Idris Bazorkin

In this name that follows Eastern Slavic naming customs, the patronymic is Murtuzovich and the family name is Bazorkin.

Idris Bazorkin
Native name	Байсаранаькъан Идрис
Born	(1910-06-15)15 June 1910 Bazorkino, Nazran okrug, Terek Oblast, Russian Empire
Died	31 May 1993(1993-05-31) (aged 82) Grozny, Chechen Republic of Ichkeria
Resting place	Egikal, Ingushetia, Russia
Occupation	writer, poet, playwright
Language	Ingush, Russian
Alma mater	Pedagogical institute of Vladikavkaz (1933)
Period	(1928–1993)
Genre	historical fiction, literary realism
Years active	1928–1993
Notable works	From the Darkness of Ages (1968)
Notable awards	Order of Friendship of Peoples

Idris Murtuzovich Bazorkin (15 June [O.S. 3 June] 1910 – 31 May 1993) was a Soviet writer, playwright and statesman who mainly wrote his works in Russian.

Born on 15 June 1910, Idris lost both of his parents at early age. For the first he was acquaintanced with literature by writing poetry for the handwritten magazine Red Sprouts during his studies at the preparatory department of the Ingush Pedagogical College in Vladikavkaz in 1924. In 1933 Idris became a graduate of the Social and Literary Department of the North Caucasus Pedagogical Institute in Vladikavkaz and began working as a teacher in the villages of mountainous Ingushetia. In 1934 Idris was a participant of the First Congress of Soviet Writers where he met the prominent writer Maxim Gorky and was accepted into the newly formed Union of Soviet Writers.

During the Deportation of the Chechens and Ingush Idris ended up in Kyrgyz SSR where he worked as an administrator at the Frunze Opera and Ballet Theater. He was one of the leaders of the national movement of the Chechen and Ingush peoples to return to their homeland. With his return to his homeland in 1957, he found himself become one of the leaders of Grozny rally of the Ingush on 13–16th January 1971. Although the rally was peaceful, it was ended in clashes with the police and the condemnation of its most active participants, including Idris. Accused of nationalism, Idris was expelled from the Communist Party, his books were removed from libraries, and his name was deleted from textbooks and anthologies.

During the East Prigorodny conflict in the Prigorodny District of North Ossetia and in Vladikavkaz in October–November 1992, Idris was taken hostage by North Ossetian gangs, and his personal property was exported by unidentified persons. In November 1992, immediately after the end of the armed phase of the conflict, Idris was taken to Ingushetia. He died in Grozny on 31 May 1993 and was buried in the family village of Egikal in mountainous Ingushetia.

Bazorkin was a pioneer in many genres in the Ingush literature: he wrote the first multi-act play At Dawn (На заре; 1934), modern literary fairy tale Kuni (Куни; 1957), an adventure story Call (Призыв; 1958), a film script Labor and Roses (Труды и розы; 1963) and a historical novel/an epic novel From the Darkness of Ages (Из тьмы веков; 1968), his magnum opus, which became not only his main book, but also the main book of the entire Ingush literature. Although there were already novels in Ingush literature, Idris, however, gave this genre a large-scale epic character with From the Darkness of Ages.

Life

Early life

Born on 15 June 1910 in Bazorkino, Russian Empire, in the family of the tsarist officer Murtuz-Ali, Idris was of Ingush background. The Bazorkin branch of the Gazdiev family came from the village of Egikal in mountainous Ingushetia. Idris' grandfather, Bunukho, was one of the first Ingush generals of the tsarist army; granduncle was the founder of the village of Bazorkin, Mochko. Murtuz-Ali, the third son of General Bunukho Bazorkin and an officer in the tsarist army. Not wanting to come under Soviet rule, he emigrated to Qajar Iran during the Russian Civil War and died there in 1924. Idris' mother Gretta, a daughter of the Swiss engineer Louis de Ratzé, who worked in Vladikavkaz, instilled in Idris the foundations of Russian and Western European cultures. Not wanting to emigrate with her husband to Iran, she remained in Vladikavkaz where she died in 1923.

At first, Idris studied in the preparatory class of a gymnasium in Vladikavkaz, but being affected by the Russian Civil War he was forced to continue further studies in a madrasah of his native village, Bazorkino, the impressions from which later formed the basis of one of his first stories, Boang (lit. 'Trap'). In 1924, Bazorkin entered the preparatory department of the Ingush Pedagogical College in Vladikavkaz. While there, Idris for the first began acquaintanced with literature by writing poetry for the handwritten magazine Red Sprouts, organized by Victoria Abramova and Tembot Bekov. One of Idris' teachers was a professor and linguist Mikhail Nemirovsky who offered Idris to become his student and heir by becoming a linguist. Idris, not wanting to give up literary activity, refused the offer.

In 1930, after graduating from the College, Bazorkin entered the Social and Literary Department of the North Caucasus Pedagogical Institute in Vladikavkaz. During his study years, Idris wrote stories, plays, poems and articles. In 1932, Bazorkin, in collaboration with Mukharbek Shadiev, published a textbook of the Ingush language for 1st grade in rural schools. The drawings for the publication were also made by Bazorkin. In 1933, in collaboration with A. Akhriev and Akhmet Oziev, he published a primer for rural schools.

In 1932–1934, Idris combined his studies in Vladikavkaz with work as a teacher in the villages of mountainous Ingushetia. In 1934, the Ingush national publishing house "Serdalo" in Vladikavkaz (Ordzhonikidze) published a collection of poems and stories by Bazorkin Nazmanch ('Singer'). A significant year for Bazorkin was 1934 as he participated in the First All-Union Congress of Soviet Writers as a delegate from Checheno-Ingushetia, where he met the writer Maxim Gorky and was accepted into the newly formed Union of Writers of the USSR.

In 1934–1935, Bazorkin, together with the Chechen-Ingush Theater Studio, underwent an internship at the Tbilisi State Theater named after Shota Rustaveli. In 1935–1938, he worked as the head teacher of the Pedagogical Workers' Faculty in Ordzhonikidze. In 1937, the first multi-act play in Ingush literature, At Dawn, written by Bazorkin in 1934–1935, which tells about the Russian Civil War in the North Caucasus in 1919. In 1938, translated into Ossetian by A. Tokaev, it was staged at the North Ossetian State Theater.

In 1934 Ingush Autonomous Oblast and Chechen Autonomous Oblast were merged into Checheno-Ingush Autonomous Oblast and Bazorkin, like almost all representatives of the Ingush intelligentsia, moved from Ordzhonikidze to Grozny in 1938. There he worked as the head of the Literary Department of the Checheno-Ingush State Drama Theater. With the beginning of the Great Patriotic War, the main theme of Bazorkin's work became the theme of the fight against the Nazis and victory over them. Being a full-time lecturer for the regional party committee and a correspondent for republican newspapers and radio, he, together with his colleagues, travelled to the cities and villages of Checheno-Ingushetia, Kabardino-Balkaria, North Ossetia, speaking to soldiers and the population of front-line and rear settlements, on the radio, writing in essays and articles in the press, writes works with characteristic titles about the deeds of the Nazis on their native land: "We will not forgive!", "The face of the enemy", "At the open grave", "The anger of the people", "The honor of a mountain woman", "Son of the Motherland", "A word to the Chechen-Ingush intelligentsia", "They will not pass", etc. In 1943, due to the retreat of German troops from the territory of Checheno-Ingushetia, the writer decides to switch exclusively to literary work.

In exile

On 23 February 1944, the Chechen and Ingush were deported to Kazakh SSR and Kirghiz SSR. Idris was deported to Kyrgyzstan where he began working as an administrator at the Frunze Opera and Ballet Theater. It was forbidden for exiled writers to write and publish at that time, so Bazorkin resorted to collecting material for his works, hoping for further rehabilitation.

The deported peoples, especially after the 20th Congress of the Communist Party of the Soviet Union, began to hope that justice would be restored to them. In Kazakhstan and Kyrgyzstan, a national movement for returning to the homeland began, the informal leader of which was Idris, who at that time worked as the chief administrator of the State Kyrgyz Opera and Ballet Theater. On 9 June 1956, as a head of a group of representatives of the Chechen and Ingush intelligentsia, Idris arrived in Moscow to meet with the First Deputy Chairman of the Council of Ministers of the Soviet Union, Anastas Mikoyan. Mikoyan promised the delegation to multiply their letters and send them to all members of the Soviet Government and assist in the restoration of the Checheno-Ingush Autonomous Soviet Socialist Republic. On 24 November 1956, the Central Committee of the Communist Party of the Soviet Union adopted a resolution "On the restoration of the national autonomy of the Kalmyk, Karachay, Balkar, Chechen and Ingush peoples". In September 1956, a group of Ingush writers and other representatives of the intelligentsia, among whom was Idris, sent an appeal to the Presidium of the Board of the Union of Soviet writers in which they petitioned for "the return of the Ingush people to the fraternal family of Soviet peoples and the restoration of the autonomy of the Ingush and Chechens". The appeal received a great response among the Communist Party's bureaucracy, since it was forwarded by the secretary of the Board A. Surkov to the Central Committee of the Communist Party of the Soviet Union. Such initiatives of the Ingush intelligentsia had a certain positive impact on the country's leadership making the decision to restore the Checheno-Ingush Autonomous Soviet Socialist Republic.

Return

In 1957, Idris returned to Grozny. At the end of 1972, Bazorkin initiated a collective letter to the Central Committee of the Communist Party of the Soviet Union, in which he raised the issue of returning the Prigorodny District of North Ossetia to the jurisdiction of the Chechen-Ingush Autonomous Soviet Socialist Republic.

Constant discrimination of the Ingush in the Prigorodny District forced them to organize a rally in Grozny on 16–19 January 1973, at which they demanded that the Soviet authorities solve the problem of the Prigorodny region and provide the Ingush with social equality with the Ossetians. One of the leaders of this movement was Bazorkin. Despite the fact that the rally was peaceful, held under the slogans of "friendship of peoples", "restoration of Leninist norms" with the Ingush themselves maintaining order, they did not receive any reaction from the authorities and the rally ended in clashes with the police and the condemnation of its most active participants. Thus, the organizers of the rally, including Bazorkin, were accused of nationalism. Bazorkin was expelled from the Communist Party, his books were removed from libraries, and his name was deleted from textbooks and anthologies.

According to Bazorkin himself, after the rally, conditions of Ingush in the Prigorodny District improved somewhat. Ingush language appeared in schools, literature in the Ingush language arrived in the region, broadcasts in the Ingush language began on radio and television, for the first time Ingush deputies appeared in the Ordzhonikidze City Executive Committee and the Prigorodny District Executive Committee. However, much remained the same: authorities continued to limit the registration of Ingush in the district, Ingush children couldn't receive a normal education, discrimination in employment continued and Ingush were negatively portrayed in historical and fiction literature.

Last years

During the East Prigorodny conflict in the Prigorodny region of North Ossetia and in Vladikavkaz in October-November 1992, Idris was taken hostage by North Ossetian gangs, and his personal property, which included the manuscript of the continuation of the epic novel, was exported by unidentified persons. According to neighbors, four people in civilian clothes, accompanied by a platoon of fully equipped armed soldiers, arrived to Idris' apartment in a passenger car and a UAZ military minibus, and stole from his apartment several large cardboard boxes full of papers. The fate of the manuscripts is still unknown. Part of Idris' family archive (two albums with photographs) was returned and handed over to Mukharbek Didigov, the then Chairman of the Government of Ingushetia, in 1995.

In November 1992, immediately after the end of the armed phase of the conflict, the writer was taken to Ingushetia, where he died on 31 May 1993. He was buried in the family village of Egikal.

Works

Idris wrote mainly in Russian and to a lesser degree Ingush. According to writer Yakub Patiev, even his Russian language works feel as if they were written in Ingush. According to Khanifa Martazanova, a scholar of Russian and foreign literature at Ingush State University, Idris' prose works showed great interest in the concept of man, the world, and history. She also characterized them by having "thematic richness, diversity of genre forms, and artistic perfection" and being "closely connected with the everyday life of the [Ingush] people, with its past and present, with the spiritual demands of the time, [...] pos[ing] and solv[ing] problems that were important, relevant in nature, global and deep in their essence and content."

From the Darkness of Ages

Idris' magnum opus is considered his historical novel/epic novel From the Darkness of Ages (Из тьмы веков, Iz t'my vekov; 1968), written by him in Dzheyrakh, a mountainous village in Ingushetia, near which much of the story takes place, from 16 August 1965 to 10 February 1967. Based on rich folkloric, ethnographic, historical and documentary material about life of the Ingush in the second half of 19th – beginning of 20th century life, the novel's purpose was to describe the most important moments of national history of the Ingush from the point of view of social struggle and the principle of historicism. According to Patiev, the main theme of the novel is optimism (good faith in the future), which according to him, for the Ingush people, who have been not once deported and resettled, is the most precious feeling, necessary today.

The novel became not only the main book of Idris during his lifetime, but also the main book of all Ingush literature, in which activated Idris' talent in connecting historical fact and artistic fiction, writing a broad epic view of history, personality and exploring the deep layers of human character. Although there were already novels in Ingush literature, Idris, however, gave this genre a large-scale epic character with From the Darkness of Ages. Amongst readers arose opinion that the novel is an encyclopedia of the life of the Ingush people during the second half of the 19th century but Idris refused such a definition.

Plays

Idris also wrote a number of plays. Among them is his first play At dawn (На заре; 1934), which is not only the first multi-act play by an Ingush writer and playwright, written about the Ingush people and staged by a professional theater, but also the first heroic drama about the life of the Ingush people. His family drama Tamara (Тамара; 1938) is the first Ingush play, which highlighted the issues of class relations between people in the 1920-30s and the problems of dealing with the remnants of the past, which not only put Caucasian women in difficult conditions, but also permeated her in a humanistic pathos. It was also the first play in Ingush literature to realistically portray a woman. During the Great Patriotic War, Idris' one-act play In These Days (В эти дни; 1941) passionately called on the population of Checheno-Ingushetia to fight off Nazi Germany while his other one-act play of three scenes Captain Ibragimov, or My Answer (Капитан Ибрагимов, или Мой ответ, later The Birth of Hatred (Рождение ненависти); 1941–1942) talked about the heroic deeds of his fellow countrymen during the War, and has remained one of the most significant works of Checheno-Ingush literature about the period of the Great Patriotic War. For the play Operation (Операция; written in 1949, published in 1957) Idris received a honorable mention at a republican competition in Kyrgyzstan.

Other works

Idris also wrote Singer (Назманч; 1934), collection of poems and stories; Kuni (Куни; 1957), which is the first modern fairy tale for children in Ingush literature; the first repertoire collection for amateur artistic circles in the Ingush language; biographical essay of Makhmud Esambayev, The Artist's Path (1958); the historical story The Call, which is about the events of Russian Civil War that took place at the beginning of 1918 in the city of Vladikavkaz.

Idris also wrote film drama. His film script Labor and Roses (Труд и розы; 1958), was the first film script in the Ingush literature. Based on it, the film studio Azerbaijanfilm made the film I will dance! (Я буду танцевать!; 1962). For this work he received a Certificate of Honor from the Presidium of the Supreme Council of the Chechen-Ingush Autonomous Soviet Socialist Republic in 1963. In 1966, Bazorkin also wrote a new film script and play called Roads of Love (Дороги любви), which is about rural workers.

Translations into English

• Bazorkin, Idris (2013). "First lines". British Centre for Lit. Translation (2): 43–49.
• Bazorkin, Idris (2010). Grant, Bruce; Barker, Adele (eds.). "Evening Prayers". The Russia Reader: Culture, History, Politics. Translated by Gould, Rebecca. Durham, NC: Duke University Press: 293–302. doi:10.1215/9780822392583-047.
• Bazorkin, Idris (2010). "Light of the Ancestors". Washington Square (27): 152–167.

Sources

• Abadiev, Bek (2013). "Театральное искусство" [Theater arts]. In Albogachieva, Makka; Martazanov, Arsamak; Solovyeva, Lyubov (eds.). Ингуши [The Ingush]. Narody I kultury (in Russian). Moscow: Nauka. pp. 391–398. ISBN 978-5-02-038042-4.
• Barakhoeva, A. (1996-04-23). Barakhoev, M. S.; et al. (eds.). "Частично возвращен архив Идриса Базоркина" [The archive of Idris Bazorkin has been partially returned]. Serdalo (in Russian). No. 17. Nalchik: GP KBR "Respublikanskiy poligrafkombinat im. Revolyutsii 1905 g.". p. 1.
• Dakhkilgov, Ibragim; Martazanova, Khanifa (2013). "Национальная литература" [National literature]. In Albogachieva, Makka; Martazanov, Arsamak; Solovyeva, Lyubov (eds.). Ингуши [The Ingush]. Narody I kultury (in Russian). Moscow: Nauka. pp. 380–391. ISBN 978-5-02-038042-4.
• Dolgieva, Maryam; Kartoev, Magomet; Kodzoev, Nurdin; Matiev, Timur (2013). Kodzoev, Nurdin; et al. (eds.). История Ингушетии [History of Ingushetia] (4th ed.). Rostov-on-Don: Yuzhnyy izdatelsky dom. pp. 1–600. ISBN 978-5-98864-056-1.
• Evloeva, Aza (2012). Ингушская драматургия [Ingush dramaturgy] (in Russian). Nalchik.{{cite book}}: CS1 maint: location missing publisher (link)
• Gorchkhanova, Tanzila (2016). Жанр рассказа в ингушской литературе. Истоки. Становление [Genre of short story in Ingush literature. Origins. Becoming] (PDF) (in Russian). Moscow: Gorky Institute of World Literature. pp. 1–211.
• Gould, Rebecca (April 2020). "Enchanting Literary Modernity: Idris Bazorkin's Postcolonial Soviet Pastoral". Modern Language Review. 115 (2): 405–428. doi:10.1353/mlr.2020.0071.
• Gould, Rebecca (2016). "Finding Bazorkin: A Journey from Anthropology to Literature". Anthropology and Humanism. 41 (1): 86–101. doi:10.1111/anhu.12109. hdl:1983/6f06753e-2f3e-4d0f-8dd9-de531d58ff59.
• Karabulatova, Irina; Ebzeeva, Julia; Pocheshkhov, Nurbiy (2017). "The repressed Caucasians' ethno-trauma expressed as "light" and "darkness" in selected writings of Idris Bazorkin" (PDF). Terra Sebus. Acta Musei Sabesiensis. 9: 447–457. eISSN 2344-5432. ISSN 2066-9143.
• Kharchevnikov, Vladimir (1962). "Идрис Базоркин" [Idris Bazorkin]. Призыв: Избранное [Call: Favorite] (in Russian). Grozny: Checheno-Ingush Book Publishing House. pp. 3–15.
• Malsagov, Abu (1971). В боевом строю : Литературно-критические очерки [In combat formation: Literary critical essays] (in Russian). Grozny: Checheno-Ingush Book Publishing House. pp. 1–161.
• Martazanov, Arsamak; Martazanova, Khanifa; Sarbasheva, Alena (May–August 2021). "Folklore and literary continuum in the North Caucasian novel of the late 20th century in the aspect of ethnopedagogy". Eduweb. 15 (2): 261–277. doi:10.46502/issn.1856-7576/2021.15.02.20. ISSN 1856-7576.
• Martazanova, Khanifa (2015a). "Творчество И. М. Базоркина: Векторы развития" [Creativity of I. M. Bazorkin: Vectors of development]. Mir nauki, kul'tury, ibrazovaniya, zhurnal (in Russian). 6 (55): 315–317. eISSN 1991-5500. ISSN 1991-5497.
• Martazanova, Khanifa (2015b). "Художественный психологизм И. Базоркина" [Artistic psychologism by I. Bazorkin]. Mir nauki, kul'tury, ibrazovaniya, zhurnal (in Russian). 6 (55): 317–318. eISSN 1991-5500. ISSN 1991-5497.
• Nekrich, Аlexander (1978). Наказанные народы [The Punished peoples] (in Russian). New York: Khronika Press. pp. 1–170.
• Patiev, Yakub (2013). "Об авторе" [About the author]. Идрис Базоркин. «Из тьмы веков» [From the Darkness of Ages] (in Russian).
• Patiev, Yakub (2016-08-06). Patiev, Yakub; et al. (eds.). "Главная книга ингушской литературы" [Main book of Ingush literature]. Serdalo (in Russian). No. 117. Nazran: Serdalo. p. 2.
• Prokhorov, Alexander; et al., eds. (1970). "БАЗОРКИН Идрис Муртузович" [BAZORKIN Idris Murtzuvovich]. Great Soviet Encyclopedia (in Russian). Vol. 2: Ангола-Барзас. Moscow: Great Soviet Encyclopedia. p. 528.
• Shnirelman, Victor (2006). Kalinin, Ilya (ed.). Быть Аланами: Интеллектуалы и политика на Северном Кавказе в XX веке [To be Alans: Intellectuals and Politics in the North Caucasus in the 20th Century] (in Russian). Moscow: NLR. pp. 1–691. ISBN 5-86793-406-3. ISSN 1813-6583.
• Turkaev, Hasan; Malsagov, Abu (1969). Писатели Советской Чечено-Ингушетии [Writers of Soviet Checheno-Ingushetia] (in Russian). Grozny: Checheno-Ingush book publishing house. pp. 1–150.
• Tsutsulaeva, Sapiyat; Mamsurova, Makka (2021-11-29). "Role of the Chechen intellectuals in the decisions on Chechen people rehabilitation". European Proceedings of Social and Behavioural Sciences. 117: 2606–2612. doi:10.15405/epsbs.2021.11.344. eISSN 2357-1330.
• Yandieva, Maryam (1990). Elsanov, Islam (ed.). Ингушский исторический роман [Ingush historical novel] (in Russian). Grozny: Kniga. pp. 1–106. ISBN 9785766600701.
• Yandieva, Maryam (2005). "БАЗО́РКИН ИДРИС МУРТУЗОВИЧ" [BAZÓRKIN IDRIS MURTUZOVICH]. In Kravets, S. L.; et al. (eds.). Great Russian Encyclopedia (in Russian). Vol. 3: "Banketnaya kampaniya" 1904 – Bolshoy Ipriz. Moscow: Great Russian Encyclopedia. ISBN 5-85270-331-1.

Further reading

• Bazorkina, Aza (2001). Воспоминания об отце [Memories of my father] (in Russian). Nalchik: El'-Fa.
• Kharsieva, Liliia (2007). Специфика ингушской культуры: эстетические и духовно-нравственные основы романа И. Базоркина "Из тьмы веков" [Specifics of Ingush culture: aesthetic and spiritual-moral foundations of I. Bazorkin’s novel "From the Darkness of Ages"] (in Russian). Nazran: Piligrim.