Vittoriale degli italiani: Difference between revisions
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The '''Vittoriale degli |
The '''Vittoriale degli italiani''' (''The shrine of Italian victories'' in [[English language|English]]) is a hillside estate in the town of [[Gardone Riviera]] overlooking the [[Lake Garda|Garda lake]] in [[Lombardy]], [[Italy]]. It is where the Italian writer [[Gabriele d'Annunzio]] lived from 1922 until his death in 1938. The estate consists of the residence of d'Annunzio called the Prioria (priory), an [[amphitheatre]], the light cruiser Puglia set into a hillside, a boathouse containing the [[MAS (ships)|MAS]] vessel used by D'Annunzio in 1918 and a circular [[mausoleum]]. Its grounds are now part of the [[Grandi Giardini Italiani]]. |
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References to the Vittoriale range from a “monumental citadel” to a “fascist lunapark”<ref>''The Vittoriale degli Italiani'', Fred Licht, The Journal of the Society of Architectural Historians, Vol. 41, No. 4 (Dec., 1982), pp. 318-324</ref>, the site inevitably inheriting the controversy surrounding its creator. |
References to the Vittoriale range from a “monumental citadel” to a “fascist lunapark”<ref>''The Vittoriale degli Italiani'', Fred Licht, The Journal of the Society of Architectural Historians, Vol. 41, No. 4 (Dec., 1982), pp. 318-324</ref>, the site inevitably inheriting the controversy surrounding its creator. |
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[[Category:Italian fascist architecture]] |
[[Category:Italian fascist architecture]] |
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Revision as of 09:57, 24 July 2008
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| Il Vittoriale degli Italiani | |
|---|---|
 | |
 | |
| General information | |
| Architectural style | Elements of Italian Fascist Architecture |
| Town or city | Gardone Riviera |
| Country | Italy |
| Construction started | 1921 |
| Completed | 1955 |
| Design and construction | |
| Architect(s) | Giancarlo Maroni |
The Vittoriale degli italiani (The shrine of Italian victories in English) is a hillside estate in the town of Gardone Riviera overlooking the Garda lake in Lombardy, Italy. It is where the Italian writer Gabriele d'Annunzio lived from 1922 until his death in 1938. The estate consists of the residence of d'Annunzio called the Prioria (priory), an amphitheatre, the light cruiser Puglia set into a hillside, a boathouse containing the MAS vessel used by D'Annunzio in 1918 and a circular mausoleum. Its grounds are now part of the Grandi Giardini Italiani.
References to the Vittoriale range from a “monumental citadel” to a “fascist lunapark”[1], the site inevitably inheriting the controversy surrounding its creator.
History
The house, Villa Cargnacco, had belonged to a German art historian from whom it was confiscated by the Italian state, including its collection of books and a piano which had belonged to Liszt. d'Annunzio rented it in February 1921 and within the year it was purchased and reconstruction starts under the guidance of architect Giancarlo Maroni. Due to d'Annunzio's popularity and his disagreement with the fascist government on several issues, such as the alliance with Nazi Germany, the fascists did what they could to please d'Annunzio in order to keep him away from political life in Rome, part of their strategy was to make huge funds available which were used to expand the property, construct and/or modify the buildings and to create the impressive art and literature collection. In 1924 the airplane that d'Annunzio used for his pamphleteering run over Vienna during World War I was brought to the estate, followed in 1925 by the MAS naval vessel used by him to taunt the Austrians in 1918 in the Buccari incident. In the same year the light cruiser Puglia was hauled up the hill and placed in the woods behind the house, and the property was expanded by acquisition of surrounding lands and buildings.
In 1926 the government donated an amount of 10 million lira which allowed a considerable enlargement of the Villa, with a new wing named the Schifamondo. In 1931 construction was started on the Parlaggio, the name for the amphitheatre. The mausoleum was designed after d'Annunzio's death but not actually built until 1955, and d'Annunzio's remains were finally brought there in 1963.
Buildings
The Prioria
The Prioria itself consists of a number of rooms opulently decorated and filled with memorabilia. Notable are the two waiting rooms, one for welcome guests, one for unwelcome ones. It is the latter where Mussolini was sent to on his visit in 1925. A phrase was inscribed specifically for him above the mirror:
- To the visitor:
- Are you bringing Narcissus' Mirror?
- This is leaded glass, my mask maker.
- Adjust your mask to your face,
- But know that it is no more than glass placed against steel.
Also the leper's room is worth noting, it is where D'Annunzio's wake was held upon his death. Its name comes from the fact that d'Annunzio felt that he was being spurned by the government due to their continued efforts to keep him in Gardone, rather than possibly in the limelight in Rome.
The Relic room holds a large collection of religeous statues and images of different beliefs, purposely placed together to make a statement about the universal character of spirituality. The inscription on the inner wall reads:
- As there are five fingers on a hand, there are only five mortal sins.
D'Annunzio wished to make clear hereby that he didn't believe that lust and greed should be considered sinful.
The Amphitheatre
The amphitheatre is the first major structure one comes across after entering the estate and was clearly based upon classic models, the architect Maroni even visiting Pompeii for inspiration. Its location, like the other buildings of the Vittoriale undeniably offers a majestic view of the Garda lake, it is still used for performances today.[2]
The Mausoleum
The circular structure with its stark bombastic design is classic fascist architecture, it is situated on the highest point on the estate. It contains the remains of men who served D'Annunzio and died during the Fiume incident, and d'Annunzio himself.
The Light cruiser Puglia
Jutting out of one of the hilltops the Puglia makes a surreal sight. It was placed there, with its bow pointing in the direction of the Adriatic, “ready to conquer the Dalmatian shores”.
Notes and references
- ^ The Vittoriale degli Italiani, Fred Licht, The Journal of the Society of Architectural Historians, Vol. 41, No. 4 (Dec., 1982), pp. 318-324
- ^ http://teatrodelvittoriale.it/