • Krach im Hinterhaus (1934)
  • Kreutzersonate (1937)
  • Der Herrscher (1937)
  • Jugend (1938)
  • Verwehte Spuren (1938)
  • Das unsterbliche Herz (1939)
  • Jud Süß (1940)
  • Der große König (1941)
  • Die goldene Stadt (1942)
  • Immensee (1943)
  • Opfergang (1944)
  • Kolberg (1944/1945)
  • Unsterbliche Geliebte (1950)
  • Die blaue Stunde (1952)
  • Sterne über Colombo (1953)
  • Verrat an Deutschland (Der Fall Dr. Sorge) (1954)
  • Anders als du und ich (1957)
  • Das dritte Geschlecht (1957)